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	<title>Hot Docs 2016 &#8211; Chicken &amp; Egg Pictures</title>
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		<title>The Nest is hot on the trail of Hot Docs</title>
		<link>https://archive.chickeneggpics.org/the-nest-is-hot-on-the-trail-of-hot-docs/</link>
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		<pubDate>Mon, 11 Apr 2016 22:34:47 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Alma Ha'rel]]></category>
		<category><![CDATA[Beth Murphy]]></category>
		<category><![CDATA[Cameraperson]]></category>
		<category><![CDATA[Christopher LaMarca]]></category>
		<category><![CDATA[Dawn Porter]]></category>
		<category><![CDATA[Deborah S. Esquenazi]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Heidi Brandenburg]]></category>
		<category><![CDATA[Hot Docs]]></category>
		<category><![CDATA[Hot Docs 2016]]></category>
		<category><![CDATA[Jessica Dimmock]]></category>
		<category><![CDATA[Kirsten Johnson]]></category>
		<category><![CDATA[LoveTrue]]></category>
		<category><![CDATA[Mathew Orzel]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[Rokhsareh Ghaemmaghami]]></category>
		<category><![CDATA[social change]]></category>
		<category><![CDATA[Sonita]]></category>
		<category><![CDATA[Southwest of Salem]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[The Apology]]></category>
		<category><![CDATA[The Pearl]]></category>
		<category><![CDATA[Tiffany Hsiung]]></category>
		<category><![CDATA[Trapped]]></category>
		<category><![CDATA[What Tomorrow Brings]]></category>
		<category><![CDATA[When Two Worlds Collide]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women filmmakers]]></category>
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					<description><![CDATA[A whopping nine Chicken &#38; Egg Pictures-supported films have been selected to screen at the upcoming Hot Docs Film Festival in Toronto, Canada. The festival, which will run April 28-May 8, 2016, is the largest documentary film festival in North America. This year&#8217;s lineup is comprised of over 200 films from around the world. Tickets are [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>A whopping nine Chicken &amp; Egg Pictures-supported films have been selected to screen at the upcoming Hot Docs Film Festival in Toronto, Canada.</p>
<p>The festival, which will run April 28-May 8, 2016, is the largest documentary film festival in North America. This year&#8217;s lineup is comprised of over 200 films from around the world.</p>
<p>Tickets are on sale now; the full lineup can be found <a href="http://boxoffice.hotdocs.ca/websales/pages/list.aspx?epguid=7d40538f-b787-42db-b800-e5d6075294ae&amp;perpage=13&amp;cp268=Highlight&amp;" target="_blank" rel="noopener">here</a>.</p>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50897~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">The Apology</a></em><br />
Directed by Tiffany Hsiung<br />
This is a film about memory, told through the current relationships three women have with the people closest to them and how these relationships indelibly shape the last years of their lives. The three women – Gil Won-Ok in South Korea, Grandma Cao in China, and Lola Adela in the Philippines – are all former “comfort women” who were among the 200,000 girls and young women forced into military sexual slavery by the Japanese Imperial Army during World War II.</p>
<figure id="attachment_903" aria-describedby="caption-attachment-903" style="width: 1920px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy.jpg"  rel="lightbox[2371] attachment wp-att-903"><img fetchpriority="high" decoding="async" class="size-full wp-image-903" src="http://chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy.jpg" alt="The Apology, directed by Tiffany Hsiung" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy-1024x576.jpg 1024w" sizes="(max-width: 1920px) 100vw, 1920px" /></a><figcaption id="caption-attachment-903" class="wp-caption-text">The Apology, directed by Tiffany Hsiung</figcaption></figure>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50846~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">Cameraperson</a></em><br />
Directed by Kirsten Johnson<br />
Drawing on footage she’s shot over the course of 25 years, documentary cinematographer Kirsten Johnson searches to reconcile her part in the thorny questions of permission, power, creative ambition<em>,</em> and human obligation that come with filming the lives of others.</p>
<p><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50889~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener"><em>LoveTrue</em><br />
</a>Directed by Alma Ha’rel<br />
Does our view of love change as we grow older? How do we make decisions about our love lives? Is there such a thing as true love? Are there invisible partners in relationships? Past ghosts of ourselves? The film’s reenactments of significant past experiences and glimpses at possible futures, created with non-actors playing the characters’ older and younger selves, encourage the couples to confront the realities of their hopes and memories, and the effect they have on their love lives.</p>
<figure id="attachment_964" aria-describedby="caption-attachment-964" style="width: 1920px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2014/07/lovetrue_photo-1.jpg"  rel="lightbox[2371] attachment wp-att-964"><img decoding="async" class="size-full wp-image-964" src="http://chickeneggpics.org/wp-content/uploads/2014/07/lovetrue_photo-1.jpg" alt="LoveTrue, directed by Alma Ha'rel" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/07/lovetrue_photo-1.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/lovetrue_photo-1-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/lovetrue_photo-1-1024x576.jpg 1024w" sizes="(max-width: 1920px) 100vw, 1920px" /></a><figcaption id="caption-attachment-964" class="wp-caption-text">LoveTrue, directed by Alma Ha&#8217;rel</figcaption></figure>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50842~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">The Pearl</a></em><br />
