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	<title>Fork Films &#8211; Chicken &amp; Egg Pictures</title>
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	<title>Fork Films &#8211; Chicken &amp; Egg Pictures</title>
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	<item>
		<title>Announcing the Fork Films and Chicken &#038; Egg Pictures Story Workshop!</title>
		<link>https://archive.chickeneggpics.org/fork-films-story-workshop-2021/</link>
					<comments>https://archive.chickeneggpics.org/fork-films-story-workshop-2021/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Tue, 26 Oct 2021 14:10:54 +0000</pubDate>
				<category><![CDATA[AlumNest]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Partnerships]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Denali Tiller]]></category>
		<category><![CDATA[Eva weber]]></category>
		<category><![CDATA[Fork Film]]></category>
		<category><![CDATA[Fork Films]]></category>
		<category><![CDATA[Fork Films and Chicken & Egg Pictures Story Workshop]]></category>
		<category><![CDATA[Hemal Trivedi]]></category>
		<category><![CDATA[Jialing Zhang]]></category>
		<category><![CDATA[Kristy Guevara Flanagan]]></category>
		<category><![CDATA[Kristy Guevara-Flanagan]]></category>
		<category><![CDATA[Marion Lipschutz]]></category>
		<category><![CDATA[Rose Rosenblatt]]></category>
		<category><![CDATA[The Total Trust]]></category>
		<category><![CDATA[Workshop]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=9579</guid>

					<description><![CDATA[We're proud to announce (via Women &#038; Hollywood) our joint creative story workshop with Fork Films, a collaboration that combines our values-driven missions of propelling underrepresented stories. ]]></description>
										<content:encoded><![CDATA[
<p>We&#8217;re proud to announce (via <a href="https://womenandhollywood.com/exclusive-chicken-egg-pictures-and-fork-films-select-participants-for-inaugural-story-workshop/">Women &amp; Hollywood</a>) our joint creative story workshop with <strong><a href="https://www.forkfilms.com/">Fork Films</a></strong>, a collaboration that combines our values-driven missions of propelling underrepresented stories. </p>



<p>Filmmakers from both the Fork Films&#8217; alumnae roster and Chicken &amp; Egg Pictures&#8217; <a href="https://chickeneggpics.org/programs/#alumnest">AlumNest</a> will receive supportive, strategic feedback from their peers, as well as mentors from both organizations to explore story structure, learn production best practices, and leave with a sharper vision for their films. </p>



<div class="wp-block-image"><figure class="aligncenter size-large"><img fetchpriority="high" decoding="async" width="750" height="422" src="https://chickeneggpics.org/wp-content/uploads/2021/10/FIght-Song_004.jpeg" alt="" class="wp-image-9592" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2021/10/FIght-Song_004.jpeg 750w, https://archive.chickeneggpics.org/wp-content/uploads/2021/10/FIght-Song_004-608x342.jpeg 608w" sizes="(max-width: 750px) 100vw, 750px" /><figcaption>Still from <em>Fight Song</em> by Denali Tiller </figcaption></figure></div>



<p><em>“Together we are stronger! This opportunity to combine our mission-aligned organizations and take advantage of our organic synergy to champion filmmakers is so valuable. It allows us to further support and elevate filmmakers as they continue to explore the stories in their films and learn about production best practices. We couldn’t be more excited about this partnership,”</em> said Chicken &amp; Egg Pictures Program Director Lucila Moctezuma.</p>



<p>Learn about the Fork Films and Chicken &amp; Egg Pictures Story Workshop participants below:</p>



<h2 class="has-text-color wp-block-heading" style="color:#df666e"><strong><em>Body Parts</em></strong></h2>



<h5 class="wp-block-heading"><strong>Directed by Kristy Guevara-Flanagan (AlumNest &amp; Fork Films Alumna)<br>Produced by Helen Hood Scheer</strong></h5>



<p></p>



<p><em>Body Parts</em> explores the making of Hollywood intimacy scenes in a post #MeToo era. From a kaleidoscopic range of perspectives, the film traces how a cinematic legacy of exploitation and ingenuity have shaped the entertainment industry and audiences. Can an authentic, more ethical vision of female sexuality be conveyed? The answers go beyond movie-making and impact the world at large.</p>



