World Premiere

Silent Beauty

dir. & prod. Jasmin Lopez

A personal documentary that follows Director Jasmin López as she works to heal from child sexual abuse she endured at the hands of her grandfather, Gilberto, a Baptist minister, almost thirty years ago. In the process of sharing her own trauma with her large family, she learns that generations of children in her family were victims of the same abuse. Told from the director’s perspective, Silent Beauty is a film about confronting and accepting difficult truths while finding beauty in the process. 

Silent Beauty is a 2019 (Egg)celerator Lab grantee and is having its World Premiere in the Persister section. 

Get your tickets + more info with this link.

Alis

dirs.& prods.  Clare Weiskopf, Nicolas van Hemelryck

prods. Radu Stancu, Alexandra Galvis

In a Colombian shelter for teenage girls, filmmakers ask a group of young women to close their eyes and imagine the life story of a fictional classmate named Alis. As reality prevails and fiction fades, the innocent game becomes a descent into hell, where their luminous faces guide the audience to the depths of the dark world they once inhabited, only to emerge with new skin. How to imagine a different life, break the cycle of violence, and embrace a brighter future? 

Alis is a 2022 (Egg)celerator Lab finalist and is part of Made In Chile: A spotlight on docs from Chile

Get your tickets + more info with this link.

All of Our Heartbeats Are Connected Through Exploding Stars

(previously titled Stories From Debris)

dir. Jennifer Rainsford

prods. Mirjam Gelhorn, David Herdies, Michael Krotkiewski

The 2011 Japan tsunami triggers this staggering essay about loss that connects human and environmental trauma using astonishing juxtapositions. Humans breathe out and the oceans breathe in, so that we are constantly breathing together and becoming our planet. If we admit that our human experiences of pain and the Earth’s are just different versions of the same destruction, will recovery come, be it in ripples or waves?* 

All of Our Heartbeats Are Connected Through Exploding Stars is a 2020 (Egg)celerator Lab grantee and is part of the World Showcase section.

Get your tickets + more info with this link.

Boycott

dir & prod. Julia Bacha

prod. Suhad Babaa, Daniel J. Chalfen

When a news publisher in Arkansas, an attorney in Arizona and a speech therapist in Texas are told to choose between their jobs and their political beliefs, they launch legal battles that expose an attack on freedom of speech in 33 states in America.

Boycott was supported through Julia Bacha’s 2019 Chicken & Egg Award, and is a Hot Docs Special Presentation.  

Get your tickets + more info with this link.

Eskape

dir. Neary Adeline Hay

prods. Jasmin Basic

The survival story of a mother and her daughter, the filmmaker, through the desperate flight from a crumbling Cambodia after the collapse of the Khmer Rouge regime. Faced with the silence brought by trauma and time, the longing to understand her mother today resonates in an abysmal echo, while reviving the memories as a political refugee in Europe.

Eskape is a 2020 (Egg)celerator Lab grantee and is having its North American premiere in the Hidden Stories section. 

Get your tickets + more info with this link.

Midwives

dir. & prod. Snow Hnin Ei Hlaing

prods. Bob Moore, Ulla Lehmann, Mila Aung-Thwin

A tale of the complicated relationship between Rohingya and Buddhists in Myanmar, told over five years through the eyes of two midwives from either side of the divide. 

Midwives is a 2020 (Egg)celerator Lab grantee and is having its Canadian premiere as a HotDocs Special Presentation. 

Get your tickets + more info with this link.

Mija

dir. & prod. Isabel Castro

prod. Tabs Breese, Yesenia Tlahuel

With Doris’ voice as our guide, Mija uses VHS archive, verité footage, and camcorder vlogging to tell the story of two young women’s coming-of-age journeys as they look for success and belonging. The film is an immensely emotional and intimate portrait honoring the resilience of immigrants and their children. 

Mija is a 2021 (Egg)celerator Lab grantee and is part of the Artscapes section. 

