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	<title>Beth Murphy &#8211; Chicken &amp; Egg Pictures</title>
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	<title>Beth Murphy &#8211; Chicken &amp; Egg Pictures</title>
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		<title>Celebrating Women This March at Chicken &#038; Egg Pictures</title>
		<link>https://archive.chickeneggpics.org/celebrating-women-this-march-at-chicken-egg-pictures-2019/</link>
					<comments>https://archive.chickeneggpics.org/celebrating-women-this-march-at-chicken-egg-pictures-2019/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Fri, 08 Mar 2019 13:28:48 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[A Journey of a Thousand Miles: Peacekeepers]]></category>
		<category><![CDATA[American Revolutionary: The Evolution of Grace Lee Boggs]]></category>
		<category><![CDATA[and Peace II]]></category>
		<category><![CDATA[Beth Murphy]]></category>
		<category><![CDATA[Elaine McMillion Sheldon]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Geeta Gandbhir]]></category>
		<category><![CDATA[Gini Reticker]]></category>
		<category><![CDATA[Grace Lee]]></category>
		<category><![CDATA[Hana Mire]]></category>
		<category><![CDATA[Heroin(e)]]></category>
		<category><![CDATA[International Women's Day]]></category>
		<category><![CDATA[Jennifer Redfearn]]></category>
		<category><![CDATA[Julia Bacha]]></category>
		<category><![CDATA[Naila and the Uprising]]></category>
		<category><![CDATA[Pashtana’s Lesson]]></category>
		<category><![CDATA[Perri Peltz]]></category>
		<category><![CDATA[Rajada Dalka/Nation's Hope]]></category>
		<category><![CDATA[Reentry (working title)]]></category>
		<category><![CDATA[Sharmeen Obaid-Chinoy]]></category>
		<category><![CDATA[The Apology]]></category>
		<category><![CDATA[The Trials of Spring]]></category>
		<category><![CDATA[Tiffany Hsiung]]></category>
		<category><![CDATA[War]]></category>
		<category><![CDATA[Women]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<category><![CDATA[women in media]]></category>
		<category><![CDATA[Women War and Peace]]></category>
		<category><![CDATA[women's history month]]></category>
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					<description><![CDATA[Today is International Women&#8217;s Day, a global day celebrating the social, economic, cultural, and political achievements of women. This year&#8217;s International Women&#8217;s Day theme is balance—promoting the need for equality and a gender-balanced world. Chicken &#38; Egg Pictures is honoring women&#8217;s voices today by looking back on the many Nest-supported films about women and girls and looking forward [&#8230;]]]></description>
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<p><a href="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3.jpg" rel="lightbox[5899]"><img fetchpriority="high" decoding="async" class="alignnone wp-image-3788 size-full" src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3.jpg" alt="Jennifer Redfearn Accelerator Lab 2018 Reentry" width="1280" height="720" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3.jpg 1280w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3-1024x576.jpg 1024w" sizes="(max-width: 1280px) 100vw, 1280px" /></a></p>
<p>Today is International Women&#8217;s Day, a global day celebrating the social, economic, cultural, and political achievements of women. This year&#8217;s International Women&#8217;s Day theme is balance—promoting the need for equality and a gender-balanced world.</p>
<p>Chicken &amp; Egg Pictures is honoring women&#8217;s voices today by looking back on the many Nest-supported films about women and girls and looking forward at some powerful films to come. Through the lenses of empathy, intimacy, and dignity, these films represent the diverse complexities of what it means to be a woman or girl in our world today. We hope these Nest-supported filmmakers and their work lead to a more balanced film industry.</p>
<p>Get your International Women&#8217;s Day inspiration by streaming these egg-cellent women-directed and women-centered films:</p>
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<p><em><a href="https://chickeneggpics.org/wp-content/uploads/2014/07/aftertiller_Dr-Robinson.jpg" rel="lightbox[5899]"><img decoding="async" class="alignnone wp-image-371 size-full" src="https://chickeneggpics.org/wp-content/uploads/2014/07/aftertiller_Dr-Robinson.jpg" alt="After Tiller Martha Shane Lana Wilson" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/07/aftertiller_Dr-Robinson.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/aftertiller_Dr-Robinson-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/aftertiller_Dr-Robinson-1024x576.jpg 1024w" sizes="(max-width: 1920px) 100vw, 1920px" /></a></em></p>
<p><strong><em><a href="https://chickeneggpics.org/grantee/after-tiller/">After Tiller</a></em></strong>, co-directed by Martha Shane and <a href="https://chickeneggpics.org/grantee/2019-chicken-egg-award-recipient-lana-wilson/">Lana Wilson</a> (also a Chicken &amp; Egg Award recipient), paints a complex, compassionate portrait of the four American doctors left who openly provide third-trimester abortions.  Since the assassination of Dr. George Tiller in Kansas in May 2009, these physicians have become the new number-one targets of the anti-abortion movement, yet continue to risk their lives every day to do work that many believe is murder, but which they believe is profoundly important for their patients’ lives.</p>
<p><em>After Tiller </em>is available <a href="https://www.amazon.com/After-Tiller-Martha-Shane/dp/B00IMY9MC8">on Amazon Prime</a>.</p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy.jpg" rel="lightbox[5899]"><img decoding="async" class="wp-image-903 size-full" src="https://chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy.jpg" alt="The Apology Tiffany Hsiung" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy-1024x576.jpg 1024w" sizes="(max-width: 1920px) 100vw, 1920px" /></a></p>
<p><strong><a href="https://chickeneggpics.org/grantee/the-apology/"><em>The Apology</em></a></strong>, directed by Tiffany Hsiung, is a film about memory, told through the current relationships three women have with the people closest to them and how these relationships indelibly shape the last years of their lives. The three women – Gil Won-Ok in South Korea, Grandma Cao in China, and Lola Adela in the Philippines – are all former “comfort women” who were among the 200,000 girls and young women forced into military sexual slavery by the Japanese Imperial Army during World War II.</p>
<p><em>The Apology </em>is available <a href="https://www.amazon.com/gp/video/detail/B075L5DQNW/ref=atv_dl_rdr">on Amazon Prime</a>.</p>
