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	<title>Ilinca Calugareanu &#8211; Chicken &amp; Egg Pictures</title>
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	<title>Ilinca Calugareanu &#8211; Chicken &amp; Egg Pictures</title>
	<link>https://archive.chickeneggpics.org</link>
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	<item>
		<title>Chicken &#038; Egg Pictures at Cannes Marché Du Film</title>
		<link>https://archive.chickeneggpics.org/chicken-egg-pictures-at-cannes-marche-du-film-2/</link>
					<comments>https://archive.chickeneggpics.org/chicken-egg-pictures-at-cannes-marche-du-film-2/#respond</comments>
		
		<dc:creator><![CDATA[Tess Caldwell]]></dc:creator>
		<pubDate>Mon, 22 Jul 2024 16:44:07 +0000</pubDate>
				<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[alisa kovalenko]]></category>
		<category><![CDATA[Cannes]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Ilinca Calugareanu]]></category>
		<category><![CDATA[jenni wolfson]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[Viv Li]]></category>
		<category><![CDATA[Voila Chajkouskaya]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=14469</guid>

					<description><![CDATA[We are excited to announce that we will be attending the Marché du Film at Cannes for the first time to participate in Cannes Docs’ Doc Talks, joined by Chicken &#38; Egg Award recipients filmmakers Ilinca Calugareanu (2023), Alisa Kovalenko (2024), and 2024 (Egg)celerator Lab recipient Two Mountains Weighing Down My Chest director Viv Li.&#160;Viv [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p>We are excited to announce that we will be attending the Marché du Film at Cannes for the first time to participate in <strong>Cannes Docs</strong>’ Doc Talks, joined by Chicken &amp; Egg Award recipients filmmakers Ilinca Calugareanu (2023), Alisa Kovalenko (2024), and 2024 (Egg)celerator Lab recipient <em>Two Mountains Weighing Down My Chest</em> director Viv Li.&nbsp;Viv will also premier her short film <a href="https://www.festival-cannes.com/en/f/across-the-waters/"><em>Across the Waters</em></a> in the Competition section.</p>



<p>2022 (Egg)celerator Lab recipient <em>The Wife Of </em>director Volia Chajkouskaya and 2022 Critical Issues Fund recipient <em>Intercepted </em>are also part of the Cannes Docs programming.</p>



<p>The event will take place from Thursday, May 16 through Wednesday, May 22. More details below.&nbsp;&nbsp;</p>



<div style="height:15px" aria-hidden="true" class="wp-block-spacer"></div>



<h2 class="wp-block-heading">Saturday, May 18</h2>



<div style="height:15px" aria-hidden="true" class="wp-block-spacer"></div>


<div class="wp-block-image">
<figure class="alignleft size-large is-resized"><img fetchpriority="high" decoding="async" width="1024" height="1024" src="https://chickeneggpics.org/wp-content/uploads/2024/04/1-1024x1024.png" alt="" class="wp-image-14058" style="width:258px;height:auto" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2024/04/1-1024x1024.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/1-608x608.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/1-344x344.png 344w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/1-768x768.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/1-1536x1536.png 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/1-2048x2048.png 2048w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure></div>


<p><strong style="font-size: revert; color: initial; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;"><strong>Doc Talk &gt; Filmmakers Collectives Rising up in Eastern Europe ⁠<br></strong><strong>2:00 PM GMT+2<br></strong><strong><a href="https://chickeneggpics.org/grantee/the-wife-of/">Volia Chajkouskaya</a>, Irina Gelashvili, Lyuba Knorozok, Marta Krzeptowska<br>Moderated by Selin Murat<br></strong></strong></p>
<p><span style="font-weight: 400;">East and Central European countries have experienced severe upheavals in the last 10 years, from right-wing governments and active aggressive wars to external political meddling. However, documentary cinema is bursting with creativity and captivating audiences across the world. Filmmakers in the region however find themselves in double-roles, both as artists pushing boundaries of documentary filmmaking and activists on the picket lines fighting for what is theirs or in the case of Ukraine, on the frontlines of war. A conversation with these ambitious and courageous filmmakers about how their filmmakers&#8217; collectives support their everyday struggles and successes.</span></p>



<div style="height:15px" aria-hidden="true" class="wp-block-spacer"></div>



<h2 class="wp-block-heading">Sunday, May 19</h2>



<div style="height:15px" aria-hidden="true" class="wp-block-spacer"></div>


<div class="wp-block-image">
<figure class="alignleft size-large is-resized"><img decoding="async" width="360" height="1024" src="https://chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-3-360x1024.png" alt="Stil with headshots of Ilinca Calugareanu,  Alisa Kovalenko, Jenni Wolfson" class="wp-image-14071" style="width:258px;height:auto" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-3-360x1024.png 360w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-3-608x1728.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-3-768x2183.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-3-540x1536.png 540w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-3-721x2048.png 721w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-3.png 1141w" sizes="(max-width: 360px) 100vw, 360px" /></figure></div>


<p><strong><strong style="font-size: revert; color: initial; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Doc Talk &gt; Redefining Success on Our Own Terms<br>2:00 PM GMT+2<br><a href="https://chickeneggpics.org/grantee/ilinca-calugareanu-2023-chicken-egg-award-recipient/">Ilinca Calugareanu</a>, <a href="https://chickeneggpics.org/grantee/alisa-kovalenko-2024-chicken-egg-award-recipient/">Alisa Kovalenko</a><br></strong></strong><strong><strong style="font-size: revert; color: initial; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Moderated by Jenni Wolfson</strong></strong></p>
<p><span style="font-weight: 400;">The Chicken &amp; Egg Award provides unrestricted funding and mentorship to help women and gender-expansive filmmakers advance their creative and business goals at a critical juncture in their careers. Filmmakers Ilinca Calugareanu and Alisa Kovalenko, in conversation with Chicken &amp; Egg Pictures CEO Jenni Wolfson, reflect on their award year and share their values, their breakthroughs, and what is at stake as they redefine success for themselves.</span></p>



<div style="height:15px" aria-hidden="true" class="wp-block-spacer"></div>



<h2 class="wp-block-heading">Monday, May 20</h2>



<div style="height:15px" aria-hidden="true" class="wp-block-spacer"></div>


<div class="wp-block-image">
<figure class="alignleft size-large is-resized"><img decoding="async" width="1024" height="1024" src="https://chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-4-1024x1024.png" alt="Still from Intercepted film" class="wp-image-14072" style="width:258px;height:auto" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-4-1024x1024.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-4-608x608.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-4-344x344.png 344w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-4-768x768.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-4-1536x1536.png 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-4-2048x2048.png 2048w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure></div>


<p><strong style="font-size: revert; color: initial; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;"><strong>Special Screening: <i><a href="https://chickeneggpics.org/grantee/intercepted/">Intercepted</a><br></i>9:30 AM GMT+2<br>dir. Oksana Karpovych<br><em>prods. Giacomo Nudi, Rocío B. Fuentes</em></strong><br></strong></p>



<div style="height:26px" aria-hidden="true" class="wp-block-spacer"></div>


<div class="wp-block-image">
<figure class="alignleft size-large is-resized"><img loading="lazy" decoding="async" width="523" height="1024" src="https://chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-5-e1714509754642-523x1024.png" alt="Still with headshots of Viv Li, Kiyoko McCrae" class="wp-image-14073" style="width:258px;height:auto" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-5-e1714509754642-523x1024.png 523w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-5-e1714509754642-608x1190.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-5-e1714509754642-768x1503.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-5-e1714509754642-785x1536.png 785w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-5-e1714509754642-1047x2048.png 1047w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-5-e1714509754642.png 1670w" sizes="auto, (max-width: 523px) 100vw, 523px" /></figure></div>


<p><strong style="font-size: revert; color: initial; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;"><strong>Doc Talk &gt; Towards a Universal Values System in Documentary: Dismantling Borders for Greater Equity <br /></strong><strong>2:00 PM GMT+2<br /></strong><strong><a href="https://chickeneggpics.org/grantee/two-mountains-weighing-down-my-chest/">Viv Li</a>, Kiyoko McCrae, Alemberg Ang, Opal H. Bennett, Adam Piron<br /></strong>Moderated by Devika Girish<br /></strong></p>
<p><span style="font-weight: 400;">The Golden Age of Documentary, as the last 5 years have been labeled, may not have stabilized finances for the industry at large, but it has undeniably garnered more press and audience attention to documentaries. Our films play and win awards in the main competitions of A-List Festivals including Cannes, and are featured on the front page of major news outlets all over the world, making us more interconnected internationally than ever before. Under such scrutiny and when real life is involved, how can we work together to create a set of ethical or values-based guidelines to ensure equity, fairness, and safety? As our world currently feels turned upside down, let’s explore how our values are changing and if common ones can be agreed upon.</span></p>



<div style="height:15px" aria-hidden="true" class="wp-block-spacer"></div>
]]></content:encoded>
					
					<wfw:commentRss>https://archive.chickeneggpics.org/chicken-egg-pictures-at-cannes-marche-du-film-2/feed/</wfw:commentRss>
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			</item>
		<item>
		<title>Chicken &#038; Egg Pictures at Cannes Marché Du Film</title>
		<link>https://archive.chickeneggpics.org/chicken-egg-pictures-at-cannes-marche-du-film/</link>
					<comments>https://archive.chickeneggpics.org/chicken-egg-pictures-at-cannes-marche-du-film/#respond</comments>
		
		<dc:creator><![CDATA[Tess Caldwell]]></dc:creator>
		<pubDate>Tue, 30 Apr 2024 20:48:31 +0000</pubDate>
				<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[alisa kovalenko]]></category>
		<category><![CDATA[Cannes]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Ilinca Calugareanu]]></category>
		<category><![CDATA[jenni wolfson]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[Viv Li]]></category>
		<category><![CDATA[Voila Chajkouskaya]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=14057</guid>

					<description><![CDATA[We are excited to announce that we will be attending the Marché du Film at Cannes for the first time to participate in Cannes Docs’ Doc Talks, joined by Chicken &#38; Egg Award recipients filmmakers Ilinca Calugareanu (2023), Alisa Kovalenko (2024), and 2024 (Egg)celerator Lab recipient Two Mountains Weighing Down My Chest director Viv Li. Viv [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p>We are excited to announce that we will be attending the Marché du Film at Cannes for the first time to participate in <strong>Cannes Docs</strong>’ Doc Talks, joined by Chicken &amp; Egg Award recipients filmmakers Ilinca Calugareanu (2023), Alisa Kovalenko (2024), and 2024 (Egg)celerator Lab recipient <em>Two Mountains Weighing Down My Chest</em> director Viv Li. Viv will also premier her short film <a href="https://www.festival-cannes.com/en/f/across-the-waters/"><em>Across the Waters</em></a> in the Competition section.</p>



<p>2022 (Egg)celerator Lab recipient <em>The Wife Of </em>director Volia Chajkouskaya and 2022 Critical Issues Fund recipient <em>Intercepted </em>are also part of the Cannes Docs programming.</p>



<p>The event will take place from Thursday, May 16 through Wednesday, May 22. More details below.&nbsp;&nbsp;</p>



<div style="height:15px" aria-hidden="true" class="wp-block-spacer"></div>



<h2 class="wp-block-heading">Saturday, May 18</h2>



<div style="height:15px" aria-hidden="true" class="wp-block-spacer"></div>


<div class="wp-block-image">
<figure class="alignleft size-large is-resized"><img loading="lazy" decoding="async" width="1024" height="1024" src="https://chickeneggpics.org/wp-content/uploads/2024/04/1-1024x1024.png" alt="" class="wp-image-14058" style="width:258px;height:auto" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2024/04/1-1024x1024.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/1-608x608.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/1-344x344.png 344w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/1-768x768.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/1-1536x1536.png 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/1-2048x2048.png 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure></div>


<p><strong style="font-size: revert; color: initial; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;"><strong>Doc Talk &gt; Filmmakers Collectives Rising up in Eastern Europe ⁠<br></strong><strong>2:00 PM GMT+2<br></strong><strong><a href="https://chickeneggpics.org/grantee/the-wife-of/">Volia Chajkouskaya</a>, Irina Gelashvili, Lyuba Knorozok, Marta Krzeptowska<br>Moderated by Selin Murat<br></strong></strong></p>
<p><span style="font-weight: 400;">East and Central European countries have experienced severe upheavals in the last 10 years, from right-wing governments and active aggressive wars to external political meddling. However, documentary cinema is bursting with creativity and captivating audiences across the world. Filmmakers in the region however find themselves in double-roles, both as artists pushing boundaries of documentary filmmaking and activists on the picket lines fighting for what is theirs or in the case of Ukraine, on the frontlines of war. A conversation with these ambitious and courageous filmmakers about how their filmmakers&#8217; collectives support their everyday struggles and successes.</span></p>



<div style="height:15px" aria-hidden="true" class="wp-block-spacer"></div>



<h2 class="wp-block-heading">Sunday, May 19</h2>



<div style="height:15px" aria-hidden="true" class="wp-block-spacer"></div>


<div class="wp-block-image">
<figure class="alignleft size-large is-resized"><img loading="lazy" decoding="async" width="360" height="1024" src="https://chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-3-360x1024.png" alt="Stil with headshots of Ilinca Calugareanu,  Alisa Kovalenko, Jenni Wolfson" class="wp-image-14071" style="width:258px;height:auto" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-3-360x1024.png 360w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-3-608x1728.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-3-768x2183.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-3-540x1536.png 540w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-3-721x2048.png 721w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-3.png 1141w" sizes="auto, (max-width: 360px) 100vw, 360px" /></figure></div>


