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	<title>Care &#8211; Chicken &amp; Egg Pictures</title>
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	<title>Care &#8211; Chicken &amp; Egg Pictures</title>
	<link>https://archive.chickeneggpics.org</link>
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	<item>
		<title>Nest-Supported Projects at IFP Week</title>
		<link>https://archive.chickeneggpics.org/nest-supported-projects-at-ifp-week/</link>
					<comments>https://archive.chickeneggpics.org/nest-supported-projects-at-ifp-week/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Wed, 01 Aug 2018 11:55:06 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Diversity Fellows]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[After Tiller]]></category>
		<category><![CDATA[An Act of Worship]]></category>
		<category><![CDATA[Beth Aala]]></category>
		<category><![CDATA[Care]]></category>
		<category><![CDATA[Deirdre Fishel]]></category>
		<category><![CDATA[Diversity Fellows Initiative]]></category>
		<category><![CDATA[Gini Reticker]]></category>
		<category><![CDATA[IFP]]></category>
		<category><![CDATA[IFP Week]]></category>
		<category><![CDATA[Independent Filmmaker Project]]></category>
		<category><![CDATA[Made in Boise]]></category>
		<category><![CDATA[Martha Shane]]></category>
		<category><![CDATA[Narrowsburg]]></category>
		<category><![CDATA[Nausheen Dadabhoy]]></category>
		<category><![CDATA[People's Hospital]]></category>
		<category><![CDATA[Robie Flores]]></category>
		<category><![CDATA[Siyi Chen]]></category>
		<category><![CDATA[The In Between]]></category>
		<category><![CDATA[The Trials of Spring]]></category>
		<category><![CDATA[Women in Blue]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=4449</guid>

					<description><![CDATA[The Independent Filmmaker Project announced its 40th annual IFP Project Forum slate highlighting films, series, digital, and audio projects from around the world. We are honored to announce that four Chicken &#38; Egg-supported projects from our 2018 programs year were included. An Act of Worship, directed by Nausheen Dadabhoy (2018 Diversity Fellows Initiative) An Act [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img fetchpriority="high" decoding="async" class="aligncenter wp-image-4450 size-full" src="https://chickeneggpics.org/wp-content/uploads/2018/07/2018-IFP-Week-films.jpg" alt="2018 IFP Week Films" width="912" height="384" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/07/2018-IFP-Week-films.jpg 912w, https://archive.chickeneggpics.org/wp-content/uploads/2018/07/2018-IFP-Week-films-608x256.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/07/2018-IFP-Week-films-768x323.jpg 768w" sizes="(max-width: 912px) 100vw, 912px" />The Independent Filmmaker Project announced its <a href="http://www.ifp.org/press/ifp-announces-project-forum-slate-for-2018-ifp-week/#.W2BwMpM-fBL">40th annual IFP Project Forum slate</a> highlighting films, series, digital, and audio projects from around the world. We are honored to announce that four Chicken &amp; Egg-supported projects from our 2018 programs year were included.</p>
<p><em><a href="https://chickeneggpics.org/grantee/an-act-of-worship/">An Act of Worship</a></em>, directed by Nausheen Dadabhoy (2018 <a href="https://chickeneggpics.org/programs/#diversity-fellows-initiative">Diversity Fellows Initiative</a>)</p>
<p><em>An Act of Worship</em> follows young Muslim women activists at a time when hate crimes against Muslims have reached their highest level since 9/11. The travel ban has sent the message that Muslims are not welcome in the US. Now, a new generation has been galvanized into action to reclaim their space in the American landscape.</p>
<p><a href="https://chickeneggpics.org/grantee/the-in-between/"><em>The In Between</em></a>, directed by Robie Flores (2018 <a href="https://chickeneggpics.org/programs/#diversity-fellows-initiative">Diversity Fellows Initiative</a>)</p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;At the intersection of the northern Mexico desert and the plains of Southwest Texas exists a symbiotic community. Here, people’s lives are spread across two countries, connected by a bridge that everyone must travel. For some, crossing to the other side means getting to work or school. For others, life straddling the border is the only way to keep their family together. Through a collection of interweaving vignettes, The In Between is a poetic ode to a greater reality of the border than the one portrayed on the news, offering a nuanced and intimate portrait of a place and its people at the heart of Mexican-American identity.\n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:[null,0],&quot;12&quot;:0}">At the intersection of the northern Mexico desert and the plains of southwest Texas exists a symbiotic community. Here, people’s lives are spread across two countries, connected by a bridge that everyone must travel. For some, crossing to the other side means getting to work or school. For others, life straddling the border is the only way to keep their family together. Through a collection of interweaving vignettes, <em>The In Between</em> is a poetic ode to a greater reality of the border than the one portrayed on the news, offering a nuanced and intimate portrait of a place and its people at the heart of Mexican-American identity.</span></p>
