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	<title>Anayansi Prado &#8211; Chicken &amp; Egg Pictures</title>
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	<title>Anayansi Prado &#8211; Chicken &amp; Egg Pictures</title>
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	<item>
		<title>Announcing our 2022 Critical Issues Fund Grantees!</title>
		<link>https://archive.chickeneggpics.org/announcing-our-2022-critical-issues-fund-grantees/</link>
					<comments>https://archive.chickeneggpics.org/announcing-our-2022-critical-issues-fund-grantees/#respond</comments>
		
		<dc:creator><![CDATA[Mariana Sanson]]></dc:creator>
		<pubDate>Wed, 18 Jan 2023 14:47:44 +0000</pubDate>
				<category><![CDATA[Critical Issues Fund]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[after roe]]></category>
		<category><![CDATA[alisa kovalenko]]></category>
		<category><![CDATA[Amber Fares]]></category>
		<category><![CDATA[Anayansi Prado]]></category>
		<category><![CDATA[Barbara Attie]]></category>
		<category><![CDATA[breaking news]]></category>
		<category><![CDATA[chelsea hernandez]]></category>
		<category><![CDATA[darya bassel]]></category>
		<category><![CDATA[diane quon]]></category>
		<category><![CDATA[displaced]]></category>
		<category><![CDATA[frontline]]></category>
		<category><![CDATA[Geeta Gandbhir]]></category>
		<category><![CDATA[Heather Courtney]]></category>
		<category><![CDATA[Holly Meehl Chapman]]></category>
		<category><![CDATA[Hollywood Does Abortion]]></category>
		<category><![CDATA[Intercepted]]></category>
		<category><![CDATA[Iryna Tsilkyk]]></category>
		<category><![CDATA[Janet Goldwater]]></category>
		<category><![CDATA[Jessica Earnsahw]]></category>
		<category><![CDATA[katarzyna Kuczyńska]]></category>
		<category><![CDATA[Katja Esson]]></category>
		<category><![CDATA[Mike Attie]]></category>
		<category><![CDATA[Monica Hellström]]></category>
		<category><![CDATA[Oksana Karpovych]]></category>
		<category><![CDATA[olha zhurba]]></category>
		<category><![CDATA[plan c]]></category>
		<category><![CDATA[princess hairston]]></category>
		<category><![CDATA[razing liberty square]]></category>
		<category><![CDATA[Red Zone]]></category>
		<category><![CDATA[Sol in the Garden]]></category>
		<category><![CDATA[tracy droz tragos]]></category>
		<category><![CDATA[Untitled Baby Doe Film]]></category>
		<category><![CDATA[Untitled Uvalde Documentary]]></category>
		<category><![CDATA[Valeryi Kalmykov]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=11320</guid>

					<description><![CDATA[We are proud to present the twelve grantees selected for the 2022 Critical Issues Fund. The Critical Issues Fund supports filmmakers, with more than $250,000 in funding, whose work is focused on important and topical issues that are currently having a decided and material impact on communities domestically and internationally. The 2022 grant awardees have projects exploring some of the most pressing issues of the moment: the war in Ukraine, gun violence, reproductive justice, and climate emergencies.]]></description>
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<figure class="wp-block-image size-large"><img fetchpriority="high" decoding="async" width="1024" height="431" src="https://chickeneggpics.org/wp-content/uploads/2023/01/2022-Critical-Issues-Fund_banner-1024x431.jpg" alt="Graphic with eight stills from films of the Critical Issues Fund" class="wp-image-11321" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2023/01/2022-Critical-Issues-Fund_banner-1024x431.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/2022-Critical-Issues-Fund_banner-608x256.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/2022-Critical-Issues-Fund_banner-768x323.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/2022-Critical-Issues-Fund_banner-1536x647.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/2022-Critical-Issues-Fund_banner-2048x862.jpg 2048w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>



