We are living a defining moment for present and future generations, and we fiercely believe in the transformative power of documentary, especially in a call to action moment like this. Over the past sixteen years, Chicken & Egg Pictures has supported filmmakers who skillfully weave deeply humane storytelling to showcase the impact of reproductive restrictions. We encourage you to revisit some of the Nest-supported films that have increased visibility for reproductive rights:

A Quiet Inquisition, dirs. & prods. Alessandra Zeka and Holen Sabrina Kahn

Set in Nicaragua, A Quiet Inquisition portrays the reality of abortion prohibition where doctors have to navigate between the potential of prosecution and medical protocols that save lives.
Rent on Youtube

On The Divide, dirs. Maya Cueva & Leah Galant, prods. Melanie Miller, Diane Becker, Amanda Spain, Elizabeth Woodward

On The Divide is a film about the last abortion clinic on the US-Mexico border, where three Latinx people are connected despite their different views. As threats to the clinic and their personal safety mount, these three are forced to make decisions they never could have imagined.
Watch on POV in 2022 

Vessel, dir. & prod. Diana Whitten, prod. Mitchell Block

Vessel is the story of activist Rebecca Gomperts, founder of Women on Waves, a non-profit organization dedicated to bringing reproductive health services to women in countries with restrictive abortion laws. When her ship is faced with governmental, religious, and military blockade, she decides to use new technologies to train women to give themselves abortions using WHO-researched pills. This work builds an underground network of emboldened pro-choice activists who trust women to handle abortion. 
Rent on Amazon Prime

The Chosen Life, dir. Dawn Porter, prod. Marilyn Ness

The Chosen Life follows the story of Dr. Yashica Robinson as she offers reproductive options for women in Huntsville, Alabama, where abortion providers face harassment, ostracism, and state-sanctioned obstacles.
Watch via The New York Times

Motherland, dir. & prod. Ramona S. Díaz, prod. Rey Cuerdo

Motherland takes us into the world’s busiest maternity hospital, which is located in one of its poorest countries: the Philippines. There, women face devastating consequences as their country struggles with reproductive health policy and the politics of conservative ideologies.
Watch on Tubi, Vudu & Peacock

Belly of the Beast, dir. Erika Cohn, prods. Nicole Docta, Christen Marquez & Angela Tucker

Belly of the Beast is a shocking story about the ongoing legacy of eugenics and reproductive injustice in the United States. When a courageous young woman and a radical lawyer discover a pattern of illegal sterilizations in California’s women’s prisons—primarily targeting women of color, they wage a near-impossible battle against the Department of Corrections. 
Host a screening

After Tiller, dirs. & prods. Martha Shane and Lana Wilson

After Tiller is a compassionate portrait of the remaining four American doctors who openly provide third-trimester abortions and have become the new number-one targets of the anti-abortion movement. They continue to risk their lives every day to do work that many believe is murder, but which they believe is profoundly important for their patients’ lives. 
Watch on Tubi & Apple TV

Lucila oversees the planning and implementation of our organization’s programs in support of women nonfiction filmmakers and has constructed a solid career supporting and producing documentary filmmaking across borders. 

We also want to congratulate our Board members Susan Margolin and Brenda Robinson, and Nest-supported filmmaker Angela Tucker (co-director of I am not going to change 400 years in four and producer of Belly of the Beast) for their invitation too! 

The Class of 2021 is 46% women, 39% percent underrepresented ethnic/racial communities, and 53% international from 49 countries outside of the United States. Documentary is among the seven branches that invited more women than men, along with Casting Directors, Costume Designers, Executives, Marketing and Public Relations, Music, and Producers.

Congratulations to the Class of 2021! 

Post by 2021 Summer Communications Intern Mariana Sanson. 

Films about democracy and elections have long added to conversations about the democratic process on the national and international level and told the stories of our nations. As the US election cycle comes to a close, the following documentaries by women filmmakers from the past fifteen years of our organization are on our mind. Here are a few films by Nest-supported filmmakers that have used intimate storytelling to convey the power of democracy:

Councilwoman, directed by Margo Guernsey, follows a hotel housekeeper from the Dominican Republic who wins a City Council seat in Providence, Rhode Island. Carmen balances cleaning hotel rooms with navigating a political establishment that does not easily acquiesce to the needs of working people.
Watch on Vimeo. 

In Democrats, directed by Camilla Nielsson, two politicians from rival parties in Zimbabwe oversee the creation of a new constitution following the election of Robert Mugabe as president in 2008.
Watch on Apple TV.