Get your tickets + more info with this link.

Once Upon a Time in Uganda

dir. Cathryne Czubek, co-dir. Hugo Perez

prods. Gigi Dement, Cathryne Czubek, Matt Porwoll, Hugo Perez, Kyaligamba Ark Martin

Against all odds, former bricklayer and teacher Isaac Nabwana has turned his small home in the slums of Uganda’s capital city into the Wakaliwood action movie studio. After 10 years and 40+ films, Wakaliwood has become an overnight international media sensation, inspiring others around the world to follow in his footsteps. When New York film nerd Alan Hofmanis shows up on his doorstep one day, everything is bound to change. 

Once Upon a Time in Uganda is a 2017 (Egg)celerator Lab grantee and is part of the Nightvision section. 

Get your tickets + more info with this link.

From the AlumNest

• A Peculiar Silence
  prod. Catherine Gund, dir. Cinque Northern 
  

• Angels of Sinjar
  dir. & prod. Hanna Polak, prod. Simone Baumann

• Don’t Come Searching
  prods. Michelle Serieux, Sherien Barsoum, dir. & prod. Andrew Moir
  
  
• The Martha Mitchell Effect
  prods. Beth Levison, Judith Mizrachy, dirs. Anne Alvergue, Debra McClutchy
  
  
• The Mole Agent
  dir. Maite Alberdi, prod. Marcela Santibanez
  
  
• TikTok, Boom. 
  dir. & prod. Shalini Kantayya, prods. Ross Dinerstein, Danni Mynard
  
  
• To The End
  dir. Rachel Lears, prod. Sabrina Schmidt Gordon

Check out the full line-up with this link.  

*Language courtesy of Hot Docs.

Nest-supported Films

Once Upon a Time in Uganda

dir. Cathryne Czubek, co-dir. Hugo Perez

prods. Gigi Dement, Cathryne Czubek, Matt Porwoll, Hugo Perez, Kyaligamba Ark Martin

US Premiere 
Friday, Nov. 12
Tickets here
Against all odds, former bricklayer and teacher Isaac Nabwana has turned his small home in the slums of Uganda’s capital city into the Wakaliwood action movie studio. After 10 years and 40+ films, Wakaliwood has become an overnight international media sensation, inspiring others around the world to follow in his footsteps. When New York film nerd Alan Hofmanis shows up on his doorstep one day, everything is bound to change.

Storm Lake

dirs. Beth Levison & Jerry Risius

prod. Beth Levison

NYC Premiere
Friday, Nov. 12 
Sunday, Nov. 14 
Tickets here 
Pulitzer prize-winning journalist Art Cullen and his family fight to unite and inform their rural Iowan farming community through their biweekly newspaper, The Storm Lake Times—even as the paper hangs on by a thread. Twice a week, they work as civic watchdogs to protect their hometown and the legacy of credible journalism, at large—come hell or pandemic.

Writing With Fire

dirs. & prods. Rintu Thomas, Sushmit Ghosh

NYC Premiere
Thursday, Nov. 11 
Tickets here 
In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions, be it on the frontlines of India’s biggest issues or within the confines of their homes, redefining what it means to be powerful.

United States Vs. Reality Winner

dir & prod. Sonia Kennebeck 
prod. Ines Hofmann Kanna

NYC Premiere
Saturday, Nov. 13 
Tickets here
Reality Winner (her actual birth name) is a U.S. Air Force veteran who became a whistleblower in her 20s by leaking classified documents about Russian cyber-warfare attacks on the 2016 U.S. elections. Award-winning filmmaker Sonia Kennebeck (National Bird; Enemies of the State), supported by executive producer Wim Wenders, digs into her case, exploring mistakes made by journalists at The Intercept that led the FBI to discover Winner’s identity.*

