Announced via Women & Hollywood today, Chicken & Egg Pictures is proud to support five new grantees of the 2021 Project: Hatched program for feature-length documentary impact. Each film receives a $10,000 grant and tailored mentorship towards their impact campaigns.

“Each of these films tells a story about racial, economic, or workers justice in the United States and marks a critical moment in our social history,” said Program Director Lucila Moctezuma. “Their directors are uniquely positioned to create change and propel us toward a more equitable future, and Chicken & Egg Pictures is excited to support them with funding and programmatic support to further the impact of these important films.”

Please click the granted film’s titles for more information on each project and give these visionary women directors a warm welcome to the Nest!

Dope is Death

Director: Mia Donovan
Producer: Bob Moore

Dope Is Death tells the story of how radical politics and direct community action birthed the first acupuncture drug detoxification program in America.

Down a Dark Stairwell

Director: Ursula Liang
Producer: Rajal Pitroda 

A Chinese-American police officer kills an unarmed Black man in a dark stairwell of a NYC housing project, igniting a complicated fight for accountability and justice.

Since I Been Down

Director: Gilda Sheppard
Producers: Saman Maydani, June Nho Ivers
Producer and Lead Impact Strategist: Bonnie Benjamin-Phariss
Impact Team: YEA! Impact 

In America’s backyard, a community held captive by policies targeting gangs and drugs sacrifices their youth for a false sense of justice and safety. Nearly forty years later, a true path to justice and healing is led from inside their prison walls.

Unapologetic 

Director: Ashley O’Shay 
Producers: Ashley O’Shay, Morgan Elise Johnson
Impact Producer: Naeema Jamilah Torres 

Meet Janaé and Bella, two fierce abolitionists whose upbringing and experiences shape their activism and views on Black liberation.

Fruits of Labor

Director: Emily Cohen Ibañez
Producer: Emily Cohen Ibañez

A teenage farmworker dreams of graduating high school, when ICE raids in her community threaten to separate her family and force her to become her family’s breadwinner.

*Down a Dark Stairwell was previously supported through out Diversity Fellows Iniative (past program). 

We are very excited to say Chicken & Egg Pictures-supported projects Freedom Fields, A Thousand Girls Like Me, and Survivors will have their Dutch premieres at IDFA this year.

Freedom Fields, directed by Naziha Arebi

Filmed over five years, Freedom Fields follows three women and their football team in post-revolution Libya, as the country descends into civil war and the utopian hopes of the Arab Spring begin to fade. Through the eyes of these accidental activists, we see the reality of a country in transition, where the personal stories of love and aspirations collide with History. A love letter to sisterhood and the power of ‘team’.

Freedom Fields will run in the Best of Fests program which showcases prize-winners, public favorites, and high-profile documentaries from the past year. For tickets to one of six screenings of Freedom Fields at IDFA, see here.

Survivors, co-directed by Anna Fitch, Banker White, Arthur Pratt, and Barmmy Boy

Through the eyes of Sierra Leonean filmmakers, Survivors presents a portrait of their country during the Ebola outbreak, exposing the complexity of the epidemic and the socio-political turmoil that lies in its wake. The film chronicles the remarkable stories of Sierra Leonean heroes during what is now widely regarded as the most acute public health crisis of the modern era.

Survivors is nominated for the inaugural Amsterdam Human Rights Award, for films with strong cinematography and that best present the theme of human rights. For tickets to IDFA screenings of Survivors, see here.

A Thousand Girls Like Me, directed by Sahra Mani (2016 Diversity Fellows Initiative)

In Afghanistan where systematic abuses of girls rarely come to light, and seeking justice can be deadly, one young woman says “Enough.” Khatera was brutally raped by her father since the age of nine and today she raises two precious and precocious children whom he sired. Against her family’s and many Afghanis’ wishes, Khatera forces her father to stand trial. This is her incredible story of love, hope, bravery, forgiveness, and truth.

A Thousand Girls Like Me  will run in the Best of Fests program and also received a nomination for the inaugural Amsterdam Human Rights Award. See here for tickets to screenings.

Projects are supported through grants in the development, production, post-production and audience engagement stages, and include custom grants from The Kendeda Fund, MacArthur Foundation, and The Skoll Foundation. 

We were egg-static to see the following Nest-supported projects and filmmakers from our Diversity Fellows Initiative, Accelerator Lab, and Breakthrough Filmmaker Award programs on the list.