<p><em><a href="https://chickeneggpics.org/grantee/made-in-boise/">Made in Boise</a></em>, directed by Beth Aala (2018 Discretionary Grant)</p>
<p>A surprising—and booming—industry has emerged in Boise, Idaho. In this idyllic, all-American city, nurses, nail technicians, and stay-at-home mothers are having babies for strangers—in record numbers. Boise’s own St. Luke’s Medical Center founded and runs the first and best surrogacy program of its kind, in all the US. But everything is not as it appears, surrogacy is not without its health risks, and the practice is not without its emotional complications. Character-driven and stylized in its approach, <em>Made In Boise</em> introduces audiences to the unique world of surrogacy in the most unexpected of places.</p>
<p><em><a href="https://chickeneggpics.org/grantee/peoples-hospital/">People’s Hospital</a></em>, directed by Siyi Chen (2018 <a href="https://chickeneggpics.org/programs/#accelerator-lab">Accelerator Lab</a>)</p>
<p>As the Chinese society criticizes dysfunctional hospitals, a doctor’s daughter revisits the small-town hospital where she grew up — this time with a camera, in the middle of a chaotic ER.</p>
<p><span data-offset-key="4acrf-0-0">And a special congratulations to filmmakers who were previously supported by </span><span class="_247o" spellcheck="false" data-offset-key="4acrf-1-0"><span data-offset-key="4acrf-1-0">Chicken &amp; Egg Pictures.</span></span></p>
<p><em>Women in Blue</em>, directed by Deirdre Fishel (<em><a href="https://chickeneggpics.org/grantee/care/">Care</a>,</em> 2014) and executive produced by Gini Reticker (<a href="https://chickeneggpics.org/grantee/the-trials-of-spring/"><em>The Trials of Spring</em></a>, 2014)</p>
<p>A female police chief and a determined band of women officers work to redefine “protect and serve,” when a tragic shooting upends their progress.*</p>
<p><em>Narrowsburg</em>, directed by Martha Shane (<a href="https://chickeneggpics.org/grantee/after-tiller/">After Tiller </a>co-director)</p>
<p><em>Narrowsburg</em> tells the story of a French producer and a mafioso-turned-actor who attempted to turn a small Catskills town into the &#8220;Sundance of the East.&#8221;*</p>
<p>*Synopses from the<a href="http://www.ifp.org/press/ifp-announces-project-forum-slate-for-2018-ifp-week/#.W2BwMpM-fBL"> IFP website</a>.</p>
<p>Filmmakers will attend the IFP Project Forum during the 40th anniversary of IFP Week happening September 15 – 20 in Brooklyn.</p>
<p><em>Post by 2018 Communications Intern Morgan Lee Hulquist. </em></p>
]]></content:encoded>
					
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			</item>
		<item>
		<title>Five Chicken &#038; Egg Pictures-supported films to screen at DOC NYC</title>
		<link>https://archive.chickeneggpics.org/five-chicken-egg-pictures-supported-films-to-screen-at-doc-nyc/</link>
					<comments>https://archive.chickeneggpics.org/five-chicken-egg-pictures-supported-films-to-screen-at-doc-nyc/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Tue, 25 Oct 2016 19:32:35 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Cameraperson]]></category>
		<category><![CDATA[Care]]></category>
		<category><![CDATA[Christopher LaMarca]]></category>
		<category><![CDATA[Dawn Porter]]></category>
		<category><![CDATA[Deirdre Fishel]]></category>
		<category><![CDATA[DOC NYC]]></category>
		<category><![CDATA[DOC NYC Film Festival]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Jessica Dimmock]]></category>
		<category><![CDATA[Kirsten Johnson]]></category>
		<category><![CDATA[Nico Opper]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[social change]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[The Pearl]]></category>
		<category><![CDATA[Trapped]]></category>
		<category><![CDATA[Visitor's Day]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">http://chickeneggpics.org/?p=2605</guid>

					<description><![CDATA[The 2016 edition of the DOC NYC Film Festival features five films directed by Chicken &#38; Egg Pictures grantees. Running November 10-17, 2016 in Manhattan, the DOC NYC Film Festival is America&#8217;s largest documentary film festival. You can check out the full lineup of films, shorts, panels, and showcases here. Cameraperson Directed by Kirsten Johnson [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>The 2016 edition of the <a href="http://www.docnyc.net/" target="_blank" rel="noopener noreferrer">DOC NYC Film Festival</a> features five films directed by Chicken &amp; Egg Pictures grantees. Running November 10-17, 2016 in Manhattan, the DOC NYC Film Festival is America&#8217;s largest documentary film festival.</p>
<p>You can check out the full lineup of films, shorts, panels, and showcases <a href="http://www.docnyc.net/films-events/" target="_blank" rel="noopener noreferrer">here</a>.</p>
<p><strong><a href="http://chickeneggpics.org/film/cameraperson/" target="_blank" rel="noopener noreferrer"><em>Cameraperson</em></a></strong><br />
<strong>Directed by Kirsten Johnson<br />