And She Could Be Next, co-directed by Grace Lee (Chicken & Egg Award Recipient) and Marjan Safinia (Chicken & Egg Pictures Board), tells the story of a defiant movement of women of color, transforming politics from the ground up. The series follows candidates and organizers across the country, asking whether democracy itself can be preserved—and made stronger—by those most marginalized, featuring history-makers including Rashida Tlaib, Stacey Abrams, Lucy McBath, Bushra Amiwala, Maria Elena Durazo, Veronica Escobar, Nse Ufot and more. Watch on PBS. 

Once Upon a Time in Venezuela, directed by Anabel Rodríguez Ríos
On Lake Maracaibo, beneath the mysterious silent Catatumbo lightning, the village of Congo Mirador is preparing for parliamentary elections. For streetwise local businesswoman and Chavist party representative Tamara, every vote counts, fought by all means. While for opposition-supporting teacher Natalie, politics is a weapon that is unsuccessfully attempting to force her from her job. And with her sharp eyes, little Yohanny sees her community sinking from sedimentation, her childhood and innocence with it. How can a small fishing village survive against corruption, pollution and political decay—a reflection of all the flaws of contemporary Venezuela? If you are in the US, tune into DOC NYC to watch from November 11 – 19. Tickets here. 

“I Am Not Going to Change 400 Years in Four,” directed by Angela Tucker and 2016 Chicken & Egg Award Recipient Kristi Jacobson, follows Satana Deberry as she takes the oath of office as district attorney of Durham County, North Carolina. Satana is a Black woman elected to an office historically held by white men whose “tough on crime” policies have devastated communities of color for decades. Now, she faces the complicated realities of seeking to reform a deeply flawed criminal justice system, and a community ravaged by gun violence. Her story is at once inspiring and empowering—and also a call to action, for voters across the US. “I Am Not Going to Change 400 Years in Four” was produced by Chicken & Egg Pictures in partnership with Mother Jones. Watch on Mother Jones. 

The Supreme Price, directed by Joanna Lipper, traces the evolution of the Pro-Democracy Movement in Nigeria and efforts to increase the participation of women in leadership roles. Following the annulment of her father’s victory in Nigeria’s Presidential Election and her mother’s assassination by agents of the military dictatorship, Hafsat Abiola faces the challenge of transforming a corrupt culture of governance into a democracy capable of serving Nigeria’s most marginalized population: women.
Watch at Women Make Movies.

When Satana Deberry took the oath of office as district attorney of Durham County, North Carolina on January 1, 2019, it was a momentous occasion—for the city of Durham and for her, as a Black woman elected to an office historically held by white men whose “tough on crime” policies have devastated communities of color for decades. Now, she faces the complicated realities of seeking to reform a deeply flawed criminal justice system, and a community ravaged by gun violence. Her story is at once inspiring and empowering—and also a call to action, for voters across the nation.

Directed by Angela Tucker and 2016 Chicken & Egg Award Recipient Kristi Jacobson, I am not going to change 400 years in four. was produced by Chicken & Egg Pictures through Docs by the Dozen, in partnership with Mother Jones.

About Docs by the Dozen: This shorts and series program was designed to engage with the 320+ members of our AlumNest, build meaningful partnerships with like-minded organizations and media companies, and generate artistic and innovative projects that can increase a filmmaker’s financial stability. The program provides talented filmmakers with the opportunity to expand their portfolios, reach broader audiences, and respond to critical social justice issues in a timely way.

About the directors: Angela Tucker and Kristi Jacobson teamed up to co-direct this powerful short documentary, a natural evolution of each of their bodies of work. Angela Tucker is a New Orleans-based writer, director and Emmy nominated producer. Her latest films include Belly of the Beast, which will broadcast on PBS’ Independent Lens in fall 2020, and All Skinfolk, Ain’t Kinfolk (2020, PBS), a short about a mayoral election in New Orleans. Earlier films include narrative feature All Styles (2018, Amazon); Black Folk Don’t, a doc web series that was featured in Time Magazine’s “10 Ideas That Are Changing Your Life”; and (A)sexual (2012, Netflix/Hulu). Kristi Jacobson is an Emmy Award-winning filmmaker, working as a director and producer of features, series and short-form content. Some of her films include Solitary (2017, HBO), which takes an unprecedented look at life inside a supermax prison and is winner of an Emmy Award for Outstanding Investigative Documentary and Independent Spirit Truer Than Fiction Award nominee; Take Back the Harbor (2018, Discovery); A Place at the Table (2012, Magnolia Pictures/ Participant Media); and Cartel Bank, an episode of the hit Netflix Original series Dirty Money (2018).