<p><span style="font-weight: 400;">We are proud to present the twelve grantees selected for the 2022 </span><b>Critical Issues Fund</b><span style="font-weight: 400;">. The Critical Issues Fund supports filmmakers, with more than $250,000 in funding, whose work is focused on important and topical issues that are currently having a decided and material impact on communities domestically and internationally. The 2022 grant awardees have projects exploring some of the most pressing issues of the moment: </span><b>the war in Ukraine</b><span style="font-weight: 400;">, </span><b>gun violence</b><span style="font-weight: 400;">, </span><b>reproductive justice</b><span style="font-weight: 400;">, and </span><b>climate emergencies</b><span style="font-weight: 400;">. </span></p>
<blockquote>
<p><span style="font-weight: 400;">“Through the Critical Issues Fund, we have identified films that have the potential to drive social change by sharing these stories with the world now—not years down the line. Chicken &amp; Egg Pictures cares deeply about these issues and believes that a more equitable and just world can be shaped by the power of documentary films. Our hope is that through highlighting these stories told by talented women filmmakers, others will be motivated to action to support the films and the issues they highlight,” said CEO of Chicken &amp; Egg Pictures, Jenni Wolfson. “We live in a world that’s not doing enough to prevent war, gun violence, climate change, or advance reproductive justice. We firmly believe these films can help in the fight for these issues.” </span></p>
</blockquote>
<p><span style="font-weight: 400;">We are thrilled to give these filmmakers a warm welcome to the Nest. The 2022 Critical Issues Fund grantees are: </span></p>
<p><a href="https://chickeneggpics.org/grantee/after-roe-working-title/"><b><i>After Roe</i></b></a><span style="font-weight: 400;"> (Working title)<br /></span><span style="font-weight: 400;">Directors: </span><a href="https://chickeneggpics.org/grantee/speed-sisters/"><span style="font-weight: 400;">Amber Fares</span></a><span style="font-weight: 400;">, </span><a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-gandbhir/"><span style="font-weight: 400;">Geeta Gandbhir</span></a><span style="font-weight: 400;"> (US/CANADA)<br /></span><i><span style="font-weight: 400;">After Roe</span></i><span style="font-weight: 400;"> explores the ongoing nationwide battle playing out after the Supreme Court left the fate of tens of millions of women in the hands of politicians across the country.</span></p>
<p><a href="https://chickeneggpics.org/grantee/breaking-the-news/"><b><i>Breaking the News<br /></i></b></a><span style="font-weight: 400;">Directors: Heather Courtney, Chelsea Hernandez, Princess Hairston (US)<br /></span><span style="font-weight: 400;">Producer: Diane Quon<br /></span><i><span style="font-weight: 400;">Breaking the News</span></i><span style="font-weight: 400;"> follows a group of women and non-binary journalists, bucking the white male status quo, to launch The 19th*—a digital news startup that asks who has been omitted from mainstream coverage and how they can be included.</span></p>
<p><a href="https://chickeneggpics.org/grantee/displaced/"><b><i>Displaced</i></b></a><span style="font-weight: 400;"> <br /></span><span style="font-weight: 400;">Director: Olha Zhurba (UKRAINE)<br /></span><span style="font-weight: 400;">Producer: Darya Bassel <br /></span><i><span style="font-weight: 400;">Displaced </span></i><span style="font-weight: 400;">captures a collective portrait of Ukrainians fleeing the grindstones of war, and those who stayed and are forced to adapt to life under constant shelling.</span></p>
<p><a href="https://chickeneggpics.org/grantee/frontline/"><b><i>Frontline <br /></i></b></a><span style="font-weight: 400;">Director: Alisa Kovalenko </span><span style="font-weight: 400;">(UKRAINE)<br /></span><span style="font-weight: 400;">Producer: Katarzyna Kuczyńska <br /></span><span style="font-weight: 400;">Co-producers: Monica Hellström, Valeryi Kalmykov<br /></span><i><span style="font-weight: 400;">Frontline</span></i><span style="font-weight: 400;"> is a diary from the frontline of the Russian invasion of Ukraine by a director and mother turned soldier.</span></p>
<p><a href="https://chickeneggpics.org/grantee/hollywood-does-abortion/"><b><i>Hollywood Does Abortion</i></b></a><span style="font-weight: 400;"> (Working title)<br /></span><span style="font-weight: 400;">Directors &amp; Producers: Barbara Attie, Mike Attie, Janet Goldwater (US)<br /></span><span style="font-weight: 400;">Producer: Eliza Licht <br /></span><i><span style="font-weight: 400;">Hollywood Does Abortion</span></i> <span style="font-weight: 400;">explores descriptions of abortion in film and television, revealing how Hollywood both reflects and distorts this safe but controversial medical procedure.</span></p>
<p><a href="https://chickeneggpics.org/grantee/intercepted/"><b><i>Intercepted <br /></i></b></a><span style="font-weight: 400;">Director: Oksana Karpovych (UKRAINE/CANADA)<br /></span><span style="font-weight: 400;">Producer: Les Films Cosmos<br /></span><i><span style="font-weight: 400;">Intercepted</span></i><span style="font-weight: 400;"> is a journey through Ukraine that reveals the banality of evil behind the Russian invasion.</span></p>
<p><a href="https://chickeneggpics.org/grantee/plan-c/"><b><i>Plan C</i></b></a><br /><span style="font-weight: 400;">Director &amp; Producer: Tracy Droz Tragos (US)<br /></span><em>Plan C</em> follows the journey of a grassroots network, with a controversial visionary at the helm, as they fight to expand access to abortion pills across the United States, and keep hope alive during a global pandemic and the fall of Roe v. Wade.</p>
<p><a href="https://chickeneggpics.org/grantee/razing-liberty-square/"><b><i>Razing Liberty Square</i></b><span style="font-weight: 400;"> <br /></span></a><span style="font-weight: 400;">Director: Katja Esson (GERMANY/US)<br /></span><i><span style="font-weight: 400;">Razing Liberty Square</span></i><span style="font-weight: 400;"> features Miami as ground zero for sea level rise. When residents of the Liberty Square public-housing community learn about a $300-million revitalization project in 2015, they soon discover that this sudden interest comes from the fact that their neighborhood is located on the highest and driest ground in the city. Now they must prepare to fight a new form of racial injustice: climate gentrification.</span></p>
<p><a href="https://chickeneggpics.org/grantee/red-zone/"><b><i>Red Zone<br /></i></b></a><span style="font-weight: 400;">Director: Iryna Tsilyk (UKRAINE)<br /></span><span style="font-weight: 400;">Producer: Darya Bassel <br /></span><i><span style="font-weight: 400;">Red Zone</span></i><span style="font-weight: 400;"> shares Tsilyk’s very intimate and female perspective on the question—what does it mean to be a woman in the war times?</span></p>
<p><a href="https://chickeneggpics.org/grantee/sol-in-the-garden/"><b><i>Sol in the Garden</i></b><span style="font-weight: 400;"> <br /></span></a><span style="font-weight: 400;">Directors: </span><a href="https://chickeneggpics.org/grantee/fruits-of-labor/"><span style="font-weight: 400;">Emily Cohen Ibañez</span></a><span style="font-weight: 400;">, </span><a href="https://chickeneggpics.org/grantee/for-our-children/"><span style="font-weight: 400;">Débora</span><span style="font-weight: 400;"> Souza Silva</span> </a><span style="font-weight: 400;">(US/COLOMBIA/BRAZIL)<br /></span><i><span style="font-weight: 400;">Sol in the Garden</span></i><span style="font-weight: 400;"> features Sol—who is released from prison after 16 years of incarceration—and follows her journey as she discovers that coming into her own freedom can be as challenging as living behind bars. Through a community gardening collective of formerly incarcerated horticulturalists in East Oakland, Sol strives to recover her humanity and sense of self.</span></p>
<p><a href="https://chickeneggpics.org/grantee/untitled-baby-doe-film/"><b><i>Untitled Baby Doe Film</i></b><span style="font-weight: 400;"> <br /></span></a><span style="font-weight: 400;">Director: Jessica Earnshaw (CANADA)<br /></span><span style="font-weight: 400;">Producer: Holly Meehl Chapman<br /></span><i><span style="font-weight: 400;">Untitled Baby Doe Film</span></i><span style="font-weight: 400;"> intimately explores the phenomena of pregnancy denial through the stories of two women, a generation apart, given life sentences for the deaths of their newborns.</span></p>
<p><a href="https://chickeneggpics.org/grantee/untitled-uvalde-documentary/"><b><i>Untitled Uvalde Documentary</i></b><span style="font-weight: 400;"> <br /></span></a><span style="font-weight: 400;">Director &amp; Producer: </span><a href="https://chickeneggpics.org/grantee/anayansi-prado/"><span style="font-weight: 400;">Anayansi Prado</span></a> <span style="font-weight: 400;">(PANAMA/US)</span></p>
<p><span style="font-weight: 400;">Note: The parentheses next to the directors’ names indicate the directors’ country or countries of origin.</span></p>
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		<item>
		<title>Announcing our 2022 Chicken &#038; Egg Award Recipients!</title>
		<link>https://archive.chickeneggpics.org/2022-chicken-egg-award-recipients/</link>
					<comments>https://archive.chickeneggpics.org/2022-chicken-egg-award-recipients/#respond</comments>
		
		<dc:creator><![CDATA[Mariana Sanson]]></dc:creator>
		<pubDate>Tue, 25 Jan 2022 16:21:59 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Anayansi Prado]]></category>
		<category><![CDATA[Beverley Palesa Ditsie]]></category>
		<category><![CDATA[Brett Story]]></category>
		<category><![CDATA[Ditsi Carolino]]></category>
		<category><![CDATA[Margreth Olin]]></category>
		<category><![CDATA[Petra Costa]]></category>
		<category><![CDATA[Sonia Kennebeck]]></category>
		<category><![CDATA[Tracy Heather Strain]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=9990</guid>

					<description><![CDATA[Chicken &#038; Egg Pictures is proud to introduce the seventh cohort of our Chicken &#038; Egg Award, which supports six advanced-career women and gender nonconforming filmmakers with unrestricted funding.]]></description>
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<figure class="wp-block-image size-large"><img decoding="async" width="1024" height="383" src="https://chickeneggpics.org/wp-content/uploads/2022/01/Chicken-Egg-Award-2022-Banner-1024x383.jpg" alt="a series of headshots of six women looking at the camera" class="wp-image-9991" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/Chicken-Egg-Award-2022-Banner-1024x383.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/Chicken-Egg-Award-2022-Banner-608x227.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/Chicken-Egg-Award-2022-Banner-768x287.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/Chicken-Egg-Award-2022-Banner-1536x574.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/Chicken-Egg-Award-2022-Banner-2048x766.jpg 2048w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>