</strong>Drawing on footage she’s shot over the course of 25 years, documentary cinematographer Kirsten Johnson searches to reconcile her part in the thorny questions of permission, power, creative ambition<em>,</em> and human obligation that come with filming the lives of others. Tickets and showtimes available <a href="http://www.docnyc.net/film/cameraperson/" target="_blank" rel="noopener noreferrer">here</a>.</p>
<figure id="attachment_2274" aria-describedby="caption-attachment-2274" style="width: 351px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2016/01/cameraperson.png" rel="lightbox[2711]"><img decoding="async" class=" wp-image-2274" src="http://chickeneggpics.org/wp-content/uploads/2016/01/cameraperson.png" alt="Cameraperson, directed by Kirsten Johnson." width="351" height="230" /></a><figcaption id="caption-attachment-2274" class="wp-caption-text">Cameraperson, directed by Kirsten Johnson.</figcaption></figure>
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<p><a href="http://chickeneggpics.org/film/care/" target="_blank" rel="noopener noreferrer"><em><strong>Care</strong></em></a><br />
<strong>Directed by Deirdre Fishel<br />
</strong><em>Care</em> exposes the deep flaws in the U.S. eldercare system by following the intimate and dramatic stories of three overworked and underpaid home health aides and one family struggling to find and pay for quality care. The film sounds the alarm about an exploited workforce, an aging population, and an impending crisis of care. Tickets and showtimes available <a href="http://www.docnyc.net/film/care/" target="_blank" rel="noopener noreferrer">here</a>.</p>
<figure id="attachment_2464" aria-describedby="caption-attachment-2464" style="width: 444px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2016/06/CARE-Vilma_and_Dee-med.jpg" rel="lightbox[2711]"><img decoding="async" class=" wp-image-2464" src="http://chickeneggpics.org/wp-content/uploads/2016/06/CARE-Vilma_and_Dee-med.jpg" alt="Care, directed by Deirdre Fishel" width="444" height="250" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/06/CARE-Vilma_and_Dee-med.jpg 3500w, https://archive.chickeneggpics.org/wp-content/uploads/2016/06/CARE-Vilma_and_Dee-med-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/06/CARE-Vilma_and_Dee-med-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/06/CARE-Vilma_and_Dee-med-1024x576.jpg 1024w" sizes="(max-width: 444px) 100vw, 444px" /></a><figcaption id="caption-attachment-2464" class="wp-caption-text">Care, directed by Deirdre Fishel</figcaption></figure>
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<p><a href="http://chickeneggpics.org/film/thepearl/" target="_blank" rel="noopener noreferrer"><em><strong>The Pearl</strong></em></a><br />
<strong>Directed by Jessica Dimmock &amp; Christopher LaMarca</strong><br />
<i>The Pearl</i> witnesses the loss and extraordinary risk of four middle-aged and senior war vets, steel foremen, and fathers and grandfathers coming out for the first time as transgender women in the hyper-masculine culture of the Pacific Northwest. Each year, their lives intersect at the annual Esprit Conference for T-girls, a weeklong event enlivening a community broken by isolation and loss. Tickets and showtimes available <a href="http://www.docnyc.net/film/the-pearl/" target="_blank" rel="noopener noreferrer">here</a>.</p>
<figure id="attachment_473" aria-describedby="caption-attachment-473" style="width: 900px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2014/07/brick_2012_esprit_sleepover.png" rel="lightbox[2711]"><img loading="lazy" decoding="async" class="size-full wp-image-473" src="http://chickeneggpics.org/wp-content/uploads/2014/07/brick_2012_esprit_sleepover.png" alt="The Pearl, directed by Jessica Dimmock and Christopher LaMarca" width="900" height="508" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/07/brick_2012_esprit_sleepover.png 900w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/brick_2012_esprit_sleepover-608x343.png 608w" sizes="auto, (max-width: 900px) 100vw, 900px" /></a><figcaption id="caption-attachment-473" class="wp-caption-text">The Pearl, directed by Jessica Dimmock and Christopher LaMarca</figcaption></figure>
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<p><strong><em><a href="http://chickeneggpics.org/film/trapped/" target="_blank" rel="noopener noreferrer">Trapped</a><br />
</em>Directed by Dawn Porter<br />
</strong>At least half of American women will experience an unintended pregnancy by the age of 45. Four in 10 unwanted pregnancies are terminated by abortion. What would happen if access to care for these cases completely disappeared? Following the progress of two reproductive health clinics in the South, Trapped captures their struggle as they continue to provide care in an increasingly hostile legal and political climate. Tickets and showtimes <a href="http://www.docnyc.net/film/trapped/" target="_blank" rel="noopener noreferrer">here</a>.</p>
<p><strong><em><a href="http://chickeneggpics.org/film/visitors-day/" target="_blank" rel="noopener noreferrer">Visitor&#8217;s Day<br />
</a></em></strong><strong>Directed by Nico Opper<br />