Boycott

dir & prod. Julia Bacha
prod. Suhad Babaa, Daniel J. Chalfen

NYC Premiere
Monday, Nov. 14 
Tickets here  
Boycotts have long been a tool used by Americans rallying for social and political change, from civil rights leaders to anti-apartheid activists. But in recent years, 33 U.S. states have introduced anti-boycott legislation or executive orders designed to penalize individuals and companies who choose to boycott Israel due to its human rights record. Boycott looks at the cases of a news publisher in Arkansas, an attorney in Arizona and a speech therapist in Texas whose careers are threatened by the harsh measures of these new laws. A legal thriller with “accidental plaintiffs” at the center, the film is a bracing look at the far-reaching implications of anti-boycott legislation and an inspiring tale of everyday Americans standing up to protect our rights in an age of shifting politics and threats to freedom of speech.

AlumNest Films

Listening to Kenny G, directed by 2017 Chicken & Egg Award recipient Penny Lane, prod. Gabriel Sedgwick, will open the festival on Wednesday, Nov. 10. A Decent Home, directed and produced by AlumNest filmmaker Sara Terry, producer Alysa Nahmias, will screen on Tuesday, Nov. 16. Exposure, directed and produced by AlumNest filmmaker Holly Morris, producers Eleanor Wilson, Michael Kovnat, Jill Mazursky, will have its NYC premiere on Saturday, Nov. 13. The film Black and Missing, directed by 2017 Chicken & Egg Award recipient Geeta Gandbhir and Samantha Knowles, producers Samantha Knowles, Nimco Sheikhaden, will premiere on Wednesday, Nov. 17.   

*Language courtesy of DOC NYC.  

Post by Communications Intern Mariana Sanson

We are so proud to have supported seven films of the sixteen announced, as well as one filmmaker.

Born In China, directed by Nanfu Wang and Lynn Zhang (2017 Accelerator Lab)

How much control does a person have over their own life? In China, state control begins before a child is even born.

How to Have an American Baby, directed by Leslie Tai (2017 Diversity Fellows Initiative)

How to Have an American Baby is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the US on birthing vacations—in order to give birth and obtain US citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges—depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence.

Lights Camera Uganda, directed by Cathryne Czubek and Hugo Perez (2017 Accelerator Lab)

Against all odds, former bricklayer and teacher Isaac Nabwana has turned his small home in the slums of Uganda’s capital city into the Wakaliwood action movie studio. After 10 years and 40+ films, Wakaliwood has become an overnight international media sensation, inspiring others around the world to follow in his footsteps. When New York film nerd Alan Hofmanis shows up on his doorstep one day, everything is bound to change.

Rajada Dalka/Nation’s Hope, directed by Hana Mire ( 2016 Diversity Fellows Initiative and the 2017 Accelerator Lab)

If doing what you love put your life at risk, would you continue to do it? What if it would also endanger the life of your family and friends? Would you carry on? Or would you quit? These are the questions the women athletes of Rajada Dalka/Nation’s Hope face every single day as they are met with threats from members of the Al-Shabab militia in Mogadishu. Diving deep inside the Somali National Women’s basketball team’s first season since the civil war, the film follows veteran coach Suad Galow as she shepherds her team of fearless young women, and helps them to overcome the violent threats against them and reclaim their place on the international stage.

Reentry (working title), directed by Jennifer Redfearn (2018 Accelerator Lab)

Women are now the fastest growing population in the U.S. criminal justice system, increasing at nearly double the rate of men. The majority of women going into prison are serving time for drug-related charges. This immersive, character-driven film follows three women—who are part of a new reentry program in Cleveland, Ohio—as they prepare to leave prison, reunite with their children, and find jobs after serving time for drug-related charges.

Syrian Families Film (Untitled), directed by Megan Mylan

A look at war and displacement through the lens of parenthood from Megan Mylan, Academy-Award winning director of Lost Boys of Sudan and Smile Pinki. This feature documentary unfolds as a sequence of cinematic short stories revolving around Syrian families living in Turkey, Greece, the US, Germany, and Syria. Each chapter is an intimate portrait of parents—often mothers alone—as they work to rebuild their children’s lost sense of security and possibility. It is a story that is both urgent and timeless.