<hr class="wp-block-separator"/>



<h2 class="has-text-color wp-block-heading" style="color:#df666e"><strong><em>Fight Song </em></strong></h2>



<h5 class="wp-block-heading"><strong>Directed and produced by Denali Tiller</strong> (AlumNest)</h5>



<p></p>



<p>Maia, Kayla and Alli are three young women who have aspirations as many young women do: to find love, success, and purpose in their work. But for these three women, their work involves getting hit, punched, body-slammed, kicked, tackled &#8211; and doing the same to others. As these women emerge from tender teenage years to a rough, brutal world of punching bags, dummies, broken bones, and razor’s edge competition, we will witness the emotional and physical strength that’s required to compete at a high level, and explore the threshold between fighting for fitness, validation, control, or self-defense in the face of trauma.</p>



<hr class="wp-block-separator"/>



<h2 class="has-text-color wp-block-heading" style="color:#df666e"><strong><em>The Half Truths</em></strong></h2>



<h5 class="wp-block-heading">Directed by Hemal Trivedi (AlumNest) <br>Produced by Hemal Trivedi, Amelia Hanibelsz, Cynthia Kane</h5>



<p></p>



<p>India’s bloodiest conflict zone is Chhattisgarh, an environmentally fragile region and state where the country’s last dense forest exists, the “lungs of India&#8221;.&nbsp; A multinational mining company is eviscerating the land while simultaneously at war with rebel tribal forces. Soni, a tribal school teacher, runs an orphanage and is unexpectedly caught in the crossfire.&nbsp; She is arrested, tortured, and raped. Her arduous quest for justice makes her an international symbol of resistance against state oppression. After release from prison term, and with little choice in the matter, a leader emerges to save her cherished forest and find a path to peace.</p>



<hr class="wp-block-separator"/>



<h2 class="has-text-color wp-block-heading" style="color:#df666e"><strong><em>Merkel</em></strong></h2>



<h5 class="wp-block-heading"><strong>Directed by Eva Weber (AlumNest) <br>Produced by Lizzie Gillett, Sigrid Dyekjaer, Eva Weber, Sonja Henrici</strong></h5>



<p></p>



<p>As Angela Merkel leaves the world stage, <em>Merkel</em> explores how a triple outsider—a woman, an East German and a scientist—re-invented herself to become one of the world’s most powerful politicians. Told from an international perspective for an international audience, this film is the definitive re-examination of Angela Merkel&#8217;s life and career, delicately told with humor, subtlety, and poignancy.</p>



<hr class="wp-block-separator"/>



<h2 class="has-text-color wp-block-heading" style="color:#df666e"><em><strong>Power &amp; Light </strong></em></h2>



<h5 class="wp-block-heading"><strong>Directed by Marion Lipschutz, Rose Rosenblatt (AlumNest &amp; Fork Films Alumnae) <br>Produced by Rose Rosenblatt, Sabrina Alvarez, Jesse Epstein</strong></h5>



<p></p>



<p>In Lawrence, MA a Dominican Pastor and his Anglo wife transform a fractious group of evangelical LatinX clergy into a fighting force for climate justice, determined to make their town a showcase for a green future.&nbsp;<em>Power &amp; Light</em> is a portrait of a marriage that sits on the fault lines of race, culture, gender and religion, mirroring the larger tensions of a story about organizing for climate justice. Sue and Joel’s perspective, and their marriage, emotionally anchor the larger story of how a community informed by spiritual faith struggles to organize around man-made disasters.</p>



<hr class="wp-block-separator"/>



<h2 class="has-text-color wp-block-heading" style="color:#df666e"><strong><em>The Total Trust</em></strong></h2>



<h5 class="wp-block-heading"><strong>Directed and produced by Jialing Zhang (2021 Chicken &amp; Egg Award Recipient* &amp; Fork Film Alumna) </strong></h5>



<p></p>



<p><em>The Total Trust (working title)</em> takes a visceral look at the realities of a society in the throes of a digital invasion. From cameras to AI profiling, China is facing an unprecedented level of surveillance, upheld in equal measure through fear and trust. By exploring the relationship between the watched and the watching, our film uncovers the trauma and hope engendered by these measures and lends a voice to those that stand in resilient defiance of such blatant abuse of power.</p>