</strong>Sixteen-year-old Juan Carlos ran away from home to escape abusive parents. After years of battling alcohol addiction and homelessness, he found his way from Mexico City to the rural town of Atlixco, where he joined dozens of other runaway boys living in a group home named Ipoderac. This film follows Juan Carlos during the most transformative year of his life, as he prepares to travel back to Mexico City to confront his father one last time. Tickets and showtimes available <a href="http://www.docnyc.net/film/visitors-day/" target="_blank" rel="noopener noreferrer">here</a>.</p>
<figure id="attachment_2606" aria-describedby="caption-attachment-2606" style="width: 2891px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2016/10/favorite.jpg" rel="lightbox[2711]"><img loading="lazy" decoding="async" class="size-full wp-image-2606" src="http://chickeneggpics.org/wp-content/uploads/2016/10/favorite.jpg" alt="Visitor's Day, directed by Nicole Opper" width="2891" height="2035" /></a><figcaption id="caption-attachment-2606" class="wp-caption-text">Visitor&#8217;s Day, directed by Nico Opper</figcaption></figure>
]]></content:encoded>
					
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			</item>
		<item>
		<title>The Nest brings a lot to the table at this year&#8217;s Sheffield Doc/Fest</title>
		<link>https://archive.chickeneggpics.org/the-nest-brings-a-lot-to-the-table-at-this-years-sheffield-doc-fest/</link>
					<comments>https://archive.chickeneggpics.org/the-nest-brings-a-lot-to-the-table-at-this-years-sheffield-doc-fest/#respond</comments>
		
		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Thu, 09 Jun 2016 19:45:37 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Cameraperson]]></category>
		<category><![CDATA[Care]]></category>
		<category><![CDATA[Deborah S. Esquenazi]]></category>
		<category><![CDATA[Deirdre Fishel]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Heidi Brandenburg]]></category>
		<category><![CDATA[Kirsten Johnson]]></category>
		<category><![CDATA[Kristi Jacobson]]></category>
		<category><![CDATA[Mathew Orzel]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[Rokhsareh Ghaemmaghami]]></category>
		<category><![CDATA[sheffield]]></category>
		<category><![CDATA[Sheffield Doc Fest]]></category>
		<category><![CDATA[Sheffield Doc/Fest]]></category>
		<category><![CDATA[social change]]></category>
		<category><![CDATA[Solitary]]></category>
		<category><![CDATA[Sonita]]></category>
		<category><![CDATA[Southwest of Salem]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[When Two Worlds Collide]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">http://chickeneggpics.org/?p=2461</guid>

					<description><![CDATA[This year, a half-dozen Chicken &#038; Egg Pictures supported films will be screened at Sheffield Doc Fest. These Egg-septional films span a variety of topics including life behind bars, the cost of aging, and battles both personal and universal.]]></description>
										<content:encoded><![CDATA[<p>This year, a half-dozen Chicken &amp; Egg Pictures supported films will be screened at Sheffield Doc Fest. These Egg-septional films span a variety of topics including life behind bars, the cost of aging, and battles both personal and universal.</p>
<p>The festival, which bridges the gap between audience and filmmaker, takes place this year from June 10-15, 2016, and will screen over 150 films.</p>
<p><strong><em><a href="http://chickeneggpics.org/film/cameraperson/" target="_blank" rel="noopener">Cameraperson</a><br />
</em></strong>Directed by Kirsten Johnson<br />
<em>Cameraperson</em> turns the camera inwards, exposing the most powerful moments for cinematographer and filmmaker Kirsten Johnson. By plucking footage from her expansive work of over 25 years, Kirsten Johnson reminds us of the nature of life, where stories intermingle, cross-pollinate, and provide a new lens through which to view the world.</p>
<p><strong><em><a href="http://chickeneggpics.org/film/care/" target="_blank" rel="noopener">Care</a><br />
</em></strong>Directed by Deirdre Fishel<br />
As lifespans are increasing, the question of providing the quality care needed to our ever-aging population presses down upon us with increasing force. Deirdre Fishel gives insight into the lives of both the caregivers and those taken under their wing. The story, which focuses on home health aides in their struggle to provide for themselves as they devote their lives to helping others, is paralleled by that of the families that can no longer afford to bring in the help our older generation needs.</p>
<figure id="attachment_2464" aria-describedby="caption-attachment-2464" style="width: 3500px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2016/06/CARE-Vilma_and_Dee-med.jpg" rel="lightbox[2461]"><img loading="lazy" decoding="async" class="size-full wp-image-2464" src="http://chickeneggpics.org/wp-content/uploads/2016/06/CARE-Vilma_and_Dee-med.jpg" alt="Care, directed by Deirdre Fishel" width="3500" height="1969" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/06/CARE-Vilma_and_Dee-med.jpg 3500w, https://archive.chickeneggpics.org/wp-content/uploads/2016/06/CARE-Vilma_and_Dee-med-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/06/CARE-Vilma_and_Dee-med-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/06/CARE-Vilma_and_Dee-med-1024x576.jpg 1024w" sizes="auto, (max-width: 3500px) 100vw, 3500px" /></a><figcaption id="caption-attachment-2464" class="wp-caption-text">Care, directed by Deirdre Fishel</figcaption></figure>