<p><strong><strong style="font-size: revert; color: initial; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Doc Talk &gt; Redefining Success on Our Own Terms<br>2:00 PM GMT+2<br><a href="https://chickeneggpics.org/grantee/ilinca-calugareanu-2023-chicken-egg-award-recipient/">Ilinca Calugareanu</a>, <a href="https://chickeneggpics.org/grantee/alisa-kovalenko-2024-chicken-egg-award-recipient/">Alisa Kovalenko</a><br></strong></strong><strong><strong style="font-size: revert; color: initial; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Moderated by Jenni Wolfson</strong></strong></p>
<p><span style="font-weight: 400;">The Chicken &amp; Egg Award provides unrestricted funding and mentorship to help women and gender-expansive filmmakers advance their creative and business goals at a critical juncture in their careers. Filmmakers Ilinca Calugareanu and Alisa Kovalenko, in conversation with Chicken &amp; Egg Pictures CEO Jenni Wolfson, reflect on their award year and share their values, their breakthroughs, and what is at stake as they redefine success for themselves.</span></p>



<div style="height:15px" aria-hidden="true" class="wp-block-spacer"></div>



<h2 class="wp-block-heading">Monday, May 20</h2>



<div style="height:15px" aria-hidden="true" class="wp-block-spacer"></div>


<div class="wp-block-image">
<figure class="alignleft size-large is-resized"><img loading="lazy" decoding="async" width="1024" height="1024" src="https://chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-4-1024x1024.png" alt="Still from Intercepted film" class="wp-image-14072" style="width:258px;height:auto" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-4-1024x1024.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-4-608x608.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-4-344x344.png 344w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-4-768x768.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-4-1536x1536.png 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-4-2048x2048.png 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure></div>


<p><strong style="font-size: revert; color: initial; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;"><strong>Special Screening: <i><a href="https://chickeneggpics.org/grantee/intercepted/">Intercepted</a><br></i>9:30 AM GMT+2<br>dir. Oksana Karpovych<br><em>prods. Giacomo Nudi, Rocío B. Fuentes</em></strong><br></strong></p>



<div style="height:26px" aria-hidden="true" class="wp-block-spacer"></div>


<div class="wp-block-image">
<figure class="alignleft size-large is-resized"><img loading="lazy" decoding="async" width="523" height="1024" src="https://chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-5-e1714509754642-523x1024.png" alt="Still with headshots of Viv Li, Kiyoko McCrae" class="wp-image-14073" style="width:258px;height:auto" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-5-e1714509754642-523x1024.png 523w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-5-e1714509754642-608x1190.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-5-e1714509754642-768x1503.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-5-e1714509754642-785x1536.png 785w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-5-e1714509754642-1047x2048.png 1047w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/STILLSQUARE-5-e1714509754642.png 1670w" sizes="auto, (max-width: 523px) 100vw, 523px" /></figure></div>


<p><strong style="font-size: revert; color: initial; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;"><strong>Doc Talk &gt; Towards a Universal Values System in Documentary: Dismantling Borders for Greater Equity&nbsp;<br></strong><strong>2:00 PM GMT+2<br></strong><strong><a href="https://chickeneggpics.org/grantee/two-mountains-weighing-down-my-chest/">Viv Li</a>, Kiyoko McCrae, Alemberg Ang, Opal H. Bennett, Adam Piron<br></strong>Moderated by Devika Girish<br></strong></p>
<p><span style="font-weight: 400;">The Golden Age of Documentary, as the last 5 years have been labeled, may not have stabilized finances for the industry at large, but it has undeniably garnered more press and audience attention to documentaries. Our films play and win awards in the main competitions of A-List Festivals including Cannes, and are featured on the front page of major news outlets all over the world, making us more interconnected internationally than ever before. Under such scrutiny and when real life is involved, how can we work together to create a set of ethical or values-based guidelines to ensure equity, fairness, and safety? As our world currently feels turned upside down, let’s explore how our values are changing and if common ones can be agreed upon.</span></p>



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		<title>Supported Filmmakers at CPH:DOX 2024!</title>
		<link>https://archive.chickeneggpics.org/supported-filmmakers-at-cphdox/</link>
					<comments>https://archive.chickeneggpics.org/supported-filmmakers-at-cphdox/#respond</comments>
		
		<dc:creator><![CDATA[Mariana Sanson]]></dc:creator>
		<pubDate>Fri, 29 Mar 2024 19:30:49 +0000</pubDate>
				<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Arya Rothe]]></category>
		<category><![CDATA[Bottlemen]]></category>
		<category><![CDATA[Brett Story]]></category>
		<category><![CDATA[Camila Nielsson]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Christian Aune Falch]]></category>
		<category><![CDATA[Clara Vuillermoz]]></category>
		<category><![CDATA[CPH: CONFERENCE]]></category>
		<category><![CDATA[CPH: DOX]]></category>
		<category><![CDATA[CPH: FORUM]]></category>
		<category><![CDATA[Derren Lawford]]></category>
		<category><![CDATA[Diane Becker]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[Elaisha Stokes]]></category>
		<category><![CDATA[Ilinca Calugareanu]]></category>
		<category><![CDATA[Ina Fichman]]></category>
		<category><![CDATA[Intercepted]]></category>
		<category><![CDATA[Jeanie Finlay]]></category>
		<category><![CDATA[Jess Devaney]]></category>
		<category><![CDATA[Kiyoko McCrae]]></category>
		<category><![CDATA[Lana Wilson]]></category>
		<category><![CDATA[lindsey dryden]]></category>
		<category><![CDATA[Lisa Jackson]]></category>
		<category><![CDATA[Lizzie Gillett]]></category>
		<category><![CDATA[Look Into My Eyes]]></category>
		<category><![CDATA[Lucy Walker]]></category>
		<category><![CDATA[Lucy Wlaker]]></category>
		<category><![CDATA[Margreth Olin]]></category>
		<category><![CDATA[Marija Stojnic]]></category>
		<category><![CDATA[Mila Aung-Thwin]]></category>
		<category><![CDATA[Oksana Karpovych]]></category>
		<category><![CDATA[polaris]]></category>
		<category><![CDATA[Queer Futures]]></category>
		<category><![CDATA[Quentin Laurent]]></category>
		<category><![CDATA[Ramona Diaz]]></category>
		<category><![CDATA[Rintu Thomas]]></category>
		<category><![CDATA[Sigrid Dyekjaer]]></category>
		<category><![CDATA[Sky Hopinka]]></category>
		<category><![CDATA[Sushmit Ghosh]]></category>
		<category><![CDATA[Union]]></category>
		<category><![CDATA[Violet Feng]]></category>
		<category><![CDATA[wilfred buck]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<category><![CDATA[Yance Ford]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=13845</guid>

					<description><![CDATA[The 21st edition of CPH:DOX took place from Wednesday, March 13 to Sunday, March 24 in Copenhagen, Denmark. We are proud to see that 3 supported films and 13 supported filmmakers were part of the lineup and that many of our supported filmmakers also participated in the CPH:CONFERENCE and CPH: FORUM. Some of our team [&#8230;]]]></description>
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<p><span style="font-weight: 400;">The 21st edition of CPH:DOX took place from Wednesday, March 13 to Sunday, March 24 in Copenhagen, Denmark. We are proud to see that 3 supported films and 13 supported filmmakers were part of the lineup and that many of our supported filmmakers also participated in the CPH:CONFERENCE and CPH: FORUM. Some of our team was also there to participate in person to support our filmmakers. See below for more details.</span></p>



<figure class="wp-block-image size-full"><img loading="lazy" decoding="async" width="2560" height="1436" src="https://chickeneggpics.org/wp-content/uploads/2023/02/CIF-2022_Intercepted_Oksana-Karpovych_Film-Still_02-scaled.jpeg" alt="Still from Intercepted. A lake is shown from the shoreline. Various people in bathing suits are shown wading in the far left and right of the frame. Two women and their grandson are in the middle, with their backs to the camera. In the far background, across the lake, recently bombed buildings are visible." class="wp-image-11638" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2023/02/CIF-2022_Intercepted_Oksana-Karpovych_Film-Still_02-scaled.jpeg 2560w, https://archive.chickeneggpics.org/wp-content/uploads/2023/02/CIF-2022_Intercepted_Oksana-Karpovych_Film-Still_02-608x341.jpeg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2023/02/CIF-2022_Intercepted_Oksana-Karpovych_Film-Still_02-1024x574.jpeg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2023/02/CIF-2022_Intercepted_Oksana-Karpovych_Film-Still_02-768x431.jpeg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2023/02/CIF-2022_Intercepted_Oksana-Karpovych_Film-Still_02-1536x862.jpeg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2023/02/CIF-2022_Intercepted_Oksana-Karpovych_Film-Still_02-2048x1149.jpeg 2048w" sizes="auto, (max-width: 2560px) 100vw, 2560px" /><figcaption class="wp-element-caption">Still from <em>Intercepted</em> (Credit: Christopher Nunn)</figcaption></figure>



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<li>2022 Chicken &amp; Egg Award Recipient <a href="https://chickeneggpics.org/grantee/brett-story/">Brett Story’s</a> <em><a href="https://chickeneggpics.org/grantee/union/">Union</a></em> | <strong>International Premiere</strong> | F:act Award &amp; Nine to Five sections | dirs. Brett Story, Stephen Maing | prods. Samantha Curley, Mars Verrone</li>
</ul>



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<li>2019 Chicken &amp; Egg Award Recipient <a href="https://chickeneggpics.org/grantee/2019-chicken-egg-award-recipient-lana-wilson/">Lana Wilson&#8217;s</a>&nbsp; <em><a href="https://chickeneggpics.org/grantee/look-into-my-eyes/">Look Into My Eyes</a> </em>| <strong>International Premiere</strong> | Special Premieres &amp; Stranger Than Fiction sections | dir. Lana Wilson | prod. Kyle Martin</li>
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<ul class="wp-block-list">
<li>2022 Critical Issues Fund Grantee <a href="https://chickeneggpics.org/grantee/intercepted/"><em>Intercepted</em></a><em> </em>| Urgent Matters &amp; Battlefields sections | dir. Oksana Karpovych | prods. Rocío B. Fuentes, Giacomo Nudi</li>
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<h2 class="wp-block-heading">From the AlumNest</h2>



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<li><a href="https://cphdox.dk/film/and-so-it-begins/"><em>And So It Begins</em></a><br>dir. &amp; prod. <a href="https://chickeneggpics.org/grantee/2018-breakthrough-award-recipient-diaz/">Ramona Diaz</a><br><br></li>



<li><a href="https://cphdox.dk/film/bottlemen/"><em>Bottlemen</em></a><em>&nbsp;</em><br>dir. &amp; prod. Nemanja Vojinovic<br>prod. <a href="https://chickeneggpics.org/grantee/2023-research-development-grant-recipients/">Marija Stojnic</a>&nbsp;<br><br></li>



<li><a href="https://cphdox.dk/film/la-base/"><em>La Base</em></a><em> </em>|<strong> International Premiere</strong><br>dir. Vadim Dumesh<br>prod. <a href="https://chickeneggpics.org/grantee/against-the-tide/">Quentin Laurent</a><br>&nbsp;<br></li>



<li><a href="https://cphdox.dk/film/night-of-nights/"><em>Night of Nights</em></a> |<strong> World Premiere</strong><br>dir. Truman<br>prod. <a href="https://chickeneggpics.org/grantee/violet-du-feng-2024-chicken-egg-award-recipient/">Violet Feng</a><br><br></li>



<li><a href="https://cphdox.dk/film/marching-in-the-dark/"><em>Marching in the Dark</em></a> |<strong> World Premiere</strong><br>dir. Kinshuk Surjan<br>prods. Evelien De Graef, Hanne Phlypo, Digna Sinke, <a href="https://chickeneggpics.org/grantee/2023-research-development-grant-recipients/">Arya Rothe</a><br><br></li>



<li><a href="https://cphdox.dk/film/phantoms-of-the-sierra-madre/"><em>Phantoms of the Sierra Madre</em></a><em> </em>|<strong> World Premiere</strong><br>dir. &amp; prod. Håvard Bustnes<br>prod. <a href="https://chickeneggpics.org/grantee/praying-for-armageddon/">Christian Aune Falch</a>, Bird Runningwater<br><br></li>



<li><a href="https://cphdox.dk/film/power/"><em>Power</em></a><em> </em>|<strong> International Premiere</strong><br>dir. &amp; prod. <a href="https://chickeneggpics.org/grantee/strong-island/">Yance Ford</a><br>prods. Netsanet Negussie, Sweta Vohra, <a href="https://chickeneggpics.org/grantee/love-the-sinner/">Jess Devaney</a><br><br></li>



<li><a href="https://cphdox.dk/film/silent-trees/"><em>Silent Trees</em></a><em> </em>|<strong> World Premiere</strong><br>dir. &amp; prod. Agnieszka Zwiefka<br>prods. Heino Deckert, <a href="https://chickeneggpics.org/fork-films-story-workshop-2021/">Sigrid Dyekjaer</a>, Zofia Kujawska<br><br></li>



<li><a href="https://cphdox.dk/film/super-man-the-christopher-reeve-story/"><em>Super/Man: The Christopher Reeve Story</em></a><em> </em>|<strong> European Premiere</strong><br>dirs. Peter Ettedgui &amp; Ian Bonhôte<br>prods. <a href="https://chickeneggpics.org/fork-films-story-workshop-2021/">Lizzie Gillett</a>, Ian Bonhôte, Robert Ford<br><br></li>



<li><a href="https://cphdox.dk/film/the-black-garden/"><em>The Black Garden</em></a> |<strong> World Premiere</strong><br>dir. Alexis Pazoumian<br>prod. <a href="https://chickeneggpics.org/grantee/polaris/">Clara Vuillermoz</a><br><br></li>



<li><a href="https://cphdox.dk/film/the-bones/"><em>The Bones</em></a> |<strong> World Premiere</strong><br>dir. Jeremy Xido<br>prod. <a href="https://chickeneggpics.org/grantee/7-beats-per-minute/">Ina Fichman</a><br><br></li>