<p>*<em>The Total Trust</em> is also supported by Chicken &amp; Egg Pictures through Jialing Zhang&#8217;s Chicken &amp; Egg Award this year. </p>


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			</item>
		<item>
		<title>Chicken &#038; Egg Pictures-supported Filmmakers are DOC NYC Pros</title>
		<link>https://archive.chickeneggpics.org/chicken-egg-pictures-supported-filmmakers-are-doc-nyc-pros/</link>
					<comments>https://archive.chickeneggpics.org/chicken-egg-pictures-supported-filmmakers-are-doc-nyc-pros/#comments</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Tue, 09 Oct 2018 16:52:58 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Abigail Disney]]></category>
		<category><![CDATA[blowin' up]]></category>
		<category><![CDATA[Bobby Kennedy For President]]></category>
		<category><![CDATA[Changing Same: The Untitled Racial Justice Project]]></category>
		<category><![CDATA[Dark Money]]></category>
		<category><![CDATA[Dawn Porter]]></category>
		<category><![CDATA[DOC NYC]]></category>
		<category><![CDATA[DOC NYC PRO]]></category>
		<category><![CDATA[Erik Shirai]]></category>
		<category><![CDATA[Film Festival]]></category>
		<category><![CDATA[Fork Films]]></category>
		<category><![CDATA[Impact & Innovation Initiative]]></category>
		<category><![CDATA[Impact and Innovation Initiative]]></category>
		<category><![CDATA[Impact Partners]]></category>
		<category><![CDATA[Joe Brewster]]></category>
		<category><![CDATA[Katharine Garrison]]></category>
		<category><![CDATA[Kimberly Reed]]></category>
		<category><![CDATA[Michele Stephenson]]></category>
		<category><![CDATA[Nancy Schwartzman]]></category>
		<category><![CDATA[Nanfu Wang]]></category>
		<category><![CDATA[Penny Lane]]></category>
		<category><![CDATA[Rabab Haj Yahya]]></category>
		<category><![CDATA[Roll Red Roll]]></category>
		<category><![CDATA[THE FEELING OF BEING WATCHED]]></category>
		<category><![CDATA[united skates]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=4916</guid>