<p><em><a href="https://chickeneggpics.org/wp-content/uploads/2019/03/netflix-heroine-bg-1.jpg" rel="lightbox[5899]"><img loading="lazy" decoding="async" class="alignnone wp-image-5885 size-full" src="https://chickeneggpics.org/wp-content/uploads/2019/03/netflix-heroine-bg-1.jpg" alt="" width="922" height="518" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/03/netflix-heroine-bg-1.jpg 922w, https://archive.chickeneggpics.org/wp-content/uploads/2019/03/netflix-heroine-bg-1-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/03/netflix-heroine-bg-1-768x431.jpg 768w" sizes="auto, (max-width: 922px) 100vw, 922px" /></a></em></p>
<p><i><strong>Heroin(e)</strong>, </i>directed by 2016 Chicken &amp; Egg Award recipient<a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient-2/"> Elaine McMillion Sheldon</a>, follows three women—a fire chief, a judge and a missionary—who are battling America’s modern opioid epidemic in Huntington, West Virginia, once a bustling industrial town, now a place with an overdose rate 10 times the national average. This flood of heroin now threatens this Appalachian city with a cycle of generational addiction, lawlessness, and poverty. But within this distressed landscape, Elaine McMillion Sheldon shows a different side of the fight against drugs<em>—</em>one of hope.</p>
<p><em>Heroin(e) </em>is available <a href="https://www.netflix.com/title/80192445">on Netflix</a>.</p>
<p><em><a href="https://chickeneggpics.org/wp-content/uploads/2015/01/GLBProdStill7.jpg" rel="lightbox[5899]"><img loading="lazy" decoding="async" class="alignnone wp-image-1426 size-full" src="https://chickeneggpics.org/wp-content/uploads/2015/01/GLBProdStill7.jpg" alt="Grace Lee American Revolutionary: The Evolution of Grace Lee Boggs" width="4840" height="3240" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2015/01/GLBProdStill7.jpg 4840w, https://archive.chickeneggpics.org/wp-content/uploads/2015/01/GLBProdStill7-608x407.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2015/01/GLBProdStill7-1024x685.jpg 1024w" sizes="auto, (max-width: 4840px) 100vw, 4840px" /></a></em></p>
<p><strong><em><a href="https://chickeneggpics.org/grantee/american-revolutionary-the-evolution-of-grace-lee-boggs/">American Revolutionary: The Evolution Of Grace Lee Boggs</a></em></strong>, directed by <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-lee/">Grace Lee</a> (also a Chicken &amp; Egg Award recipient) tells the story of Grace Lee Boggs, a 98-year-old Chinese American woman whose vision of revolution will surprise you. A writer, activist, and philosopher rooted for more than 70 years in the African American movement, she has devoted her life to an evolving revolution that encompasses the contradictions of America’s past and its potentially radical future.</p>
<p><em>American Revolutionary: The Evolution Of Grace</em> Lee Boggs is available <a href="https://www.netflix.com/title/70285587">on Netflix</a>.</p>
<p><em><a href="https://chickeneggpics.org/wp-content/uploads/2014/07/wtb_image_61.jpg" rel="lightbox[5899]"><img loading="lazy" decoding="async" class="alignnone wp-image-393 size-full" src="https://chickeneggpics.org/wp-content/uploads/2014/07/wtb_image_61.jpg" alt="Pashtana’s Lesson Beth Murphy" width="825" height="525" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/07/wtb_image_61.jpg 825w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/wtb_image_61-608x386.jpg 608w" sizes="auto, (max-width: 825px) 100vw, 825px" /></a></em></p>
<p><em><strong><a href="https://chickeneggpics.org/grantee/pashtanas-lesson/">Pashtana’s Lesson</a></strong>,</em> directed by Beth Murphy, follows the story of a young girl living in the rural Afghan village of Deh’Subz, on the outskirts of Kabul Province, as she resists an arranged marriage so that she may attend Zabuli Education Center, the first girls’ school in the area.</p>
<p>In 2016, <em>Pashtana’s Lesson</em> debuted as a <em>New York Times</em> Op-Doc. To watch, visit the <em>New York Times</em> Op-Docs <a href="https://www.nytimes.com/2016/10/29/opinion/pashtanas-lesson.html">website</a>. <em>What Tomorrow Brings</em>, the feature-length documentary on which <em>Pashtana’s Lesson</em> is based, aired on PBS’s POV series and is available <a href="https://www.amazon.com/gp/video/detail/B075DFNW7G/ref=atv_dl_rdr">on Amazon Prime</a>.</p>
<p><strong>Moving on to the rest of March, Women&#8217;s History Month</strong>: In a year when women are mobilizing and running for office in unprecedented numbers, tune into PBS for <a href="https://www.pbs.org/wnet/women-war-and-peace/about/">Women, War, and Peace II</a>, the acclaimed documentary series which presents four women-directed films exploring the pivotal role women are playing in dramatic conflicts and peace settlements across the globe. This season, three out of four films featured are Nest-supported projects. Check your local listings for exact times and dates.</p>
<p><em><b><a href="https://chickeneggpics.org/wp-content/uploads/2015/02/11-TTOS-Still_Hend-Profile.jpg" rel="lightbox[5899]"><img loading="lazy" decoding="async" class="alignnone wp-image-4407 size-full" src="https://chickeneggpics.org/wp-content/uploads/2015/02/11-TTOS-Still_Hend-Profile.jpg" alt="https://chickeneggpics.org/grantee/the-trials-of-spring/" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2015/02/11-TTOS-Still_Hend-Profile.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2015/02/11-TTOS-Still_Hend-Profile-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2015/02/11-TTOS-Still_Hend-Profile-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2015/02/11-TTOS-Still_Hend-Profile-1024x576.jpg 1024w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a></b></em></p>
<p><strong><em><a href="https://chickeneggpics.org/grantee/the-trials-of-spring/">The Trials </a><a href="https://chickeneggpics.org/grantee/the-trials-of-spring/">of</a><a href="https://chickeneggpics.org/grantee/the-trials-of-spring/"> Spring</a></em><a href="https://chickeneggpics.org/grantee/the-trials-of-spring/">, </a>directed by Gini Reticker debuts Monday, March 25.</strong> The film follows the journeys of three Egyptian women from the early days of the 2011 Arab Spring until today: Hend, from a rural military family, awaiting a harsh prison sentence for protesting against military rule; Miriam, an activist fighting to end sexual assault; and Mama Khadiga, a formerly veiled widow who became a caretaker of the revolutionaries. Their intersecting stories reveal the vital and underreported role women play in shaping the region’s future.</p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2015/02/08-TTOS-Still_Women-Chant.jpg" rel="lightbox[5899]"><img loading="lazy" decoding="async" class="alignnone wp-image-4406 size-full" src="https://chickeneggpics.org/wp-content/uploads/2015/02/08-TTOS-Still_Women-Chant.jpg" alt="https://chickeneggpics.org/grantee/the-trials-of-spring/" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2015/02/08-TTOS-Still_Women-Chant.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2015/02/08-TTOS-Still_Women-Chant-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2015/02/08-TTOS-Still_Women-Chant-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2015/02/08-TTOS-Still_Women-Chant-1024x576.jpg 1024w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a></p>