<li><a href="https://cphdox.dk/film/the-stimming-pool/"><em>The Stimming Pool</em></a><em> </em>|<strong> World Premiere</strong><br>dirs. The Neurocultures Collective, Benjamin Brown, Georgia Bradburn, Sam Chown-Ahern, Robin Elliott-Knowles, <a href="https://chickeneggpics.org/grantee/the-lions-mouth-opens/">Lucy Walker</a>, Steven Eastwood<br>prod. Chloe White, Steven Eastwood<br><br></li>



<li><a href="https://cphdox.dk/film/your-fat-friend/"><em>Your Fat Friend</em></a><br>dir. &amp; prod. <a href="https://chickeneggpics.org/grantee/jeanie-finlay-2023-chicken-egg-award-recipient/">Jeanie Finlay</a><br>prod. Suzanne Alizart</li>
</ul>



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<h2 class="wp-block-heading">CPH: FORUM</h2>



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<p>At <a href="https://cphdox.dk/forum/">CPH:FORUM</a>, top producers and highly acknowledged directors from all over the world take the stage to pitch 30 carefully selected projects of documentary features and series in the intersection of nonfiction, fiction, visual art, journalism, and science. Six films from our community of filmmakers were presented.</p>



<p><b>2023 </b><a href="https://chickeneggpics.org/grantee/2023-research-development-grant-recipients/"><b>Research &amp; Development Grant recipient</b></a> <b><i>Cinderella Unbound</i></b><span style="font-weight: 400;">, UK/RO</span><span style="font-weight: 400;"><br></span><span style="font-weight: 400;">dir. &amp; prod </span><a href="https://chickeneggpics.org/grantee/ilinca-calugareanu-2023-chicken-egg-award-recipient/"><span style="font-weight: 400;">Ilinca Calugareanu</span></a><span style="font-weight: 400;"> | prod. Anamaria Antoci</span></p>
<p><b><i>Freedom</i></b><b> (WT)</b><span style="font-weight: 400;">, DK</span><span style="font-weight: 400;"><br></span><span style="font-weight: 400;">dir. </span><a href="https://chickeneggpics.org/grantee/democrats/"><span style="font-weight: 400;">Camilla Nielsson</span></a><span style="font-weight: 400;"> | prod. Signe Byrge Sørensen</span></p>
<p><b><i>In Praise of Invasive Species</i></b><span style="font-weight: 400;">, CA<br></span><span style="font-weight: 400;">dir. </span><a href="https://chickeneggpics.org/grantee/midwives/"><span style="font-weight: 400;">Mila Aung-Thwin</span></a><span style="font-weight: 400;"> | prod. Bob Moore</span></p>
<p><b><i>The Dirty Dream</i></b><span style="font-weight: 400;">, IN</span><span style="font-weight: 400;"><br></span><span style="font-weight: 400;">dirs. &amp; prods.</span> <a href="https://chickeneggpics.org/grantee/writing-with-fire/"><span style="font-weight: 400;">Rintu Thomas, Sushmit Ghosh</span></a></p>
<p><b><i>The Listeners</i></b><span style="font-weight: 400;">, UK/US/FR</span><span style="font-weight: 400;"><br></span><span style="font-weight: 400;">dir. &amp; prod. </span><a href="https://chickeneggpics.org/wp-content/uploads/2022/05/Queer-Futures-Press-Release.pdf"><span style="font-weight: 400;">Lindsey Dryden</span></a><span style="font-weight: 400;"> | prod. Samantha Steele</span></p>
<p><b><i>Victor</i></b><span style="font-weight: 400;">, US<br></span><span style="font-weight: 400;">dir. Stephani Victor | prods. </span><a href="https://chickeneggpics.org/grantee/on-the-divide/"><span style="font-weight: 400;">Diane Becker</span></a><span style="font-weight: 400;">, Melanie Miller, Matt Radecki</span></p>



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<h2 class="wp-block-heading">CPH: CONFERENCE</h2>



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<figure class="wp-block-image size-full"><img loading="lazy" decoding="async" width="6250" height="4830" src="https://chickeneggpics.org/wp-content/uploads/2024/03/CPH-CONFERENCE-24.png" alt="" class="wp-image-13869" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2024/03/CPH-CONFERENCE-24.png 6250w, https://archive.chickeneggpics.org/wp-content/uploads/2024/03/CPH-CONFERENCE-24-608x470.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2024/03/CPH-CONFERENCE-24-1024x791.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2024/03/CPH-CONFERENCE-24-768x594.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2024/03/CPH-CONFERENCE-24-1536x1187.png 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2024/03/CPH-CONFERENCE-24-2048x1583.png 2048w" sizes="auto, (max-width: 6250px) 100vw, 6250px" /></figure>



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<p>A 4-day industry event offering a range of inspiring talks with visionary thinkers, investigating current themes in documentary filmmaking, and creating an interactive and hands-on platform for exchange with other professionals of our documentary community. The theme this year was <a href="https://www.documentary-campus.com/events/2024/cphconference-2024-rebuilding-narratives-accessibility-and-equity-documentary">Re:Building Narratives &#8211; Accessibility And Equity In Documentary</a>. Our filmmakers were well represented across the different activities from Tuesday, March 19 to Friday, March 22.</p>



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<p><b>SOCIETY: STORIES OF OUR LIFETIMES</b></p>
<p><span style="font-weight: 400;">Tuesday, March 19</span></p>
<p><span style="font-weight: 400;">With </span><b>Lizzie Gillett</b><span style="font-weight: 400;"> and </span><b>Sigrid Dyekjær</b><span style="font-weight: 400;">, producers of supported film </span><a href="https://chickeneggpics.org/fork-films-story-workshop-2021/"><i><span style="font-weight: 400;">Merkel</span></i></a><span style="font-weight: 400;">, as keynote speakers for the </span><span style="font-weight: 400;">Viva Independent Feature Docs</span><span style="font-weight: 400;"> section. </span><b>Clara Vuillermoz, </b><span style="font-weight: 400;">producer of 2020 (Egg)celerator Lab Grantee </span><a href="https://chickeneggpics.org/grantee/polaris/"><i><span style="font-weight: 400;">Polaris</span></i></a><span style="font-weight: 400;"> was a speaker in the </span><span style="font-weight: 400;">A Conflict of Interest or an Interest in Conflict?</span><span style="font-weight: 400;"> section. </span><b>Lindsey Dryden</b><span style="font-weight: 400;">, supported through the </span><a href="https://chickeneggpics.org/grantee/queer-futures/"><span style="font-weight: 400;">QUEER FUTURES</span></a><span style="font-weight: 400;"> program, also participated in the </span><span style="font-weight: 400;">LGBTQIA panel</span><span style="font-weight: 400;">. Curated by 2023 Development grant recipient </span><a href="https://chickeneggpics.org/grantee/2023-research-development-grant-recipients/"><b>Derren Lawford</b></a><span style="font-weight: 400;">.&nbsp;<br><br></span></p>
<p><b>FILM:MAKERS IN DIALOGUE</b></p>
<p><span style="font-weight: 400;">Wednesday, March 20</span></p>
<p><span style="font-weight: 400;">With 2022 Chicken &amp; Egg Award Recipient </span><a href="https://chickeneggpics.org/grantee/brett-story/"><b>Brett Story</b></a><span style="font-weight: 400;">, </span><b>Stephen Maing</b><span style="font-weight: 400;">, producer of supported film </span><i><span style="font-weight: 400;">Union</span></i><span style="font-weight: 400;">, and </span><b>Yance Ford</b><span style="font-weight: 400;">, director of supported film </span><a href="https://chickeneggpics.org/grantee/strong-island/"><i><span style="font-weight: 400;">Strong Island</span></i></a><span style="font-weight: 400;">.<br><br></span></p>
<p><b>SCIENCE: WAYS OF KNOWING AND SEEING</b></p>
<p><span style="font-weight: 400;">Thursday, March 21</span></p>
<p><span style="font-weight: 400;">With 2023 Chicken &amp; Egg Award recipient </span><a href="https://chickeneggpics.org/grantee/2023-chicken-egg-award-recipient/"><b>Lisa Jackson</b></a><span style="font-weight: 400;"> as a keynote speaker in the </span><span style="font-weight: 400;">Stars: Indigenous Ways of Knowing</span><span style="font-weight: 400;"> section, and </span><b>Mila Aung-Thwin</b><span style="font-weight: 400;">, producer of 2020 (Egg)celerator Lab participant </span><a href="https://chickeneggpics.org/grantee/midwives/"><i><span style="font-weight: 400;">Midwives</span></i></a><span style="font-weight: 400;">, as a speaker in the </span><span style="font-weight: 400;">Action: Legacies of science, cinematic justice</span><span style="font-weight: 400;"> section.<br><br></span><span style="font-weight: 400;">2022 Chicken &amp; Egg Award Recipient </span><a href="https://chickeneggpics.org/grantee/margreth-olin/"><span style="font-weight: 400;">Margreth Olin</span></a><span style="font-weight: 400;"> is also considered an expert at the conference.</span></p>



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<h2 class="wp-block-heading">Meet our Team at CPH:DOX</h2>



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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="440" src="https://chickeneggpics.org/wp-content/uploads/2024/03/CE-TEAM-AT-CPH-24-1024x440.png" alt="" class="wp-image-13866" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2024/03/CE-TEAM-AT-CPH-24-1024x440.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2024/03/CE-TEAM-AT-CPH-24-608x261.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2024/03/CE-TEAM-AT-CPH-24-768x330.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2024/03/CE-TEAM-AT-CPH-24-1536x659.png 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2024/03/CE-TEAM-AT-CPH-24-2048x879.png 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p><span style="font-weight: 400;">Our Senior Program Manager </span><a href="https://chickeneggpics.org/about-core-item/elaisha-stokes/"><b>Elaisha Stokes</b></a> <span style="font-weight: 400;">and Program Director </span><a href="https://chickeneggpics.org/about-core-item/kiyoko-mccrae/"><b>Kiyoko McCrae</b></a> <span style="font-weight: 400;">attended and took 1:1 meetings with filmmakers.</span></p>
<p><span style="font-weight: 400;">We are proud to congratulate a longtime collaborator and advisor in our labs, Carla Gutierrez, for the </span><b>international premiere</b><span style="font-weight: 400;"> of her new documentary, </span><a href="https://cphdox.dk/film/frida/"><i><span style="font-weight: 400;">Frida</span></i></a><span style="font-weight: 400;">.</span></p>



<hr class="wp-block-separator has-alpha-channel-opacity"/>



<p>Post written by Communications Assistant Tess Caldwell</p>
]]></content:encoded>
					
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		<title>Four Nest-supported Films Nominated for the 2023 Cinema Eye Honors</title>
		<link>https://archive.chickeneggpics.org/four-nest-supported-films-nominated-for-the-2023-cinema-eye-honors/</link>
					<comments>https://archive.chickeneggpics.org/four-nest-supported-films-nominated-for-the-2023-cinema-eye-honors/#respond</comments>
		
		<dc:creator><![CDATA[Mariana Sanson]]></dc:creator>
		<pubDate>Wed, 07 Dec 2022 16:03:49 +0000</pubDate>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[BEBA]]></category>
		<category><![CDATA[beth Levison]]></category>
		<category><![CDATA[Geeta Gandbhir]]></category>
		<category><![CDATA[Hidden Letters]]></category>
		<category><![CDATA[Ilinca Calugareanu]]></category>
		<category><![CDATA[Isabel Castro]]></category>
		<category><![CDATA[Laura Poitras]]></category>
		<category><![CDATA[Margaret Brown]]></category>
		<category><![CDATA[Mija]]></category>
		<category><![CDATA[Nanfu Wang]]></category>
		<category><![CDATA[Natalia Almada]]></category>
		<category><![CDATA[Rebeca Huntt]]></category>
		<category><![CDATA[Users]]></category>
		<category><![CDATA[Violet Feng]]></category>
		<category><![CDATA[zhao qing]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=11164</guid>

					<description><![CDATA[Chicken &#038; Egg Pictures is proud to see four Nest-supported filmmakers and four AlumNest filmmakers nominated for the 2023 Cinema Eye Honors.]]></description>
										<content:encoded><![CDATA[
<p><span style="font-weight: 400;">Chicken &amp; Egg Pictures is proud to see four Nest-supported filmmakers and four AlumNest filmmakers nominated for the 2023 Cinema Eye Honors. The 16th Annual Awards Ceremony will take place on Thursday, January 12, 2023 and celebrates outstanding artistry and craft in nonfiction filmmaking. </span></p>
<p><span style="font-weight: 400;">Check out the nominated Nest-supported films including:</span></p>



<h2 class="wp-block-heading"><a href="https://chickeneggpics.org/grantee/beba/"><em>BEBA</em></a></h2>



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<h3 class="wp-block-heading">dir. &amp; prod. Rebeca Huntt</h3>



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<h3 class="wp-block-heading">prod. Sofia Geld</h3>



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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="679" src="https://chickeneggpics.org/wp-content/uploads/2022/05/PH-2022_BEBA_Rebeca-Huntt_Film-Still_03_WEB-1024x679.jpg" alt="Low angle shot of Beba, placing her arm behind her head and wearing a black top" class="wp-image-10496" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/05/PH-2022_BEBA_Rebeca-Huntt_Film-Still_03_WEB-1024x679.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2022/05/PH-2022_BEBA_Rebeca-Huntt_Film-Still_03_WEB-608x403.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/05/PH-2022_BEBA_Rebeca-Huntt_Film-Still_03_WEB-768x509.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/05/PH-2022_BEBA_Rebeca-Huntt_Film-Still_03_WEB-1536x1018.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2022/05/PH-2022_BEBA_Rebeca-Huntt_Film-Still_03_WEB-2048x1358.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">Still from <em>BEBA</em></figcaption></figure>



