We’d like to thank The (Television) Academy! These Nest-supported films and filmmakers received awards at the 40th Annual News & Documentary Emmy®s: 

I Am Evidence
Directed by Geeta Gandbhir
Best Documentary 

Armed With Faith
Co-directed by Asad Faruqi, Geeta Gandbhir
Outstanding Politics and Government Documentary

Trans in America: Texas Strong
Directed by Daresha Kyi (Mama Bears)
Outstanding Short Documentary

It Will Be Chaos
Directed by Lorena Luciano and Filippo Piscopo
Outstanding Current Affairs Documentary

And congratulations to Survivors and Unrest for their nominations:

Survivors
Directed by Arthur Pratt, Barmmy Boy, Anna Fitch, Banker White
Outstanding Social Issue Documentary

Unrest
Directed by Jennifer Brea and edited by Emiliano Battista, Kim Roberts
Outstanding Editing: Documentary

*Chicken & Egg Pictures did not directly support I Am Evidence or Armed with Faith, but supports director Geeta Gandbhir as a 2017 Chicken & Egg Award recipient; and did not support the short documentary Trans in America: Texas Strong, but is a supporter of the feature-length documentary Mama Bears, directed by Daresha Kyi, which is a participant of the 2019 (Egg)celerator Lab. 

The Apology is about memory, told through the current relationships three women have with the people closest to them and how these relationships indelibly shape the last years of their lives. The three women – Gil Won-Ok in South Korea, Grandma Cao in China, and Lola Adela in the Philippines – are all former “comfort women” who were among the 200,000 girls and young women forced into military sexual slavery by the Japanese Imperial Army during World War II.

We were honored to be support this powerful film and congratulate director Tiffany Hsiung, the entire The Apology team, and their broadcast partners POV for this huge win.

For the third year in a row, Chicken & Egg Pictures was proud to have supported three of the films nominated in the documentary category: The Apology, Whose Streets?, and Survivors.

Survivors, co-directed by Anna Fitch, Banker White, and Arthur Pratt
WeOwnTV, American Documentary | POV, ITVS (PBS)

Through the eyes of Sierra Leonean filmmakers, Survivors presents a portrait of their country during the Ebola outbreak, exposing the complexity of the epidemic and the socio-political turmoil that lies in its wake. The film chronicles the remarkable stories of Sierra Leonean heroes during what is now widely regarded as the most acute public health crisis of the modern era.

Whose Streets?, directed by Sabaah Folayan
Whose Streets? LLC, American Documentary | POV (PBS)

A firsthand look at how the murder of one teenage boy became the last straw for a community under siege, Whose Streets? is a story of love, loss, conflict, and ambition. Set in Ferguson, MO, the film follows the journey of everyday people whose lives are intertwined with a burgeoning national movement for black liberation. Whose Streets? participated in the 2016 (Egg)celerator Lab.

And a special congratulations to The Rape of Recy Taylor, directed by Nest-friend Nancy Buirski, which is also nominated.

We are very excited to say Chicken & Egg Pictures-supported projects Freedom Fields, A Thousand Girls Like Me, and Survivors will have their Dutch premieres at IDFA this year.

Freedom Fields, directed by Naziha Arebi

Filmed over five years, Freedom Fields follows three women and their football team in post-revolution Libya, as the country descends into civil war and the utopian hopes of the Arab Spring begin to fade. Through the eyes of these accidental activists, we see the reality of a country in transition, where the personal stories of love and aspirations collide with History. A love letter to sisterhood and the power of ‘team’.

Freedom Fields will run in the Best of Fests program which showcases prize-winners, public favorites, and high-profile documentaries from the past year. For tickets to one of six screenings of Freedom Fields at IDFA, see here.

Survivors, co-directed by Anna Fitch, Banker White, Arthur Pratt, and Barmmy Boy

Through the eyes of Sierra Leonean filmmakers, Survivors presents a portrait of their country during the Ebola outbreak, exposing the complexity of the epidemic and the socio-political turmoil that lies in its wake. The film chronicles the remarkable stories of Sierra Leonean heroes during what is now widely regarded as the most acute public health crisis of the modern era.

Survivors is nominated for the inaugural Amsterdam Human Rights Award, for films with strong cinematography and that best present the theme of human rights. For tickets to IDFA screenings of Survivors, see here.

A Thousand Girls Like Me, directed by Sahra Mani (2016 Diversity Fellows Initiative)

In Afghanistan where systematic abuses of girls rarely come to light, and seeking justice can be deadly, one young woman says “Enough.” Khatera was brutally raped by her father since the age of nine and today she raises two precious and precocious children whom he sired. Against her family’s and many Afghanis’ wishes, Khatera forces her father to stand trial. This is her incredible story of love, hope, bravery, forgiveness, and truth.