<p><strong><em><a href="https://www.justvision.org/nailaandtheuprising"><i>Naila and the Uprising</i></a></em>, directed by Julia Bacha debuts Tuesday, March 26. </strong>Weaving together interviews, news footage, and expressive animation, award-winning documentarian <a href="https://chickeneggpics.org/grantee/2019-chicken-egg-award-julia-bacha/">Julia Bacha</a> (also a Chicken &amp; Egg Award recipient) inventively chronicles the remarkable journey of Naila Ayesh, who in the late 1980s joined a clandestine movement of Palestinian women who played a pivotal role in the nonviolent uprising known as the First Intifada.</p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2019/03/journeyofathousandmiles-key.jpg" rel="lightbox[5899]"><img loading="lazy" decoding="async" class="alignnone wp-image-5887 size-full" src="https://chickeneggpics.org/wp-content/uploads/2019/03/journeyofathousandmiles-key.jpg" alt="" width="1110" height="620" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/03/journeyofathousandmiles-key.jpg 1110w, https://archive.chickeneggpics.org/wp-content/uploads/2019/03/journeyofathousandmiles-key-608x340.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/03/journeyofathousandmiles-key-768x429.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2019/03/journeyofathousandmiles-key-1024x572.jpg 1024w" sizes="auto, (max-width: 1110px) 100vw, 1110px" /></a></p>
<p><strong><em><a href="http://www.docnyc.net/film/journey-of-a-thousand-miles-peacekeepers-a/#.VkDWhq6rQ0p">A Journey of a Thousand Miles: Peacekeepers</a></em></strong>, co-directed by Geeta Gandbhir (also a Chicken &amp; Egg Award recipient), Sharmeen Obaid-Chinoy (also on our Eggsperts advisory board), and Perri Peltz, <strong>debuts Tuesday, March 26</strong>. The film follows an all-female, Bangladeshi unit of UN peacekeepers as they leave their friends, families and all familiarity for deployment abroad in Haiti. The  film examines how this journey forever alters their lives while illuminating the unique role that women play in restoring peace in the world’s most volatile regions.</p>
<p><strong>Nest-supported films about women and girls to look out for in the future: </strong></p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3.png" rel="lightbox[5899]"><img loading="lazy" decoding="async" class="alignnone wp-image-3797 size-full" src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3.png" alt="Writing With Fire, directed by Rintu Thomas and Sushmit Ghosh 2018 Accelerator Lab" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3.png 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3-608x342.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3-768x432.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3-1024x576.png 1024w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a></p>
<p><strong><em><a href="https://chickeneggpics.org/grantee/writing-with-fire/">Writing With Fire</a></em></strong><em>, </em>directed by Rintu Thomas &amp; Sushmit Ghosh (2018 (Egg)celerator Lab), tells the story India&#8217;s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions, be it on the frontlines of India&#8217;s biggest issues or within the confines of their homes, redefining what it means to be powerful.</p>
<p><em>Writing With Fire</em> is currently in production.</p>
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<p><a href="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3.jpg" rel="lightbox[5899]"><img fetchpriority="high" decoding="async" class="alignnone wp-image-3788 size-full" src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3.jpg" alt="Jennifer Redfearn Accelerator Lab 2018 Reentry" width="1280" height="720" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3.jpg 1280w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3-1024x576.jpg 1024w" sizes="(max-width: 1280px) 100vw, 1280px" /></a></p>
<p><strong><a href="https://chickeneggpics.org/grantee/reentry-working-title/"><em>Reentry (Working Title)</em></a></strong>, directed by Jennifer Redfearn (2018 (Egg)celerator Lab), is an immersive, character-driven film follows three women—who are part of a new reentry program in Cleveland, Ohio—as they prepare to leave prison, reunite with their children, and find jobs after serving time for drug-related charges.</p>
<p><em>Reentry</em> is currently in post production.</p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2016/09/Rajada-Dalka.jpg" rel="lightbox[5899]"><img loading="lazy" decoding="async" class="wp-image-2614 size-full" src="https://chickeneggpics.org/wp-content/uploads/2016/09/Rajada-Dalka.jpg" alt="Rajada Dalka Nation's Hope Hana Mire" width="699" height="466" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/09/Rajada-Dalka.jpg 699w, https://archive.chickeneggpics.org/wp-content/uploads/2016/09/Rajada-Dalka-608x405.jpg 608w" sizes="auto, (max-width: 699px) 100vw, 699px" /></a></p>
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<p><a href="https://chickeneggpics.org/grantee/rajada-dalka-nations-hope/"><strong><em>Rajada Dalka</em>/</strong><em><strong>Nation&#8217;s Hope</strong></em></a>, directed by Hana Mire<br />
(2016 Diversity Fellows Initiative; 2017 (Egg)celerator Lab),  follows the Somali National Women’s basketball team in their first season since the civil war, as veteran coach Suad Galow shepherds her team of fearless young women and helps them to overcome the violent threats against them from members of the Al-Shabab militia and reclaim their place on the international stage.</p>
<p><em>Rajada Dalka/Nation&#8217;s Hope</em> is currently in post production.</p>
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		<title>Chicken &#038; Egg Pictures at the Emmys®!</title>
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		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Wed, 26 Jul 2017 16:57:26 +0000</pubDate>
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		<category><![CDATA[Abigail Disney]]></category>
		<category><![CDATA[Academy of Motion Picture Arts and Sciences]]></category>
		<category><![CDATA[Among the Believers]]></category>
		<category><![CDATA[Awards ceremony]]></category>
		<category><![CDATA[Best Documentary]]></category>
		<category><![CDATA[Beth Murphy]]></category>
		<category><![CDATA[David Felix Sutcliffe]]></category>
		<category><![CDATA[David Osit]]></category>