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<p><a href="https://chickeneggpics.org/programs/#project-hatched"><span style="font-weight: 400;">Project: Hatched</span></a><span style="font-weight: 400;"> 2022 grantee </span><b><i>BEBA</i></b><span style="font-weight: 400;"> is nominated for </span><a href="https://cinemaeyehonors.com/awards/debut-feature-film/"><span style="font-weight: 400;">Outstanding Debut Feature</span></a><span style="font-weight: 400;"> and is included in </span><a href="https://cinemaeyehonors.com/award/unforgettables/"><span style="font-weight: 400;">The Unforgettables</span></a><span style="font-weight: 400;"> list. Director </span><b>Rebeca Huntt</b><span style="font-weight: 400;"> is nominated for </span><a href="https://cinemaeyehonors.com/awards/direction/"><span style="font-weight: 400;">Outstanding Direction</span></a><span style="font-weight: 400;">. </span></p>



<hr class="wp-block-separator has-alpha-channel-opacity"/>



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<h2 class="wp-block-heading"><a href="https://chickeneggpics.org/grantee/hidden-letters/"><em>Hidden Letters</em></a></h2>



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<h3 class="wp-block-heading">dirs. Violet Feng, Zhao Qing</h3>



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<h3 class="wp-block-heading">prods. Violet Feng, Mette Cheng Munthe-Kaas, Jean Tsien, Su Kim</h3>



<div style="height:15px" aria-hidden="true" class="wp-block-spacer"></div>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="576" src="https://chickeneggpics.org/wp-content/uploads/2022/12/Hidden-Letters-Key-Still-1024x576.jpg" alt="Two Chinese women sit next to each other. The young wan inclines her head to read what the elderly woman has in her hands: a yellow paper. The sunlight illuminates part of the room." class="wp-image-11167" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/12/Hidden-Letters-Key-Still-1024x576.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2022/12/Hidden-Letters-Key-Still-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/12/Hidden-Letters-Key-Still-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/12/Hidden-Letters-Key-Still-1536x864.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2022/12/Hidden-Letters-Key-Still.jpg 1920w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">Still from <em>Hidden Letters</em></figcaption></figure>



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<p><span style="font-weight: 400;">2020 </span><a href="https://chickeneggpics.org/programs/#eggcelerator-lab"><span style="font-weight: 400;">(Egg)celerator Lab</span></a><span style="font-weight: 400;"> grantee </span><b><i>Hidden Letters</i></b><span style="font-weight: 400;"> is nominated for the </span><a href="https://cinemaeyehonors.com/awards/spotlight-award/"><span style="font-weight: 400;">Spotlight Award</span></a><span style="font-weight: 400;">. </span></p>



<hr class="wp-block-separator has-alpha-channel-opacity"/>



<div style="height:15px" aria-hidden="true" class="wp-block-spacer"></div>



<h2 class="wp-block-heading"><a href="https://chickeneggpics.org/grantee/mija/"><em>Mija</em></a></h2>



<div style="height:15px" aria-hidden="true" class="wp-block-spacer"></div>



<h3 class="wp-block-heading">dir. &amp; prod. Isabel Castro</h3>



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<h3 class="wp-block-heading">prod. Tabs Breese, Yesenia Tlahuel</h3>



<div style="height:15px" aria-hidden="true" class="wp-block-spacer"></div>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="576" src="https://chickeneggpics.org/wp-content/uploads/2022/12/MIJA_1280x720_APPROVED-1024x576.jpg" alt="Two young women rest on a blanket on the grass while looking up." class="wp-image-11168" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/12/MIJA_1280x720_APPROVED-1024x576.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2022/12/MIJA_1280x720_APPROVED-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/12/MIJA_1280x720_APPROVED-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/12/MIJA_1280x720_APPROVED.jpg 1280w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">Still from <em>Mija</em></figcaption></figure>



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<p><span style="font-weight: 400;">2021 </span><a href="https://chickeneggpics.org/programs/#eggcelerator-lab"><span style="font-weight: 400;">(Egg)celerator Lab</span></a><span style="font-weight: 400;"> grantee </span><b><i>Mija</i></b><span style="font-weight: 400;"> is nominated for the </span><a href="https://cinemaeyehonors.com/awards/audience-choice-award/"><span style="font-weight: 400;">Audience Choice Award</span></a><span style="font-weight: 400;"> and is included in </span><a href="https://cinemaeyehonors.com/award/unforgettables/"><span style="font-weight: 400;">The Unforgettables</span></a><span style="font-weight: 400;"> list.</span></p>



<hr class="wp-block-separator has-alpha-channel-opacity"/>



<div style="height:15px" aria-hidden="true" class="wp-block-spacer"></div>



<h2 class="wp-block-heading"><a href="https://chickeneggpics.org/grantee/2018-breakthrough-award-recipient-almada/"><em>Users</em></a></h2>



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<h3 class="wp-block-heading">dir. Natalia Almada</h3>



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<h3 class="wp-block-heading">prod. Josh Penn</h3>



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<figure class="wp-block-image size-full"><img loading="lazy" decoding="async" width="853" height="480" src="https://chickeneggpics.org/wp-content/uploads/2021/01/Almada_Users_filmstill-Natalia-Almada.jpg" alt="" class="wp-image-8263" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Almada_Users_filmstill-Natalia-Almada.jpg 853w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Almada_Users_filmstill-Natalia-Almada-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Almada_Users_filmstill-Natalia-Almada-768x432.jpg 768w" sizes="auto, (max-width: 853px) 100vw, 853px" /><figcaption class="wp-element-caption">Still from <em>Users</em></figcaption></figure>



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<p><b><i>Users</i></b><span style="font-weight: 400;"> was supported through Natalia Almada’s 2018 </span><a href="https://chickeneggpics.org/programs/#chicken-egg-award"><span style="font-weight: 400;">Chicken &amp; Egg Award</span></a><span style="font-weight: 400;"> and is nominated  for </span><a href="https://cinemaeyehonors.com/awards/original-score/"><span style="font-weight: 400;">Outstanding Original Music Score</span></a><span style="font-weight: 400;"> and </span><a href="https://cinemaeyehonors.com/award/cinematography/"><span style="font-weight: 400;">Cinematography</span></a><span style="font-weight: 400;">.</span></p>



<hr class="wp-block-separator has-alpha-channel-opacity"/>



<h2 class="wp-block-heading">From AlumNest</h2>



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<ul>
<li><i><span style="font-weight: 400;">All the Beauty and the Bloodshed<br /></span></i>dir. <a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://chickeneggpics.org/grantee/the-oath/"><span>Laura Poitras</span></a><br />prods. Howard Gertler, John Lyons, Laura Poitras, Nan Goldin, Yoni Golijov<br />Nominated for <a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://cinemaeyehonors.com/awards/direction/"><span>Outstanding Direction</span></a><span style="font-weight: 400;">, </span><a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://cinemaeyehonors.com/awards/editing/"><span>Outstanding Editing</span></a><span style="font-weight: 400;">, </span><a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://cinemaeyehonors.com/awards/feature/"><span>Outstanding Nonfiction Fiction Film</span></a><span style="font-weight: 400;">, </span><a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://cinemaeyehonors.com/awards/original-score/"><span>Outstanding Original Music Score</span></a><span style="font-weight: 400;">, and is included in </span><a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://cinemaeyehonors.com/award/unforgettables/"><span>The Unforgettables</span></a><span style="font-weight: 400;"> list </span><br /><br /></li>
<li style="font-weight: 400;" aria-level="1"><i><span style="font-weight: 400;">Black and Missing</span></i><span style="font-weight: 400;"> <br /></span>dir. <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-gandbhir/">Geeta Gandbhir</a> and Samantha Knowles <br />prods. Geeta Gandbhir, Jo Honig, Patrick Conway, Soledad O&#8217;Brien<br />Nominated for <a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://cinemaeyehonors.com/awards/broadcast-series/"><span>Outstanding Nonfiction Series</span></a><br /><br /></li>
<li style="font-weight: 400;" aria-level="1"><i><span style="font-weight: 400;">Descendant<br /></span></i>dir. &amp; prod. <a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://chickeneggpics.org/grantee/the-great-invisible/"><span>Margaret Brown</span></a><br />prods. Essie Chambers, Kyle Martin<br />Nominated for <a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://cinemaeyehonors.com/awards/direction/"><span>Outstanding Direction</span></a><span style="font-weight: 400;"> and </span><a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://cinemaeyehonors.com/awards/original-score/"><span>Outstanding Original Music Score</span></a><br /><br /></li>
<li style="font-weight: 400;" aria-level="1"><i><span style="font-weight: 400;">Mind Over Murder<br /></span></i>dir. <a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://chickeneggpics.org/grantee/2018-breakthrough-award-recipient-wang/"><span>Nanfu Wang</span></a><span style="font-weight: 400;"> <br /></span>prod. Alexander Baertl<br />Nominated for <a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://cinemaeyehonors.com/awards/broadcast-series/"><span>Outstanding Nonfiction Series</span></a><br /><br /></li>
<li style="font-weight: 400;" aria-level="1"><i><span style="font-weight: 400;">The Martha Mitchell Effect</span></i><span style="font-weight: 400;"> <br /></span>dir. Anne Alvergue, Debra McClutchy<br />prod. <a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://chickeneggpics.org/grantee/storm-lake/"><span>Beth Levison</span></a><span style="font-weight: 400;">, Judith Mizrachy<br /></span>Nominated for <a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://cinemaeyehonors.com/awards/short/"><span>Outstanding Non-fiction short</span></a><br /><br /><span style="font-weight: 400;"> </span></li>
<li style="font-weight: 400;" aria-level="1"><i><span style="font-weight: 400;">The Joys and Sorrows of Young Yuguo<br /></span></i>dir. <a href="https://chickeneggpics.org/grantee/cops-robbers-story/">Ilinca Călugăreanu</a><br />prod. Mara Adina<br />Included in the <a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://cinemaeyehonors.com/news/cinema-eye-honors-reveals-first-announcements-for-2023/"><span>Shorts List</span></a><span style="font-weight: 400;"> (Cinema Eye’s Annual List of the Year’s Top Short Documentaries)</span></li>
</ul>
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		<item>
		<title>The Nest at Sheffield DocFest 2022</title>
		<link>https://archive.chickeneggpics.org/the-nest-at-sheffield-docfest-2022/</link>
					<comments>https://archive.chickeneggpics.org/the-nest-at-sheffield-docfest-2022/#respond</comments>
		
		<dc:creator><![CDATA[Mariana Sanson]]></dc:creator>
		<pubDate>Wed, 08 Jun 2022 16:52:21 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Project: Hatched]]></category>
		<category><![CDATA[Alis]]></category>
		<category><![CDATA[Amit Madheshiya]]></category>
		<category><![CDATA[BEBA]]></category>
		<category><![CDATA[Clare Weiskopf]]></category>
		<category><![CDATA[Electric Malady]]></category>
		<category><![CDATA[Ilinca Calugareanu]]></category>
		<category><![CDATA[Marie Lidén]]></category>
		<category><![CDATA[Midwives]]></category>
		<category><![CDATA[Nicolas van Hemelryck]]></category>
		<category><![CDATA[Rebeca Huntt]]></category>
		<category><![CDATA[Shirley Abraham]]></category>
		<category><![CDATA[Snow Hnin Ei Hlaing]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=10654</guid>

					<description><![CDATA[We are thrilled to see five Nest-supported films and two AlumNest films at the 29th edition of Sheffield DocFest.]]></description>
										<content:encoded><![CDATA[
<p><span style="font-weight: 400;">We are thrilled to see four Nest-supported films and two AlumNest films at the 29th edition of Sheffield DocFest. Taking place from Thursday, June 23 through Tuesday, June 28, this festival’s edition is an invitation to &#8216;ReConnect&#8217; with documentary and each other.  </span></p>
<p><span style="font-weight: 400;">Projects from eight Nest-supported filmmakers will be participating at the </span><b>MeetMarket</b><span style="font-weight: 400;">, Sheffield DocFest’s pitching forum. The market will take place in-person for the first time since 2019 from Monday, June 27 through Tuesday, June 28 and will move online in the days following the festival. </span></p>



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<h2 class="wp-block-heading"><a href="https://chickeneggpics.org/grantee/alis/"><em>Alis</em></a></h2>



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<h3 class="wp-block-heading">dirs. &amp; prods. Clare Weiskopf, Nicolas van Hemelryck</h3>



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<h3 class="wp-block-heading">prods. Alexandra Galvis, Radu Stancu</h3>



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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="554" src="https://chickeneggpics.org/wp-content/uploads/2022/02/EL-2022-Finalist_ALIS_Clare-Weiskopf_Nicolas-van-Hemelryck_Film-Still_MAIN_01-1024x554.jpeg" alt="A young woman is on her knees, with her hands on top of them, her eyes are closed and behind here there are shelfs" class="wp-image-10190" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022-Finalist_ALIS_Clare-Weiskopf_Nicolas-van-Hemelryck_Film-Still_MAIN_01-1024x554.jpeg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022-Finalist_ALIS_Clare-Weiskopf_Nicolas-van-Hemelryck_Film-Still_MAIN_01-608x329.jpeg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022-Finalist_ALIS_Clare-Weiskopf_Nicolas-van-Hemelryck_Film-Still_MAIN_01-768x415.jpeg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022-Finalist_ALIS_Clare-Weiskopf_Nicolas-van-Hemelryck_Film-Still_MAIN_01-1536x830.jpeg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022-Finalist_ALIS_Clare-Weiskopf_Nicolas-van-Hemelryck_Film-Still_MAIN_01.jpeg 1920w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption>Still from <em>Alis</em></figcaption></figure>