					<description><![CDATA[DOC NYC, the largest nonfiction film festival in the US, is just around the corner, and they released the line-up for their eight-day DOC NYC PRO conference  which will take place in conjunction with film screenings and from November 8-15.  Each day includes a keynote address, followed by panels with filmmakers and industry professionals on a [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>DOC NYC, the largest nonfiction film festival in the US, is just around the corner, and they released <a href="http://www.docnyc.net/featured/doc-nyc-announces-2018-doc-nyc-pro-line-up/">the line-up for their eight-day DOC NYC PRO conference</a>  which will take place in conjunction with film screenings and from November 8-15.  Each day includes a keynote address, followed by panels with filmmakers and industry professionals on a selection of themes . Here&#8217;s a line-up of Chicken &amp; Egg Pictures-supported filmmakers and Nest-friends to hear from at DOC NYC PRO.</p>
<p style="text-align: center;"><strong>Thursday, November 8 </strong></p>
<p>Morning Manifesto: Dawn Porter (<a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-porter">2017 Breakthrough Filmmaker Award Recipient</a>) gives the opening speech of the DOC NYC PRO conference, discussing her &#8220;thoughts on the current state of documentary filmmaking.&#8221;</p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-Chinananfu-filming-on-location_headshot_lowres-e1536871759760.jpg" rel="lightbox[4916]"><img decoding="async" class="alignleft wp-image-3108" src="https://chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-Chinananfu-filming-on-location_headshot_lowres-344x344.jpg" alt="Nanfu Wang Born In China 2017 Accelerator Lab" width="150" height="169" /></a>Who Owns The Story: Nanfu Wang (<a href="https://chickeneggpics.org/grantee/2018-breakthrough-award-recipient-wang/">2018 Breakthrough Filmmaker Award recipient</a>) speaks on a panel exploring &#8220;the issues of complicated filmmaker/subject relationships and storytelling ownership&#8221;.</p>
<p>&nbsp;</p>
<p><img decoding="async" class="wp-image-4930 alignright" src="https://chickeneggpics.org/wp-content/uploads/2015/10/Nancy-headshot-lo-res-344x344.png" alt="" width="150" height="153" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2015/10/Nancy-headshot-lo-res-608x621.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2015/10/Nancy-headshot-lo-res.png 641w" sizes="(max-width: 150px) 100vw, 150px" />Dig Deep: Doc Storytelling: Nancy  Schwartzman (<a href="https://chickeneggpics.org/grantee/roll-red-roll/"><em>Roll Red Roll</em></a>) speaks on &#8220;providing specific, in-depth and enlightening studies for emerging documentary filmmakers&#8221;.</p>
<p>&nbsp;</p>
<p style="text-align: center;"><strong>Friday, November 9 </strong></p>
<p style="text-align: left;"><a href="https://chickeneggpics.org/wp-content/uploads/2018/09/Screen-Shot-2018-09-27-at-3.16.30-PM-1-e1538076014677.png" rel="lightbox[4916]"><img loading="lazy" decoding="async" class="wp-image-4852 alignleft" src="https://chickeneggpics.org/wp-content/uploads/2018/09/Screen-Shot-2018-09-27-at-3.16.30-PM-1-e1538076014677.png" alt="Alexandria Bombach" width="150" height="150" /></a>Getting Personal: Alexandria Bombach, <a href="https://www.sxsw.com/news/2018/luna-awards-artist-grants-to-two-films-by-female-filmmakers-at-2018-sxsw/">2018 SXSW LUNA / Chicken &amp; Egg Pictures Award recipient</a> and director of DOC NYC Short Listed film <em>On Her Shoulders</em>,  discusses films &#8220;that rely on a strong bond between director and subject with filmmakers&#8221;.</p>
<p style="text-align: left;"><a href="https://chickeneggpics.org/wp-content/uploads/2017/01/dawn-porter.png" rel="lightbox[4916]"><img loading="lazy" decoding="async" class="wp-image-2859 alignright" src="https://chickeneggpics.org/wp-content/uploads/2017/01/dawn-porter-344x344.png" alt="Dawn Porter 2017 Breakthrough Filmmaker Award" width="150" height="171" /></a></p>
<p>&nbsp;</p>
<p style="text-align: left;">Case Study: <i>Bobby Kennedy For President</i><i>: </i>Nest-supported<a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-porter/"> Dawn Porter</a> speaks on her acclaimed Netflix doc series.</p>
<p>&nbsp;</p>
<p style="text-align: center;"><strong>Saturday, November 10</strong></p>