		<category><![CDATA[Deborah S. Esquenazi]]></category>
		<category><![CDATA[Doc World]]></category>
		<category><![CDATA[Emmy]]></category>
		<category><![CDATA[Emmy Awards]]></category>
		<category><![CDATA[emmys]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[First-Time Filmmakers]]></category>
		<category><![CDATA[Geeta Patel]]></category>
		<category><![CDATA[Hemal Trivedi]]></category>
		<category><![CDATA[Hooligan Sparrow]]></category>
		<category><![CDATA[Independent Lens]]></category>
		<category><![CDATA[Investigation Discovery]]></category>
		<category><![CDATA[Katie Galloway]]></category>
		<category><![CDATA[Kelly Duane de la Vega]]></category>
		<category><![CDATA[Lyric R. Cabral]]></category>
		<category><![CDATA[Malika Zouhali-Worrall]]></category>
		<category><![CDATA[Meet the Patels]]></category>
		<category><![CDATA[Mohammed Naqvi]]></category>
		<category><![CDATA[Nanfu Wang]]></category>
		<category><![CDATA[News & Documentary Emmy Awards]]></category>
		<category><![CDATA[No Más Bebés]]></category>
		<category><![CDATA[nominations]]></category>
		<category><![CDATA[Outstanding Current Affairs Documentary]]></category>
		<category><![CDATA[Outstanding Politics and Government Documentary]]></category>
		<category><![CDATA[PBS]]></category>
		<category><![CDATA[POV]]></category>
		<category><![CDATA[public broadcasting]]></category>
		<category><![CDATA[Rachel Lears]]></category>
		<category><![CDATA[Ravi Patel]]></category>
		<category><![CDATA[Renee Tajima-Peña]]></category>
		<category><![CDATA[Robin Blotnick]]></category>
		<category><![CDATA[Social Issue Documentary]]></category>
		<category><![CDATA[Southwest of Salem: The Story of the San Antonio Four]]></category>
		<category><![CDATA[television]]></category>
		<category><![CDATA[Thank You for Playing]]></category>
		<category><![CDATA[The Armor of Light]]></category>
		<category><![CDATA[The Hand That Feeds]]></category>
		<category><![CDATA[The Return]]></category>
		<category><![CDATA[What Tomorrow Brings]]></category>
		<category><![CDATA[Women Directors]]></category>
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		<guid isPermaLink="false">https://chickeneggpics.org/?p=3361</guid>

					<description><![CDATA[What a week for wonderful news at Chicken &#38; Egg Pictures! Nominees for the 38th Annual News &#38; Documentary Emmy Awards® were announced yesterday and we were overloaded with joy to see so many Nest-supported films and filmmakers included. Congratulations to all and good luck! Among the Believers, directed by Hemal Trivedi and Mohammed Naqvi (World ‘Doc World’) Nominated [&#8230;]]]></description>
										<content:encoded><![CDATA[<figure id="attachment_3363" aria-describedby="caption-attachment-3363" style="width: 608px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3363 size-medium" src="https://chickeneggpics.org/wp-content/uploads/2017/07/Emmy-Nominated-Films-2017-608x256.jpg" alt="" width="608" height="256" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2017/07/Emmy-Nominated-Films-2017-608x256.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2017/07/Emmy-Nominated-Films-2017.jpg 684w" sizes="auto, (max-width: 608px) 100vw, 608px" /><figcaption id="caption-attachment-3363" class="wp-caption-text">Row 1 (left to right): Among the Believers, The Hand That Feeds, Meet the Patels; Row 2 (left to right): No Más Bebés, The Return, Southwest of Salem; Row 3 (left to right):Thank You For Playing, (T)ERROR, What Tomorrow Brings</figcaption></figure>
<p>What a week for wonderful news at Chicken &amp; Egg Pictures!</p>
<p>Nominees for the 38th Annual News &amp; Documentary Emmy Awards® were announced yesterday and we were overloaded with joy to see so many Nest-supported films and filmmakers included. Congratulations to all and good luck!</p>
<p><a href="https://chickeneggpics.org/grantee/among-the-believers/"><em>Among the Believers</em></a>, directed by<em> </em>Hemal Trivedi and Mohammed Naqvi (World ‘Doc World’) Nominated for <b>Outstanding Politics and G</b><b>overnment Documentary</b></p>
<p><i><a href="https://chickeneggpics.org/grantee/the-hand-that-feeds/">The Hand That Feeds</a>,</i> directed by Rachel Lears and Robin Blotnick<i> </i>(World ‘America ReFramed’) Nominated for<b> Outstanding Business and Economic Documentary</b></p>
<p><i><a href="https://chickeneggpics.org/grantee/meet-the-patels">Meet the Patels</a>, </i>directed by Geeta Patel and Ravi Patel (PBS ‘Independent Lens’) Nominated for<b> Outstanding Arts &amp; Culture Documentary</b></p>
<p><a href="https://chickeneggpics.org/grantee/no-mas-bebes/"><em>No Más Bebés</em></a>, directed by Renee Tajima-Peña (PBS ‘Independent Lens’) Nominated for<b> Outstanding Historical Documentary</b></p>
<p><a href="https://chickeneggpics.org/grantee/the-return"><em>The Return</em></a>, directed by Kelly Duane de la Vega and Katie Galloway (PBS ‘POV’) Nominated for<b> Outstanding Current Affairs </b><b>Documentary</b></p>
<p><a href="https://chickeneggpics.org/grantee/southwest-of-salem-the-story-of-the-san-antonio-four/"><em>Southwest of Salem: The Story of the San Antonio Four</em></a>, directed by Deborah S. Esquenazi (Investigation Discovery) Nominated for<b> Outstanding Social Issue Documentary</b></p>
<p><a href="https://chickeneggpics.org/grantee/thank-you-for-playing/"><i>Thank You For Playing</i></a>, directed by Malika Zouhali-Worrall and David Osit (PBS ‘POV’)<strong> Nominated for Best Documentary, <b>Outstanding Arts &amp; Culture Documentary, </b></strong>and<strong><b> Outstanding Editing: Documentary</b></strong></p>
<p><a href="https://chickeneggpics.org/grantee/terror/"><em>(T)ERROR</em></a>, directed by Lyric R. Cabral and David Felix Sutcliffe (PBS ‘Independent Lens’) Nominated for <b>Outstanding Investigative Documentary</b></p>
<p><a href="https://chickeneggpics.org/grantee/What-Tomorrow-Brings/"><em>What Tomorrow Brings</em></a>, directed by Beth Murphy (PBS ‘POV’) Nominated for<b> Outstanding Current Affairs Documentary</b></p>
<p>And a special congratulations to 2017 Accelerator Lab grantee Nanfu Wang for <em>Hooligan Sparrow</em>, (PBS ‘POV’), which was nominated for <strong>Outstanding Politics and Government Documentary</strong> and <strong>Outstanding Editing: Documentary</strong>; and our Nest-friend and supporter Abigail Disney for <em>The Armor of Light</em>, (PBS ‘Independent Lens’), nominated for <strong>Outstanding Social Issue Documentary</strong>.</p>
<p>&nbsp;</p>
]]></content:encoded>
					
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		<title>The Nest is hot on the trail of Hot Docs</title>
		<link>https://archive.chickeneggpics.org/the-nest-is-hot-on-the-trail-of-hot-docs/</link>