<p>Announced via <strong><a href="https://womenandhollywood.com/exclusive-petra-costa-and-tracy-heather-strain-among-2022-chicken-egg-award-recipients/?utm_source=dlvr.it&amp;utm_medium=twitter">Women &amp; Hollywood</a></strong> today, Chicken &amp; Egg Pictures is proud to introduce the seventh cohort of our <a href="https://chickeneggpics.org/programs/#breakthrough-filmmaker-award"><strong>Chicken &amp; Egg Award</strong></a>, which supports six advanced-career women and gender nonconforming filmmakers with <strong>unrestricted funding</strong>. The directors will receive a $50,000 grant, and for the first time ever two directors will receive a $15,000 finalist grant.</p>



<blockquote class="wp-block-quote is-layout-flow wp-block-quote-is-layout-flow"><p>“The Chicken &amp; Egg Award makes bold investments in the personal and professional wellbeing of visionary women and gender nonconforming documentary makers. Over the past seven years, we have given <strong>unrestricted cash grants totaling $1.9 million US dollars</strong> to <strong>38 change-making directors</strong>,” said Program Director Lucila Moctezuma. “Because filmmakers—especially those affected by roadblocks tied to their gender, race, class, and location—deserve financial freedom while they create new projects.”</p></blockquote>



<p>Please click on the Recipients’ names for more information on each filmmaker and give these visionary directors a warm welcome to the Nest!</p>



<div style="height:25px" aria-hidden="true" class="wp-block-spacer"></div>



<h2 class="has-text-align-center wp-block-heading"><strong>2022 CHICKEN &amp; EGG AWARD RECIPIENTS</strong></h2>



<div style="height:35px" aria-hidden="true" class="wp-block-spacer"></div>



<p><span class="e2ma-style"><strong><img decoding="async" class="wp-image-9905  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Petra-Costa_Headshot_BW_WEB-608x609.jpg" alt="Director Petra Costa’s headshot in black and white" width="219" height="219" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Petra-Costa_Headshot_BW_WEB-608x609.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Petra-Costa_Headshot_BW_WEB-1022x1024.jpg 1022w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Petra-Costa_Headshot_BW_WEB-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Petra-Costa_Headshot_BW_WEB-768x770.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Petra-Costa_Headshot_BW_WEB.jpg 1482w" sizes="(max-width: 219px) 100vw, 219px" /></strong></span><span class="e2ma-style" style="font-size: inherit;"><a href="https://chickeneggpics.org/grantee/petra-costa/"><b>Petra Costa</b></a><span style="font-weight: 400;"> is a Brazilian documentary filmmaker whose work lives on the borderlines of the personal and political. She directed </span><b><i>The Edge of Democracy</i></b><span style="font-weight: 400;"> (2019), which was nominated for the Academy Award® for Documentary Feature in 2020; </span><b><i>Undertow Eyes</i></b><span style="font-weight: 400;"> (2009); </span><b><i>Elena</i></b><span style="font-weight: 400;"> (2012); and </span><b><i>Olmo and the Seagull</i></b> <span style="font-weight: 400;">(2015). Petra is associate producer of Barbara Paz’s </span><i><span style="font-weight: 400;">Babenco </span></i><span style="font-weight: 400;">(2019), producer of Moara Passoni&#8217;s</span><i><span style="font-weight: 400;"> Ecstasy </span></i><span style="font-weight: 400;">(2020), and EP of Rebeca Huntt&#8217;s</span><i><span style="font-weight: 400;"> BEBA</span></i><span style="font-weight: 400;"> (2021).</span> &nbsp;<b>&nbsp;</b></span></p>
<p><img loading="lazy" decoding="async" class="wp-image-9950  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Beverley-Ditsie_Headshot_BW_WEB-1-608x607.jpg" alt="Black &amp; White medium image of Dr Bev in an Afro hairstyle, wearing a black tux and black tie, looking directly at camera." width="211" height="211" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Beverley-Ditsie_Headshot_BW_WEB-1-608x607.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Beverley-Ditsie_Headshot_BW_WEB-1-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Beverley-Ditsie_Headshot_BW_WEB-1-768x767.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Beverley-Ditsie_Headshot_BW_WEB-1.jpg 1000w" sizes="auto, (max-width: 211px) 100vw, 211px" /></p>
<p><a href="https://chickeneggpics.org/grantee/beverley-palesa-ditsie/"><b>Dr. Bev Palesa Ditsie</b></a><span style="font-weight: 400;"> (Hon) is a radical gender nonconforming lesbian activist and award winning filmmaker, disruptor and change agent who was instrumental in bringing LGBTIQA+ rights into focus in the late 80’s and 90’s in South Africa and the world. She is also a reality TV director whose credits include Big Brother Africa, Survivor South Africa, and Project Runway South Africa. Among her film credits are </span><b><i>Simon &amp; I</i></b><span style="font-weight: 400;">, </span><b><i>A Family Affair</i></b><span style="font-weight: 400;">, and </span><b><i>The Commission</i></b><span style="font-weight: 400;">. </span><b><i>Lesbians Free Everyone</i></b><span style="font-weight: 400;"> (2020), their latest work filmed during lockdown, takes the viewer along their journey as the first African Lesbian to address the UN at the Fourth World Conference on Women in Beijing 1995. </span></p>
<p><span class="e2ma-style"><img loading="lazy" decoding="async" class="wp-image-9956  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Anayansi-Prado_Headshot_BW_WEB-1-608x549.jpg" alt="A woman with dark skin, long, wavy black hair and black eyes sits on a bright red/orange sofa, her hands resting on the sofa's arm rest. She's smiling while looking into straight into the camera. She is wearing a long sleeve black dress with a V-neck,has on a turquoise necklace and matching earrings." width="218" height="197" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Anayansi-Prado_Headshot_BW_WEB-1-608x549.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Anayansi-Prado_Headshot_BW_WEB-1-1024x924.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Anayansi-Prado_Headshot_BW_WEB-1-768x693.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Anayansi-Prado_Headshot_BW_WEB-1-1536x1386.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Anayansi-Prado_Headshot_BW_WEB-1-2048x1848.jpg 2048w" sizes="auto, (max-width: 218px) 100vw, 218px" /></span><span class="e2ma-style"><a href="https://chickeneggpics.org/grantee/anayansi-prado/"><b>Anayansi Prado</b></a><span style="font-weight: 400;"> is an award-winning documentary filmmaker whose work has focused on issues of undocumented immigration, indigenous rights, and race identity. Her feature films have aired nationally on PBS including </span><b><i>The Unafraid</i></b> <span style="font-weight: 400;">(2018), </span><b><i>Paraiso for Sale</i></b> <span style="font-weight: 400;">(2010), and </span><b><i>Maid in America</i></b> <span style="font-weight: 400;">(2005). Anayansi is a Rockefeller Media Fellow and a Creative Capital Artist; her work has been supported by the MacArthur Foundation, Ford Foundation, Chicken &amp; Egg Pictures, amongst others.</span> </span></p>
<p><span class="e2ma-style"><img loading="lazy" decoding="async" class="wp-image-9968  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1-608x613.jpg" alt="This is a headshot of Brett Story, a white woman with freckles and long brown hair and bangs. She is sitting at a table against a white wall, wearing a black turtleneck and jeans." width="213" height="215" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1-608x613.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1-1016x1024.jpg 1016w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1-768x774.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1-1525x1536.jpg 1525w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1-2033x2048.jpg 2033w" sizes="auto, (max-width: 213px) 100vw, 213px" /><a href="https://chickeneggpics.org/grantee/brett-story/"><b>Brett Story</b></a><span style="font-weight: 400;"> is an award-winning filmmaker and writer based out of Toronto. She is the director of the critically acclaimed feature documentaries </span><b><i>The Prison in Twelve</i></b> <b><i>Landscapes</i></b><span style="font-weight: 400;"> (2016) and</span> <b><i>The Hottest August</i></b><span style="font-weight: 400;"> (2019), both of which have screened around the world. Brett has held fellowships from the John Simon Guggenheim Memorial Foundation and Sundance Institute, and she was named one of Variety’s 10 Documentary Filmmakers to Watch 2019.</span><br></span></p>
<p><span class="e2ma-style"><img loading="lazy" decoding="async" class="wp-image-9976  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Margreth-Olin_Headshot_BW_2_WEB-1-608x656.jpg" alt="Director Margreth Olin in a coat, background winter landscape in Oslo" width="209" height="226" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Margreth-Olin_Headshot_BW_2_WEB-1-608x656.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Margreth-Olin_Headshot_BW_2_WEB-1-949x1024.jpg 949w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Margreth-Olin_Headshot_BW_2_WEB-1-768x829.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Margreth-Olin_Headshot_BW_2_WEB-1-1424x1536.jpg 1424w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Margreth-Olin_Headshot_BW_2_WEB-1-1898x2048.jpg 1898w" sizes="auto, (max-width: 209px) 100vw, 209px" /><a href="https://chickeneggpics.org/grantee/margreth-olin/"><b>Margreth Olin</b></a><span style="font-weight: 400;"> is a director and producer with a large cinema audience in Norway. She has made 13 films, which have received critical acclaim, participated at numerous festivals abroad, and won several Norwegian and international awards. Margreth has managed to catalyze important dialogues with the topics her films shed light on. She has personally received 26 honorary awards for her commitment and focus on human rights. Her credits include </span><b><i>My Body</i></b><span style="font-weight: 400;"> (Tribeca 2002), EFA-nominated </span><b><i>Raw Youth</i></b><span style="font-weight: 400;"> (2004), </span><b><i>The Angel </i></b><span style="font-weight: 400;">(TIFF 2010), </span><b><i>Nowhere Home</i></b><span style="font-weight: 400;"> (IDFA 2012), </span><b><i>Cathedrals of Culture</i></b><span style="font-weight: 400;"> (Berlinale 2013), </span><b><i>Self Portrait</i></b><span style="font-weight: 400;"> (DOC NYC 2020).</span><br></span></p>
<p><img loading="lazy" decoding="async" class="wp-image-9912  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Tracy-Heather-Strain_Headshot_BW_web-1-608x608.jpg" alt="" width="226" height="226" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Tracy-Heather-Strain_Headshot_BW_web-1-608x608.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Tracy-Heather-Strain_Headshot_BW_web-1-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Tracy-Heather-Strain_Headshot_BW_web-1-768x768.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Tracy-Heather-Strain_Headshot_BW_web-1.jpg 1000w" sizes="auto, (max-width: 226px) 100vw, 226px" /><a href="https://chickeneggpics.org/grantee/tracy-heather-strain/"><b>Tracy Heather Strain</b></a><span style="font-weight: 400;">, a two-time Peabody Award-winning and Emmy-nominated filmmaker, explores stories about the ways diverse peoples have experienced life in the US. She won an NAACP Image Award for Motion Picture Directing for </span><b><i>Lorraine Hansberry: Sighted Eyes/Feeling Heart</i></b><span style="font-weight: 400;">, which premiered at TIFF and made its television debut on American Masters. She is presently developing </span><b><i>Survival Floating</i></b><span style="font-weight: 400;">, a hybrid documentary investigating African-descended peoples’ relationships with swimming.</span></p>