Through the Night, directed by Loira Limbal (2018 Accelerator Lab) 

To make ends meet, Americans are working longer hours across multiple jobs. This modern reality of nonstop work has resulted in an unexpected phenomenon: the flourishing of 24-hour daycare centers. Through the Night is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.

Through the Night received a production grant from the Sundance Documentary Fund.

Born in China, directed by Nanfu Wang and Jialing Zhang (2017 Accelerator Lab)

How much control does a person have over their own life? In China, state control begins before a child is even born.

Born in China received a grant for post-production from the Sundance Documentary Fund.

The Letter, directed by Maia von Lekow and Chris King (2018 Diversity Fellows Initiative)

Along the coast of Kenya, a frenzied mix of consumerism and Christianity is turning hundreds of families against their elders, branding them as witches as a means to steal their land. Ninety-two-

year-old Margaret Kamango stands accused by her sons, while her strong-willed daughters try to protect her. This dangerous dispute is seen through the eyes of Margaret’s grandson, Karisa, who returns home from the city to investigate and is ultimately forced to choose which side he is on.

The Letter received a grant for post-production from the Sundance Documentary Fund.

Untitled Race & Criminal Justice Project, directed by Ursula Liang (2017 Diversity Fellows Initiative) 

A nuanced look at how two communities of color navigate an uneven criminal justice system, anchored by one polarizing New York City case.

United Race & Criminal Justice Project received support for production from the Macarthur Foundation. This grant provides support for journalistic projects, prioritizing diverse, Native and Indigenous voices.

Chicken & Egg Pictures would also like to congratulate the following filmmakers whose work we have supported in the past or who we have individually support through the Breakthrough Filmmaker Award program—

Malika Zouhali-Worrall (director of Nest-supported projects Thank You For Playing, Call Me Kuchu, and Games You Can’t Win) recieved a development grant for her new project Untitled Dystopia Film.

Malika’s co-director in Thank You For Playing and Games You Can’t Win, David Osit also received a development grant for his  project Mayor. Congratulations Malika and David!

2016 Breakthrough Filmmaker Recipient Laura Nix received a grant for audience engagement for her film Inventing Tomorrow from The Kendeda Fund.

Meet the passionate teen innovators from around the globe who dedicate their blood, sweat, and Bunsen burners to craft cutting-edge solutions to the world’s environmental threats and present their findings at the world’s largest high school science competition, the Intel International Science and Engineering Fair.

Chicken & Egg Pictures did not directly support Inventing Tomorrow, but supported Laura Nix through our Breakthrough Filmmaker Award program in 2016.

And She Could Be Next received a production grant from the Sundance Documentary Fund and is made by a team of women filmmakers of color, including four Nest-supported filmmakers. And She Could Be Next is directed by Grace Lee (2017 Breakthrough Filmmaker Award recipient and director of American Revolutionary: The Evolution of Grace Lee Boggs), Yoruba Richen (2016 Breakthrough Filmmaker Award recipient), Deborah S. Esquenazi (Southwest of Salem) , and Geeta Gandbhir (director of A Journey of a Thousand Miles: Peacekeepers, producer of Love the Sinner,  and 2017 Breakthrough Filmmaker Award recipient) as well as Anayansi Prado, Ramona Emerson, Amber Fares, and Marjan Safinia.

Another special congratulations to Anna Fitch for her grant for production on her new project Heaven Through the Backdoor, which she is co-directing with Banker White. Anna Fitch previously received support on her work in Survivors from Chicken & Egg Pictures, also co-directed with Banker White.

Congratulations also to Violeta Ayala (director of Nest-supported Cocaine Prison) on receiving production support for her new feature documentary, The Fight.

What an incredible group of women-directed projects! Congratulations to all.

Key West, Florida
Screening at Key West Film Festival on Friday and Sunday, November 16 and 18. See tickets and showtimes here.

The Changing Same, directed by Impact & Innovation Initiative grantees Michèle Stephenson (also a 2016 Breakthrough Filmmaker Award recipient) and Joe Brewster, is screening in competition on Friday, October 26 at 12:45 PM at the Oprah Winfrey Theater in the National Museum of African American History and Culture.

“In the Florida Panhandle lies the provincial town of Marianna, Florida, where one native resident runs a particular marathon in hopes of lifting the veil of racial terror caused by the town’s buried history.”*

Chicken & Egg Pictures is supporting the immersive, room-scale virtual reality experience based on their short film. In Changing Same: The Untitled Racial Justice Project,  the participant travels through time and space to witness the connected historical experiences of racial terror in America.