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		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Mon, 11 Apr 2016 22:34:47 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Alma Ha'rel]]></category>
		<category><![CDATA[Beth Murphy]]></category>
		<category><![CDATA[Cameraperson]]></category>
		<category><![CDATA[Christopher LaMarca]]></category>
		<category><![CDATA[Dawn Porter]]></category>
		<category><![CDATA[Deborah S. Esquenazi]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Heidi Brandenburg]]></category>
		<category><![CDATA[Hot Docs]]></category>
		<category><![CDATA[Hot Docs 2016]]></category>
		<category><![CDATA[Jessica Dimmock]]></category>
		<category><![CDATA[Kirsten Johnson]]></category>
		<category><![CDATA[LoveTrue]]></category>
		<category><![CDATA[Mathew Orzel]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[Rokhsareh Ghaemmaghami]]></category>
		<category><![CDATA[social change]]></category>
		<category><![CDATA[Sonita]]></category>
		<category><![CDATA[Southwest of Salem]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[The Apology]]></category>
		<category><![CDATA[The Pearl]]></category>
		<category><![CDATA[Tiffany Hsiung]]></category>
		<category><![CDATA[Trapped]]></category>
		<category><![CDATA[What Tomorrow Brings]]></category>
		<category><![CDATA[When Two Worlds Collide]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">http://chickeneggpics.org/?p=2371</guid>

					<description><![CDATA[A whopping nine Chicken &#38; Egg Pictures-supported films have been selected to screen at the upcoming Hot Docs Film Festival in Toronto, Canada. The festival, which will run April 28-May 8, 2016, is the largest documentary film festival in North America. This year&#8217;s lineup is comprised of over 200 films from around the world. Tickets are [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>A whopping nine Chicken &amp; Egg Pictures-supported films have been selected to screen at the upcoming Hot Docs Film Festival in Toronto, Canada.</p>
<p>The festival, which will run April 28-May 8, 2016, is the largest documentary film festival in North America. This year&#8217;s lineup is comprised of over 200 films from around the world.</p>
<p>Tickets are on sale now; the full lineup can be found <a href="http://boxoffice.hotdocs.ca/websales/pages/list.aspx?epguid=7d40538f-b787-42db-b800-e5d6075294ae&amp;perpage=13&amp;cp268=Highlight&amp;" target="_blank" rel="noopener">here</a>.</p>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50897~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">The Apology</a></em><br />
Directed by Tiffany Hsiung<br />
This is a film about memory, told through the current relationships three women have with the people closest to them and how these relationships indelibly shape the last years of their lives. The three women – Gil Won-Ok in South Korea, Grandma Cao in China, and Lola Adela in the Philippines – are all former “comfort women” who were among the 200,000 girls and young women forced into military sexual slavery by the Japanese Imperial Army during World War II.</p>
<figure id="attachment_903" aria-describedby="caption-attachment-903" style="width: 1920px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy.jpg"  rel="lightbox[2371] attachment wp-att-903"><img loading="lazy" decoding="async" class="size-full wp-image-903" src="http://chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy.jpg" alt="The Apology, directed by Tiffany Hsiung" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy-1024x576.jpg 1024w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a><figcaption id="caption-attachment-903" class="wp-caption-text">The Apology, directed by Tiffany Hsiung</figcaption></figure>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50846~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">Cameraperson</a></em><br />
Directed by Kirsten Johnson<br />
Drawing on footage she’s shot over the course of 25 years, documentary cinematographer Kirsten Johnson searches to reconcile her part in the thorny questions of permission, power, creative ambition<em>,</em> and human obligation that come with filming the lives of others.</p>
<p><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50889~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener"><em>LoveTrue</em><br />
</a>Directed by Alma Ha’rel<br />
Does our view of love change as we grow older? How do we make decisions about our love lives? Is there such a thing as true love? Are there invisible partners in relationships? Past ghosts of ourselves? The film’s reenactments of significant past experiences and glimpses at possible futures, created with non-actors playing the characters’ older and younger selves, encourage the couples to confront the realities of their hopes and memories, and the effect they have on their love lives.</p>
<figure id="attachment_964" aria-describedby="caption-attachment-964" style="width: 1920px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2014/07/lovetrue_photo-1.jpg"  rel="lightbox[2371] attachment wp-att-964"><img loading="lazy" decoding="async" class="size-full wp-image-964" src="http://chickeneggpics.org/wp-content/uploads/2014/07/lovetrue_photo-1.jpg" alt="LoveTrue, directed by Alma Ha'rel" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/07/lovetrue_photo-1.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/lovetrue_photo-1-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/lovetrue_photo-1-1024x576.jpg 1024w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a><figcaption id="caption-attachment-964" class="wp-caption-text">LoveTrue, directed by Alma Ha&#8217;rel</figcaption></figure>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50842~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">The Pearl</a></em><br />
Directed by Jessica Dimmock &amp; Christopher LaMarca<br />
<i>The Pearl</i> witnesses the loss and extraordinary risk of four middle-aged and senior war vets, steel foremen, and fathers and grandfathers coming out for the first time as transgender women in the hyper-masculine culture of the Pacific Northwest. Each year, their lives intersect at the annual Esprit Conference for T-girls, a weeklong event enlivening a community broken by isolation and loss.</p>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50935~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">Sonita</a></em><br />
Directed by Rokhsareh Ghaem Maghami<br />
18-year-old Sonita is an undocumented Afghan illegal immigrant living in the suburbs of Tehran. She fights to live the way she wants: As a rapper in spite of all her obstacles she confronts in Iran and her conservative family. In harsh contrast to her goal is the plan of her family – strongly advanced by her mother – to make her a bride and sell her to a new family for the price of $9,000.</p>