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<h3 class="has-text-align-center wp-block-heading"><strong><strong>2022 CHICKEN &amp; EGG AWARD FINALIST DEVELOPMENT GRANT RECIPIENTS</strong></strong></h3>



<div style="height:35px" aria-hidden="true" class="wp-block-spacer"></div>



<p><span class="e2ma-style"><strong><img loading="lazy" decoding="async" class="wp-image-9978  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022-Finalist_Ditsi-Carolino_Headshot_BW-608x623.jpg" alt="" width="224" height="230" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022-Finalist_Ditsi-Carolino_Headshot_BW-608x623.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022-Finalist_Ditsi-Carolino_Headshot_BW-999x1024.jpg 999w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022-Finalist_Ditsi-Carolino_Headshot_BW-768x787.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022-Finalist_Ditsi-Carolino_Headshot_BW.jpg 1133w" sizes="auto, (max-width: 224px) 100vw, 224px" /></strong></span><span class="e2ma-style" style="font-size: inherit;"><a href="https://chickeneggpics.org/grantee/ditsi-carolino/"><b>Ditsi Carolino</b></a><span style="font-weight: 400;"> studied filmmaking at the National Film &amp; Television School in the UK on a Chevening Scholarship. Her past projects include </span><b><i>Life on the Tracks</i></b><span style="font-weight: 400;">, about a couple who live by the railway slums (IDFA World Premiere, BBC Storyville Broadcast); and </span><b><i>Bunso</i></b><b>:</b> <b><i>The Youngest</i></b><span style="font-weight: 400;">, about three imprisoned boys from 11–13, which was used by child rights advocates to pass the juvenile justice law. Ditsi is a member of Academy of Motion Picture Arts and Sciences. </span>  <b> </b></span></p>
<p><img loading="lazy" decoding="async" class="wp-image-9985  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/2018-AL_Sonia_Kennebeck_Director-and-Producer_BW_WEB-608x532.jpg" alt="" width="229" height="200" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/2018-AL_Sonia_Kennebeck_Director-and-Producer_BW_WEB-608x532.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/2018-AL_Sonia_Kennebeck_Director-and-Producer_BW_WEB-1024x896.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/2018-AL_Sonia_Kennebeck_Director-and-Producer_BW_WEB-768x672.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/2018-AL_Sonia_Kennebeck_Director-and-Producer_BW_WEB-1536x1345.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/2018-AL_Sonia_Kennebeck_Director-and-Producer_BW_WEB-2048x1793.jpg 2048w" sizes="auto, (max-width: 229px) 100vw, 229px" /></p>
<p><a href="https://chickeneggpics.org/grantee/sonia-kennebeck/"><b>Sonia Kennebeck</b></a><span style="font-weight: 400;"> is an award-winning director and producer and has released three critically-acclaimed independent feature films: </span><b><i>National Bird</i></b><span style="font-weight: 400;"> (Berlinale Special 2016), </span><b><i>Enemies of the State</i></b><span style="font-weight: 400;"> (TIFF 2020), and </span><b><i>United States vs. Reality Winner</i></b><span style="font-weight: 400;"> (SXSW 2021). She received the Adrienne Shelly Excellence in Filmmaking Award and Ridenhour Documentary Film Prize. She is a first-generation college graduate who was born in Malaysia, raised in Germany, and lives in the US.  </span></p>
<p><span class="e2ma-style"><span style="font-weight: 400;">Read the <a href="https://womenandhollywood.com/exclusive-petra-costa-and-tracy-heather-strain-among-2022-chicken-egg-award-recipients/?utm_source=dlvr.it&amp;utm_medium=twitter"><b>Women &amp; Hollywood</b></a> article about the 2022 Chicken &amp; Egg Award. </span></span></p>
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		<title>And She Could Be Next Two Night Premiere on PBS on June 29 &#038; 30</title>
		<link>https://archive.chickeneggpics.org/and-she-could-be-next/</link>
					<comments>https://archive.chickeneggpics.org/and-she-could-be-next/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Thu, 18 Jun 2020 23:39:38 +0000</pubDate>
				<category><![CDATA[AlumNest]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Premieres]]></category>
		<category><![CDATA[Anayansi Prado]]></category>
		<category><![CDATA[And She Could Be Next]]></category>
		<category><![CDATA[Bushra Amiwala]]></category>
		<category><![CDATA[Deborah S. Esquenazi]]></category>
		<category><![CDATA[Geeta Gandbhir]]></category>
		<category><![CDATA[Grace Lee]]></category>
		<category><![CDATA[Lucy McBath]]></category>
		<category><![CDATA[Maria Elena Durazo]]></category>
		<category><![CDATA[Marjan Safinia.]]></category>
		<category><![CDATA[PBS]]></category>
		<category><![CDATA[Rashida Tlaib]]></category>
		<category><![CDATA[Stacey Abrams]]></category>
		<category><![CDATA[Veronica Escobar]]></category>
		<category><![CDATA[Yoruba Richen]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=7813</guid>