<p><strong><em><a href="http://chickeneggpics.org/film/solitary/" target="_blank" rel="noopener">Solitary</a><br />
</em></strong>Directed by Kristi Jacobson<br />
<em>Solitary</em> provides a gripping look into life in prison, for both inmates and officers. It is a film about entrapment with the self, an effort to inform society of life in loneliness. <em>Solitary</em> provides a voice for the 80,000 people currently in solitary confinement in the US while letting them know they are not alone.</p>
<figure id="attachment_2463" aria-describedby="caption-attachment-2463" style="width: 1400px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2016/06/SOLITARY_web_1.jpg" rel="lightbox[2461]"><img loading="lazy" decoding="async" class="size-full wp-image-2463" src="http://chickeneggpics.org/wp-content/uploads/2016/06/SOLITARY_web_1.jpg" alt="Solitary, directed by Chicken &amp; Egg Pictures Breakthrough Filmmaker Kristi Jacobson" width="1400" height="768" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/06/SOLITARY_web_1.jpg 1400w, https://archive.chickeneggpics.org/wp-content/uploads/2016/06/SOLITARY_web_1-608x334.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/06/SOLITARY_web_1-768x421.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/06/SOLITARY_web_1-1024x562.jpg 1024w" sizes="auto, (max-width: 1400px) 100vw, 1400px" /></a><figcaption id="caption-attachment-2463" class="wp-caption-text">Solitary, directed by Chicken &amp; Egg Pictures Breakthrough Filmmaker Award recipient Kristi Jacobson</figcaption></figure>
<p><strong><em><a href="http://chickeneggpics.org/film/sonita/" target="_blank" rel="noopener">Sonita</a><br />
</em></strong>Rokhsareh Ghaem Maghami<br />
<em>Sonita</em> is the story of an 18-year-old Afghan woman following her dream to be a rapper while society surrounding her tries to silence her. She stands up against forced marriages, including her own, in which she was to be sold off for $9,000 in order to allow her family to purchase a wife for their son. This film’s personal nature imbues it with universal meaning.</p>
<p><a href="http://chickeneggpics.org/film/southwest-of-salem-the-story-of-the-san-antonio-four/" target="_blank" rel="noopener"><strong><em>Southwest of Salem: The Story of the San Antonio Four</em></strong></a><strong><em><br />
</em></strong>Deborah S. Esquenazi<br />
The events that transpired in Salem in 1692 seemed a far cry from anything that could happen today, yet when four women are convicted of raping two little girls in 1994, we encounter a modern day Salem. <em>Southwest of Salem</em> brings hints that our judicial system might be more of a prejudicial one.</p>
<p><strong><em><a href="http://chickeneggpics.org/film/when-two-worlds-collide/" target="_blank" rel="noopener">When Two Worlds Collide </a><br />
</em></strong>Heidi Brandenburg &amp; Mathew Orzel<br />
The struggle of indigenous people to maintain their surrounding land when in conflict with the interests of the big companies reminds us that our battle to preserve our environment rather than establishing locations for the production of monetary gains is ever present.Honored with a Special Jury Prize for Best First Feature at the 2016 Sundance Film Festival, <em>Two Worlds Collide</em> captivatingly reminds us of the state of the one world we are slowly losing.</p>
<figure id="attachment_2462" aria-describedby="caption-attachment-2462" style="width: 720px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2016/06/YFS-image4.jpg" rel="lightbox[2461]"><img loading="lazy" decoding="async" class="size-full wp-image-2462" src="http://chickeneggpics.org/wp-content/uploads/2016/06/YFS-image4.jpg" alt="When Two Worlds Collide, directed by Heidi Brandenburg &amp; Mathew Orzel" width="720" height="436" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/06/YFS-image4.jpg 720w, https://archive.chickeneggpics.org/wp-content/uploads/2016/06/YFS-image4-608x368.jpg 608w" sizes="auto, (max-width: 720px) 100vw, 720px" /></a><figcaption id="caption-attachment-2462" class="wp-caption-text">When Two Worlds Collide, directed by Heidi Brandenburg &amp; Mathew Orzel</figcaption></figure>
<p>&nbsp;</p>
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		<title>Chicken &#038; Egg Pictures announces 2014 Open Call grantees and names Celebration Award recipient</title>
		<link>https://archive.chickeneggpics.org/chicken-egg-pictures-announces-2014-open-call-grantees-and-names-celebration-award-recipient/</link>
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		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Wed, 03 Dec 2014 16:14:46 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Grants]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Open Call]]></category>
		<category><![CDATA[#Dalitwomenfight]]></category>
		<category><![CDATA[(T)ERROR]]></category>
		<category><![CDATA[2014 Open Call]]></category>
		<category><![CDATA[A Guangzhou Love Affair]]></category>