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<p><i><span style="font-weight: 400;">Alis</span></i><span style="font-weight: 400;"> is a 2022 </span><a href="https://chickeneggpics.org/programs/#eggcelerator-lab"><span style="font-weight: 400;">(Egg)celerator Lab</span></a><span style="font-weight: 400;"> finalist, and the winner of the Crystal Bear at the Berlin Film Festival.&nbsp;</span></p>
<p><span style="font-weight: 400;">Get your tickets </span><a href="https://www.sheffdocfest.com/film/alis"><span style="font-weight: 400;">with this link</span></a><span style="font-weight: 400;">.</span></p>



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<h2 class="wp-block-heading"><a href="https://chickeneggpics.org/grantee/beba/"><em>BEBA</em></a></h2>



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<h3 class="wp-block-heading">dir. &amp; prod. Rebeca Huntt</h3>



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<h3 class="wp-block-heading">prod. Sofia Geld</h3>



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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="679" src="https://chickeneggpics.org/wp-content/uploads/2022/05/PH-2022_BEBA_Rebeca-Huntt_Film-Still_03_WEB-1024x679.jpg" alt="Low angle shot of Beba, placing her arm behind her head and wearing a black top" class="wp-image-10496" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/05/PH-2022_BEBA_Rebeca-Huntt_Film-Still_03_WEB-1024x679.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2022/05/PH-2022_BEBA_Rebeca-Huntt_Film-Still_03_WEB-608x403.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/05/PH-2022_BEBA_Rebeca-Huntt_Film-Still_03_WEB-768x509.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/05/PH-2022_BEBA_Rebeca-Huntt_Film-Still_03_WEB-1536x1018.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2022/05/PH-2022_BEBA_Rebeca-Huntt_Film-Still_03_WEB-2048x1358.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption>Still from <em>BEBA</em></figcaption></figure>



<p><i><span style="font-weight: 400;">BEBA</span></i><span style="font-weight: 400;"> is a </span><a href="https://chickeneggpics.org/programs/#project-hatched"><span style="font-weight: 400;">Project: Hatched</span></a><span style="font-weight: 400;"> 2022 grantee.&nbsp;</span></p>
<p><span style="font-weight: 400;">Get your tickets </span><a href="https://www.sheffdocfest.com/film/beba"><span style="font-weight: 400;">with this link</span></a><span style="font-weight: 400;">.</span></p>



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<h2 class="wp-block-heading"><a href="https://chickeneggpics.org/grantee/electric-malady/"><em>Electric Malady</em></a><a href="https://chickeneggpics.org/grantee/mama-bears/"></a></h2>



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<h3 class="wp-block-heading">dir. Marie Lidén</h3>



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<h3 class="wp-block-heading">prod. Aimara Reques, Lorna Jane Ferguson</h3>



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<figure class="wp-block-image size-full"><img loading="lazy" decoding="async" width="1018" height="573" src="https://chickeneggpics.org/wp-content/uploads/2018/02/William_Electric-Malady_Still.jpg" alt="Electric Malady Marie Lidén 2018 Accelerator Lab" class="wp-image-3715" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/William_Electric-Malady_Still.jpg 1018w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/William_Electric-Malady_Still-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/William_Electric-Malady_Still-768x432.jpg 768w" sizes="auto, (max-width: 1018px) 100vw, 1018px" /><figcaption>Still from <em>Electric Malady</em></figcaption></figure>



<p><i><span style="font-weight: 400;">Electric Malady </span></i><span style="font-weight: 400;">is a 2018 </span><a href="https://chickeneggpics.org/programs/#eggcelerator-lab"><span style="font-weight: 400;">(Egg)celerator Lab</span></a><span style="font-weight: 400;"> grantee.</span></p>
<p><span style="font-weight: 400;">Get your tickets </span><a href="https://www.sheffdocfest.com/film/electric-malady"><span style="font-weight: 400;">with this link</span></a><span style="font-weight: 400;">. </span></p>



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<h2 class="wp-block-heading"><a href="https://chickeneggpics.org/grantee/midwives/"><em>Midwives</em></a></h2>



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<h3 class="wp-block-heading">dir. &amp; prod. Snow Hnin Ei Hlaing</h3>



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<h3 class="wp-block-heading">prods. Bob Moore, Ulla Lehmann, Mila Aung-Thwin</h3>



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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="567" src="https://chickeneggpics.org/wp-content/uploads/2020/03/EL-2020_Midwives_-Snow-Hnin-Ei-Hlaing_baby-patient_Film-Still-1024x567.jpg" alt="" class="wp-image-7509" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2020/03/EL-2020_Midwives_-Snow-Hnin-Ei-Hlaing_baby-patient_Film-Still-1024x567.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2020/03/EL-2020_Midwives_-Snow-Hnin-Ei-Hlaing_baby-patient_Film-Still-608x337.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2020/03/EL-2020_Midwives_-Snow-Hnin-Ei-Hlaing_baby-patient_Film-Still-768x425.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2020/03/EL-2020_Midwives_-Snow-Hnin-Ei-Hlaing_baby-patient_Film-Still-1536x850.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2020/03/EL-2020_Midwives_-Snow-Hnin-Ei-Hlaing_baby-patient_Film-Still-2048x1134.jpg 2048w, https://archive.chickeneggpics.org/wp-content/uploads/2020/03/EL-2020_Midwives_-Snow-Hnin-Ei-Hlaing_baby-patient_Film-Still-672x372.jpg 672w, https://archive.chickeneggpics.org/wp-content/uploads/2020/03/EL-2020_Midwives_-Snow-Hnin-Ei-Hlaing_baby-patient_Film-Still-1038x576.jpg 1038w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption>Still from <em>Midwives</em></figcaption></figure>



<p><i><span style="font-weight: 400;">Midwives</span></i><span style="font-weight: 400;"> is a 2020 </span><a href="https://chickeneggpics.org/programs/#eggcelerator-lab"><span style="font-weight: 400;">(Egg)celerator Lab</span></a><span style="font-weight: 400;"> grantee and Special Jury Award winner at Sundance 2022.&nbsp;</span></p>
<p><span style="font-weight: 400;">Get your tickets </span><a href="https://www.sheffdocfest.com/film/midwives"><span style="font-weight: 400;">with this link</span></a><span style="font-weight: 400;">. </span></p>



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<h2 class="wp-block-heading">From the AlumNest</h2>



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<ul>
<li style="font-weight: 400;" aria-level="1"><a href="https://www.sheffdocfest.com/film/joys-and-sorrows-young-yuguo"><i><span style="font-weight: 400;">The Joys and Sorrows of Young Yuguo</span></i></a><span style="font-weight: 400;"> <br></span>dir. <a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://chickeneggpics.org/grantee/cops-robbers-story/"><span>Ilinca Calugareanu</span></a><span style="font-weight: 400;">, prod. </span><a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://chickeneggpics.org/grantee/there-was-there-was-not/"><span>Mara Adina</span></a><br><b style="font-size: revert; color: initial; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">World Premiere in the </b><a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://www.sheffdocfest.com/festival/2022/competitions/international-short-competition"><b>International Short Competition</b></a><span style="font-weight: 400;">&nbsp;<br><br></span></li>
<li style="font-weight: 400;" aria-level="1"><a href="https://www.sheffdocfest.com/film/great-abandonment"><i><span style="font-weight: 400;">The Great Abandonment </span></i></a><br>dirs. &amp; prods. <a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://chickeneggpics.org/grantee/untitled-project/"><span>Shirley Abraham</span></a><span style="font-weight: 400;">,</span> <a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://chickeneggpics.org/grantee/untitled-project/"><span>Amit Madheshiya</span></a></li>
</ul>



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<h2 class="wp-block-heading">MeetMarket</h2>



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<h2 class="wp-block-heading"><a href="https://chickeneggpics.org/grantee/eat-bitter/"><em>Eat Bitter</em></a></h2>



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<h3 class="wp-block-heading">dirs. Ningyi Sun, Pascale Appora-Gnekindy</h3>



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<h3 class="wp-block-heading">prod. Mathieu Faure</h3>



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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="716" src="https://chickeneggpics.org/wp-content/uploads/2022/02/EL-2022-Finalist_Eat-Bitter_Ningyi-Sun_Pascale-Appora-Gnekindy_Film-Still_MAIN_01-1024x716.jpeg" alt="The upper half is characters Luan and Thomas' faces and Thomas prays to the left of their faces; and the lower half is the back of Thomas' head and him getting ready to dive in the yellowish river." class="wp-image-10178" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022-Finalist_Eat-Bitter_Ningyi-Sun_Pascale-Appora-Gnekindy_Film-Still_MAIN_01-1024x716.jpeg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022-Finalist_Eat-Bitter_Ningyi-Sun_Pascale-Appora-Gnekindy_Film-Still_MAIN_01-608x425.jpeg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022-Finalist_Eat-Bitter_Ningyi-Sun_Pascale-Appora-Gnekindy_Film-Still_MAIN_01-768x537.jpeg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022-Finalist_Eat-Bitter_Ningyi-Sun_Pascale-Appora-Gnekindy_Film-Still_MAIN_01-1536x1074.jpeg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022-Finalist_Eat-Bitter_Ningyi-Sun_Pascale-Appora-Gnekindy_Film-Still_MAIN_01.jpeg 1723w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption>Still from <em>Eat Bitter</em></figcaption></figure>



<p><i><span style="font-weight: 400;">Eat Bitter </span></i><span style="font-weight: 400;">is a 2022 </span><a href="https://chickeneggpics.org/programs/#eggcelerator-lab"><span style="font-weight: 400;">(Egg)celerator Lab</span></a><span style="font-weight: 400;"> finalist. </span></p>



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<h2 class="wp-block-heading"><a href="https://chickeneggpics.org/grantee/hummingbirds/"><em>Hummingbirds</em></a></h2>



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<h3 class="wp-block-heading">dirs. Silvia Castaños, Estefanía Contreras</h3>



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<h3 class="wp-block-heading">prods. Jillian Schlesinger, Leslie Benavides, Miguel Drake-McLaughlin</h3>



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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="616" src="https://chickeneggpics.org/wp-content/uploads/2022/02/EL-2022-Finalist_Hummingbirds_Silvia-Castaños_Estefanía-Contreras_Film-Still_MAIN_01_WEB-1024x616.jpg" alt="Silvia and Beba smile as they point their middle finger at the fire-work lit sky. There is a red light on Beba's middle finger, and a green light on Silvia's." class="wp-image-10272" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022-Finalist_Hummingbirds_Silvia-Castaños_Estefanía-Contreras_Film-Still_MAIN_01_WEB-1024x616.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022-Finalist_Hummingbirds_Silvia-Castaños_Estefanía-Contreras_Film-Still_MAIN_01_WEB-608x365.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022-Finalist_Hummingbirds_Silvia-Castaños_Estefanía-Contreras_Film-Still_MAIN_01_WEB-768x462.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022-Finalist_Hummingbirds_Silvia-Castaños_Estefanía-Contreras_Film-Still_MAIN_01_WEB-1536x923.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022-Finalist_Hummingbirds_Silvia-Castaños_Estefanía-Contreras_Film-Still_MAIN_01_WEB-2048x1231.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption>Still from <em>Hummingbirds</em></figcaption></figure>



<p><i><span style="font-weight: 400;">Hummingbirds </span></i><span style="font-weight: 400;">is a 2022 </span><a href="https://chickeneggpics.org/programs/#eggcelerator-lab"><span style="font-weight: 400;">(Egg)celerator Lab</span></a><span style="font-weight: 400;"> finalist.</span></p>



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<h2 class="wp-block-heading"><a href="https://chickeneggpics.org/grantee/life-life/"><em>Life + Life</em></a></h2>



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<h3 class="wp-block-heading">dir. &amp; prod. Contessa Gayles</h3>



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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="530" src="https://chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_LifeLife_ContessaGayles_Film-Still_MAIN_01_WEB-1024x530.png" alt="Close up of a pair of feet jumping in a bed" class="wp-image-10054" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_LifeLife_ContessaGayles_Film-Still_MAIN_01_WEB-1024x530.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_LifeLife_ContessaGayles_Film-Still_MAIN_01_WEB-608x314.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_LifeLife_ContessaGayles_Film-Still_MAIN_01_WEB-768x397.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_LifeLife_ContessaGayles_Film-Still_MAIN_01_WEB.png 1394w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption>Still from <em>Life + Life</em></figcaption></figure>



<p><i><span style="font-weight: 400;">Life + Life </span></i><span style="font-weight: 400;">is a 2022 </span><a href="https://chickeneggpics.org/programs/#eggcelerator-lab"><span style="font-weight: 400;">(Egg)celerator Lab</span></a><span style="font-weight: 400;"> grantee. </span></p>



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<h2 class="wp-block-heading"><a href="https://chickeneggpics.org/grantee/matryoshka/"><em>Matryoshka</em></a></h2>



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<h3 class="wp-block-heading">dir. &amp; prod. Maricarmen Merino</h3>



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<h3 class="wp-block-heading">prods. Paulina Villegas, Karla Bukantz</h3>



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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="614" src="https://chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_Matryoshka_Maricarmen-Merino-Mora_Film-Still_MAIN_01-1024x614.jpeg" alt="Close up of a woman leaning against the frame of a door, she has curly shoulder length hair and wears glasses" class="wp-image-10084" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_Matryoshka_Maricarmen-Merino-Mora_Film-Still_MAIN_01-1024x614.jpeg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_Matryoshka_Maricarmen-Merino-Mora_Film-Still_MAIN_01-608x364.jpeg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_Matryoshka_Maricarmen-Merino-Mora_Film-Still_MAIN_01-768x460.jpeg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_Matryoshka_Maricarmen-Merino-Mora_Film-Still_MAIN_01-1536x921.jpeg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_Matryoshka_Maricarmen-Merino-Mora_Film-Still_MAIN_01.jpeg 1692w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption>Still from <em>Matryoshka</em></figcaption></figure>