					<description><![CDATA[&#160; And She Could Be Next was also field directed by Chicken &#38; Egg Award recipients Yoruba Richen and Geeta Gandbhir and AlumNest filmmakers Amber Fares (Speed Sisters), Deborah S. Esquenazi (Southwest of Salem), and Anayansi Prado (Children in No Man’s Land). The series follows candidates and organizers across the country, asking whether democracy itself [&#8230;]]]></description>
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<div class="wp-block-media-text alignwide is-stacked-on-mobile"><figure class="wp-block-media-text__media"><img loading="lazy" decoding="async" width="683" height="1024" src="https://chickeneggpics.org/wp-content/uploads/2020/06/woman_poster.b4f97644-1-683x1024.jpg" alt="" class="wp-image-7817" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2020/06/woman_poster.b4f97644-1-683x1024.jpg 683w, https://archive.chickeneggpics.org/wp-content/uploads/2020/06/woman_poster.b4f97644-1-608x912.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2020/06/woman_poster.b4f97644-1-768x1152.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2020/06/woman_poster.b4f97644-1-1024x1536.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2020/06/woman_poster.b4f97644-1.jpg 1365w" sizes="auto, (max-width: 683px) 100vw, 683px" /></figure><div class="wp-block-media-text__content">
<p style="text-align: left;"><strong>Mark your calendars for June 29 and 30!</strong> The Chicken &amp; Egg Pictures team will be viewing <strong><em>And She Could Be Next</em></strong> this Sunday, June 29 and Monday, June 30 on <a href="https://www.andshecouldbenext.com/watch">our local PBS stations</a>.  <b><i>And She Could Be Next</i></b><i><span style="font-weight: 400;">, </span></i><span style="font-weight: 400;">directed by Chicken &amp; Egg Award recipient Grace Lee and Chicken &amp; Egg Pictures Board Member Marjan Safinia, tells the story of a defiant movement of women of color, transforming politics from the ground up.</span></p>
</div></div>



<p>&nbsp;</p>
<p><span style="font-weight: 400;"><em>And She Could Be Next </em>was also field directed by Chicken &amp; Egg Award recipients Yoruba Richen and Geeta Gandbhir and AlumNest filmmakers Amber Fares (<a href="https://chickeneggpics.org/grantee/speed-sisters/"><em>Speed Sisters</em></a>), Deborah S. Esquenazi (<em><a href="https://chickeneggpics.org/grantee/southwest-of-salem-the-story-of-the-san-antonio-four/">Southwes</a><a href="https://chickeneggpics.org/grantee/southwest-of-salem-the-story-of-the-san-antonio-four/">t of</a></em><a href="https://chickeneggpics.org/grantee/southwest-of-salem-the-story-of-the-san-antonio-four/"><em> Salem</em></a>), and Anayansi Prado (<a href="https://chickeneggpics.org/grantee/children-in-no-mans-land/"><i>Children in No Man’s Land</i></a>). T</span><span style="font-weight: 400;">he series follows candidates and organizers across the country, asking whether democracy itself can be preserved—and made stronger—by those most marginalized, featuring history-makers including Rashida Tlaib, Stacey Abrams, Lucy McBath, Bushra Amiwala, Maria Elena Durazo, Veronica Escobar, Nse Ufot and more.</span></p>



<h3 class="has-text-align-center wp-block-heading"><strong>Monday, June 29</strong></h3>





<p></p>



<p><strong>Episode One: Building The Movement </strong>opens with the powerful reminder that “women of color have been the backbone of our communities forever.” An energetic montage of modern American civil rights movements–from women’s suffrage to Stonewall, Black Lives Matter to Standing Rock–brings us to the 2018 midterm elections where a new generation of women of color is ready to take the lead. The documentary goes behind-the-scenes at local rallies, war rooms and church basements, where candidates and organizers embark on the campaign trail. We also witness the unique challenges they face, from well-resourced incumbents to systemic barriers that disproportionately affect black, brown and immigrant communities. As we get to know these women, we see how they do not live “single issue lives” but are each a product of a larger movement–one that is coalition-based, intergenerational and interfaith.</p>



<h3 class="has-text-align-center wp-block-heading"><strong>Tuesday, June 30</strong></h3>





<p></p>



<p><strong>Episode Two: Claiming Power</strong> takes us to the weeks leading up to election day and focuses on how organizers combat voter suppression in their own communities. At the heart of the episode is a growing multi-ethnic coalition in Georgia, a state with a rich history of civil rights organizing and poised to be a “majority minority” state as early as 2025. In addition to the New Georgia Project, groups like Mijente and Asians for Abrams put boots on the ground to address language barriers, poll purges and “exact match” laws that impact thousands of voters across the state. As results roll in, there is celebration for some and disappointment for others–but for these community organizers, the work does not stop when the polls close. Through it all, these women present a collective vision of political power that is rooted in care, dignity and joy, and remind us that there is an organizer in all of us.</p>



<hr class="wp-block-separator"/>



<p>Learn more about <em>And She Could Be Next </em><a href="https://www.andshecouldbenext.com/">here</a>. </p>


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		<title>Nest-supported Projects Receive Sundance Documentary Fund Grants</title>
		<link>https://archive.chickeneggpics.org/nest-supported-projects-receive-sundance-documentary-fund-grants/</link>
					<comments>https://archive.chickeneggpics.org/nest-supported-projects-receive-sundance-documentary-fund-grants/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Wed, 14 Nov 2018 14:50:53 +0000</pubDate>
				<category><![CDATA[Grants]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Amber Fares]]></category>
		<category><![CDATA[American Revolutionary: The Evolution of Grace Lee Boggs]]></category>
		<category><![CDATA[Anayansi Prado]]></category>
		<category><![CDATA[Anna Fitch]]></category>
		<category><![CDATA[Banker White]]></category>
		<category><![CDATA[born in china]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Chris King]]></category>
		<category><![CDATA[Cocaine Prison]]></category>
		<category><![CDATA[David Osit]]></category>
		<category><![CDATA[Deborah S. Esquenazi]]></category>
		<category><![CDATA[diversity fellows iniative]]></category>
		<category><![CDATA[Games You Can't Win]]></category>
		<category><![CDATA[Geeta Gandbhir]]></category>
		<category><![CDATA[Grace Lee]]></category>
		<category><![CDATA[Heaven Through the Backdoor]]></category>
		<category><![CDATA[inventing tomorrow]]></category>
		<category><![CDATA[Journey of a Thousand Miles: Peacekeepers]]></category>
		<category><![CDATA[Kendeda Fund]]></category>
		<category><![CDATA[Laura Nix]]></category>
		<category><![CDATA[Love the Sinner]]></category>
		<category><![CDATA[Lynn Zhang]]></category>
		<category><![CDATA[Macarthur Foundation]]></category>
		<category><![CDATA[Maia von Lekow]]></category>
		<category><![CDATA[Malika Zouhali-Worrall]]></category>
		<category><![CDATA[Marjan Safinia.]]></category>
		<category><![CDATA[Mayor]]></category>
		<category><![CDATA[Nanfu Wang]]></category>
		<category><![CDATA[Ramona Emerson]]></category>
		<category><![CDATA[Southwest of Salem]]></category>
		<category><![CDATA[Sundance Documentary Fund]]></category>
		<category><![CDATA[Sundance Institute]]></category>
		<category><![CDATA[Survivors]]></category>
		<category><![CDATA[Thank You for Playing]]></category>
		<category><![CDATA[the fight]]></category>
		<category><![CDATA[The Kendeda Fund]]></category>
		<category><![CDATA[the letter]]></category>
		<category><![CDATA[Untitled Dystopia Film]]></category>
		<category><![CDATA[Untitled Race & Criminal Justice Project]]></category>
		<category><![CDATA[ursula liang]]></category>
		<category><![CDATA[Violeta Ayala]]></category>
		<category><![CDATA[Yoruba Richen]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=5158</guid>