		<category><![CDATA[Alex Sichel]]></category>
		<category><![CDATA[Care]]></category>
		<category><![CDATA[David Felix Sutcliffe]]></category>
		<category><![CDATA[David Osit]]></category>
		<category><![CDATA[Deirdre Fishel]]></category>
		<category><![CDATA[Elizabeth Giamatti]]></category>
		<category><![CDATA[Even When I Fall]]></category>
		<category><![CDATA[From This Day Forward]]></category>
		<category><![CDATA[Gini Reticker]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[Hot Girls Wanted]]></category>
		<category><![CDATA[Jennifer Brea]]></category>
		<category><![CDATA[Jill Bauer]]></category>
		<category><![CDATA[Kate McLarnon]]></category>
		<category><![CDATA[kathy huang]]></category>
		<category><![CDATA[Kristi Jacobson]]></category>
		<category><![CDATA[libby spears]]></category>
		<category><![CDATA[Lyric R. Cabral]]></category>
		<category><![CDATA[Malika Zouhali-Worrall]]></category>
		<category><![CDATA[Margo Guernsey]]></category>
		<category><![CDATA[Nico Opper]]></category>
		<category><![CDATA[Ronna Gradus]]></category>
		<category><![CDATA[Sharon Shattuck]]></category>
		<category><![CDATA[Sky Neal]]></category>
		<category><![CDATA[Solitary]]></category>
		<category><![CDATA[Sophie Deraspe]]></category>
		<category><![CDATA[Thank You for Playing]]></category>
		<category><![CDATA[the amina profile]]></category>
		<category><![CDATA[The Movie About Anna]]></category>
		<category><![CDATA[The Trials of Spring]]></category>
		<category><![CDATA[Unrest]]></category>
		<category><![CDATA[Women & Girls On-Screen]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">http://chickeneggpics.org/?p=1364</guid>

					<description><![CDATA[Chicken &#38; Egg Pictures announced 14 films that will receive grants and mentorship as a result of the organization&#8217;s 2014 Open Call, as well as two sets of grants to projects in stages that range from production to completion.  Chicken &#38; Egg Pictures also named Kirsten Johnson as the recipient of the Annual Celebration Award, [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Chicken &amp; Egg Pictures announced 14 films that will receive grants and mentorship as a result of the organization&#8217;s 2014 Open Call, as well as two sets of grants to projects in stages that range from production to completion.  Chicken &amp; Egg Pictures also named Kirsten Johnson as the recipient of the Annual Celebration Award, supported by the Ravenal Foundation.</p>
<figure id="attachment_1365" aria-describedby="caption-attachment-1365" style="width: 448px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2014/12/2443-14363011215273a7dc47aae.jpg" rel="lightbox[1364]"><img loading="lazy" decoding="async" class="wp-image-1365 size-full" src="http://chickeneggpics.org/wp-content/uploads/2014/12/2443-14363011215273a7dc47aae.jpg" alt="" width="448" height="299" /></a><figcaption id="caption-attachment-1365" class="wp-caption-text">Kirsten Johnson at 2013 Ex Oriente Film Workshop hosted by IDF</figcaption></figure>
<p>Grantees were chosen from over 640 applications, and include women filmmakers working in India, Egypt, Libya, China, and the United Kingdom, as well as across the United States.</p>
<p>In celebration of Chicken &amp; Egg Pictures&#8217; 10th anniversary in 2015, this most recent Open Call was designed to elevate women and girls behind and in front of the camera. This special Women &amp; Girls On-Screen initiative prioritized projects that featured women and girls on-screen as prominent characters and storytellers of their own lives and experiences.</p>
<figure id="attachment_1366" aria-describedby="caption-attachment-1366" style="width: 608px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2014/12/Marianne-at-school-photo-by-Kathy-Huang.jpg" rel="lightbox[1364]"><img loading="lazy" decoding="async" class="size-medium wp-image-1366" src="http://chickeneggpics.org/wp-content/uploads/2014/12/Marianne-at-school-photo-by-Kathy-Huang-608x405.jpg" alt="Still from A Guangzhou Love Affair, dir. by Kathy Huang" width="608" height="405" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/12/Marianne-at-school-photo-by-Kathy-Huang-608x405.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/12/Marianne-at-school-photo-by-Kathy-Huang-1024x682.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2014/12/Marianne-at-school-photo-by-Kathy-Huang.jpg 1800w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a><figcaption id="caption-attachment-1366" class="wp-caption-text">Still from A Guangzhou Love Affair, dir. by Kathy Huang</figcaption></figure>
<p>New projects by past Chicken &amp; Egg Pictures grantees were awarded discretionary grants: <strong><em>Thank You for Playing</em></strong>, directed by Malika Zouhali-Worrall (<em>Call Me Kuchu)</em> and David Osit, and <strong><em>Out of Mind</em></strong>, directed by Kristi Jacobson (<em>A Place at the Table)</em> received funds for completion and production, respectively<em>.</em></p>
<p>Additionally, two films, <strong><em>B</em></strong><strong><em>ú</em></strong><strong><em>scame: Search for Me</em></strong>, directed by Nico Opper<em>, </em>and<em> <strong>(T)ERROR</strong></em>, directed by Lyric Cabral and David Felix Sutcliffe<strong><em>,</em></strong> were awarded follow-up grants for critical post-production needs.</p>