<p><em> <a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50937~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;">Southwest of Salem: The Story of the San Antonio Four</a></em><br />
Directed by Deborah S. Esquenazi<br />
<i>Southwest of Salem</i> excavates the nightmarish persecution of Elizabeth Ramirez, Cassandra Rivera, Kristie Mayhugh, and Anna Vasquez — four Latina lesbians wrongfully convicted of allegedly gang raping two little girls. This bizarre case is the first to be adjudicated under momentous new legislation: for the first time in U.S. history, wrongfully convicted innocents can challenge convictions based on debunked scientific evidence. The film also unravels the sinister interplay of mythology, homophobia, and prosecutorial fervor which led to this modern day witch hunt.</p>
<figure id="attachment_2333" aria-describedby="caption-attachment-2333" style="width: 6000px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg"  rel="lightbox[2371] attachment wp-att-2333"><img loading="lazy" decoding="async" class="size-full wp-image-2333" src="http://chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg" alt="Southwest of Salem: The Story of the San Antonio Four, directed by Deborah S. Esquenazi." width="6000" height="4000" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg 6000w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-608x405.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-768x512.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-1024x683.jpg 1024w" sizes="auto, (max-width: 6000px) 100vw, 6000px" /></a><figcaption id="caption-attachment-2333" class="wp-caption-text">Southwest of Salem: The Story of the San Antonio Four, directed by Deborah S. Esquenazi.</figcaption></figure>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50942~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">Trapped</a></em><br />
Directed by Dawn Porter<br />
At least half of American women will experience an unintended pregnancy by the age of 45. Four in 10 unwanted pregnancies are terminated by abortion. What would happen if access to care for these cases completely disappeared? Following the progress of two Southern reproductive health clinics, <i>Trapped</i> captures their struggle as they continue to provide care in the face of an increasingly hostile legal and political climate. Winner of the Special Jury Prize for Social Impact Filmmaking at the 2016 Sundance Film Festival.</p>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50946~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">What Tomorrow Brings</a></em><br />
Directed by Beth Murphy<br />
<em>What Tomorrow Brings</em> is a coming-of-age story in which Afghan girls studying at the Zabuli School struggle against tradition and time. They discover that their school is the one place they can turn to understand the differences between the lives they were born into and the lives they dream of leading. At a time when the political and security situation is rapidly changing, the film weaves the interconnected stories of students, teachers, parents, and school founder Razia Jan.</p>
<figure id="attachment_2372" aria-describedby="caption-attachment-2372" style="width: 4288px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2.jpg"  rel="lightbox[2371] attachment wp-att-2372"><img loading="lazy" decoding="async" class="size-full wp-image-2372" src="http://chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2.jpg" alt="What Tomorrow Brings, directed by Beth Murphy." width="4288" height="2848" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2.jpg 4288w, https://archive.chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2-608x404.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2-768x510.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2-1024x680.jpg 1024w" sizes="auto, (max-width: 4288px) 100vw, 4288px" /></a><figcaption id="caption-attachment-2372" class="wp-caption-text">What Tomorrow Brings, directed by Beth Murphy.</figcaption></figure>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50828~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">When Two Worlds Collide</a></em><br />
Directed by Heidi Brandenburg &amp; Mathew Orzel<br />
An indigenous leader forced into exile and facing 20 years in prison for resisting the environmental ruin of Amazonian lands by big business. Refusing to surrender he continues his quest, shedding light on conflicting visions shaping the fate of the Amazon and the climate future of our world.</p>
]]></content:encoded>
					
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		<title>The Nest on the 2015 Summer Film Festival Circuit</title>
		<link>https://archive.chickeneggpics.org/the-nest-on-the-2015-summer-film-festival-circuit/</link>
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		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Fri, 05 Jun 2015 22:04:27 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[(T)ERROR]]></category>
		<category><![CDATA[AFI Docs]]></category>
		<category><![CDATA[anne bogart]]></category>
		<category><![CDATA[BAMcinemaFest]]></category>
		<category><![CDATA[Beth Murphy]]></category>
		<category><![CDATA[catching the sun]]></category>
		<category><![CDATA[David Felix Sutcliffe]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Gini Reticker]]></category>
		<category><![CDATA[holly morris]]></category>
		<category><![CDATA[HRWFF]]></category>
		<category><![CDATA[Human Rights Watch Film Festival]]></category>
		<category><![CDATA[LAFF]]></category>
		<category><![CDATA[Los Angeles Film Festival]]></category>
		<category><![CDATA[Lyric R. Cabral]]></category>
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		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[Renee Tajima-Peña]]></category>
		<category><![CDATA[Shalini Kantayya]]></category>
		<category><![CDATA[Sheffield Doc/Fest]]></category>
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		<category><![CDATA[storytelling]]></category>
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		<category><![CDATA[The Babushkas of Chernobyl]]></category>
		<category><![CDATA[The Trials of Spring]]></category>
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		<guid isPermaLink="false">http://chickeneggpics.org/?p=1797</guid>

					<description><![CDATA[Summer is here and that means it’s summer film festival season. We are excited to announce that 12 Chicken &#38; Egg Pictures-supported films will be shown at 5 Film Festivals in New York, Los Angeles, Washington DC and Sheffield this summer. Congratulations to all of our grantees! Sheffield Doc/Fest (Sheffield, UK) June 5-10, 2015 Democrats [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Summer is here and that means it’s summer film festival season. We are excited to announce that 12 Chicken &amp; Egg Pictures-supported films will be shown at 5 Film Festivals in New York, Los Angeles, Washington DC and Sheffield this summer. Congratulations to all of our grantees!</p>