The Rashomon Effect, directed by Lyric R Cabral (2017 Accelerator Lab)

What happened when unarmed Black teen Michael Brown was fatally shot by White police officer Darren Wilson?

Going to Mars: The Nikki Giovanni Film, directed by Michèle Stephenson (Breakthrough Filmmaker Award, 2016) and Joe Brewster*

Going to Mars: The Nikki Giovanni Project recounts the story of acclaimed poet, Nikki Giovanni and the revolutionary historical periods through which she lived—from the Civil Rights and Black Arts Movement, to present-day Black Lives Matter.

* Chicken & Egg Pictures did not directly support Going to Mars: The Nikki Giovanni Film but supports director Michèle through our 2016 Breakthrough Filmmaker Award program.

See the full slate of Fork Films’ newly supported projects here.

Post by 2018 Communications Intern Morgan Lee Hulquist. 

Join us for our first ever LIVE CHICK-PITCH at the 2017 Sheffield Doc/Fest.

Our focus: to showcase, celebrate, and introduce you to the work, vision, and promise of 10 compelling projects helmed by emerging women directors from around the globe—each one a member of our 2017 CHICKEN & EGG PICTURES Accelerator Lab, hailing from Bangladesh, China, Somalia, Mexico, Poland, and across the US.

The Live Pitch will take place on Sunday, June 11, 12:00 – 14:00 pm at the Sheffield ITV Town Hall Reception Room B.

Moderated by award-winning filmmaker Judith Helfand, Chicken & Egg Pictures’ Co-Founder and Senior Creative Consultant.

THE PROJECTS

• Born in China by Nanfu Wang & Lynn Zhang (China)
• The Guardian of Memory by Marcela Arteaga (Mexico)
• Kids Can Spit by Chelsi Bullard (US)
• Lights, Camera, Uganda by Cathryne Czubek & Hugo Perez (US)
• People I Know by Zofia Pregowska (Poland)
• Rajada Dalka/Nation’s Hope by Hana Mire (Somalia)
• The Rashomon Effect by Lyric R. Cabral (US)
• Surf Girls of Cox’s Bazar by Elizabeth D. Costa (Bangladesh)
• The Surrender of Waymond Hall by Jane Greenberg, (US)
• Unaccompanied Children by Alexandra Codina (US)

Find out more about the 2017 Accelerator Lab.

If you would like to attend let us know by emailing Sabine Fayoux, Program Coordinator, at sabine@chickeneggpics.org.

If you can’t join us at the Live Pitch please consider meeting with the filmmakers individually or in small group meetings during the festival. To coordinate a meeting, please contact our European representative and Sheffield Doc/Fest liaison Tereza Šimíková at simikova.tereza@gmail.com.
The Chicken & Egg Pictures Accelerator Lab is a year-long program that brings together 10 nonfiction projects directed by women from around the world who are making their first or second film. The program provides them with a major grant of $35,000 USD and intensive mentorship that strives to balance creative storytelling and core producing skills with practical models for building sustainability, community, and relationships in the nonfiction marketplace. The 2017 Sheffield Doc/Fest marks the program’s second of three retreats, this one built around utilizing and leveraging all that the Sheffield Doc/Fest’s Meet Market and Industry Convenings have to offer.

We’re proud to announce our newest cohort of Accelerator Lab participants. Congratulations to all!

The Surrender of Waymond Hall
Directed by Jane Greenberg, US

The Surrender of Waymond Hall tells the redemption story of a young black fugitive on the run for the violent crime he committed a decade ago. With extraordinary access, the film follows Way as he wrestles with the excruciating decision to turn himself in, faces the watershed moment of surrender, and navigates a criminal justice system accused of discriminating against people just like him. His story exposes flaws in our societal institutions and in human nature, unfolding against a backdrop of national debates over the divisive racial impact of our criminal justice policies and the remarkable push to reform them.

