“As we face one of the most challenging times in modern history, with much collective grief and loss, we have the opportunity to honor and uphold our strength and legacy as a country of immigrants.”

Director Alexandra Codina launched the impact campaign for her Nest-supported film Paper Children (2017 (Egg)celerator Lab), including an op-ed published in The Miami Herald and a co-authored post with other activists in asylum and immigrant rights on Medium, both are calls to action to help protect asylum seekers and to speak out against proposed asylum regulations in the US. Read more here: 

The Miami Herald: This is the worst time yet to gut asylum protections for those fleeing persecution — Alexandra Codina

Medium: Asylum is a humanitarian issue. It has been corrupted by politics. — Alexandra Codina, Americans for Immigrant Justice, National Network for Immigrant and Refugee Rights, and others 

Paper Children is available to stream on Youtube. 

Firelight Media’s “Beyond Resilience” Series Continues This Week

Loira Limbal, Senior Vice President for Programs at Firelight Media and 2019 (Egg)celerator Lab grantee for Through the Night, will be featured on another Beyond Resilience panel Friday, July 17 at 2 pm ET. 

Beyond Resilience: The Black Gaze — Join Firelight Media for a conversation with Black filmmakers on how they are navigating the ubiquitous images of Black trauma in this moment, documenting Black life, and forging new cinematic languages, practices, and formal approaches.

The Beyond Resilience series is available on Firelight Media’s Youtube channel if you cannot make the live webinar. 

Ramona Diaz Premieres Trailer for A Thousand Cuts Announces Theatrical Run:

2018 Chicken & Egg Award Recipient Ramona Diaz premiered the trailer for A Thousand Cuts and announced a virtual theatrical run nationwide, via Deadline.

“As the United States goes through its own journey of civic unrest and social change, the Philippines is going through its own journey that is having a substantial political impact on the Asian archipelago and as seen in Ramona S. Diaz’s Sundance documentary A Thousand Cuts, which is set to open in theaters and in virtual theaters nationwide on August 7, the reverberations may have global consequences.“

Deadline: ‘A Thousand Cuts’ Trailer: Ramona S. Diaz’s Docu About Journalist Maria Ressa And Press Freedom In Duterte’s Philippines Sets Theatrical Run — Dino-Ray Ramos

The trailer for A Thousand Cuts is available to watch on Youtube.

Join us for our first ever LIVE CHICK-PITCH at the 2017 Sheffield Doc/Fest.

Our focus: to showcase, celebrate, and introduce you to the work, vision, and promise of 10 compelling projects helmed by emerging women directors from around the globe—each one a member of our 2017 CHICKEN & EGG PICTURES Accelerator Lab, hailing from Bangladesh, China, Somalia, Mexico, Poland, and across the US.

The Live Pitch will take place on Sunday, June 11, 12:00 – 14:00 pm at the Sheffield ITV Town Hall Reception Room B.

Moderated by award-winning filmmaker Judith Helfand, Chicken & Egg Pictures’ Co-Founder and Senior Creative Consultant.

THE PROJECTS

• Born in China by Nanfu Wang & Lynn Zhang (China)
• The Guardian of Memory by Marcela Arteaga (Mexico)
• Kids Can Spit by Chelsi Bullard (US)
• Lights, Camera, Uganda by Cathryne Czubek & Hugo Perez (US)
• People I Know by Zofia Pregowska (Poland)
• Rajada Dalka/Nation’s Hope by Hana Mire (Somalia)
• The Rashomon Effect by Lyric R. Cabral (US)
• Surf Girls of Cox’s Bazar by Elizabeth D. Costa (Bangladesh)
• The Surrender of Waymond Hall by Jane Greenberg, (US)
• Unaccompanied Children by Alexandra Codina (US)

Find out more about the 2017 Accelerator Lab.

If you would like to attend let us know by emailing Sabine Fayoux, Program Coordinator, at sabine@chickeneggpics.org.

If you can’t join us at the Live Pitch please consider meeting with the filmmakers individually or in small group meetings during the festival. To coordinate a meeting, please contact our European representative and Sheffield Doc/Fest liaison Tereza Šimíková at simikova.tereza@gmail.com.
The Chicken & Egg Pictures Accelerator Lab is a year-long program that brings together 10 nonfiction projects directed by women from around the world who are making their first or second film. The program provides them with a major grant of $35,000 USD and intensive mentorship that strives to balance creative storytelling and core producing skills with practical models for building sustainability, community, and relationships in the nonfiction marketplace. The 2017 Sheffield Doc/Fest marks the program’s second of three retreats, this one built around utilizing and leveraging all that the Sheffield Doc/Fest’s Meet Market and Industry Convenings have to offer.