<p><strong>Sheffield Doc/Fest (Sheffield, UK)</strong><br />
<strong>June 5-10, 2015</strong></p>
<p><em>Democrats </em>(Camilla Nielsson)<em><br />
</em>In the wake of Robert Mugabe’s highly criticized 2008 presidential win, a constitutional committee was created in an effort to transition Zimbabwe away from authoritarian leadership. With unprecedented access to the two political rivals overseeing the committee, this riveting firsthand account of a country’s fraught first step towards democracy plays at once like an intimate political thriller and unlikely buddy film.<em> </em>Click <a href="https://sheffdocfest.com/films/5789">here</a> for showtimes.</p>
<p><em>Dreamcatcher </em>(Kim Longinotto)<em><br />
</em><i>Dreamcatcher</i> is a vivid portrait of Brenda Myers-Powell, a former prostitute, who helps women and young girls break the cycle of sexual abuse and exploitation. The film lays bare the hidden violence that devastates the lives of young women, their families, and the communities where they live. It is Brenda’s unflinching intervention that turns these desperate lives around. Click <a href="https://sheffdocfest.com/films/5779" target="_blank" rel="noopener">here</a> for showtimes.</p>
<p><em>Speed Sisters</em> (Amber Fares)<br />
Despite restrictions on movement, a motor racing scene has emerged in the West Bank. The races offer a release from the pressures and uncertainties of life under military occupation. Brought together by a common desire to live life on their own terms, five determined women have joined the ranks of dozens of male drivers — competing against each other for the title, for bragging rights, for their hometown, and to prove that women can compete head-on with the guys. <i>Speed Sisters </i>captures the drive to defy all odds, leaving in its trail shattered stereotypes about gender and the Arab world. Click <a href="https://sheffdocfest.com/films/5780">here</a> for showtimes.</p>
<figure id="attachment_325" aria-describedby="caption-attachment-325" style="width: 499px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2014/07/speed_sisters_marah_in_car_in_staging_area__credit_amber_fares.jpg" rel="lightbox[1797]"><img loading="lazy" decoding="async" class=" wp-image-325" src="http://chickeneggpics.org/wp-content/uploads/2014/07/speed_sisters_marah_in_car_in_staging_area__credit_amber_fares-608x405.jpg" alt="Speed Sisters, directed by Amber Fares." width="499" height="332" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/07/speed_sisters_marah_in_car_in_staging_area__credit_amber_fares-608x405.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/speed_sisters_marah_in_car_in_staging_area__credit_amber_fares.jpg 800w" sizes="auto, (max-width: 499px) 100vw, 499px" /></a><figcaption id="caption-attachment-325" class="wp-caption-text">Speed Sisters, directed by Amber Fares.</figcaption></figure>
<p><strong>Los Angeles Film Festival (Los Angeles, CA)</strong><br />
<strong>June 10-18, 2015</strong></p>
<p><em>The Babushkas of Chernobyl </em>(Anne Bogart &amp; Holly Morris)<br />
In the radioactive Dead Zone of Chernobyl, a community of elderly Ukrainian women is defiantly clinging to their ancestral homeland. While most of their neighbors have long since fled, this sisterhood is hanging on — thriving, even —  while cultivating an existence on some of the world’s most toxic land. Why Hanna, Maria, and Valentyna chose to live here after the disaster, in defiance of authority, is a tale about the pull of home and the healing power of shaping one’s destiny. Click here for showtimes.</p>
<p><em>Catching The Sun</em> (Shalini Kantayya)<br />
<i>Catching the Sun</i> asks the hard questions of how a clean energy economy may actually be built, through the stories of unemployed workers seeking to retool at a solar jobs training program in Richmond, California. The film tells the story of environmental transformation from the perspective of workers who may build a solution with their own hands, and their challenges speak to one of the biggest questions of our time: Will America be able to build a clean energy economy? Click <a href="https://tickets.lafilmfest.com/online/default.asp?doWork::WScontent::loadArticle=Load&amp;BOparam::WScontent::loadArticle::article_id=44FB6CF7-6651-4168-8249-A602881E16B4&amp;BOparam::WScontent::loadArticle::context_id=DD5EB2C5-26E4-41D9-BCA5-A2285C8DC50C" target="_blank" rel="noopener">here</a> for showtimes.</p>
<p class="film-title"><em>No Más Bebés</em> <span style="line-height: 1.5;">(Renee Tajima-Peña)<br />
</span>They came to have their babies. They left sterilized. The story of immigrant mothers who sued county doctors, the state, and the U.S. government after they were prodded into sterilizations while giving birth at the Los Angeles County-USC Medical Center during the 1960s and 70s. Led by an intrepid, 26-year-old Chicana lawyer and armed with hospital records secretly gathered by a whistle-blowing young doctor, the mothers faced public exposure and stood up to powerful institutions in the name of justice. Click <a href="https://tickets.lafilmfest.com/online/default.asp?doWork::WScontent::loadArticle=Load&amp;BOparam::WScontent::loadArticle::article_id=9B5E0E75-1580-4AC5-B231-576F9AA72ED7&amp;BOparam::WScontent::loadArticle::context_id=61631505-58B5-4B7A-BF2F-FCF9F64AE80D" target="_blank" rel="noopener">here</a> for showtimes.</p>
<figure id="attachment_1184" aria-describedby="caption-attachment-1184" style="width: 608px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2014/08/chasing-the-sun-still_for-website-1.jpg" rel="lightbox[1797]"><img loading="lazy" decoding="async" class="size-medium wp-image-1184" src="http://chickeneggpics.org/wp-content/uploads/2014/08/chasing-the-sun-still_for-website-1-608x342.jpg" alt="Catching The Sun, directed by Shalini Kantayya" width="608" height="342" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/08/chasing-the-sun-still_for-website-1-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/chasing-the-sun-still_for-website-1-1024x576.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/chasing-the-sun-still_for-website-1.jpg 1920w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a><figcaption id="caption-attachment-1184" class="wp-caption-text">Catching The Sun, directed by Shalini Kantayya</figcaption></figure>
<p class="film-title"><strong>Human Rights Watch Film Festival (New York, NY)</strong><br />
<strong>June 12-20, 2015</strong></p>
<p><em>(T)ERROR </em>(Lyric R. Cabral &amp; David Felix Sutcliffe)<br />