					<description><![CDATA[Wonderful news from Sundance Institute! Thirty-three recipients of the Sundance Institute Documentary Fund Stories of Change Grant were announced recently, and 81% of the supported projects have at least one woman producer or director. Projects are supported through grants in the development, production, post-production and audience engagement stages, and include custom grants from The Kendeda Fund, MacArthur Foundation, [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Wonderful news from Sundance Institute! Thirty-three recipients of the Sundance Institute Documentary Fund Stories of Change Grant were announced recently, and 81% of the supported projects have at least one woman producer or director.</p>
<p>Projects are supported through grants in the development, production, post-production and audience engagement stages, and include custom grants from The Kendeda Fund,<span class="text_exposed_show"> MacArthur Foundation, and The Skoll Foundation. </span></p>
<p>We were egg-static to see the following Nest-supported projects and filmmakers from our <a href="https://chickeneggpics.org/programs/#diversity-fellows-initiative">Diversity Fellows Initiative</a>, <a href="https://chickeneggpics.org/programs/#accelerator-lab">Accelerator Lab</a>, and <a href="https://chickeneggpics.org/programs/#breakthrough-filmmaker-award">Breakthrough Filmmaker Award</a> programs on the list.</p>
<p><figure id="attachment_3812" aria-describedby="caption-attachment-3812" style="width: 250px" class="wp-caption alignleft"><a href="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Through-the-Night_Film-Still.jpg" rel="lightbox[5158]"><img loading="lazy" decoding="async" class="wp-image-3812" src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Through-the-Night_Film-Still-e1541708206446-344x344.jpg" alt="Through the Night Loira Limbal 2018 Accelerator Lab" width="250" height="188" /></a><figcaption id="caption-attachment-3812" class="wp-caption-text">Through the Night, directed by Loira Limbal</figcaption></figure></p>
<p><strong><em><a href="https://chickeneggpics.org/grantee/through-the-night/">Through the Night</a></em>, directed by Loira Limbal (2018 Accelerator Lab) </strong></p>
<p>To make ends meet, Americans are working longer hours across multiple jobs. This modern reality of nonstop work has resulted in an unexpected phenomenon: the flourishing of 24-hour daycare centers. <em>Through the Night</em> is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.</p>
<p><em>Through the Night</em> received a production grant from the Sundance Documentary Fund.</p>
<p><figure id="attachment_3106" aria-describedby="caption-attachment-3106" style="width: 250px" class="wp-caption alignleft"><a href="https://chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210.jpg" rel="lightbox[5158]"><img loading="lazy" decoding="async" class="wp-image-3106" src="https://chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-344x344.jpg" alt="Nanfu Wang Lynn Zhang Born In China 2017 Accelerator Lab" width="250" height="250" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-608x608.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-768x768.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-1024x1024.jpg 1024w" sizes="auto, (max-width: 250px) 100vw, 250px" /></a><figcaption id="caption-attachment-3106" class="wp-caption-text">Born in China, directed by Nanfu Wang and Lynn Zhang</figcaption></figure></p>
<p><strong><a href="https://chickeneggpics.org/grantee/born-in-china/"><em>Born in China</em></a>, directed by Nanfu Wang and Jialing Zhang (2017 Accelerator Lab)</strong></p>
<p>How much control does a person have over their own life? In China, state control begins before a child is even born.</p>
<p><em>Born in China</em> received a grant for post-production from the Sundance Documentary Fund.</p>
<p><figure id="attachment_3936" aria-describedby="caption-attachment-3936" style="width: 250px" class="wp-caption alignleft"><a href="https://chickeneggpics.org/wp-content/uploads/2018/04/The-Letter_Lekow_Still-photo-The-Letter-1-lo-e1541708623924.jpg" rel="lightbox[5158]"><img loading="lazy" decoding="async" class="wp-image-3936" src="https://chickeneggpics.org/wp-content/uploads/2018/04/The-Letter_Lekow_Still-photo-The-Letter-1-lo-e1541708685643-344x344.jpg" alt="" width="250" height="182" /></a><figcaption id="caption-attachment-3936" class="wp-caption-text">The Letter, directed by Maia von Lekow &amp; Chris King</figcaption></figure></p>
<p><strong><a href="https://chickeneggpics.org/grantee/the-letter/"><em>The Letter</em></a>, directed by Maia von Lekow and Chris King (2018 Diversity Fellows Initiative)</strong></p>
<p>Along the coast of Kenya, a frenzied mix of consumerism and Christianity is turning hundreds of families against their elders, branding them as witches as a means to steal their land. Ninety-two-</p>
<p>year-old Margaret Kamango stands accused by her sons, while her strong-willed daughters try to protect her. This dangerous dispute is seen through the eyes of Margaret’s grandson, Karisa, who returns home from the city to investigate and is ultimately forced to choose which side he is on.</p>
<p><em>The Letter </em>received a grant for post-production from the Sundance Documentary Fund.</p>
<p><figure id="attachment_3178" aria-describedby="caption-attachment-3178" style="width: 250px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3178" src="https://chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_temp_Liang_SUBWAY_NYC_ImageByBrianChu-344x344.png" alt="Ursula Liang 2017 Diversity Fellows Initiative" width="250" height="156" /><figcaption id="caption-attachment-3178" class="wp-caption-text">Untitled Race &amp; Criminal Justice Project, directed by Ursula Liang</figcaption></figure></p>
<p><em><b><a href="https://chickeneggpics.org/grantee/untitled-race-criminal-justice-project/">Untitled Race &amp; Criminal Justice Project</a></b></em><b>, directed by Ursula Liang (2017 Diversity Fellows Initiative) </b></p>
