On June 6, 2023, Chicken & Egg Pictures hosted Doc Nest, an invitation-only, one-day event at the Ford Foundation Center for Social Justice in New York. Doc Nest aimed to connect industry leaders, investors and donors with filmmakers, and to highlight a dozen Chicken & Egg Pictures-supported films from around the world in various stages from development to post-production. It brought together twelve filmmaking teams from nine countries along with 87 industry leaders, donors and investors. 

The films highlighted in this convening touched upon issues related to criminal justice, gun violence in the US, threats to democracy, the war in Ukraine, gender parity, ecological justice, racial equity, and more. The highlighted films included a range of styles and artistic approaches from archival to vérité and investigative to personal, covering a range of perspectives, backgrounds and experiences. 

This intimate gathering forged relationships and provided potential supporters an inside look into projects seeking investments. The goals of the event were two-fold: 1) To provide filmmakers with more access to industry support and to raise funds for projects; and 2) To ignite honest conversations about the challenges and barriers in navigating relationships between funders and filmmakers in creating impactful documentary films. 

This all-day event formerly known as Next Gen Egg has evolved over time and was designed to deconstruct the inherent hierarchy underlining typical pitch events. This year, filmmakers were given a platform to discuss their films through moderated discussions around three themes–artistic approach, access and impact–inviting potential supporters into their process and to foster new partnerships. We paired two film projects in each discussion, inviting open conversation between filmmakers about the challenges and opportunities they face in the filmmaking process. 

Chicken & Egg Pictures provided a total of $60,000 to the twelve projects that were presented at Doc Nest. As of October 2023, the funding committed by other donors and investors who attended Doc Nest amounts to nearly $1 million across the dozen projects highlighted at the event. 

We want to thank the Clif Family Foundation for generously sponsoring Doc Nest and the Ford Foundation Just Films for being our host.

This year, Chicken & Egg Pictures is proud to present our third annual (Egg)celerator Lab pitch, in which filmmaking teams from all ten 2019 (Egg)celerator Lab grantees give quick pitches to a live audience of documentary industry folks and receive feedback from international decision makers and buyers.

This year’s pitch session is moderated by award-winning filmmaker Judith Helfand, Chicken & Egg Pictures’ Co-Founder and Senior Creative Consultant, and will include a panel of:

• José Rodriguez of Tribeca Film Institute,
• Alexandra Hannibal of CNN Films,
• Jo Lapping of BBC Storyville,
• Jess Gormley of The Guardian, and
• Christine Kecher of A&E Networks.

The 2019 (Egg)celerator Lab grantees are:

• An Act of Worship, directed by Nausheen Dadabhoy (US/PAKISTAN)
• #Mickey, directed by Betzabé García (MEXICO)
• Between Fire and Water, directed by Viviana Gómez Echeverry (COLOMBIA)
• We Are Inside, directed by Farah Kassem (LEBANON)
• Untitled PRC Project, directed by Jessica Kingdon (US)
• Mama Bears, directed by Daresha Kyi (US)
• Silent Beauty, directed by Jasmin López (MEXICO/US)
• Pray Away, directed by Kristine Stolakis (US)
• Cutting Through Rocks, co-directed by Sara Khaki and Mohammad Reza Eyni (IRAN/US)

Anyone with a Sheffield Doc/Fest pass is welcome to sit in on the sessions, learn about the incredible film projects these emerging filmmakers are working on, and hear feedback from panelists. The Chicken & Egg Pictures (Egg)celerator Lab Pitch will take place Sunday, June 9 at 11:00 AM at ITV Town Hall Reception Room B. More information here.

And if you’re at Sheffield Doc/Fest, don’t miss screenings of these Nest-supported films:

One Child Nation (2017 (Egg)celerator Lab grantee), directed by Nanfu Wang (also a 2018 Chicken & Egg Award recipient) and Jialing Zhang

How much control does a person have over their own life? In China, state control begins before a child is even born.

One Child Nation is in the running for the The Tim Hetherington Award, supported by Dogwoof. Tickets and screening times are available here.

