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	<title>Accept the Call &#8211; Chicken &amp; Egg Pictures</title>
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	<title>Accept the Call &#8211; Chicken &amp; Egg Pictures</title>
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		<title>Eunice Lau: Dozen Days of Filmmakers — Day 10</title>
		<link>https://archive.chickeneggpics.org/dozen-days-eunice-lau/</link>
					<comments>https://archive.chickeneggpics.org/dozen-days-eunice-lau/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Mon, 30 Dec 2019 04:03:06 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[Accept the Call]]></category>
		<category><![CDATA[Dozen Days of Filmmakers]]></category>
		<category><![CDATA[Eunice Lau]]></category>
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					<description><![CDATA[Chicken &#38; Egg Pictures is celebrating the holiday season by featuring a dozen Nest-supported women and gender non-conforming filmmakers. For more Dozen Days of Filmmakers, see here. Eunice Lau is an independent filmmaker and former journalist with a propensity toward stories concerning social justice. After years of reporting on Cambodia, she wrote and produced The Trouble with [&#8230;]]]></description>
										<content:encoded><![CDATA[<p class=""><em>Chicken &amp; Egg Pictures is celebrating the holiday season by featuring a dozen Nest-supported women and gender non-conforming filmmakers. For more Dozen Days of Filmmakers, see <a href="https://chickeneggpics.org/tag/dozen-days-of-filmmakers/">here</a>.</em></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;Eunice Lau is an independent filmmaker and former journalist with a propensity toward stories concerning social justice. After years of reporting on Cambodia, she wrote and produced \&quot;The Trouble with Waiting\&quot; which won the Grand Jury award at Busan Asian Short Film Festival 2008. Eunice has an MFA from NYU Tisch School of the Arts, where her short documentary \&quot;Through the Fire\&quot; was nominated for the Student Academy Awards 2012. Between filming, she teaches documentary film at Baruch College.\n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:[null,0],&quot;12&quot;:0}"><a href="https://chickeneggpics.org/wp-content/uploads/2018/02/Eunice-Lau-headshot-BW-e1528124159260.jpg" rel="lightbox[6989]"><img fetchpriority="high" decoding="async" class="wp-image-3701 alignleft" src="https://chickeneggpics.org/wp-content/uploads/2018/02/Eunice-Lau-headshot-BW-e1528124159260.jpg" alt="The Youth The Youth Eunice Lau Accelerator Lab 2018" width="210" height="258" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/Eunice-Lau-headshot-BW-e1528124159260.jpg 1720w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/Eunice-Lau-headshot-BW-e1528124159260-608x746.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/Eunice-Lau-headshot-BW-e1528124159260-768x943.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/Eunice-Lau-headshot-BW-e1528124159260-834x1024.jpg 834w" sizes="(max-width: 210px) 100vw, 210px" /></a>Eunice Lau is an independent filmmaker and former journalist with a propensity toward stories concerning social justice. After years of reporting on Cambodia, she wrote and produced <em>The Trouble with Waiting</em>, which won the Grand Jury award at Busan Asian Short Film Festival 2008. Eunice has an MFA from the NYU Tisch School of the Arts, where her short documentary <em>Through the Fire</em> was nominated for the Student Academy Awards 2012. Between filming, she teaches documentary film at Baruch College.</span></p>
<figure id="attachment_3704" aria-describedby="caption-attachment-3704" style="width: 1280px" class="wp-caption alignnone"><a href="https://chickeneggpics.org/wp-content/uploads/2018/02/The-Youth_FilmStill_2.jpg" rel="lightbox[6989]"><img decoding="async" class="wp-image-3704 size-full" src="https://chickeneggpics.org/wp-content/uploads/2018/02/The-Youth_FilmStill_2.jpg" alt="The Youth The Youth Eunice Lau Arthur Nazaryan Accelerator Lab 2018" width="1280" height="720" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/The-Youth_FilmStill_2.jpg 1280w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/The-Youth_FilmStill_2-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/The-Youth_FilmStill_2-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/The-Youth_FilmStill_2-1024x576.jpg 1024w" sizes="(max-width: 1280px) 100vw, 1280px" /></a><figcaption id="caption-attachment-3704" class="wp-caption-text">Accept the Call, directed by Eunice Lau</figcaption></figure>
<p>Her feature documentary <a href="https://chickeneggpics.org/grantee/accept-the-call/">Accept The Call</a>, which participated in the 2018 <a href="https://chickeneggpics.org/programs/#accelerator-lab">(Egg)celerator Lab</a>, <span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">is an unflinching look at the forces that drive one to adopt an extreme ideology. Through the eyes of a father who seeks to understand how his son is radicalized by the propaganda of the Islamic State Army, <em>Accept the Call</em> reveals how a Muslim American family is affected by the geopolitics and polemics that fuel the resurgence of reactionary and right-wing political movements. Through this intimate lens on the Somali community in Minnesota, <i>Accept the Call</i> explores the racism and prejudices against immigrants, the rise of radical Islam, and what it means to be Muslim in contemporary America.<br />
</span></p>
<p>The film had its world premiere at the Human Rights Watch Film Festival in New York City and then screened at Woodstock Film Festival. Read a write-up from Variety about the film&#8217;s screenings at the Singapore Film Festival <a href="https://variety.com/2019/film/asia/eunice-lau-returns-to-singapore-with-hard-hitting-documentary-accept-the-call-1203411561/">here</a>.</p>
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