A Thousand Girls Like Me  will run in the Best of Fests program and also received a nomination for the inaugural Amsterdam Human Rights Award. See here for tickets to screenings.

In a press release from CIFF, Senior Programmer Samara Chadwick stated, “Programming at parity celebrates the contributions of the many formidable women in the field, while also emphasizing the fact that, in a century of documentary filmmaking, we’ve largely known one dominant perspective. […] At CIFF we’re drawn to directorial approaches from outside the canon, and we value all the creative voices and cinematic languages that have been otherwise underrepresented.”

At Chicken & Egg Pictures, we applaud the push for gender parity from the Camden International Film Festival.

See a full itinerary for Nest-supported films, filmmakers, and friends at CIFF below.

Points North Pitch, Saturday Sep. 15 at 10 AM at the Camden Opera House, including a pitch from 2018 Diversity Fellows Initiative grantee Robie Flores for her project The In Between.

Skywards, directed by Eva Weber (Black Out, 2007), Saturday Sep. 15 at 10 AM at The Strand Theatre in Rockland.

Survivors, co-directed by Arthur Pratt, Banker White, Anna Fitch and Barmmy Boy, Saturday Sep. 15 at 12:30 PM at the Rockport Opera House.

A Cure for Fear (Series), directed by Lana Wilson (The Departure and After Tiller), Saturday Sep. 15 at 3:30 PM at the Farnsworth Art Museum in Rockland*

The Feeling of Being Watched, directed by Assia Boundaoui (2016 Accelerator Lab grantee and The Whickers award winner), Sunday Sep. 16 at 12:30 PM. Assia will also be speaking on the Documentary as Co-Creation panel at 3:30 PM on Saturday Sep. 15 at High Mountain Hall in Camden.

On Her Shoulders, directed by Alexandria Bombach (2018 SXSW LUNA / Chicken & Egg Pictures Award recipient), Sunday Sep. 16 at 5 PM at The Strand Theatre in Rockland.*

Blowin’ Up, directed by Stephanie Wang-Breal, Sunday Sep. 16 at 5:30 PM at the Rockport Opera House.

Post by 2018 Communications Intern Morgan Lee Hulquist. 

Whose Streets?, directed by Sabaah Folayan, Damon Davis (Accelerator Lab 2016)

A firsthand look at how the murder of one teenage boy became the last straw for a community under siege, Whose Streets? is a story of love, loss, conflict, and ambition. Set in Ferguson, MO, the film follows the journey of everyday people whose lives are intertwined with a burgeoning national movement for black liberation.

PBS premiere date: July 30, 2018.

The Apology, directed by Tiffany Hsiung

This is a film about memory, told through the current relationships three women have with the people closest to them and how these relationships indelibly shape the last years of their lives. The three women – Gil Won-Ok in South Korea, Grandma Cao in China, and Lola Adela in the Philippines – are all former “comfort women” who were among the 200,000 girls and young women forced into military sexual slavery by the Japanese Imperial Army during World War II.

PBS premiere date: Coming soon.

Survivors, directed by Anna Fitch, Banker White and Arthur Pratt

Through the eyes of Sierra Leonean filmmakers, Survivors presents a portrait of their country during the Ebola outbreak, exposing the complexity of the epidemic and the socio-political turmoil that lies in its wake. The film chronicles the remarkable stories of Sierra Leonean heroes during what is now widely regarded as the most acute public health crisis of the modern era.

PBS premiere date: Coming soon.

Dark Money, directed by Kimberly Reed

A century ago, corrupt money swamped Montana’s legislature, but Montanans rose up to prohibit corporate campaign contributions. Today, in the wake of the Supreme Court’s Citizens United decision —which allows unlimited, anonymous money to pour into elections nationwide—Montana is once again fighting to preserve open and honest elections. Following an investigative reporter through a political thriller, Dark Money exposes one of the greatest threats to American democracy.

PBS premiere date: Coming soon.

Be sure to catch the season premiere of POV on Monday, June 18th at 10 pm!

Post by 2018 Spring Programs Intern Dinayuri Rodriguez.

Lana Wilson’s last film, After Tiller, was also supported by Chicken & Egg Pictures and was part of our Reel Reproductive Justice cohort, a group of films exploring reproductive justice from various angles.

LAST CALL
Director: Lana Wilson
A remarkable Japanese Buddhist priest uses a range of unorthodox methods to help desperate men and women re-discover the will to live. But when a health crisis puts him at serious risk, can he live by the same advice he gives out?

SURVIVORS
Directors: Anna Fitch, Arthur Pratt, and Banker White
Through the eyes of Sierra Leonean filmmakers, Survivors presents a portrait of their country during the Ebola outbreak, exposing the complexity of the epidemic and the socio-political turmoil that lies in its wake. The film chronicles the remarkable stories of Sierra Leonean heroes during what is now widely regarded as the most acute public health crisis of the modern era.