<figure id="attachment_1367" aria-describedby="caption-attachment-1367" style="width: 608px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2014/12/ThankYouForPlaying-image1.jpg" rel="lightbox[1364]"><img loading="lazy" decoding="async" class="size-medium wp-image-1367" src="http://chickeneggpics.org/wp-content/uploads/2014/12/ThankYouForPlaying-image1-608x345.jpg" alt="Thank You for Playing, dir. by Malika Zouhali-Worrall and David Osit" width="608" height="345" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/12/ThankYouForPlaying-image1-608x345.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/12/ThankYouForPlaying-image1-1024x582.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2014/12/ThankYouForPlaying-image1.jpg 1069w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a><figcaption id="caption-attachment-1367" class="wp-caption-text">Thank You for Playing, dir. by Malika Zouhali-Worrall and David Osit</figcaption></figure>
<p>The complete list of grantees is below. For the full press release, click <a href="http://pitch.pe/12oBSNx" target="_blank" rel="noopener noreferrer">here</a>.</p>
<p><strong>2014 Open Call Grantees:</strong></p>
<p><strong><em>The Amina Profile<br />
</em></strong>Directed by Sophie Deraspe<br />
In 2011, Amina Arraf, a beautiful lesbian revolutionary blogger in Syria, captured the heart of Sandra Bagaria. The fervent love affair that developed between them would sweep Sandra into an international intrigue involving American secret services, some of the biggest media outlets, and countless supporters of the Syrian revolution. This is the story of an unprecedented media fiasco that Sandra was forced to live through, and that we invite you to experience with her on a journey around the world.</p>
<p><strong><em>Canary in a Coal Mine</em></strong><br />
Directed by Jennifer Brea<br />
Jennifer, a Harvard PhD student, was signing a check at a restaurant when she found she could not write her own name. Months before her wedding, she became progressively more ill, losing the ability even to sit in a wheelchair. When doctors insisted that her condition was psychosomatic, she picked up her camera to document her own story and the stories of four other patients struggling with the world&#8217;s most prevalent orphaned disease.</p>
<p><strong><em>Care<br />
</em></strong>Directed by Deirdre Fishel<br />
The feature documentary <em>Care</em>, now in post-production, exposes the deep flaws in the U.S. eldercare system by following the intimate and dramatic stories of three overworked and underpaid home health aides and one family struggling to find and pay for quality care. The film sounds the alarm about an exploited workforce, an aging population, and an impending crisis of care.</p>
<p><strong><em>Councilwoman<br />
</em></strong>Directed by Margo Guernsey<br />
<em>Councilwoman</em> is about a Dominican hotel housekeeper who sits on the City Council in Providence, RI. The film follows her first term as she learns the ropes of political office, and is part of a spirited effort to win economic justice for hotel workers. She has two contenders in a tight race for her re-election. This is a story about civic participation and power in our democracy.</p>
<p><strong><em>#Dalitwomenfight<br />
</em></strong>Anonymous<br />
<em>#Dalitwomenfight</em> is a feature-length documentary that follows a courageous group of Dalit women who overcome unspeakable attacks and spearhead a bold national campaign to end caste and sexual violence in India. Their remarkable journey catapults them from their humble villages onto the center stage of Indian politics as they fight to heal not only themselves, but also the very soul of their country.</p>
<p><strong><em>Even When I Fall<br />
</em></strong>Directed by Sky Neal and Kate Mclarnon<br />
<em>Even When I Fall</em> is the story of three remarkable young Nepali women, all survivors of human trafficking into corrupt big top circuses across India. Facing forgotten families and uncertain futures, the story begins in the often-overlooked aftermath of a childhood spent in captivity and forced labor. But these tough young women were inadvertently left with a secret weapon by their captors – their breathtaking skills as circus artists.</p>
<p><strong><em>Freedom Fields<br />
</em></strong>Directed by Naziha Arebi<br />
In post-revolution Libya, a group of women are brought together by one dream: to play football for their country. <em>Freedom Fields</em> is a film about struggle and sacrifice. At the new dawn of a nation once cut off from the rest of the world, this is a story of following your dreams and aspirations against all odds and at any cost. Through their eyes, we see the reality of a country in transition, where personal stories collide with history.</p>
<p><strong><em>From This Day Forward<br />
</em></strong>Directed by Sharon Shattuck<br />