<p>A nuanced look at how two communities of color navigate an uneven criminal justice system, anchored by one polarizing New York City case.</p>
<p><em>United Race &amp; Criminal Justice Project </em>received support for production from the Macarthur Foundation. This grant provides support for journalistic projects, prioritizing diverse, Native and Indigenous voices.</p>
<p>Chicken &amp; Egg Pictures would also like to congratulate the following filmmakers whose work we have supported in the past or who we have individually support through the Breakthrough Filmmaker Award program—</p>
<p>Malika Zouhali-Worrall (director of Nest-supported projects <i><a href="https://chickeneggpics.org/grantee/thank-you-for-playing/">Thank You For Playing</a>, <a href="https://chickeneggpics.org/grantee/call-me-kuchu-4/">Call Me Kuchu</a>, </i>and <a href="https://chickeneggpics.org/grantee/games-you-cant-win/"><em>Games You Can&#8217;t Win</em></a>) recieved a development grant for her new project <em>Untitled Dystopia Film</em>.</p>
<p>Malika&#8217;s co-director in <a style="font-style: italic;" href="https://chickeneggpics.org/grantee/thank-you-for-playing/">Thank You For Playing</a> and <i><a href="https://chickeneggpics.org/grantee/games-you-cant-win/"><em>Games You Can&#8217;t Win</em></a></i>, David Osit also received a development grant for his  project <em>Mayor</em>. Congratulations Malika and David!</p>
<p><figure id="attachment_3621" aria-describedby="caption-attachment-3621" style="width: 250px" class="wp-caption alignleft"><a href="https://chickeneggpics.org/wp-content/uploads/2018/01/Nix_Inventing-Tomorrow_Film-Still-3.png" rel="lightbox[5158]"><img loading="lazy" decoding="async" class="wp-image-3621 size-full" src="https://chickeneggpics.org/wp-content/uploads/2018/01/Nix_Inventing-Tomorrow_Film-Still-3-e1541713146679.png" alt="Laura Nix Inventing Tomorrow 2018 Breakthrough Filmmaker Award" width="250" height="250" /></a><figcaption id="caption-attachment-3621" class="wp-caption-text">Inventing Tomorrow, directed by Laura Nix</figcaption></figure></p>
<p><a href="https://chickeneggpics.org/grantee/2018-breakthrough-award-recipient-nix/">2016 Breakthrough Filmmaker Recipient</a> Laura Nix received a grant for audience engagement for her film <em>Inventing Tomorrow </em>from The Kendeda Fund.</p>
<p>Meet the passionate teen innovators from around the globe who dedicate their blood, sweat, and Bunsen burners to craft cutting-edge solutions to the world’s environmental threats and present their findings at the world’s largest high school science competition, the Intel International Science and Engineering Fair.</p>
<p>Chicken &amp; Egg Pictures did not directly support <em>Inventing Tomorrow</em>, but supported Laura Nix through our Breakthrough Filmmaker Award program in 2016.</p>
<p><em>And She Could Be Next </em>received a production grant from the Sundance Documentary Fund and is made by a team of women filmmakers of color, including four Nest-supported filmmakers. <em>And She Could Be Next </em>is directed by Grace Lee <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-lee/">(2017 Breakthrough Filmmaker Award recipient</a> and director of <a href="https://chickeneggpics.org/grantee/american-revolutionary-the-evolution-of-grace-lee-boggs/">American Revolutionary: The Evolution of Grace Lee Boggs</a>), Yoruba Richen (<a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient-3/">2016 Breakthrough Filmmaker Award</a> recipient), Deborah S. Esquenazi (<em><a href="https://chickeneggpics.org/grantee/southwest-of-salem-the-story-of-the-san-antonio-four/">Southwest of Salem</a></em>) , and Geeta Gandbhir (director of <em><a href="https://chickeneggpics.org/grantee/peacekeepers/">A Journey of a Thousand Miles: Peacekeepers</a>, </em>producer of <em><a href="https://chickeneggpics.org/grantee/love-the-sinner">Love the Sinner</a></em>,  and <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-gandbhir/">2017 Breakthrough Filmmaker Award recipient</a>) as well as Anayansi Prado, Ramona Emerson, Amber Fares, and Marjan Safinia.</p>
<p>Another special congratulations to Anna Fitch for her grant for production on her new project <em>Heaven Through the Backdoor</em>, which she is co-directing with Banker White. Anna Fitch previously received support on her work in <em><a href="https://chickeneggpics.org/grantee/survivors/">Survivors </a></em>from Chicken &amp; Egg Pictures, also co-directed with Banker White.</p>
<p>Congratulations also to Violeta Ayala (director of Nest-supported <em><a href="https://chickeneggpics.org/grantee/cocaine-prison/">Cocaine Prison</a>) </em>on receiving production support for her new feature documentary, <em>The Fight</em>.</p>
<p>What an incredible group of women-directed projects! Congratulations to all.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
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		<title>The Nest at 2018 Human Rights Watch Film Festival</title>
		<link>https://archive.chickeneggpics.org/2018-human-rights-watch-film-festival/</link>
					<comments>https://archive.chickeneggpics.org/2018-human-rights-watch-film-festival/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Mon, 11 Jun 2018 14:00:30 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Diversity Fellows]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[Grants]]></category>
		<category><![CDATA[Mentorship]]></category>
		<category><![CDATA[2018 HRWFF]]></category>
		<category><![CDATA[2018 Human Rights Watch Film Festival]]></category>
		<category><![CDATA[Alexandria Bombach]]></category>
		<category><![CDATA[Anayansi Prado]]></category>
		<category><![CDATA[Heather Courtney]]></category>
		<category><![CDATA[HRW]]></category>
		<category><![CDATA[HRWFF]]></category>
		<category><![CDATA[Human Rights Watch]]></category>
		<category><![CDATA[Human Rights Watch Film Festival]]></category>
		<category><![CDATA[Julia Bacha]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[NYC]]></category>
		<category><![CDATA[Sahra Mani]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=4166</guid>