United Skates, directed by Tina Brown and Dyana Winkler (2016 Diversity Fellows Initiative) is also is screening in competition on Friday, October 26 at 4:15PM in the museum’s Oprah Winfrey Theater.

When America’s last standing roller rinks are threatened with closure, a community of thousands battle in a racially charged environment to save an underground subculture—one that has remained undiscovered by the mainstream for generations, yet has given rise to some of the world’s greatest musical talent.

The Juried Competition Film Awards is Saturday, October  27 at 10:30 AM. Congratulations to Michèle and Joe and Tina and Diana! See you in DC.

*Synopsis courtesy of the Smithsonian African American Film Festival wesbite.

In a press release from CIFF, Senior Programmer Samara Chadwick stated, “Programming at parity celebrates the contributions of the many formidable women in the field, while also emphasizing the fact that, in a century of documentary filmmaking, we’ve largely known one dominant perspective. […] At CIFF we’re drawn to directorial approaches from outside the canon, and we value all the creative voices and cinematic languages that have been otherwise underrepresented.”

At Chicken & Egg Pictures, we applaud the push for gender parity from the Camden International Film Festival.

See a full itinerary for Nest-supported films, filmmakers, and friends at CIFF below.

Points North Pitch, Saturday Sep. 15 at 10 AM at the Camden Opera House, including a pitch from 2018 Diversity Fellows Initiative grantee Robie Flores for her project The In Between.

Skywards, directed by Eva Weber (Black Out, 2007), Saturday Sep. 15 at 10 AM at The Strand Theatre in Rockland.

Survivors, co-directed by Arthur Pratt, Banker White, Anna Fitch and Barmmy Boy, Saturday Sep. 15 at 12:30 PM at the Rockport Opera House.

A Cure for Fear (Series), directed by Lana Wilson (The Departure and After Tiller), Saturday Sep. 15 at 3:30 PM at the Farnsworth Art Museum in Rockland*

The Feeling of Being Watched, directed by Assia Boundaoui (2016 Accelerator Lab grantee and The Whickers award winner), Sunday Sep. 16 at 12:30 PM. Assia will also be speaking on the Documentary as Co-Creation panel at 3:30 PM on Saturday Sep. 15 at High Mountain Hall in Camden.

On Her Shoulders, directed by Alexandria Bombach (2018 SXSW LUNA / Chicken & Egg Pictures Award recipient), Sunday Sep. 16 at 5 PM at The Strand Theatre in Rockland.*

Blowin’ Up, directed by Stephanie Wang-Breal, Sunday Sep. 16 at 5:30 PM at the Rockport Opera House.

Post by 2018 Communications Intern Morgan Lee Hulquist. 

An Act of Worship follows young Muslim women beginning their career in activism at a time when hate crimes against Muslims have reached their highest level since 9/11. The travel ban has sent the message that Muslims are not welcome in the US. Now, a new generation has been galvanized into action to reclaim their space in the American landscape.

Nausheen Dadabhoy is a Muslim American director and DP who has always moved seamlessly between the narrative and documentary world. Her latest documentary J’adore Nawal premiered at Sundance, while her last narrative film La Femme et le TGV (The Railroad Lady) was a live action short Oscar nominee. Her directorial debut, The Ground Beneath Their Feet premiered at IDFA. Nausheen has been a Film Independent Project:Involve Fellow, a Berlin Talents participant, and is a current Firelight Fellow. 

The 2018 Diversity Fellows Initiative cohort is soon to embark on a week-long storytelling retreat in upstate New York aimed to help develop and strengthen their film’s narratives. As part of the retreat, the grantees will be participating in skill-sharing workshops where they will learn from one another’s unique perspectives and artistic practices.

Other participants of the 2018 Diversity Fellows Initiative include:

The In Between, directed by Robie Flores; Commuted, directed by Nailah Jefferson; A Prince From Outer Space: Zeki Müren, directed by Beyza Boyacioglu; and The Letter, directed by Maia von Lekow & Chris King.

The Diversity Fellows Initiative is made possible with the generous support of The Harnisch Foundation, the MacArthur Foundation, and the Time Warner Foundation.

Post by 2018 Communications Intern Morgan Lee Hulquist.