American Factory, directed by Julia Reichert (2016 Chicken & Egg Award recipient) and Steve Bognar*

Dizzying, hilarious and devastating, this tale of two factories makes for a landmark story of workplace anxiety. Directors Reichert and Bognar have spent a decade documenting the plight of Ohio’s factory workers, and their dedication pays off when they are given astonishing access to Fuyao, a Chinese auto glass manufacturer, as it revives a shuttered General Motors plant in Dayton.

Tickets and screening times are available here.

Hail Satan?, directed by Penny Lane (2017 Chicken & Egg Award recipient)
With humor and searing insight, director Penny Lane debunks misrepresentations about the Satanic Temple. Drawing on extensive access to the organization’s participants, this unflinching examination reveals the controversial religious movement’s aim to shine a light on the hypocrisy around America’s separation of church and state.*

Tickets and screening times are available here.

And a special shoutout to these members of our AlumNest of previously-supported filmmakers:  Knock Down the House, directed by Rachel Lears (former Nest grantee for The Hand That Feeds) and The Great Hack, directed by  Karim Amer and Jehane Noujaim (former Nest grantee for The Square).

Colleen Keegan is a corporate strategic planner and arts activist. Keegan is the Creator of the Creative Capital Strategic Planning Program for Artists and the Executor of the Theo Westenberger Estate and grants for art and conservation. 

Keegan is the Art Business Advisor for the TED Fellows Program and the Co-Chair of the TED Fellows Arts Committee. She is a partner in Keegan Fowler Companies. Previously, Keegan served as President of Pacific Arts Video Production and Washington Video Services. She also worked as a producer for MTV Networks, WETA, and Showtime. She has served on numerous Boards of Directors and advisory boards including New York Live Arts, the American Refugee Committee, ARTHOME, The Artist Book Foundation, the Center for Creative Arts Berlin, EMILY’S List, I.D.E.A.S. 40203, One Million Bones, MoveOpolis!, the Multiple Sclerosis Foundation, Legal Momentum, Show of Force, Picture Projects, and the Texas Film Commission. She lectures on art and new markets at California College of the Arts, CalArts, and the Wharton Business School, among others.

Welcome, Colleen!

Post by 2018 Communications Intern Morgan Lee Hulquist. 

Sharmeen Obaid-Chinoy is the only female director to have been awarded two Academy Awards by the age of 37. Since 2001, she has made over two dozen multi-award winning films in over sixteen countries around the world. Her films include Student Athlete, A Girl in the River: The Price of Forgiveness, Song of Lahore, Saving Face, A Journey of a Thousand Miles: Peacekeepers and Transgenders: Pakistan’s Open Secret.

Zainab Salbi has frequently been named as one of the women changing the world by leading publications, from People  Magazine to Newsweek. At the age of twenty-three, Zainab founded Women for Women International, a humanitarian organization dedicated to women survivors of wars. Under her leadership (1993–2011), Women for Women International grew from helping 30 women upon its inception to helping more than 420,000 women and distributing more than $100 million in aid.

To find out more about our new Eggsperts, read Sharmeen Obaid-Chinoy’s profile in The New Yorker, “An Activist Filmmaker Tackles Patriarchy in Pakistan”, or watch Zainab Salbi’s TED Talk about the women who keep everyday life going during conflicts.

Post by 2018 Communications Intern Morgan Lee Hulquist. 

You can look at the full list of the documentaries featured here.

A Thousand Girls Like Me*, directed by Sahra Mani (2016 Diversity Fellow Initiative)

In Afghanistan where systematic abuses of girls rarely come to light, and seeking justice can be deadly, one young woman says “Enough.” Khatera was brutally raped by her father since the age of nine and today she raises two precious and precocious children whom he sired. Against her family’s and many Afghanis’ wishes, Khatera forces her father to stand trial. This is her incredible story of love, hope, bravery, forgiveness, and truth.

Screening(s):

June 19, 9 pm at the Film Society of Lincoln Center’s Elinor Bunin Munroe Film Center

June 20, 7 pm at the IFC Center

Get your tickets here.

*A Thousand Girls Like Me will have its US premiere at the 2018 HRWFF.

Naila and the Uprising*, directed by Julia Bacha

Weaving together interviews, news footage, and expressive animation, award-winning documentarian Julia Bacha inventively chronicles the remarkable journey of Naila Ayesh, who in the late 1980s joined a clandestine movement of Palestinian women who played a pivotal role in the nonviolent uprising known as the First Intifada.