<p>Morning Manifesto: Our Nest-friend and President and CEO of <a href="https://www.forkfilms.net/">Fork Films </a> Abigail Disney speaks on &#8220;what stories are the most important to tell&#8221;.</p>
<p>Storytelling in a Post-Truth World: Rabab Haj Yahya, editor of 2018 Accelerator Lab grantee <a href="https://chickeneggpics.org/grantee/the-feeling-of-being-watched/"><em>The Feeling of Being Watched</em></a> shares her thoughts about ensuring a story is truthful.</p>
<p>Grab Your Audience’s Attention: Editor of 2016 Diversity Fellows Initiative grantee <a href="https://chickeneggpics.org/grantee/united-skates/"><em>United Skates</em></a>, Katharine Garrison speaks on a panel about &#8221; bringing an audience into your film’s world&#8221;.</p>
<p style="text-align: center;"><strong>Sunday, November 11</strong></p>
<p>Tight Spots, Dynamic Shots: Erik Shirai, cinematographer of Nest-supported<a href="https://chickeneggpics.org/grantee/blowin-up/"><em> B</em><i>lowin’ Up</i></a> speaks on a panel about cinematography in docs.</p>
<p style="text-align: center;"><strong>Monday, November 12</strong></p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2018/01/Michele-Stephenson-e1538079256726.png" rel="lightbox[4916]"><img loading="lazy" decoding="async" class="alignleft wp-image-4096" src="https://chickeneggpics.org/wp-content/uploads/2018/01/Michele-Stephenson-e1538079256726-344x344.png" alt="" width="150" height="177" /></a>Case Study With Michèle Stephenson and Joe Brewster: Directors of the <a href="https://chickeneggpics.org/programs/#impact-innovation-initiative">Impact &amp; Innovation Initiative</a> project <em><a href="https://chickeneggpics.org/grantee/changing-same-the-untitled-racial-justice-project/">Changing Same: The Untitled Racial Justice Project</a></em> Joe Brewster and Michèle Stephenson (also a <a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient-4/">2016 Breakthrough Filmmaker Award</a> recipient) discuss crafting exemplary short films.</p>
<p style="text-align: center;"><strong>Tuesday, November 13</strong></p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2018/10/KimberlyReed_Director_DarkMoney-344x344.jpg" rel="lightbox[4916]"><img loading="lazy" decoding="async" class="wp-image-4933 alignright" src="https://chickeneggpics.org/wp-content/uploads/2018/10/KimberlyReed_Director_DarkMoney-344x344.jpg" alt="" width="150" height="150" /></a></p>
<p>&nbsp;</p>
<p>Access is Everything: Kimberly Reed (<a href="https://chickeneggpics.org/grantee/dark-money/"><i>Dark </i></a><i>Money</i>) and others discuss building trust with documentary subjects.</p>
<p>&nbsp;</p>
<p style="text-align: center;"><strong>Wednesday, November 14</strong></p>
<p>Dissecting Development With Impact Partners: Our friends at <a href="http://impactpartnersfilm.com/">Impact Partners</a> present a panel about establishing development funding for documentaries.</p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2017/01/Penny_Lane_2016-Headshot_photocredit_Daniel_Remi_Bergeron.jpg" rel="lightbox[4916]"><img loading="lazy" decoding="async" class="alignleft wp-image-2940" src="https://chickeneggpics.org/wp-content/uploads/2017/01/Penny_Lane_2016-Headshot_photocredit_Daniel_Remi_Bergeron-344x344.jpg" alt="Penny Lane 2017 Breakthrough Filmmaker Award" width="150" height="201" /></a></p>
<p>Way More Than B-Roll: <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-lane/">2017 Breakthrough Filmmaker Award</a> recipient Penny Lane discusses how archival footage creates a deeper meaning in documentaries.</p>
<p>&nbsp;</p>
<p style="text-align: center;"><strong>Thursday, November 15</strong></p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2014/06/thenewblack_y_richen_7210_final_copy.jpg" rel="lightbox[4916]"><img loading="lazy" decoding="async" class="wp-image-218 alignright" src="https://chickeneggpics.org/wp-content/uploads/2014/06/thenewblack_y_richen_7210_final_copy.jpg" alt="The New Black Yoruba Richen" width="150" height="150" /></a></p>
<p>Morning Manifesto: Yoruba Richen (<a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient-3/">2016 Breakthrough Filmmaker Award</a> recipient) and director of <i>The New Black </i>shares her thoughts on getting films made.</p>
<p>Synopses of panels courtesy of the <a href="http://www.docnyc.net/featured/doc-nyc-announces-2018-doc-nyc-pro-line-up/">DOC NYC website</a>.</p>
<p>See you at the DOC NYC PRO conference!</p>
]]></content:encoded>
					