<p><i><span style="font-weight: 400;">Matryoshka</span></i><span style="font-weight: 400;"> is a 2022 </span><a href="https://chickeneggpics.org/programs/#eggcelerator-lab"><span style="font-weight: 400;">(Egg)celerator Lab</span></a><span style="font-weight: 400;"> grantee.&nbsp; </span></p>



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<h2 class="wp-block-heading"><a href="https://chickeneggpics.org/grantee/the-wife-of/"><em>The Wife Of</em></a></h2>



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<h3 class="wp-block-heading">dir. &amp; prod. Volia Chajkouskaya</h3>



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<h3 class="wp-block-heading">prods.&nbsp; Ivo Felt, Christian Popp, Marius Markevicius</h3>



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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="525" src="https://chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_The-Wife-Of_Volia-Chajkouskaya_Film-Still_02_WEB-1024x525.jpg" alt="Two soldiers on their knees lay out a rectangular carpet outside a big house" class="wp-image-10167" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_The-Wife-Of_Volia-Chajkouskaya_Film-Still_02_WEB-1024x525.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_The-Wife-Of_Volia-Chajkouskaya_Film-Still_02_WEB-608x312.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_The-Wife-Of_Volia-Chajkouskaya_Film-Still_02_WEB-768x394.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_The-Wife-Of_Volia-Chajkouskaya_Film-Still_02_WEB-1536x788.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_The-Wife-Of_Volia-Chajkouskaya_Film-Still_02_WEB.jpg 1920w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption>Still from <em>The Wife Of</em></figcaption></figure>



<p><i><span style="font-weight: 400;">The Wife Of </span></i><span style="font-weight: 400;">is a 2022 </span><a href="https://chickeneggpics.org/programs/#eggcelerator-lab"><span style="font-weight: 400;">(Egg)celerator Lab</span></a><span style="font-weight: 400;"> grantee.</span></p>



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<h2 class="wp-block-heading">AlumNest projects at the MeetMarket</h2>



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<ul>
<li><i><span style="font-weight: 400;">#NunsToo Documentary <br></span></i>dir. <a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://chickeneggpics.org/grantee/it-will-be-chaos/"><span>Lorena Luciano</span></a><span style="font-weight: 400;">, prod. </span><a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://chickeneggpics.org/grantee/it-will-be-chaos/"><span>Filippo Piscopo</span></a><br><br></li>
<li style="font-weight: 400;" aria-level="1"><i><span style="font-weight: 400;">DALTON&#8217;S DREAM</span></i><span style="font-weight: 400;"> <br></span>dirs. <a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://chickeneggpics.org/grantee/dreamcatcher/"><span>Kim Longinotto</span></a><span style="font-weight: 400;">, Franky Murray Brown, prod. Lorine Plagnol<br><br></span></li>
<li style="font-weight: 400;" aria-level="1"><i><span style="font-weight: 400;">The Gender Project</span></i><span style="font-weight: 400;"> (working title)<br></span>dir. &amp; prod. <a style="font-size: revert; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;" href="https://chickeneggpics.org/grantee/dark-money/"><span>Kimberly Reed</span></a><span style="font-weight: 400;">, prods. Louise Rosen, Robin Honan</span></li>
</ul>



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<h2 class="wp-block-heading">Meet Our Team at Sheffield DocFest</h2>



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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="516" src="https://chickeneggpics.org/wp-content/uploads/2022/06/IVA-JENNI-1024x516.jpg" alt="Headshots of Program Coordinator Iva Dimitrova and Executive Director Jenni Wolfson. Two women smiling at the camera." class="wp-image-10660" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/06/IVA-JENNI-1024x516.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2022/06/IVA-JENNI-608x307.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/06/IVA-JENNI-768x387.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/06/IVA-JENNI.jpg 1053w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption>Left to right: Program Coordinator Iva Dimitrova and Executive Director Jenni Wolfson</figcaption></figure>



<p><span style="font-weight: 400;">Our </span><b>Executive Director Jenni Wolfso</b><span style="font-weight: 400;">n and </span><b>Program Coordinator Iva Dimitrova</b><span style="font-weight: 400;"> will be representing Chicken &amp; Egg Pictures at the </span><b>MeetMarket</b><span style="font-weight: 400;">. </span></p>



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<p><span style="font-weight: 400;">Check out the full line-up </span><a href="https://www.sheffdocfest.com/"><span style="font-weight: 400;">with this link</span></a><span style="font-weight: 400;"> and the complete list of MeetMarket projects </span><a href="https://sheffdocfest.com/2022-meetmarket-projects?utm_source=newsletter&amp;utm_medium=email&amp;utm_campaign=28apr_industry&amp;utm_source=Sheffield+DocFest+Mailing+List&amp;utm_campaign=8a1c5afa0b-EMAIL_CAMPAIGN_2022_04_28_12_17&amp;utm_medium=email&amp;utm_term=0_7912e8bdab-8a1c5afa0b-89874297"><span style="font-weight: 400;">with this link</span></a><span style="font-weight: 400;">.</span></p>
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		<title>Nest-supported Films at the 2020 DOC NYC Film Festival</title>
		<link>https://archive.chickeneggpics.org/doc-nyc-2020/</link>
					<comments>https://archive.chickeneggpics.org/doc-nyc-2020/#comments</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Tue, 10 Nov 2020 17:18:54 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[9to5: The Story of a Movement]]></category>
		<category><![CDATA[A Cops and Robbers Story]]></category>
		<category><![CDATA[Anabel Rodríguez]]></category>
		<category><![CDATA[Anabel Rodriguez Rios]]></category>
		<category><![CDATA[Cecilia Aldarondo]]></category>
		<category><![CDATA[Chris King]]></category>
		<category><![CDATA[DOC NYC]]></category>
		<category><![CDATA[DOC NYC Film Festival]]></category>
		<category><![CDATA[Down a Dark Stairwell]]></category>
		<category><![CDATA[Enemies of the State]]></category>
		<category><![CDATA[Ilinca Calugareanu]]></category>
		<category><![CDATA[Judith Helfand]]></category>
		<category><![CDATA[Julia Reichert]]></category>
		<category><![CDATA[Julie Parker Benello]]></category>
		<category><![CDATA[Landfall]]></category>
		<category><![CDATA[Loira Limbal]]></category>
		<category><![CDATA[Love & Stuff]]></category>
		<category><![CDATA[Maia von Lekow]]></category>
		<category><![CDATA[Maria Finitzo]]></category>
		<category><![CDATA[Michele Stephenson]]></category>
		<category><![CDATA[Once Upon a Time in Venezuela]]></category>
		<category><![CDATA[Sonia Kennebeck]]></category>
		<category><![CDATA[Stateless]]></category>
		<category><![CDATA[Stateless (Apatrida)]]></category>
		<category><![CDATA[Steve Bognar]]></category>
		<category><![CDATA[The Dilemma of Desire]]></category>
		<category><![CDATA[the letter]]></category>
		<category><![CDATA[Through The Night]]></category>
		<category><![CDATA[Tiffany Hsiung]]></category>
		<category><![CDATA[ursula liang]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=8105</guid>

					<description><![CDATA[Our Nest-supported filmmaking community is soaring into DOC NYC Film Festival, which runs virtually from Wednesday, November 11 to Thursday, November 19. Ten supported films across many of our core programs— (Egg)celerator Lab films by emerging filmmakers, projects by advanced-career Chicken &#38; Egg Awardees, and films from our inaugural Project: Hatched completion program—are official selections. [&#8230;]]]></description>
										<content:encoded><![CDATA[
<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="309" src="https://chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-1024x309.jpg" alt="" class="wp-image-8112" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-1024x309.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-608x184.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-768x232.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-1536x464.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-2048x618.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>Our Nest-supported filmmaking community is soaring into <strong>DOC NYC Film Festival</strong>, which runs virtually from Wednesday, November 11 to Thursday, November 19. Ten supported films across many of our core programs— (Egg)celerator Lab films by emerging filmmakers, projects by advanced-career Chicken &amp; Egg Awardees, and films from our inaugural Project: Hatched completion program—are official selections. Plus <em><strong>A Cops and Robbers Story</strong></em>, directed by directed by Ilinca Calugareanu, will make its world premiere at the New York festival! Learn more about the ten projects below, and get your tickets for DOC NYC <a href="https://www.docnyc.net/">here</a>.&nbsp;</p>



<hr class="wp-block-separator"/>



<h3 class="wp-block-heading">Nest-supported Films </h3>



<p></p>



<div>
<p><strong><em>9to5: The Story of a Movement</em>, directed by&nbsp;<a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient/">Julia Reichert</a>&nbsp;and Steven Bognar | </strong><span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/9to5-the-story-of-a-movement/">Tickets here</a></span><br><span style="font-size: inherit;">&#8220;In the early 1970s, secretaries and other female office workers were underpaid, undervalued, unable to advance, and often subject to sexual harassment. In the wake of the Women’s Liberation Movement, a group of women in Boston finally had enough, joining together to begin 9to5, a movement that would sweep the nation with irreverent, attention-getting actions to demand meaningful change—and later inspire the eponymous hit film and song.&#8221;*&nbsp;</span></p>
<p><em><strong><a href="https://chickeneggpics.org/grantee/cops-robbers-story/">A Cops</a><a href="https://chickeneggpics.org/grantee/cops-robbers-story/"> and Robbers</a></strong><a href="https://chickeneggpics.org/grantee/cops-robbers-story/"><strong> Story</strong></a></em><strong>, directed by Ilinca Călugăreanu</strong>&nbsp;| <span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/a-cops-and-robbers-story/">Tickets here</a></span> <strong>(World Premiere)&nbsp;<br></strong>In the 1980s, Corey Pegues found himself embroiled in a life of crime as a member of New York’s City’s infamous Supreme Team gang. After an incident forces Pegues away from the streets, he unexpectedly emerges as a rising star in the NYPD, his past unknown to his fellow officers. A decorated 21-year police career is threatened when his political stances and revelations about his former life cause strife within the police community.&nbsp;</p>
<p><strong><em><a href="https://chickeneggpics.org/grantee/the-dilemma-of-desire/">The Dilemma of Desire</a></em>, directed by Maria Finitzo |&nbsp;</strong><span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/the-dilemma-of-desire/">Tickets here</a></span><br>An exploration of “cliteracy,” and the clash between the gender politics and the imperatives of female sexual desire.</p>
<p><em><strong><a href="https://chickeneggpics.org/grantee/down-a-dark-stairwell/">Down a Dark Stairw</a><a href="https://chickeneggpics.org/grantee/down-a-dark-stairwell/">ell</a></strong></em><strong>, directed by Ursula Liang</strong> |&nbsp;<span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/down-a-dark-stairwell/">Tickets here</a></span><em><strong><br></strong></em><span style="font-size: inherit;">In 2014, Peter Liang, a Chinese-American police officer, shot and killed an innocent, unarmed black man named Akai Gurley in the dark stairwell of a Brooklyn housing project. In the midst of high racial tension surrounding police conduct, Liang becomes the first NYPD officer to receive a guilty verdict in such a case in over a decade. The highly publicized incident polarizes New York’s Asian and African American communities’ in this insightful look into the complexities of police reform.</span><em><br></em></p>
<p><strong><em><a href="https://chickeneggpics.org/grantee/enemies-of-the-state/">Enemies of the State</a></em>, directed by Sonia Kennebeck </strong>| <span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/enemies-of-the-state/">Tickets here&nbsp;</a></span><strong><br></strong>An average American family becomes entangled in a bizarre web of espionage and corporate secrets when their hacker son is targeted by the US government.</p>
<p><strong><a href="https://chickeneggpics.org/grantee/landfall/"><em>Landfall</em></a>, directed by Cecilia Aldarondo | </strong><span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/landfall/">Tickets here</a><br></span>Through shard-like glimpses of everyday life in post-Hurricane María Puerto Rico,<em> Landfall</em> examines a ruined world at the brink of transformation, spinning a cautionary tale for our times.</p>
<p><strong><em>Stateless (Apátrida)</em>, directed by&nbsp;<a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient-4/">Michèle Stephenson</a> |</strong> <span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/stateless/">Tickets here</a></span><strong><br></strong>Through the grassroots campaign of electoral hopeful Rosa Iris, director Michèle Stephenson’s new documentary reveals the depths of racial hatred and institutionalized oppression that divide Haiti and the Dominican Republic.</p>
<p><strong><em><a href="https://chickeneggpics.org/grantee/through-the-night/">Through the Night</a></em>, directed by Loira Limbal</strong> |<span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/through-the-night/">Tickets here</a></span><strong><br></strong><em>Through the Night</em>&nbsp;is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.</p>
<p><strong><a href="https://chickeneggpics.org/grantee/the-letter/"><em>The Letter</em></a>, directed by Maia von Lekow and Chris King | </strong><span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/the-letter/">Tickets here</a></span><br><span style="font-size: inherit;">Along the coast of Kenya, a frenzied mix of consumerism and Christianity is turning hundreds of families against their elders, branding them as witches as a means to steal their land. Ninety-two-year-old Margaret Kamango stands accused by her sons, while her strong-willed daughters try to protect her. This dangerous dispute is seen through the eyes of Margaret’s grandson, Karisa, who returns home from the city to investigate and is ultimately forced to choose which side he is on.</span><br><br><a href="https://chickeneggpics.org/grantee/once-upon-a-time-in-venezuela/"><em><strong>Once Upon A Time In Venezuela</strong></em></a><strong>, directed by Anabel Rodríguez Ríos |&nbsp;</strong><span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/once-upon-a-time-in-venezuela/">Tickets here</a></span><br><em>Once Upon A Time In Venezuela </em>follows residents of a small fishing village as they prepare for parliamentary election. Once the village of Congo Mirador was prosperous. Now it is decaying and disintegrating—a prophetic reflection of Venezuela itself.</p>
</div>