Directed by Jessica Dimmock &amp; Christopher LaMarca<br />
<i>The Pearl</i> witnesses the loss and extraordinary risk of four middle-aged and senior war vets, steel foremen, and fathers and grandfathers coming out for the first time as transgender women in the hyper-masculine culture of the Pacific Northwest. Each year, their lives intersect at the annual Esprit Conference for T-girls, a weeklong event enlivening a community broken by isolation and loss.</p>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50935~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">Sonita</a></em><br />
Directed by Rokhsareh Ghaem Maghami<br />
18-year-old Sonita is an undocumented Afghan illegal immigrant living in the suburbs of Tehran. She fights to live the way she wants: As a rapper in spite of all her obstacles she confronts in Iran and her conservative family. In harsh contrast to her goal is the plan of her family – strongly advanced by her mother – to make her a bride and sell her to a new family for the price of $9,000.</p>
<p><em> <a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50937~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;">Southwest of Salem: The Story of the San Antonio Four</a></em><br />
Directed by Deborah S. Esquenazi<br />
<i>Southwest of Salem</i> excavates the nightmarish persecution of Elizabeth Ramirez, Cassandra Rivera, Kristie Mayhugh, and Anna Vasquez — four Latina lesbians wrongfully convicted of allegedly gang raping two little girls. This bizarre case is the first to be adjudicated under momentous new legislation: for the first time in U.S. history, wrongfully convicted innocents can challenge convictions based on debunked scientific evidence. The film also unravels the sinister interplay of mythology, homophobia, and prosecutorial fervor which led to this modern day witch hunt.</p>
<figure id="attachment_2333" aria-describedby="caption-attachment-2333" style="width: 6000px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg"  rel="lightbox[2371] attachment wp-att-2333"><img decoding="async" class="size-full wp-image-2333" src="http://chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg" alt="Southwest of Salem: The Story of the San Antonio Four, directed by Deborah S. Esquenazi." width="6000" height="4000" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg 6000w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-608x405.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-768x512.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-1024x683.jpg 1024w" sizes="(max-width: 6000px) 100vw, 6000px" /></a><figcaption id="caption-attachment-2333" class="wp-caption-text">Southwest of Salem: The Story of the San Antonio Four, directed by Deborah S. Esquenazi.</figcaption></figure>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50942~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">Trapped</a></em><br />
Directed by Dawn Porter<br />
At least half of American women will experience an unintended pregnancy by the age of 45. Four in 10 unwanted pregnancies are terminated by abortion. What would happen if access to care for these cases completely disappeared? Following the progress of two Southern reproductive health clinics, <i>Trapped</i> captures their struggle as they continue to provide care in the face of an increasingly hostile legal and political climate. Winner of the Special Jury Prize for Social Impact Filmmaking at the 2016 Sundance Film Festival.</p>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50946~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">What Tomorrow Brings</a></em><br />
Directed by Beth Murphy<br />
<em>What Tomorrow Brings</em> is a coming-of-age story in which Afghan girls studying at the Zabuli School struggle against tradition and time. They discover that their school is the one place they can turn to understand the differences between the lives they were born into and the lives they dream of leading. At a time when the political and security situation is rapidly changing, the film weaves the interconnected stories of students, teachers, parents, and school founder Razia Jan.</p>
<figure id="attachment_2372" aria-describedby="caption-attachment-2372" style="width: 4288px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2.jpg"  rel="lightbox[2371] attachment wp-att-2372"><img loading="lazy" decoding="async" class="size-full wp-image-2372" src="http://chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2.jpg" alt="What Tomorrow Brings, directed by Beth Murphy." width="4288" height="2848" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2.jpg 4288w, https://archive.chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2-608x404.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2-768x510.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2-1024x680.jpg 1024w" sizes="auto, (max-width: 4288px) 100vw, 4288px" /></a><figcaption id="caption-attachment-2372" class="wp-caption-text">What Tomorrow Brings, directed by Beth Murphy.</figcaption></figure>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50828~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">When Two Worlds Collide</a></em><br />
Directed by Heidi Brandenburg &amp; Mathew Orzel<br />
An indigenous leader forced into exile and facing 20 years in prison for resisting the environmental ruin of Amazonian lands by big business. Refusing to surrender he continues his quest, shedding light on conflicting visions shaping the fate of the Amazon and the climate future of our world.</p>
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