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		<item>
		<title>Fork Films Announces 2018 Grants</title>
		<link>https://archive.chickeneggpics.org/fork-films-announces-grants/</link>
					<comments>https://archive.chickeneggpics.org/fork-films-announces-grants/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Thu, 02 Aug 2018 16:36:03 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Abigail Disney]]></category>
		<category><![CDATA[born in china]]></category>
		<category><![CDATA[Cathryne Czubeck]]></category>
		<category><![CDATA[Diversity Fellows Initiative]]></category>
		<category><![CDATA[Fork Films]]></category>
		<category><![CDATA[Going to Mars: The Nikki Giovanni Film]]></category>
		<category><![CDATA[Hana Mire]]></category>
		<category><![CDATA[How to Have an American Baby]]></category>
		<category><![CDATA[Hugo Perez]]></category>
		<category><![CDATA[Jennifer Redfearn]]></category>
		<category><![CDATA[Leslie Tai]]></category>
		<category><![CDATA[Lights Camera Uganda]]></category>
		<category><![CDATA[Lynn Zhang]]></category>
		<category><![CDATA[Michele Stephenson]]></category>
		<category><![CDATA[Nanfu Wang]]></category>
		<category><![CDATA[nation's hope]]></category>
		<category><![CDATA[Rajada Dalka]]></category>
		<category><![CDATA[Rajada Dalka/Nation's Hope]]></category>
		<category><![CDATA[Reentry]]></category>
		<category><![CDATA[Women Directors]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=4469</guid>