<h3 class="wp-block-heading">AlumNest Films </h3>



<hr class="wp-block-separator"/>



<p>AlumNest filmmaker Tiffany Hsiung&#8217;s short film <em><a href="https://www.docnyc.net/film/sing-me-a-lullaby/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.docnyc.net/film/sing-me-a-lullaby/&amp;source=gmail&amp;ust=1605110860569000&amp;usg=AFQjCNER5nMwqaGnQomktR7peT6p3oemDw"><strong>Sing Me A Lullaby</strong></a> </em>will make its US premiere; <a href="https://www.docnyc.net/film/call-center-blues/"><em><strong>Call Center Blues</strong></em></a>, directed by Chicken &amp; Egg Award Recipient <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-gandbhir/">Geeta Gandbhir</a> will screen in the Shorts program; <em><strong>Dick Johnson is Dead</strong></em> (Kirsten Johnson), <em><strong>A Thousand Cuts</strong></em> (Ramona Diaz), and <a href="https://chickeneggpics.org/grantee/the-fight/"><em><strong>The Fight</strong></em></a> (Elyse Steinberg, Eli Despres, Josh Kriegman) are on the DOC NYC Short List for feature films; and our Co-Founder &amp; Senior Creative Consultant Judith Helfand&#8217;s film <a href="https://www.docnyc.net/film/love-stuff/"><strong><em>Love &amp; Stuff</em></strong></a> is an official selection under the Masters program (co-produced with our Co-Founder Julie Parker Benello).</p>
<p>*Language courtesy of DOC NYC. </p>
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		<title>The Nest at the 41st Annual IFP Week</title>
		<link>https://archive.chickeneggpics.org/the-nest-at-the-41st-annual-ifp-week/</link>
					<comments>https://archive.chickeneggpics.org/the-nest-at-the-41st-annual-ifp-week/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Mon, 12 Aug 2019 20:16:46 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[AlumNest]]></category>
		<category><![CDATA[Nest Knight Fellowship]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[2019 (Egg)celerator Lab]]></category>
		<category><![CDATA[2019 Nest Knight Fellowship]]></category>
		<category><![CDATA[Amber Fares]]></category>
		<category><![CDATA[Celluloid Dreams]]></category>
		<category><![CDATA[Communted (working title)]]></category>
		<category><![CDATA[commuted]]></category>
		<category><![CDATA[David Osit]]></category>
		<category><![CDATA[Dearborn]]></category>
		<category><![CDATA[For The Eyes to See]]></category>
		<category><![CDATA[Frame by Frame]]></category>
		<category><![CDATA[Frank Bey: You're Going to Miss Me]]></category>
		<category><![CDATA[From This Day Forward]]></category>
		<category><![CDATA[Games You Can't Win]]></category>
		<category><![CDATA[Ilinca Calugareanu]]></category>
		<category><![CDATA[Made in India]]></category>
		<category><![CDATA[Mara Adina]]></category>
		<category><![CDATA[Mayor]]></category>
		<category><![CDATA[Milisuthando (Working Title)]]></category>
		<category><![CDATA[Milisuthando Bongela]]></category>
		<category><![CDATA[Nailah Jefferson]]></category>
		<category><![CDATA[Next Generation Sex]]></category>
		<category><![CDATA[Rebecca Haimowitz]]></category>
		<category><![CDATA[Sharon Shattuck]]></category>
		<category><![CDATA[Speed Sisters]]></category>
		<category><![CDATA[Thank You for Playing]]></category>
		<category><![CDATA[The Eyes to See]]></category>
		<category><![CDATA[The Spies Who Loved Me]]></category>
		<category><![CDATA[Yvonne Welbon]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=6579</guid>

					<description><![CDATA[IFP (Independent Filmmaker Project) recently announced the 2019 IFP Project Forum slate, which includes 143 feature-length and series projects in both development and production. And we were egg-cited to see the following Nest-supported projects and filmmakers will be participating in the upcoming edition of IFP Week, September 15 – 19 in Brooklyn, New York. Commuted [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>IFP (<a href="https://www.ifp.org/">Independent Filmmaker Project</a>) recently announced the 2019 IFP Project Forum slate, which includes 143 feature-length and series projects in both development and production. And we were egg-cited to see the following Nest-supported projects and filmmakers will be participating in the upcoming edition of IFP Week, September 15 – 19 in Brooklyn, New York.</p>
<p><figure id="attachment_3912" aria-describedby="caption-attachment-3912" style="width: 344px" class="wp-caption alignleft"><a href="https://chickeneggpics.org/wp-content/uploads/2018/04/commuted-nailah-jefferson-chicken-egg-pictures.png" rel="lightbox[6579]"><img loading="lazy" decoding="async" class="wp-image-3912 size-thumbnail" src="https://chickeneggpics.org/wp-content/uploads/2018/04/commuted-nailah-jefferson-chicken-egg-pictures-344x344.png" alt="Commuted Nailah Jefferson Chicken &amp; Egg Pictures" width="344" height="344" /></a><figcaption id="caption-attachment-3912" class="wp-caption-text">Commuted (working title)</figcaption></figure></p>
<p><a href="https://chickeneggpics.org/grantee/commuted-working-title/"><em>Commuted (working title)</em></a>, directed by Nailah Jefferson, tells the story of Danielle Metz, a 52-year-old woman trying to find her footing after spending nearly half of her life in prison. In 2016, Danielle’s was one of 568 life sentences President Obama overturned. <a href="https://chickeneggpics.org/grantee/commuted-working-title/"><em>Commuted</em></a> participated in the 2018 Diversity Fellows Initiative (past program).</p>
<p><figure id="attachment_6120" aria-describedby="caption-attachment-6120" style="width: 344px" class="wp-caption alignleft"><a href="https://chickeneggpics.org/wp-content/uploads/2019/04/NKF_FrankBeyWhenYouAskMe_MainFilmStill.jpg" rel="lightbox[6579]"><img loading="lazy" decoding="async" class="wp-image-6120 size-thumbnail" src="https://chickeneggpics.org/wp-content/uploads/2019/04/NKF_FrankBeyWhenYouAskMe_MainFilmStill-344x344.jpg" alt="" width="344" height="344" /></a><figcaption id="caption-attachment-6120" class="wp-caption-text">Frank Bey: You&#8217;re Going to Miss Me</figcaption></figure></p>
<p><a href="https://chickeneggpics.org/grantee/frank-bey-when-you-ask-me/"><em>Frank Bey: You’re Going to Miss Me</em>,</a> directed by Marie Hinson, is a feature documentary about an aging blues singer’s return to the stage 17 years after music broke his heart. <a href="https://chickeneggpics.org/grantee/frank-bey-when-you-ask-me/"><em>Frank Bey: You&#8217;re Going to Miss Me</em></a> is a participant of the 2019 <a href="https://chickeneggpics.org/nest-knight-fellowship/">Nest Knight Fellowship</a>, a pilot initiative generously supported by Knight Foundation for filmmakers from Philadelphia, PA.</p>
<p><figure id="attachment_6458" aria-describedby="caption-attachment-6458" style="width: 344px" class="wp-caption alignleft"><a href="https://chickeneggpics.org/wp-content/uploads/2019/01/aerial-braids.jpg" rel="lightbox[6579]"><img loading="lazy" decoding="async" class="wp-image-6458 size-thumbnail" src="https://chickeneggpics.org/wp-content/uploads/2019/01/aerial-braids-344x344.jpg" alt="" width="344" height="344" /></a><figcaption id="caption-attachment-6458" class="wp-caption-text">Milisuthando (working title)</figcaption></figure></p>
<p><em><a href="https://chickeneggpics.org/grantee/milisuthando-working-title/">Milisuthando (working title)</a></em>, directed by Milisuthando Bongela, is a coming-of-age story, in which Milisuthando—a black South African unaware of apartheid until it ended—explores how blacks and whites first lived together after 342 years of racial segregation. <a href="https://chickeneggpics.org/grantee/milisuthando-working-title/"><em>Milisuthando (working title)</em></a><em> </em>is a participant of the 2019 <a href="https://chickeneggpics.org/programs/#accelerator-lab">(Egg)celerator Lab</a>.</p>
<p><figure id="attachment_6237" aria-describedby="caption-attachment-6237" style="width: 344px" class="wp-caption alignleft"><a href="https://chickeneggpics.org/wp-content/uploads/2019/05/Yvonne_2019-Headshot_BW-e1559667783640.jpg" rel="lightbox[6579]"><img loading="lazy" decoding="async" class="wp-image-6237 size-thumbnail" src="https://chickeneggpics.org/wp-content/uploads/2019/05/Yvonne_2019-Headshot_BW-e1559667783640-344x344.jpg" alt="" width="344" height="344" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/05/Yvonne_2019-Headshot_BW-e1559667783640-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2019/05/Yvonne_2019-Headshot_BW-e1559667783640.jpg 538w" sizes="auto, (max-width: 344px) 100vw, 344px" /></a><figcaption id="caption-attachment-6237" class="wp-caption-text">Senior Creative Consultant Yvonne Welbon</figcaption></figure></p>
<p>Also participating in the upcoming IFP week is a project directed by Chicken &amp; Egg Pictures Senior Creative Consultant Yvonne Welbon, <em>The Spies Who Loved Me</em>,  a thrilling exposé on citizen-surveillance and the impact of fake news. Along with being a member of the Chicken &amp; Egg Pictures team, Yvonne is an award-winning independent filmmaker, producer, educator, entrepreneur, and consultant. She has successfully produced and distributed over 20 films including <i>Living With Pride: Ruth Ellis @100 (</i>winner of ten best documentary awards) and <i>Sisters in Cinema</i>, a documentary on the history of black women feature film directors.</p>
<p><figure id="attachment_3731" aria-describedby="caption-attachment-3731" style="width: 344px" class="wp-caption alignleft"><a href="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot_BW.jpg" rel="lightbox[6579]"><img loading="lazy" decoding="async" class="wp-image-3731 size-thumbnail" src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot_BW-344x344.jpg" alt="Ilinca Calugareanu A Cops and Robbers Story Accelerator Lab 2018" width="344" height="344" /></a><figcaption id="caption-attachment-3731" class="wp-caption-text">AlumNest filmmaker Ilinca Calugareanu</figcaption></figure></p>
<p><em>Celluloid Dreams</em>, directed by Ilinca Calugareanu, a documentary series that tells five staggering stories of courage and wonder and shows us how movies can change us, and sometimes, the world. Chicken &amp; Egg Pictures did not support <em>Celluloid Dreams</em>, but did support Illinca&#8217;s project <a href="https://chickeneggpics.org/grantee/cops-robbers-story/"><em>A Cops and Robbers</em> <em>Story</em></a>, which was a participant in the 2018 <a href="https://chickeneggpics.org/programs/#accelerator-lab">(Egg)celerator Lab</a>.</p>
<p>Other AlumNest filmmakers participating in IFP include Rebecca Haimowitz (<em><a href="https://chickeneggpics.org/grantee/made-in-india-2/">Made in India</a>)</em> for <strong><em>Next Generation Sex</em></strong>,  David Osit (co-director of <a href="https://chickeneggpics.org/grantee/thank-you-for-playing/"><em>Thank You For Playing </em></a>and <a href="https://chickeneggpics.org/grantee/games-you-cant-win/"><em>Games You Can&#8217;t Win</em></a>) for <em><strong>Mayor</strong>,  </em>Sharon Shattuck (<em><a href="https://chickeneggpics.org/grantee/from-this-day-forward/">From This Day Forward</a></em>) for<em><strong> The Eyes to See</strong></em>, Amber Fares (<em><a href="https://chickeneggpics.org/grantee/speed-sisters/">Speed Sisters</a></em>) for <strong><em>Dearborn</em></strong>.</p>
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		<title>The Whickers Announces 2018 Award Recipient</title>
		<link>https://archive.chickeneggpics.org/the-whickers-announces-2018-award-recipient/</link>
					<comments>https://archive.chickeneggpics.org/the-whickers-announces-2018-award-recipient/#comments</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Thu, 16 Aug 2018 17:16:58 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[Grants]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Partnerships]]></category>
		<category><![CDATA[A Cops and Robbers Story]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Ilinca Calugareanu]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[The Whickers]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=4519</guid>