We’re proud to announce our newest cohort of Accelerator Lab participants. Congratulations to all!

The Surrender of Waymond Hall
Directed by Jane Greenberg, US

The Surrender of Waymond Hall tells the redemption story of a young black fugitive on the run for the violent crime he committed a decade ago. With extraordinary access, the film follows Way as he wrestles with the excruciating decision to turn himself in, faces the watershed moment of surrender, and navigates a criminal justice system accused of discriminating against people just like him. His story exposes flaws in our societal institutions and in human nature, unfolding against a backdrop of national debates over the divisive racial impact of our criminal justice policies and the remarkable push to reform them.

The Guardian of Memory
Directed by Marcela Arteaga, MEXICO

The Juarez Valley, a region once known for cotton production, is now nothing more than burned down houses, empty towns, and memories. Carlos Spector, an immigration lawyer born in El Paso, TX, fights to obtain political asylum for Mexicans fleeing from violence. This is the story of Mexican men, women, and children seeking a respite from their tragedies by heading to their neighboring country, the U.S. It is also a story about the kindness and hope that still exists in people who have gone through hell, and about Carlos Spector’s tireless efforts to keep memory alive.

Kids Can Spit
Directed by Chelsi Bullard, US

The feature documentary Kids Can Spit follows three New York City teenagers over the school year as they gear up to compete against one another at the Science Genius B.A.T.T.L.E.S. (Bringing Attention to Transforming, Teaching, and Learning Science), a science-themed rap competition. The competition’s creator, Professor Chris Emdin, believes hip-hop is uniquely suited to teach science. For students Mannix, Genesis, and Jason, this battle is a way to beat society’s odds while carving their identities and finding their voices. Pressure mounts on Chris to prove his innovative curriculum does what traditional science classes have failed to do: engage disenfranchised Black and Latinx youth to become proficient in science through rap.

The Surf Girls of Cox’s Bazar
Directed by Elizabeth D. Costa, BANGLADESH

Jahanara, Rifa, and Ayesha live in one of the poorest slums near the beaches of Cox’s Bazar in Bangladesh. From a young age, the girls are sent to work in order to supplement the family income, and social norms dictate that they will be married when they turn 14 or 15 years old. The girls discover a newfound freedom in a surf club and find out they have the skills and talent to win competitions. This spurs their ambitions and they dream of becoming the first international female surfers of Bangladesh.

The Rashomon Effect
Directed by Lyric R. Cabral, US

What happened when unarmed Black teen Michael Brown was fatally shot by White police officer Darren Wilson?

Born in China
Directed by Nanfu Wang and Lynn Zhang, CHINA

How much control does a person have over their own life? In China, state control begins before a child is even born.

Unaccompanied Children
Directed by Alexandra Codina, US

Unaccompanied Children reveals America’s invisible refugee crisis through the eyes of one family that defies a broken system with their unwavering resilience.  Deep in the everyday life of the loving and optimistic Gonzalez family, the horrific violence of gang-ridden Honduras and the encroaching threat of draconian US enforcement are almost forgotten.  The film goes beyond the traditional immigration narrative to a nuanced, intimate story which implicates us all in how we care for the most vulnerable.

Lights Camera Uganda [working title]
Directed by Cathryne Czubek and Hugo Perez, US

Against all odds, former bricklayer and teacher Isaac Nabwana has turned his small home in the slums of Uganda’s capital city into the Wakaliwood action movie studio. After 10 years and 40+ films, Wakaliwood has become an overnight international media sensation, inspiring others around the world to follow in his footsteps. When New York film nerd Alan Hofmanis shows up on his doorstep one day, everything is bound to change.

Rajada Dalka/Nation’s Hope
Directed by Hana Mire, SOMALIA

Somalia’s newly revived Women’s Basketball team seeks to inspire their nation as they overcome immense challenges in their first season since the outbreak of war in 1991. To continue to play the game they love, the team must defy both religious leaders and violent militant groups that believe that their sporting ambitions are un-Islamic. They must also battle against the sexism faced by women in sports across the world.

People I Know
Directed by Zofia Pregowska, POLAND

People I Know is a tragicomedy vérité about a young married couple living in an old trailer. Prone to nervous breakdowns, Michael is unable to stand consumer society and becomes a street musician. His wife Nathalie is an oncology nurse. One day, Nathalie discovers that she wants to own a house so much that she’s ready to take on a lifelong loan.

Note: Since the time of the original publication of this post, some film descriptions have been edited upon filmmakers’ requests.