					<description><![CDATA[Fork Films announced yesterday $625,000 in grant funding to  sixteen documentaries &#8220;that align with the company’s dedication to promoting peacebuilding, human rights, and social justice.&#8221; We are so proud to have supported seven films of the sixteen announced, as well as one filmmaker. Born In China, directed by Nanfu Wang and Lynn Zhang (2017 Accelerator [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Fork Films announced yesterday $625,000 in grant funding to  sixteen documentaries &#8220;<a href="https://womenandhollywood.com/abigail-disneyss-fork-films-announces-625000-in-grant-funding-to-docs/">that align with the company’s dedication to promoting peacebuilding, human rights, and social justice</a>.&#8221;</p>
<p>We are so proud to have supported seven films of the sixteen announced, as well as one filmmaker.</p>
<p>
<a href='https://archive.chickeneggpics.org/rajada-dalka/'><img loading="lazy" decoding="async" width="344" height="344" src="https://archive.chickeneggpics.org/wp-content/uploads/2016/09/Rajada-Dalka-344x344.jpg" class="attachment-thumbnail size-thumbnail" alt="Rajada Dalka Nation&#039;s Hope Hana Mire" /></a>
<a href='https://archive.chickeneggpics.org/grantee/one-child-nation/2017-accelerator-lab_zhang_wang_born-in-china_lowres/'><img loading="lazy" decoding="async" width="344" height="344" src="https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-344x344.jpg" class="attachment-thumbnail size-thumbnail" alt="Nanfu Wang Lynn Zhang Born In China 2017 Accelerator Lab" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-608x608.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-768x768.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-1024x1024.jpg 1024w" sizes="auto, (max-width: 344px) 100vw, 344px" /></a>
<a href='https://archive.chickeneggpics.org/grantee/apart/al-2018_reentry1/'><img loading="lazy" decoding="async" width="344" height="344" src="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry1-344x344.jpg" class="attachment-thumbnail size-thumbnail" alt="Jennifer Redfearn Accelerator Lab 2018 Reentry" /></a>
<a href='https://archive.chickeneggpics.org/2017-accelerator-lab_czubek_lights-camera-uganda_cooming-soon-picture_lowres/'><img loading="lazy" decoding="async" width="344" height="344" src="https://archive.chickeneggpics.org/wp-content/uploads/2016/09/2017-Accelerator-Lab_Czubek_Lights-Camera-Uganda_cooming-soon-picture_lowres-344x344.jpg" class="attachment-thumbnail size-thumbnail" alt="Still from Once Upon a Time in Uganda. Four men in front of a greenscreen outside. One is standing, holding a camera. Two men kneel on the ground holding guns and two goats, the words &quot;Cooming soon&quot; are painted in red on the two goats. Another man crouches above a goat with a red logo painted on it." /></a>
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<p><a href="https://chickeneggpics.org/grantee/born-in-china/"><em>Born In China</em></a>, directed by Nanfu Wang and Lynn Zhang (2017 <a href="https://chickeneggpics.org/programs/#accelerator-lab">Accelerator Lab</a>)</p>
<p>How much control does a person have over their own life? In China, state control begins before a child is even born.</p>
<p><em><a href="https://chickeneggpics.org/grantee/how-to-have-an-american-baby/">How to Have an American Baby</a>, </em>directed by Leslie Tai (2017 <a href="https://chickeneggpics.org/programs/#diversity-fellows-initiative">Diversity Fellows Initiative</a>)</p>
<p><em>How to Have an American Baby</em> is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the US on birthing vacations—in order to give birth and obtain US citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges—depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence.</p>
<p><a href="https://chickeneggpics.org/grantee/lights-camera-uganda/"><em>Lights Camera Uganda</em></a>, directed by Cathryne Czubek and Hugo Perez (2017 <a href="https://chickeneggpics.org/programs/#accelerator-lab">Accelerator Lab</a>)</p>
<p>Against all odds, former bricklayer and teacher Isaac Nabwana has turned his small home in the slums of Uganda’s capital city into the Wakaliwood action movie studio. After 10 years and 40+ films, Wakaliwood has become an overnight international media sensation, inspiring others around the world to follow in his footsteps. When New York film nerd Alan Hofmanis shows up on his doorstep one day, everything is bound to change.</p>
<p><a href="https://chickeneggpics.org/grantee/rajada-dalka-nations-hope/"><em>Rajada Dalka/Nation&#8217;s Hope</em></a>, directed by Hana Mire ( 2016 <a href="https://chickeneggpics.org/programs/#diversity-fellows-initiative">Diversity Fellows Initiative </a>and the 2017<a href="https://chickeneggpics.org/programs/#accelerator-lab"> Accelerator Lab</a>)</p>
<p>If doing what you love put your life at risk, would you continue to do it? What if it would also endanger the life of your family and friends? Would you carry on? Or would you quit? These are the questions the women athletes of <em>Rajada Dalka/Nation’s Hope</em> face every single day as they are met with threats from members of the Al-Shabab militia in Mogadishu. Diving deep inside the Somali National Women’s basketball team’s first season since the civil war, the film follows veteran coach Suad Galow as she shepherds her team of fearless young women, and helps them to overcome the violent threats against them and reclaim their place on the international stage.</p>
<p><em><a href="https://chickeneggpics.org/grantee/reentry-working-title/">Reentry (working title)</a></em>, directed by Jennifer Redfearn (2018 <a href="https://chickeneggpics.org/programs/#accelerator-lab">Accelerator Lab</a>)</p>
<p>Women are now the fastest growing population in the U.S. criminal justice system, increasing at nearly double the rate of men. The majority of women going into prison are serving time for drug-related charges. This immersive, character-driven film follows three women—who are part of a new reentry program in Cleveland, Ohio—as they prepare to leave prison, reunite with their children, and find jobs after serving time for drug-related charges.</p>
<p><em><a href="https://chickeneggpics.org/grantee/syrian-families-film-untitled/">Syrian Families Film (Untitled)</a></em>, directed by Megan Mylan</p>
<p>A look at war and displacement through the lens of parenthood from Megan Mylan, Academy-Award winning director of <em>Lost Boys of Sudan</em> and <em>Smile Pinki</em>. This feature documentary unfolds as a sequence of cinematic short stories revolving around Syrian families living in Turkey, Greece, the US, Germany, and Syria. Each chapter is an intimate portrait of parents—often mothers alone—as they work to rebuild their children’s lost sense of security and possibility. It is a story that is both urgent and timeless.</p>
<p><a href="https://chickeneggpics.org/grantee/the-rashomon-effect/"><em>The Rashomon Effect</em></a>, directed by Lyric R Cabral (2017 <a href="https://chickeneggpics.org/programs/#accelerator-lab">Accelerator Lab</a>)</p>
<p>What happened when unarmed Black teen Michael Brown was fatally shot by White police officer Darren Wilson?</p>
<p><em><a href="http://catapultfilmfund.org/films/GoingtoMarsTheNikkiGiovanniProject/">Going to Mars: The Nikki Giovanni Film</a></em>, directed by Michèle Stephenson (<a href="https://chickeneggpics.org/programs/#breakthrough-filmmaker-awards">Breakthrough Filmmaker Award</a>, 2016) and Joe Brewster*</p>
<p><em>Going to Mars: The Nikki Giovanni Project</em> recounts the story of acclaimed poet, Nikki Giovanni and the revolutionary historical periods through which she lived—from the Civil Rights and Black Arts Movement, to present-day Black Lives Matter.</p>
<p>* Chicken &amp; Egg Pictures did not directly support <em>Going to Mars: The Nikki Giovanni Film </em>but supports director Michèle through our 2016 Breakthrough Filmmaker Award program.</p>
<p>See the full slate of Fork Films&#8217; newly supported projects<a href="https://womenandhollywood.com/abigail-disneyss-fork-films-announces-625000-in-grant-funding-to-docs/"> here</a>.</p>
<p><em>Post by 2018 Communications Intern Morgan Lee Hulquist. </em></p>
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