Screening(s):

June 16, 7 pm at IFC Center

Get your tickets here.

*Chicken & Egg Pictures did not support Naila and the Uprising but supported director Julia Bacha’s film, Budrus.

On Her Shoulders*, directed by Alexandria Bombach (2018 SXSW LUNA / Chicken & Egg Pictures Award recipient)

This empowering documentary presents 23-year-old Nadia Murad, a Yazidi genocide survivor determined to tell the world her story. Determined advocate and reluctant celebrity, she becomes the voice of her people and their best hope to spur the world to action.

Screening(s):

June 14, 7 pm at the Film Society of Lincoln center’s Walter reade theatre

Get your tickets here.

*Chicken & Egg Pictures did not support On Her Shoulders but supported director Julia Alexandria Bombach through the SXSW LUNA / Chicken & Egg Pictures Award.

The Unafraid*, directed by Heather Courtney and Anayansi Prado (2017 Chicken & Egg Pictures mentee)

High School seniors Alejandro, Silvia, and Aldo, like most of their friends, are eager to go to college and pursue their education. However, their home state of Georgia not only bans them from attending the top five public universities, but also deems them ineligible for in-state tuition at public colleges due to their immigration status as DACA (Deferred Action for Childhood Arrivals) recipients. In response, these three ambitious and dream-filled students divert their passions towards the fight for education in the undocumented community. As President Donald Trump’s campaign rhetoric against immigrants gains momentum, and amid constant threat of losing their DACA status and being deported, The Unafraid follows these inspirational members of the generation of “undocumented, unapologetic and unafraid” young people who are determined to overcome and dismantle oppressive policies and mindsets.

Screening(s):

June 21, 7 pm at IFC Center

You can buy tickets to the Human Rights Watch Film Festival here.

*Chicken & Egg Pictures did not support The Unafraid but supported director Anayansi Prado’s film, Children in No Man’s Land.

A Thousand Girls Like Me directed by Sahra Mani (2016 Diversity Fellows Initiative)

In Afghanistan where systematic abuses of girls rarely come to light, and seeking justice can be deadly, one young woman says “Enough.” Khatera was brutally raped by her father since the age of nine and today she raises two precious and precocious children whom he sired. Against her family’s and many Afghanis’ wishes, Khatera forces her father to stand trial. This is her incredible story of love, hope, bravery, forgiveness, and truth. Showtimes are Friday, June 8 at 3:45 PM and Sunday, June 10 at 6:30 PM. 

The Pain of Others, directed by Penny Lane (2017 Breakthrough Award Recipient)

The Pain of Others is a found footage documentary about Morgellons, a mysterious illness whose sufferers say they have parasites under the skin, long colored fibers emerging from lesions, and a host of other bizarre symptoms which could be borrowed from a horror film. The Pain of Others is composed entirely of videos shared by a group of “Morgies” who have turned to YouTube for community and to prove they’re not crazy.  Unsettling, funny and intimate, The Pain of Others is at once a body-horror documentary and a radical act of empathy.  Showtimes are Sunday, June 12 at 9:00 AM and Tuesday, June 12 at 6:00 PM. 

On Her Shoulders directed by Alexandria Bombach (2018 SXSW LUNA / Chicken & Egg Pictures Award recipient)

This empowering documentary presents 23-year-old Nadia Murad, a Yazidi genocide survivor determined to tell the world her story. Determined advocate and reluctant celebrity, she becomes the voice of her people and their best hope to spur the world to action. Showtimes are Sunday, June 10 at 3:00 PM and Monday, June 11 at 9:30 AM.

Skywards directed by Eva Weber (director of Nest-supported film Black Out, 2007)

A poetic and evocative visual study, Skywards takes the viewer on a journey into the world of pigeon flying, high above the bustling and crowded streets of Old Delhi. Showtimes are Sunday, June 10 at 5:45 PM and Tuesday,  June 12 at 9:00 AM. 

Additionally, join us for our second annual Accelerator Lab Pitch at Sheffield! The 2018 Accelerator Lab participants will pitch their projects to a live audience and will receive feedback from international decision makers and buyers. This will be an opportunity for all pass holders to hear from and meet filmmaking talent for future collaborations. The live pitch will take place Sunday, June 10 at 10:00 am.

