Earlier this month, Nest-supported Dark Money and United Skates were included in the International Documentary Association (IDA) Shortlist for Top Feature and as well as nominated for the IDA Award for Best Feature of 2018.

And last week, we received more good news from the International Documentary Association. Chicken & Egg Pictures is being recognized with the prestigious Amicus Award. We’re in good company too, with past recipients including Stephen Spielberg, Norman and Lyn Lear, and our dear Nest friend and Fork Films President and CEO Abigail Disney.

The Amicus Award “honors individuals or organizations in recognition of their work supporting the essential needs of the nonfiction media landscape,” and we humbly thank IDA for this extraordinary recognition. In an environment where the need to amplify women’s voices is receiving much needed attention, this award will serve to further elevate the importance of their stories.

We would like to extend a special congratulations to 2016 Breakthrough Filmmaker Award Recipient Julia Reichert for her well-earned Career Achievement Award. Thank you Julia, for your incredible contributions to documentary filmmaking. We are so happy for you and cannot wait to celebrate your achievements.

We also congratulate 2017 Breakthrough Filmmaker Award Recipient Dawn Porter for her nomination for Best Limited Series for her Netflix doc series Bobby Kennedy for President. Chicken & Egg Pictures did not directly support Bobby Kennedy for President but supported Dawn during her breakthrough year and past projects Trapped and The Chosen Life. Congratulations Dawn and good luck!

We are so proud to have supported these films and wish the filmmakers behind them the best of luck.

Dark Money, directed by Kimberly Reed

A century ago, corrupt money swamped Montana’s legislature, but Montanans rose up to prohibit corporate campaign contributions. Today, in the wake of the Supreme Court’s Citizens United decision —which allows unlimited, anonymous money to pour into elections nationwide—Montana is once again fighting to preserve open and honest elections. Following an investigative reporter through a political thriller, Dark Money exposes one of the greatest threats to American democracy.

Dark Money screened at the AFI Docs Film Festival last summer, had its broadcast premiere on POV on PBS, and recently received a  Doc Society / Threshold Impact Funding grant.

United Skates, directed by Tina Brown and Dyana Winkler (2016 Diversity Fellows Initiative)

When America’s last standing roller rinks are threatened with closure, a community of thousands battle in a racially charged environment to save an underground subculture—one that has remained undiscovered by the mainstream for generations, yet has given rise to some of the world’s greatest musical talent.

United Skates won the 2018 Tribeca Audience Award in April, was recently acquired by HBO, and will screen at the Hot Springs Documentary Film Festival on October 26.

The 34th annual IDA Awards will take place Saturday, December 8 at the Paramount Theatre in Los Angeles.

Thursday, November 8 

Morning Manifesto: Dawn Porter (2017 Breakthrough Filmmaker Award Recipient) gives the opening speech of the DOC NYC PRO conference, discussing her “thoughts on the current state of documentary filmmaking.”

Who Owns The Story: Nanfu Wang (2018 Breakthrough Filmmaker Award recipient) speaks on a panel exploring “the issues of complicated filmmaker/subject relationships and storytelling ownership”.

Dig Deep: Doc Storytelling: Nancy  Schwartzman (Roll Red Roll) speaks on “providing specific, in-depth and enlightening studies for emerging documentary filmmakers”.

Friday, November 9 

Getting Personal: Alexandria Bombach, 2018 SXSW LUNA / Chicken & Egg Pictures Award recipient and director of DOC NYC Short Listed film On Her Shoulders,  discusses films “that rely on a strong bond between director and subject with filmmakers”.

Case Study: Bobby Kennedy For President: Nest-supported Dawn Porter speaks on her acclaimed Netflix doc series.

Saturday, November 10

Morning Manifesto: Our Nest-friend and President and CEO of Fork Films  Abigail Disney speaks on “what stories are the most important to tell”.

Storytelling in a Post-Truth World: Rabab Haj Yahya, editor of 2018 Accelerator Lab grantee The Feeling of Being Watched shares her thoughts about ensuring a story is truthful.