<i>(T)ERROR</i> is the first documentary to place filmmakers on the ground during an active FBI counterterrorism sting operation. Through the perspective of “Shariff”, a 63-year-old Black revolutionary turned informant, viewers get an unfettered glimpse of the government’s counterterrorism tactics and the murky justifications behind them. Taut, stark and controversial, <i>(T)ERROR</i> illuminates the fragile relationships between individual and surveillance state in modern America, and asks who is watching the watchers. Click <a href="https://ff.hrw.org/film/terror" target="_blank" rel="noopener">here</a> for showtimes.</p>
<p><em>The Trials of Spring</em> (Gini Reticker)<br />
<i>The Trials of Spring</i> follows the journeys of three Egyptian women from the early days of the 2011 Arab Spring until today: Hend, from a rural military family, awaiting a harsh prison sentence for protesting against military rule; Miriam, an activist fighting to end sexual assault; and Mama Khadiga, a formerly veiled widow who became a caretaker of the revolutionaries. Their intersecting stories reveal the vital and underreported role women play in shaping the region’s future. Click <a href="https://ff.hrw.org/film/trials-spring-multimedia-initiative" target="_blank" rel="noopener">here</a> for showtimes.</p>
<p class="film-title"><em>What Tomorrow Brings</em> (Beth Murphy)<br />
Special work-in-progress screening<br />
<i>What Tomorrow Brings</i> is a coming-of-age story in which Afghan girls studying at the Zabuli School struggle against tradition and time. They discover that their school is the one place they can turn to understand the differences between the lives they were born into and the lives they dream of leading. At a time when the political and security situation is rapidly changing, the film weaves the interconnected stories of students, teachers, parents, and school founder Razia Jan. Click <a href="https://ff.hrw.org/film/what-tomorrow-brings" target="_blank" rel="noopener">here</a> for showtimes.</p>
<figure id="attachment_392" aria-describedby="caption-attachment-392" style="width: 495px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2014/07/wtb_image_31copy.jpg" rel="lightbox[1797]"><img loading="lazy" decoding="async" class=" wp-image-392" src="http://chickeneggpics.org/wp-content/uploads/2014/07/wtb_image_31copy-608x403.jpg" alt="What Tomorrow Brings, directed by Beth Murphy" width="495" height="328" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/07/wtb_image_31copy-608x403.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/wtb_image_31copy-1024x680.jpg 1024w" sizes="auto, (max-width: 495px) 100vw, 495px" /></a><figcaption id="caption-attachment-392" class="wp-caption-text">What Tomorrow Brings, directed by Beth Murphy</figcaption></figure>
<p class="film-title"><strong>AFI Docs (Washington, DC &amp; Silver Spring, MD)</strong><br />
<strong>June 17-21, 2015</strong></p>
<p class="film-title"><em>Among The Believers</em> (Hemal Trivedi &amp; Mohammed Ali Naqvi)<br />
A Pakistani radical cleric, Aziz declares a war against the government to impose Islamic utopia in the country. The government retaliates by destroying his seminary and killing 150 students. The film charts the coming-of-age stories of his students, representing the hard circumstances both extremism and poverty pose for many young Pakistanis. Talha, 12, dreams of becoming a jihadi preacher. Zarina, also 12, escapes the madrassa and joins a secular school, but her poverty forces her to drop out. Click <a href="http://afi.com/afidocs/features.aspx#among-the-believers" target="_blank" rel="noopener">here</a> for showtimes.</p>
<p class="film-title"><em>From This Day Forward</em> (Sharon Shattuck)<br />
When filmmaker Sharon Shattuck’s came out as transgender and changed her name to Trisha, Sharon was in the awkward throes of middle school. Her father’s transition was difficult for her straight-identified mother to accept, but they decided not to divorce. Committed to staying together as a family, they began a balancing act that would prove even more challenging than expected. As the family reunites to plan Sharon’s wedding, she asks how her parents’ love survived against all odds. Click <a href="http://afi.com/afidocs/features.aspx#from-this-day-forward" target="_blank" rel="noopener">here</a> for showtimes.</p>
<figure id="attachment_536" aria-describedby="caption-attachment-536" style="width: 483px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2014/07/amongbelieverszarinastove.jpg" rel="lightbox[1797]"><img loading="lazy" decoding="async" class=" wp-image-536" src="http://chickeneggpics.org/wp-content/uploads/2014/07/amongbelieverszarinastove-608x407.jpg" alt="Among The Believers, directed by Hemal Trivedi &amp; Mohammed Ali Naqvi" width="483" height="323" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/07/amongbelieverszarinastove-608x407.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/amongbelieverszarinastove-1024x685.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/amongbelieverszarinastove.jpg 2000w" sizes="auto, (max-width: 483px) 100vw, 483px" /></a><figcaption id="caption-attachment-536" class="wp-caption-text">Among The Believers, directed by Hemal Trivedi &amp; Mohammed Ali Naqvi</figcaption></figure>
<p class="film-title"><strong><br />
BAMcinemaFest (Brooklyn, NY)</strong><br />
<strong>June 17-28, 2015</strong></p>
<p class="film-title"><em>A Woman Like Me</em> (Alex Sichel &amp; Elizabeth Giamatti)<br />
<i>A Woman Like Me</i> is a hybrid documentary that interweaves the real story of Alex Sichel, diagnosed with terminal cancer in 2011, with the fictional story of Anna Seashell (played by Lili Taylor), who manages to find the glass half-full when faced with the same diagnosis. The documentary follows Alex as she uses film to explore what is foremost on her mind while confronting a terminal disease: parenting, marriage, faith, life, and death. Click <a href="http://www.bam.org/film/2015/a-woman-like-me" target="_blank" rel="noopener">here</a> for showtimes.</p>
<figure id="attachment_1544" aria-describedby="caption-attachment-1544" style="width: 608px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2015/02/F52935.jpg" rel="lightbox[1797]"><img loading="lazy" decoding="async" class="size-medium wp-image-1544" src="http://chickeneggpics.org/wp-content/uploads/2015/02/F52935-608x404.jpg" alt="A Woman LIke Me, directed by Alex Sichel &amp; Elizabeth Giamatti" width="608" height="404" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2015/02/F52935-608x404.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2015/02/F52935-1024x680.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2015/02/F52935.jpg 1350w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a><figcaption id="caption-attachment-1544" class="wp-caption-text">A Woman LIke Me, directed by Alex Sichel &amp; Elizabeth Giamatti</figcaption></figure>
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