					<description><![CDATA[The 2018 Human Rights Watch Film Festival (HRWFF) in New York City will feature four Chicken &#38; Egg-supported films and filmmakers! Make sure to catch a screening of the following films if you happen to be in the New York City area between June 14-21! You can look at the full list of the documentaries [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><span style="font-weight: 400;">The 2018 Human Rights Watch Film Festival (HRWFF) in New York City will feature four Chicken &amp; Egg-supported films and filmmakers! Make sure to catch a screening of the following films if you happen to be in the New York City area between June 14-21! </span></p>
<p><span style="font-weight: 400;">You can look at the full list of the documentaries featured </span><a href="https://ff.hrw.org/new-york"><span style="font-weight: 400;">here</span></a><span style="font-weight: 400;">.</span></p>
<p><a href="https://chickeneggpics.org/grantee/a-thousand-girls-like-me/"><i><span style="font-weight: 400;">A Thousand Girls Like Me</span></i></a><i><span style="font-weight: 400;">*</span></i><span style="font-weight: 400;">, directed by Sahra Mani (2016 Diversity Fellow Initiative)</span><a href="https://chickeneggpics.org/grantee/a-thousand-girls-like-me/"><img loading="lazy" decoding="async" class="alignnone" title="A Thousand Girls Like Me*, directed by Sahra Mani (2016 Diversity Fellow Initiative) Naila and the Uprising directed by Julia Bacha at 2018 Human Rights Watch Film Festival. " src="https://ff.hrw.org/sites/default/files/styles/video/public/Family.jpg?itok=56YQcDyM&amp;c=c3eae38427dfc3f13989e52dd55d14de" alt="A Thousand Girls Like Me*, directed by Sahra Mani (2016 Diversity Fellow Initiative) Naila and the Uprising directed by Julia Bacha at 2018 Human Rights Watch Film Festival. " width="1334" height="764" /></a></p>
<p><span style="font-weight: 400;">In Afghanistan where systematic abuses of girls rarely come to light, and seeking justice can be deadly, one young woman says “Enough.” Khatera was brutally raped by her father since the age of nine and today she raises two precious and precocious children whom he sired. Against her family’s and many Afghanis’ wishes, Khatera forces her father to stand trial. This is her incredible story of love, hope, bravery, forgiveness, and truth.</span></p>
<p><span style="font-weight: 400;">Screening(s): </span></p>
<p><span style="font-weight: 400;">June 19, 9 pm at the Film Society of Lincoln Center’s Elinor Bunin Munroe Film Center </span></p>
<p><span style="font-weight: 400;">June 20, 7 pm at the IFC Center</span></p>
<p><span style="font-weight: 400;">Get your tickets </span><a href="http://www.ifccenter.com/films/a-thousand-girls-like-me/"><span style="font-weight: 400;">here</span></a><span style="font-weight: 400;">.</span></p>
<p><i><span style="font-weight: 400;">*A Thousand Girls Like Me</span></i><span style="font-weight: 400;"> will have its US premiere at the 2018 HRWFF.</span></p>
<p><a href="https://ff.hrw.org/film/naila-and-uprising?city=New%20York"><i><span style="font-weight: 400;">Naila and the Uprising</span></i></a><span style="font-weight: 400;">*, directed by Julia Bacha </span><br />
<a href="https://chickeneggpics.org/"><img loading="lazy" decoding="async" class="alignnone" title="Naila and the Uprising directed by Julia Bacha at 2018 Human Rights Watch Film Festival. " src="https://ff.hrw.org/sites/default/files/styles/video/public/Woman%20and%20Leaflet_Naila%20and%20the%20Uprising_Still2.jpg?itok=KDXZEJxZ&amp;c=cd5e7146d5f9d6d88a1fa4762ae84606" alt="Naila and the Uprising directed by Julia Bacha at 2018 Human Rights Watch Film Festival. " width="1886" height="1080" /></a></p>
<p><span style="font-weight: 400;">Weaving together interviews, news footage, and expressive animation, award-winning documentarian Julia Bacha inventively chronicles the remarkable journey of Naila Ayesh, who in the late 1980s joined a clandestine movement of Palestinian women who played a pivotal role in the nonviolent uprising known as the First Intifada.</span></p>
<p><span style="font-weight: 400;">Screening(s): </span></p>
<p><span style="font-weight: 400;">June 16, 7 pm at IFC Center</span></p>
<p><span style="font-weight: 400;">Get your tickets </span><a href="http://www.ifccenter.com/films/naila-and-the-uprising/"><span style="font-weight: 400;">here</span></a><span style="font-weight: 400;">.</span></p>
<p><span style="font-weight: 400;">*Chicken &amp; Egg Pictures did not support </span><i><span style="font-weight: 400;">Naila and the Uprising </span></i><span style="font-weight: 400;">but supported director Julia Bacha’s film, </span><a href="https://chickeneggpics.org/grantee/budrus/"><i><span style="font-weight: 400;">Budrus</span></i></a><span style="font-weight: 400;">.</span></p>
<p><a href="https://ff.hrw.org/film/her-shoulders?city=New%20York"><i><span style="font-weight: 400;">On Her Shoulders</span></i></a><span style="font-weight: 400;">*, directed by Alexandria Bombach (2018 SXSW LUNA / Chicken &amp; Egg Pictures Award recipient)</span><a href="https://chickeneggpics.org/"><img loading="lazy" decoding="async" class="alignnone" title="On Her Shoulders*, directed by Alexandria Bombach (2018 SXSW LUNA / Chicken &amp; Egg Pictures Award recipient) at Human Rights Watch Film Festival." src="https://ff.hrw.org/sites/default/files/styles/video/public/On_Her_Shoulders_2main.png?itok=qGkv7au4&amp;c=9efdbd3d3c6743075cc1b212637c90b2" alt="On Her Shoulders*, directed by Alexandria Bombach (2018 SXSW LUNA / Chicken &amp; Egg Pictures Award recipient)" width="2773" height="1588" /></a></p>
<p><span style="font-weight: 400;">This empowering documentary presents 23-year-old Nadia Murad, a Yazidi genocide survivor determined to tell the world her story. Determined advocate and reluctant celebrity, she becomes the voice of her people and their best hope to spur the world to action.</span></p>
<p><span style="font-weight: 400;">Screening(s):</span></p>
<p><span style="font-weight: 400;">June 14, 7 pm at the Film Society of Lincoln center’s Walter reade theatre </span></p>
<p><span style="font-weight: 400;">Get your tickets </span><a href="https://www.filmlinc.org/films/on-her-shoulders/"><span style="font-weight: 400;">here</span></a><span style="font-weight: 400;">.</span></p>
<p><span style="font-weight: 400;">*Chicken &amp; Egg Pictures did not support </span><i><span style="font-weight: 400;">On Her Shoulders </span></i><span style="font-weight: 400;">but supported director Julia Alexandria Bombach through the SXSW LUNA / Chicken &amp; Egg Pictures Award.</span></p>
<p><a href="https://ff.hrw.org/film/unafraid?city=New%20York"><i><span style="font-weight: 400;">The Unafraid*</span></i></a><span style="font-weight: 400;">, directed by Heather Courtney and Anayansi Prado (2017 Chicken &amp; Egg Pictures mentee)</span><a href="https://chickeneggpics.org/"><img loading="lazy" decoding="async" class="alignnone" title="The Unafraid*, directed by Heather Courtney and Anayansi Prado (2017 Chicken &amp; Egg Pictures mentee) at Human Rights Watch Film Festival. " src="https://ff.hrw.org/sites/default/files/styles/video/public/Unafraidmain.jpg?itok=ghAsFRwi&amp;c=cd5e7146d5f9d6d88a1fa4762ae84606" alt="The Unafraid*, directed by Heather Courtney and Anayansi Prado (2017 Chicken &amp; Egg Pictures mentee)" width="1886" height="1080" /></a></p>
<p><span style="font-weight: 400;">High School seniors Alejandro, Silvia, and Aldo, like most of their friends, are eager to go to college and pursue their education. However, their home state of Georgia not only bans them from attending the top five public universities, but also deems them ineligible for in-state tuition at public colleges due to their immigration status as DACA (Deferred Action for Childhood Arrivals) recipients. In response, these three ambitious and dream-filled students divert their passions towards the fight for education in the undocumented community. As President Donald Trump’s campaign rhetoric against immigrants gains momentum, and amid constant threat of losing their DACA status and being deported, The Unafraid follows these inspirational members of the generation of “undocumented, unapologetic and unafraid” young people who are determined to overcome and dismantle oppressive policies and mindsets.</span></p>
<p><span style="font-weight: 400;">Screening(s): </span></p>
<p><span style="font-weight: 400;">June 21, 7 pm at IFC Center </span></p>
<p><span style="font-weight: 400;">You can buy tickets to the Human Rights Watch Film Festival </span><a href="http://www.ifccenter.com/films/the-unafraid/"><span style="font-weight: 400;">here</span></a><span style="font-weight: 400;">.</span></p>
<p><span style="font-weight: 400;">*Chicken &amp; Egg Pictures did not support </span><i><span style="font-weight: 400;">The Unafraid </span></i><span style="font-weight: 400;">but supported director Anayansi Prado’s film, </span><a href="https://chickeneggpics.org/grantee/children-in-no-mans-land/"><i><span style="font-weight: 400;">Children in No Man&#8217;s Land</span></i></a><i><span style="font-weight: 400;">.</span></i></p>
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