Grab Your Audience’s Attention: Editor of 2016 Diversity Fellows Initiative grantee United Skates, Katharine Garrison speaks on a panel about ” bringing an audience into your film’s world”.

Sunday, November 11

Tight Spots, Dynamic Shots: Erik Shirai, cinematographer of Nest-supported Blowin’ Up speaks on a panel about cinematography in docs.

Monday, November 12

Case Study With Michèle Stephenson and Joe Brewster: Directors of the Impact & Innovation Initiative project Changing Same: The Untitled Racial Justice Project Joe Brewster and Michèle Stephenson (also a 2016 Breakthrough Filmmaker Award recipient) discuss crafting exemplary short films.

Tuesday, November 13

Access is Everything: Kimberly Reed (Dark Money) and others discuss building trust with documentary subjects.

Wednesday, November 14

Dissecting Development With Impact Partners: Our friends at Impact Partners present a panel about establishing development funding for documentaries.

Way More Than B-Roll: 2017 Breakthrough Filmmaker Award recipient Penny Lane discusses how archival footage creates a deeper meaning in documentaries.

Thursday, November 15

Morning Manifesto: Yoruba Richen (2016 Breakthrough Filmmaker Award recipient) and director of The New Black shares her thoughts on getting films made.

Synopses of panels courtesy of the DOC NYC website.

See you at the DOC NYC PRO conference!

Dark Money, directed by Kimberly Reed

A century ago, corrupt money swamped Montana’s legislature, but Montanans rose up to prohibit corporate campaign contributions. Today, in the wake of the Supreme Court’s Citizens United decision —which allows unlimited, anonymous money to pour into elections nationwide—Montana is once again fighting to preserve open and honest elections. Following an investigative reporter through a political thriller, Dark Money exposes one of the greatest threats to American democracy.

Roll Red Roll, directed by Nancy Shwartzman

In small-town Ohio, at a pre-season football party, a horrible incident took place. What transpired would garner national attention and result in the sentencing of two key offenders. As amateur crime blogger Alex Goddard uncovers disturbing evidence on Facebook, Youtube, and Twitter, documenting the assault of a teenage girl by members of the beloved high school football team, questions linger around the collusion of teen and adult bystanders. Roll Red Roll explores the complex motivations of both perpetrators and bystanders in this story, to unearth the attitudes at the core of their behavior.

Read more about the new Doc Society / Threshold grantees in the Doc Society newsletter.

United Skates, directed by Dyana Winkler & Tina Brown (2016 Diversity Fellows Initiative)

When America’s last standing roller rinks are threatened with closure, a community of thousands battle in a racially charged environment to save an underground subculture—one that has remained undiscovered by the mainstream for generations, yet has given rise to some of the world’s greatest musical talent.

The 2018 Tribeca Audience Award-winning film will be closing out the festival on Sunday, June 17 at 6:30 pm.

Blowin’ Up, directed by Stephanie Wang-Breal

Blowin’ Up looks at sex work, prostitution, and human trafficking through the lens of New York State’s criminal justice system. The film captures the growing pains of our nation’s first human trafficking intervention court in Queens, New York, and how we define trafficking and prostitution from many different perspectives: the criminal justice system, the social welfare system, and, most importantly, the women and girls who are at the center of it all.

Screenings: Thursday, June 14 at 3:30 pm and Friday, June 15 at 6:15 pm.

Dark Money, directed by Kimberly Reed

A century ago, corrupt money swamped Montana’s legislature, but Montanans rose up to prohibit corporate campaign contributions. Today, in the wake of the Supreme Court’s Citizens United decision —which allows unlimited, anonymous money to pour into elections nationwide—Montana is once again fighting to preserve open and honest elections. Following an investigative reporter through a political thriller, Dark Money exposes one of the greatest threats to American democracy.

Screening: Thursday, June 14 at 6:00 pm.

It Will Be Chaos, directed by Lorena Luciano and Filippo Piscopo

Life in Southern Italy is thrown into a tailspin when refugees arrive by the thousands and the locals are left to fend for themselves. Eritrean survivor Aregai, trapped in the Italian faltering immigration system, goes underground to reach Northern Europe. Through his journey, intercut with the road trip to Germany of a Syrian family, the clash between the newcomers and the locals escalates in real time.