When filmmaker Sharon Shattuck’s dad came out as transgender and changed her name to Trisha, Sharon was in the awkward throes of middle school. Her father’s transition was difficult for her straight-identified mother to accept, but they decided not to divorce. Committed to staying together as a family, they began a balancing act that would prove even more challenging than expected. As the family reunites to plan Sharon’s wedding, she asks how her parent’s love survived against all odds.</p>
<p><strong><em>A Guangzhou Love Affair<br />
</em></strong>Directed by Kathy Huang<br />
In China, an unprecedented surge in African migration has led to a rise in marriages between Chinese women and African men. <em>A Guangzhou Love Affair </em>captures the love, heartache, and real life challenges of Afro-Chinese couples attempting to forge a meaningful future together in the face of racism and xenophobia.</p>
<p><strong><em>Hot Girls Wanted<br />
</em></strong>Directed by Jill Bauer and Ronna Gradus<br />
<em>Hot Girls Wanted</em> is a first-ever look at the realities of the professional “amateur” porn world and the steady stream of 18-to-19-year old girls entering into it.</p>
<p><strong><em>The Movie About Anna<br />
</em></strong>Directed by Alex Sichel and Elizabeth Giamatti<br />
<em>The Movie About Anna</em> is a hybrid documentary that interweaves the real story of Alex Sichel, diagnosed with terminal cancer in 2011, with the fictional story of Anna Seashell (played by Lili Taylor), who manages to find the glass half-full when faced with the same diagnosis. The documentary follows Alex as she uses the film to explore what is foremost on her mind while confronting a terminal disease: parenting, marriage, faith, life, and death.</p>
<p><strong><em>PC594<br />
</em></strong>Directed by Libby Spears<br />
PC594 is the California penal code section that describes crimes against property —including painting beautiful images on dilapidated walls. LA street artist Lydia Emily engages in biodegradable, non-violent, political protest on government and corporate real estate. She’s conquered innumerable challenges, but now a crippling diagnosis threatens to change everything.</p>
<p><strong><em>The Trials of Spring<br />
</em></strong>Directed by Gini Reticker<br />
<em>The Trials of Spring </em>follows the journeys of three Egyptian women from the early days of the 2011 Arab Spring until today: Hend, from a rural military family and awaiting a harsh prison sentence for protesting against military rule; Mariam, an activist fighting to end sexual assault; and Mama Khadiga, a formerly veiled widow who became a caretaker of the revolutionaries. Their intersecting stories reveal the vital and underreported role women play in shaping the region’s future.</p>
<p><strong><em>The Vote<br />
</em></strong>Directed by Hanan Abdalla and Cressida Trew<br />
In the first elections after the fall of a dictator, three women candidates fight for a new Egypt, as millions go to vote for the first time in their lives. But as the media celebrates the birth of a new democracy, a more sinister power struggle is at play. Capturing an historic and bloody turning point in the struggle for the region, <em>The Vote</em> asks fundamental questions about democracy, betrayal, and what it means to truly manifest the will of the people.</p>
<p><strong>Discretionary Grants:</strong></p>
<p><em> </em><strong><em>Out of Mind<br />
</em></strong>Directed by Kristi Jacobson<br />
<em>Out of Mind</em> investigates an invisible part of the American justice system: the use of isolation and segregation in US prisons, commonly known as solitary confinement. With unprecedented access inside a prison tackling the issue head on, the film explores this divisive issue through the experiences of those on both sides of the bars.</p>
<p><strong><em>Thank You for Playing</em></strong><br />
Directed by Malika Zouhali-Worrall and David Osit<br />
Ryan Green’s four-year-old son Joel has terminal cancer. Ryan, an indie video game developer, is building an unusually poetic video game to document his experiences raising a dying child, and to honor Joel while he is still alive. <em>Thank You For Playing</em> follows the creation and growing success of Ryan’s game, as his son’s health continues to decline.</p>
<p><strong>Follow-up Grants:</strong></p>
<p><em> </em><strong><em>B</em></strong><strong><em>ú</em></strong><strong><em>scame: Search for Me<br />
</em></strong>Directed by Nico Opper<br />
16-year-old Juan Carlos has spent most of his life either stuck in a tumultuous home or as a runaway on the streets of Mexico City. When he decides to join Ipoderac, an organization that houses runaway boys, his life changes in the most unexpected ways. Juan Carlos is a study in resilience, reminding us that peace results from patience, determination, and the ability to forgive those who have harmed us.</p>
<p><strong><em>(T)ERROR</em></strong><em><br />
</em>Directed by Lyric Cabral and David Felix Sutcliffe<br />
<strong>(</strong><em>T)ERROR</em><em> </em>is the first film to document, on camera, a covert counterterrorism sting as it unfolds. Through the perspective of *******, a 63-year-old Black revolutionary turned FBI informant, viewers are given an unprecedented glimpse of the government’s counterterrorism tactics and the murky justifications behind them.</p>
<p>&nbsp;</p>
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