Post by Morgan Hulquist, Summer 2018 Chicken & Egg Pictures Communications Intern.

The Accelerator Lab is focused on identifying and supporting women nonfiction directors working on their first or second feature-length documentary. In this year-long program, ten projects will receive:

• a $35,000 in grant funding for the production of their feature-length film;
• monthly mentorship with members of Chicken & Egg Pictures’ senior creative team;
• three creative retreats focused on career sustainability and creative development;
• industry meetings at a major documentary film festival; and
• peer support from the Accelerator Lab cohort.

A glimpse at current and past projects that Chicken & Egg has supported through the Accelerator Lab program:

Through the Night, directed by Loira Limbal

To make ends meet, Americans are working longer hours across multiple jobs. This modern reality of nonstop work has resulted in an unexpected phenomenon: the flourishing of 24-hour daycare centers. Through the Night is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.

Through the Night is a 2018 Accelerator Lab-supported film and is currently in production.

The Feeling of Being Watched, directed by Assia Boundaoui

In the Arab-American neighborhood outside of Chicago where director Assia Boundaoui grew up, most of her neighbors think they have been under surveillance for over a decade. While investigating their experiences, Assia uncovers hundreds of pages of declassified FBI documents that prove her hometown was the subject of one of the largest counterterrorism investigations ever conducted in the U.S. before 9/11—code-named “Operation Vulgar Betrayal.” With unprecedented access, The Feeling of Being Watched weaves the personal and the political as it follows the filmmaker’s examination of why her community fell under blanket government surveillance. Assia struggles to disrupt the government secrecy shrouding what happened to her neighborhood in the 90’s and probes why her community feels like they’re still being watched today. In the process, she confronts long-hidden truths about the FBI’s relationship to her community. The Feeling of Being Watched follows Assia as she pieces together this secret FBI operation, while grappling with the effects of a lifetime of surveillance on herself and her family.

The Feeling of Being Watched recently premiered at the 2018 TriBeca Film Festival and is also being featured at Hot Docs.

Muhi – Generally Temporary, directed by Rina Castelnuovo and Tamir Elterman

Muhi, a cherubic Palestinian toddler with a life-threatening immune disorder, was transported to an Israeli hospital as a baby for emergency treatment. He and his devoted grandfather have lived there ever since, stuck in a bizarre no man’s land, with their extended family living on the other side of a fiercely guarded checkpoint. Their unique and moving story takes place within the crucible of the current relentless Israeli-Palestinian conflict that impacts everyone in its orbit.

Muhi – Generally Temporary premiered at the 2017 San Francisco International Film Festival and was featured in the Human Rights Watch Film Festival of the same year.

To check out the full list of films supported through the Accelerator Lab program, click here.

The deadline to apply is Monday, June 25th at 3:00 pm EDT. Apply now!

And sign up for our newsletter to receive updates on the Accelerator Lab and other News from the Nest!

Mark your calendars! The Accelerator Lab Open Call will open on May 3, 2018, 12 pm EST.

The Accelerator Lab is focused on identifying and supporting women nonfiction directors working on their first or second feature-length documentary. Each project receives a $35,000 grant in three parts for the production of a film, to be developed over the course of the 12-month program. All directors of the ten projects come together at various points over the course of a year for an intensive period of professional development, tailored mentorship and workshops with industry experts, creatively fusing the art and craft of filmmaking with best practices and peer-to-peer support.

Sign up for our newsletter to receive updates on the Accelerator Lab Open Call and other News from the Nest!

Past grantee projects have included:

32 Pills: My Sister’s Suicide, directed by Hope Litoff
Premiered at the 2017 Hot Docs Canadian International Film Festival
Now available on HBO, HBO NOW, and HBO GO.

A reflection on the life and suicide of Ruth Litoff, a successful artist, a pathological liar, and the filmmaker’s sister. By looking back on Ruth’s incredible highs and lows, bursts of creative genius, depression, secrets, and lies, a vivid portrait will emerge of the brilliant woman the filmmaker is not sure she ever really knew. This is her attempt to understand what happened.