The Guardian of Memory
Directed by Marcela Arteaga, MEXICO

The Juarez Valley, a region once known for cotton production, is now nothing more than burned down houses, empty towns, and memories. Carlos Spector, an immigration lawyer born in El Paso, TX, fights to obtain political asylum for Mexicans fleeing from violence. This is the story of Mexican men, women, and children seeking a respite from their tragedies by heading to their neighboring country, the U.S. It is also a story about the kindness and hope that still exists in people who have gone through hell, and about Carlos Spector’s tireless efforts to keep memory alive.

Kids Can Spit
Directed by Chelsi Bullard, US

The feature documentary Kids Can Spit follows three New York City teenagers over the school year as they gear up to compete against one another at the Science Genius B.A.T.T.L.E.S. (Bringing Attention to Transforming, Teaching, and Learning Science), a science-themed rap competition. The competition’s creator, Professor Chris Emdin, believes hip-hop is uniquely suited to teach science. For students Mannix, Genesis, and Jason, this battle is a way to beat society’s odds while carving their identities and finding their voices. Pressure mounts on Chris to prove his innovative curriculum does what traditional science classes have failed to do: engage disenfranchised Black and Latinx youth to become proficient in science through rap.

The Surf Girls of Cox’s Bazar
Directed by Elizabeth D. Costa, BANGLADESH

Jahanara, Rifa, and Ayesha live in one of the poorest slums near the beaches of Cox’s Bazar in Bangladesh. From a young age, the girls are sent to work in order to supplement the family income, and social norms dictate that they will be married when they turn 14 or 15 years old. The girls discover a newfound freedom in a surf club and find out they have the skills and talent to win competitions. This spurs their ambitions and they dream of becoming the first international female surfers of Bangladesh.

The Rashomon Effect
Directed by Lyric R. Cabral, US

What happened when unarmed Black teen Michael Brown was fatally shot by White police officer Darren Wilson?

Born in China
Directed by Nanfu Wang and Lynn Zhang, CHINA

How much control does a person have over their own life? In China, state control begins before a child is even born.

Unaccompanied Children
Directed by Alexandra Codina, US

Unaccompanied Children reveals America’s invisible refugee crisis through the eyes of one family that defies a broken system with their unwavering resilience.  Deep in the everyday life of the loving and optimistic Gonzalez family, the horrific violence of gang-ridden Honduras and the encroaching threat of draconian US enforcement are almost forgotten.  The film goes beyond the traditional immigration narrative to a nuanced, intimate story which implicates us all in how we care for the most vulnerable.

Lights Camera Uganda [working title]
Directed by Cathryne Czubek and Hugo Perez, US

Against all odds, former bricklayer and teacher Isaac Nabwana has turned his small home in the slums of Uganda’s capital city into the Wakaliwood action movie studio. After 10 years and 40+ films, Wakaliwood has become an overnight international media sensation, inspiring others around the world to follow in his footsteps. When New York film nerd Alan Hofmanis shows up on his doorstep one day, everything is bound to change.

Rajada Dalka/Nation’s Hope
Directed by Hana Mire, SOMALIA

Somalia’s newly revived Women’s Basketball team seeks to inspire their nation as they overcome immense challenges in their first season since the outbreak of war in 1991. To continue to play the game they love, the team must defy both religious leaders and violent militant groups that believe that their sporting ambitions are un-Islamic. They must also battle against the sexism faced by women in sports across the world.

People I Know
Directed by Zofia Pregowska, POLAND

People I Know is a tragicomedy vérité about a young married couple living in an old trailer. Prone to nervous breakdowns, Michael is unable to stand consumer society and becomes a street musician. His wife Nathalie is an oncology nurse. One day, Nathalie discovers that she wants to own a house so much that she’s ready to take on a lifelong loan.

Note: Since the time of the original publication of this post, some film descriptions have been edited upon filmmakers’ requests.