Screening: Thursday, June 14 at 5:45 pm.

Tre Maison Dasan, directed by Denali Tiller (Accelerator Lab 2015)

Tre Maison Dasan is a story that explores parental incarceration through the eyes of three boys—Tre, Maison, and Dasan. Following their interweaving trajectories through boyhood marked by the criminal justice system, and told directly through the child’s perspective, the film unveils the challenges of growing up and what it means to become a man in America.

Screenings: Thursday, June 14 at 6:00 pm and Sunday, June 18 at 4:45 pm.

The following films were directed by Nest-supported filmmakers and will also be featured at the AFI Docs Film Festival.

Inventing Tomorrow, directed by Laura Nix (2018 Breakthrough Filmmaker Award recipient)

On Her Shoulders, directed by Alexandria Bombach (2018 SXSW LUNA / Chicken & Egg Pictures Award recipient)

A Murder in Mansfield, directed by Barbara Kopple (2011 Chicken & Egg Pictures Celebration Award)

Skywards, directed by Eva Weber (Black Out, 2007)

See the full AFI Docs Film Festival slate here.

Post by Morgan Hulquist, Summer 2018 Chicken & Egg Pictures Communications Intern.

Whose Streets?, directed by Sabaah Folayan, Damon Davis (Accelerator Lab 2016)

A firsthand look at how the murder of one teenage boy became the last straw for a community under siege, Whose Streets? is a story of love, loss, conflict, and ambition. Set in Ferguson, MO, the film follows the journey of everyday people whose lives are intertwined with a burgeoning national movement for black liberation.

PBS premiere date: July 30, 2018.

The Apology, directed by Tiffany Hsiung

This is a film about memory, told through the current relationships three women have with the people closest to them and how these relationships indelibly shape the last years of their lives. The three women – Gil Won-Ok in South Korea, Grandma Cao in China, and Lola Adela in the Philippines – are all former “comfort women” who were among the 200,000 girls and young women forced into military sexual slavery by the Japanese Imperial Army during World War II.

PBS premiere date: Coming soon.

Survivors, directed by Anna Fitch, Banker White and Arthur Pratt

Through the eyes of Sierra Leonean filmmakers, Survivors presents a portrait of their country during the Ebola outbreak, exposing the complexity of the epidemic and the socio-political turmoil that lies in its wake. The film chronicles the remarkable stories of Sierra Leonean heroes during what is now widely regarded as the most acute public health crisis of the modern era.

PBS premiere date: Coming soon.

Dark Money, directed by Kimberly Reed

A century ago, corrupt money swamped Montana’s legislature, but Montanans rose up to prohibit corporate campaign contributions. Today, in the wake of the Supreme Court’s Citizens United decision —which allows unlimited, anonymous money to pour into elections nationwide—Montana is once again fighting to preserve open and honest elections. Following an investigative reporter through a political thriller, Dark Money exposes one of the greatest threats to American democracy.

PBS premiere date: Coming soon.

Be sure to catch the season premiere of POV on Monday, June 18th at 10 pm!

Post by 2018 Spring Programs Intern Dinayuri Rodriguez.

Dark Money, directed by Kimberly Reed

A century ago, corrupt money swamped Montana’s legislature, but Montanans rose up to prohibit corporate campaign contributions. Today, in the wake of the Supreme Court’s Citizens United decision —which allows unlimited, anonymous money to pour into elections nationwide—Montana is once again fighting to preserve open and honest elections. Following an investigative reporter through a political thriller, Dark Money exposes one of the greatest threats to American democracy.

The Devil We Know, directed by Stephanie Soechtig

Unraveling one of the biggest environmental scandals of our time, a group of citizens in West Virginia take on a powerful corporation after they discover it has knowingly been dumping a toxic chemical—now found in the blood of 99.7% of Americans—into the drinking water supply.

We are excited to catch both films at Sundance 2018!