The Feeling of Being Watched, directed by Assia Boundaoui
Premiered at the 2018 Tribeca Film Festival

In the Arab-American neighborhood outside of Chicago where director Assia Boundaoui grew up, most of her neighbors think they have been under surveillance for over a decade. While investigating their experiences, Assia uncovers hundreds of pages of declassified FBI documents that prove her hometown was the subject of one of the largest counterterrorism investigations ever conducted in the U.S. before 9/11—code-named “Operation Vulgar Betrayal.” With unprecedented access, The Feeling of Being Watched weaves the personal and the political as it follows the filmmaker’s examination of why her community fell under blanket government surveillance. Assia struggles to disrupt the government secrecy shrouding what happened to her neighborhood in the 90’s and probes why her community feels like they’re still being watched today. In the process, she confronts long-hidden truths about the FBI’s relationship to her community. The Feeling of Being Watched follows Assia as she pieces together this secret FBI operation, while grappling with the effects of a lifetime of surveillance on herself and her family.

Whose Streets?, directed by Sabaah Folayan, co-directed by Damon Davis
Premiered at the 2017 Sundance Film Festival
Now available on DVD and streaming

A firsthand look at how the murder of one teenage boy became the last straw for a community under siege, Whose Streets? is a story of love, loss, conflict, and ambition. Set in Ferguson, MO, the film follows the journey of everyday people whose lives are intertwined with a burgeoning national movement for black liberation.

Congratulations to our 2018 Diversity Fellows: Beyza Boyacioglu; Robie Flores; Nadia Hallgren; Nailah Jefferson; and Maia von Lekow, with co-director Chris King; hailing from Istanbul, Turkey; Eagle Pass, TX; New Orleans, LA; The Bronx, NY; and Nairobi, Kenya, respectively.

In addition to a $5,000 grant and a seven-month mentorship program, the Fellows will come together in upstate New York for a multiday storytelling retreat aimed to help develop and strengthen their film’s narratives. “This year we’ll be doing a deep dive into storytelling,” says Lucila Moctezuma, Director of Programs at Chicken & Egg Pictures. “The five-day retreat will allow our Diversity Fellows to have complete focus on their art and provide them with the space to learn from one another’s diverse perspectives and artistic practices. We are so thrilled to be working with these exceptional group of women filmmakers who have such important stories to tell and such special ways of telling them.”  

The Diversity Fellows Initiative is made possible with the generous support of The Harnisch Foundation, the MacArthur Foundation, and the Time Warner Foundation.

For additional information, please visit our Programs page. Participants of the Diversity Fellows Initiative are chosen through the Accelerator Lab Open Call process. The 2019 Accelerator Lab Open Call will launch on May 3.

2018 Diversity Fellows Initiative Grantees

A Prince From Outer Space: Zeki Müren, directed by Beyza Boyacioglu

This experimental, multilayered film uses Zeki Müren, Turkey’s most celebrated singer and modern day queer icon, as a prism to explore the country’s internal contradictions, from its founding as a modern, secular nation to the current crisis. Zeki, “Turkey’s Liberace,” was a chameleon-like figure. He expertly used his celebrity to navigate society—allowing audiences to see in him only what they wanted to see. The film deconstructs how myths are made and consumed, as it provides a window onto Turkey, a nation existing between the worlds of the east and of the west while belonging to neither.

Beyza Boyacioglu is a filmmaker and artist from Istanbul, currently based in New York. Her work has been exhibited in MoMA Documentary Fortnight, IDFA, RIDM, Anthology Film Archives, Morelia International Film Festival, Brooklyn Museum, Maysles Cinema, and !f Istanbul, among others. She was a part of MIT Open Documentary Lab between 2014–2017. She’s been a fellow at UnionDocs, Flaherty Seminar, and Greenhouse. She holds an MASc in Comparative Media Studies from MIT and an MFA in Computer Art from SVA.

The In Between, directed by Robie Flores

At the intersection of the northern Mexico desert and the plains of southwest Texas exists a symbiotic community. Here, people’s lives are spread across two countries, connected by a bridge that everyone must travel. For some, crossing to the other side means getting to work or school. For others, life straddling the border is the only way to keep their family together. Through a collection of interweaving vignettes, The In Between is a poetic ode to a greater reality of the border than the one portrayed on the news, offering a nuanced and intimate portrait of a place and its people at the heart of Mexican-American identity.

Robie Flores grew up on the US/Mexico border. She is an independent filmmaker and video editor based in New York City. She previously worked with Loki Films as an assistant on Detropia, The Education of Mohammed Hussein, and ESPN’s Nine for IX documentary, Branded. Her work has appeared on CNN and Bloomberg and has been featured by Teen Vogue, Fusion, Allure, and i-D Vice. The In Between is her first feature film. 

Omnipresence, directed by Nadia Hallgren

A look at the complexities of a South Bronx housing project over the course of a summer.

Nadia Hallgren is an award-winning filmmaker and director of photography from The Bronx, New York. With a focus on vérité storytelling, her cinematography credits include the Sundance award-winner Motherland (2017), Academy Award-nominated and Sundance Grand Jury Prize-winner Trouble the Water (2008), and Sundance award-winner Trapped (2016). She has directed short films and series for Field of Vision, Topic, and PBS; and is a member of the Academy of Motion Picture Arts and Sciences, a 2018 Concordia Studio Artist in Residence, and an alum of International Center of Photography. Most recently, Nadia won the special jury prize at SXSW 2018 for an independent episodic series she directed about women running for office in response to Trump being elected.

Commuted, directed by Nailah Jefferson

Commuted tells the story of Danielle Metz, a 52-year-old woman trying to find her footing after spending nearly half of her life in prison. In 2016 Danielle’s was one of 568 life sentences President Obama overturned. Her life story is just one example of how the US criminal justice system impacts black families—before she was incarcerated, she had lost one boyfriend to police violence, another to a wrongful conviction, and then found herself in prison due to involvement with her husband’s drug ring. As Danielle starts to right her path, we reflect with her on a life interrupted.

Nailah Jefferson’s first film, Vanishing Pearls, told the story of a little known African American oyster fishing community and their fight for justice after the BP oil spill. After acquisition by ARRAY/AFFRM, Vanishing Pearls streams on The Urban Movie Channel. Nailah was nominated for a 2017 National Magazine Ellie award for Essence Magazine’s Black Girl Magic Episode 4. Nailah’s first narrative, Plaquemines, was chosen as an American Black Film Festival HBO Shorts finalist and is available on HBO, HBO GO, and HBO On Demand.

The Letter, directed by Maia von Lekow & Chris King

This story happens in rural coastal Kenya. When Karisa, a young artist living in the coastal city of Mombasa, reads a Facebook post accusing his Grandma of being a witch, he decides to return to his rural home to confront the accusations against her. The accusers, Karisa’s uncles, demand that Grandma repent and be exorcised in a Pentecostal ceremony. The story evolves into a family confrontation between those trying to protect Grandma and those condemning her. At the end, love and care triumph against superstition and economic interest.

In today’s post-colonial Kenya, the disturbing trend of witchcraft accusations, often resulting in the murder of an elder, is being used to cover up hundreds of family disputes over land, inheritance, and money. The Letter is a story through the lens of a single family highlighting the universal issues of elderly abuse and greed.

Maia von Lekow is a Kenyan musician and filmmaker. Fusing her music with a healthy fascination of people and culture, Maia has worked as director, producer, and sound recordist on several music videos and corporate films. She was named a Goodwill Ambassador for UNHCR on World Refugee Day 2013, and has received an African Movie Academy Award for her song “Uko Wapi.” A performing artist in her own right, Maia has appeared on several Kenyan broadcasts and maintains strong links with producers and presenters in the region.

The Letter is Maia’s first feature documentary. Maia will compose original music for the film.

Chris King is an award-winning filmmaker based in Nairobi, Kenya. Born in Australia, Chris studied at The School of Creative Arts at the University of Melbourne with honors in Visual Media. Chris has lived in Kenya full-time since 2007, working as a cinematographer, editor, animator, director, and producer in both factual and non-factual shorts, features, and music videos. In 2009, Chris co-founded Circle and Square Productions with his wife Maia and, in the same year, received an African Movie Academy Award in Editing for his work on the Kenyan feature film, From a Whisper.