					<description><![CDATA[The Whickers recently announced the recipient of the 2018 The Whickers/Chicken &#38; Egg Pictures Award: congratulations to Ilinca Calugareanu and the A Cops and Robbers Story team! Named for pioneering British broadcaster Alan Whicker, The Whickers is dedicated to supporting emerging voices in the field of documentary. The award, focused on Accelerator Lab participants, was conceived to ensure that [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>The Whickers recently announced the recipient of the 2018 The Whickers/Chicken &amp; Egg Pictures Award: congratulations to Ilinca Calugareanu and the <em><a href="https://chickeneggpics.org/grantee/cops-robbers-story/">A Cops and Robbers Story</a> </em>team!</p>
<p><figure id="attachment_3720" aria-describedby="caption-attachment-3720" style="width: 608px" class="wp-caption alignnone"><img loading="lazy" decoding="async" class="wp-image-3720 size-medium" src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_CR_Film-Still-1-608x342.jpg" alt="Ilinca Calugareanu A Cops and Robbers Story Accelerator Lab 2018" width="608" height="342" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_CR_Film-Still-1-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_CR_Film-Still-1-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_CR_Film-Still-1-1024x576.jpg 1024w" sizes="auto, (max-width: 608px) 100vw, 608px" /><figcaption id="caption-attachment-3720" class="wp-caption-text">A Cops and Robbers Story, directed by Ilinca Calugareanu</figcaption></figure></p>
<p>Named for pioneering British broadcaster Alan Whicker, The Whickers is dedicated to supporting emerging voices in the field of documentary. The award, focused on Accelerator Lab participants, was conceived to ensure that more women enter the nonfiction filmmaking pipeline. Previous recipients include <a href="https://chickeneggpics.org/grantee/the-feeling-of-being-watched/"><em>The Feeling of Being Watched</em></a> by Assia Boundaoui and <a href="https://chickeneggpics.org/grantee/the-surrender-of-waymond-hall/"><em>The Surrender of Waymond Hall</em> </a>by Jane Greenberg.</p>
<p><em>A Cops and Robbers Story </em>follows Corey Pegues, one of the highest ranking black executives in the NYPD, who revealed a few months after retirement that before joining the NYPD he worked the streets dealing crack cocaine for one of the most notorious drug gangs in the US, the Supreme Team. The project was recently featured as a docustory in <a href="https://www.theguardian.com/news/2018/jul/27/cops-and-robbers-the-new-york-cop-from-the-streets">The Guardian</a>. Said director Ilinca Calugareanu, &#8220;It is such an honour to be this year&#8217;s recipient of The Whickers/Chicken &amp; Egg Pictures Award. Thank you for believing in us and in the importance of Corey Pegues&#8217;s story. Your support means so much!&#8221;</p>
<p>Ilinca&#8217;s debut documentary feature, <a href="https://www.netflix.com/title/80039422"><em>Chuck Norris vs. Communism</em></a>, is currently available for streaming on Netflix.</p>
<p><em>Post by 2018 Communications Intern Morgan Lee Hulquist. </em></p>
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		<title>Announcing our 2018 Accelerator Lab grantees!</title>
		<link>https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/</link>
					<comments>https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/#comments</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Wed, 21 Feb 2018 16:06:31 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[2018 Accelerator Lab]]></category>
		<category><![CDATA[A Cops and Robbers Story]]></category>
		<category><![CDATA[Always In Season]]></category>
		<category><![CDATA[Arthur Nazaryan]]></category>
		<category><![CDATA[Electric Malady]]></category>
		<category><![CDATA[Enemies of the State]]></category>
		<category><![CDATA[Eunice Lau]]></category>
		<category><![CDATA[Ilinca Calugareanu]]></category>
		<category><![CDATA[Jacqueline Olive]]></category>
		<category><![CDATA[Jennifer Redfearn]]></category>
		<category><![CDATA[Loira Limbal]]></category>
		<category><![CDATA[Madeleine Leroyer]]></category>
		<category><![CDATA[Marie Lidén]]></category>
		<category><![CDATA[Number 387]]></category>
		<category><![CDATA[People's Hospital]]></category>
		<category><![CDATA[Reentry]]></category>
		<category><![CDATA[Rintu Thomas]]></category>
		<category><![CDATA[Siyi Chen]]></category>
		<category><![CDATA[Sonia Kennebeck]]></category>
		<category><![CDATA[Sushmit Ghosh]]></category>
		<category><![CDATA[The Youth]]></category>
		<category><![CDATA[Through The Night]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<category><![CDATA[Writing With Fire]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=3737</guid>

					<description><![CDATA[Chicken &#38; Egg Pictures is proud to announce the third cohort of our Accelerator Lab for first- and second-time filmmakers! The Accelerator Lab is focused on identifying and supporting women nonfiction directors working on their first or second feature-length documentary. This program brings together ten projects helmed by first- or second-time directors, with a special [&#8230;]]]></description>
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<p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-3844" src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner.jpg" alt="" width="3975" height="1200" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner.jpg 3975w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner-608x184.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner-768x232.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner-1024x309.jpg 1024w" sizes="auto, (max-width: 3975px) 100vw, 3975px" /></p>
<p>Chicken &amp; Egg Pictures is proud to announce the third cohort of our Accelerator Lab for first- and second-time filmmakers!</p>
<p>The Accelerator Lab is focused on identifying and supporting women nonfiction directors working on their first or second feature-length documentary. This program brings together ten projects helmed by first- or second-time directors, with a special focus on underrepresented voices.</p>
<p><span style="font-weight: 400;">“Community-building is key to this program,” says Chicken &amp; Egg Pictures Program Director Lucila Moctezuma. “While the Accelerator Lab for first- and second-time filmmakers certainly helps women filmmakers to </span><i><span style="font-weight: 400;">enter</span></i><span style="font-weight: 400;"> the industry pipeline, it also provides them with a community of support that helps them to </span><i><span style="font-weight: 400;">stay</span></i><span style="font-weight: 400;"> in the pipeline. The reality of being a film director is that it can often feel daunting and isolating. By explicitly encouraging peer-to-peer mentorship among our cohort, we provide emerging filmmakers with a chance to bond with and learn from one another, to help one another carve a space for themselves in the industry, and to equip them with the strength of a community they can rely on throughout their careers.” </span></p>
<p>Synopses of the 2018 Accelerator Lab grantees&#8217; compelling projects are below, and you can get to know the directors by viewing the linked project pages. Grantees will work on these films during their program year.</p>
<p>Our next open call for the Accelerator Lab will take place in the spring of 2018. For additional information on the program, including application criteria, please visit our <a href="https://chickeneggpics.org/programs/#accelerator-lab">Programs</a> page.</p>
<p>Congratulations to our newest grantees, and wishing you a fantastic year!</p>
<p>&nbsp;</p>
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<p><figure id="attachment_3730" aria-describedby="caption-attachment-3730" style="width: 169px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3730" src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot-608x842.jpg" alt="" width="169" height="234" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot-608x842.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot-768x1063.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot-740x1024.jpg 740w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot.jpg 780w" sizes="auto, (max-width: 169px) 100vw, 169px" /><figcaption id="caption-attachment-3730" class="wp-caption-text">Ilinca Calugareanu</figcaption></figure></p>
<p><em><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3708&amp;preview=true">A Cops and Robbers Story</a>,</em> directed by Ilinca Calugareanu <span style="font-weight: 400;">(ROMANIA / UK)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">Corey Pegues, one of the highest ranking black executives in the NYPD, reveals a few months after retirement that before joining the NYPD he worked the streets dealing crack cocaine for one of the most notorious drug gangs in the US, the Supreme Team. To many he is either a perp in cop costume or a criminal turned hero. But who is the real Corey Pegues?</span></p>
<p>&nbsp;</p>
<p><figure id="attachment_3739" aria-describedby="caption-attachment-3739" style="width: 188px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3739 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Siyi-Chen_Headshot-e1519228656123-273x344.jpg" alt="" width="188" height="237" /><figcaption id="caption-attachment-3739" class="wp-caption-text">Siyi Chen</figcaption></figure></p>
<p><em><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3694&amp;preview=true">People&#8217;s Hospital</a>,</em> directed by Siyi Chen <span style="font-weight: 400;">(CHINA / US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">As the Chinese society criticizes dysfunctional hospitals, a doctor’s daughter revisits the small-town hospital where she grew up—this time with a camera, in the middle of a chaotic ER.</span></p>
<p>&nbsp;</p>
<p><figure id="attachment_3738" aria-describedby="caption-attachment-3738" style="width: 180px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3738 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Sonia_Kennebeck_Director-and-Producer-e1519228570327-258x344.jpg" alt="" width="180" height="240" /><figcaption id="caption-attachment-3738" class="wp-caption-text">Sonia Kennebeck</figcaption></figure></p>
<p><em><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3709&amp;preview=true">Enemies of the State</a>,</em> directed by Sonia Kennebeck <span style="font-weight: 400;">(MALAYSIA / GERMANY / US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">An average American family becomes entangled in a bizarre web of espionage and corporate secrets when their hacker son is targeted by the U.S. government.</span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>
<a href='https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/2018-al_eunice-lau_headshot/'><img loading="lazy" decoding="async" width="344" height="344" src="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Eunice-Lau_headshot-344x344.jpg" class="attachment-thumbnail size-thumbnail" alt="The Youth Eunice Lau and Arthur Nazaryan 2018 Accelerator Lab" /></a>
</p>
<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3693&amp;preview=true"><em>The Youth</em></a>, directed by Eunice Lau <span style="font-weight: 400;">(SINGAPORE / US) </span>and Arthur Nazaryan <span style="font-weight: 400;">(US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}"><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3693&amp;preview=true"><em>The Youth</em></a> is an unflinching look at the forces that drive one to adopt an extreme ideology. Through the eyes of a father who seeks to understand how his son is radicalized by the propaganda of the Islamic State Army, <a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3693&amp;preview=true"><em>The Youth</em></a> reveals how a Muslim American family is affected by the geopolitics and polemics that fuel the resurgence of reactionary and right-wing political movements. Through this intimate lens on the Somali community in Minnesota, <a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3693&amp;preview=true"><i>The Youth</i></a> explores the racism and prejudices against immigrants, the rise of radical Islam, and what it means to be Muslim in contemporary America.</span></p>
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<p>&nbsp;</p>
<p><figure id="attachment_3781" aria-describedby="caption-attachment-3781" style="width: 196px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3781 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Madeleine-Leroyer_Headshot-e1519228743424-265x344.jpg" alt="" width="196" height="254" /><figcaption id="caption-attachment-3781" class="wp-caption-text">Madeleine Leroyer</figcaption></figure></p>
<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3736&amp;preview=true"><em>Number 387</em></a>, directed by Madeleine Leroyer <span style="font-weight: 400;">(FRANCE)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">This is the story of a Greek physician who collects pendants and bracelets.<br />
This is the story of an Italian woman who has been fighting for 15 years to &#8220;make bodies talk.&#8221;<br />
This is the story of those who watch over the forgotten migrants.<br />
Since the beginning of 2016, 3,649 migrants have died while attempting to reach Europe by sea. 3,649 names, the vast majority of which have been diluted in the deep blue waters of the Mediterranean.<br />
What happens to the dead? Who identifies them?<br />
What do the mothers, the brothers do to try to find their missing loved ones?<br />
For years, medical examiners have been trying to give back a name, dignity, a memory to these forgotten souls.<br />
This film tells their story.</span></p>
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<p><figure id="attachment_3742" aria-describedby="caption-attachment-3742" style="width: 211px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3742 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Marie-Liden_Headshot-e1519229096993-268x344.jpg" alt="" width="211" height="270" /><figcaption id="caption-attachment-3742" class="wp-caption-text">Marie Lidén</figcaption></figure></p>
<p><em><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3712&amp;preview=true">Electric Malady</a></em>, directed by Marie Lidén <span style="font-weight: 400;">(SWEDEN / UK)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">Director Marie Lidén grew up with a mother who suffered from an illness that the world did not recognize—Electrosensitivity. Years later, in a technologically advanced world, Marie gives a poignant account of the lives of two electrosensitives: William, a 41-year-old Swedish man, and Tyler, a 13-year-old Canadian boy. Using Marie’s own family story as a thread, the film explores William and Tyler’s isolated worlds and their families’ unrelenting commitment to help their children.</span></p>
<p>&nbsp;</p>
<p><figure id="attachment_3824" aria-describedby="caption-attachment-3824" style="width: 192px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3824 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Limbal-Headshot-e1519229027398-274x344.jpg" alt="" width="192" height="241" /><figcaption id="caption-attachment-3824" class="wp-caption-text">Loira Limbal</figcaption></figure></p>
<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3809&amp;preview=true"><em>Through The Night</em></a>, directed by Loira Limbal <span style="font-weight: 400;">(US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">To make ends meet, Americans are working longer hours across multiple jobs. This modern reality of non-stop work has resulted in an unexpected phenomenon: the flourishing of 24-hour daycare centers. <a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3809&amp;preview=true"><em>Through the Night</em></a> is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.</span></p>
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<p><figure id="attachment_3821" aria-describedby="caption-attachment-3821" style="width: 179px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3821 " src="https://chickeneggpics.org/wp-content/uploads/2014/08/2018-AL_Jacqueline_Olive_headshot1-e1519228895877-267x344.jpg" alt="" width="179" height="231" /><figcaption id="caption-attachment-3821" class="wp-caption-text">Jacqueline Olive</figcaption></figure></p>
<p><em><a href="https://chickeneggpics.org/grantee/always-in-season/"> Always in Season</a></em>, directed by Jacqueline Olive <span style="font-weight: 400;">(US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;As the trauma of a century of lynching African Americans bleeds into the present, Always in Season follows relatives of the perpetrators and victims in communities across the country who’re seeking justice and reconciliation in the midst of racial profiling and police shootings. In Bladenboro, NC, the film connects historic racial terrorism to racial violence today with the story of Claudia Lacy who grieves as she fights to get an FBI investigation opened into the death of her seventeen-year-old son, Lennon Lacy, found hanging from a swing set on August 29, 2014. Claudia, like many others, believes Lennon was lynched. &quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:[null,0],&quot;12&quot;:0}">As the trauma of a century of lynching African Americans bleeds into the present, <a href="https://chickeneggpics.org/grantee/always-in-season/"><em>Always in Season</em></a> follows relatives of the perpetrators and victims in communities across the country who’re seeking justice and reconciliation in the midst of racial profiling and police shootings. In Bladenboro, NC, the film connects historic racial terrorism to racial violence today with the story of Claudia Lacy who grieves as she fights to get an FBI investigation opened into the death of her seventeen-year-old son, Lennon Lacy, found hanging from a swing set on August 29, 2014. Claudia, like many others, believes Lennon was lynched.</span></p>
<p>&nbsp;</p>
<p><figure id="attachment_3783" aria-describedby="caption-attachment-3783" style="width: 185px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3783 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Jennifer-Redfearn_Headshot-e1519228825399-256x344.jpg" alt="" width="185" height="249" /><figcaption id="caption-attachment-3783" class="wp-caption-text">Jennifer Redfearn</figcaption></figure></p>
<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3706&amp;preview=true"><em>Reentry</em></a> (working title), directed by Jennifer Redfearn <span style="font-weight: 400;">(US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">Women are now the fastest growing population in the U.S. criminal justice system, increasing at nearly double the rate of men. The majority of women going into prison are serving time for drug related charges. This immersive, character-driven film follows three women—who are part of a new reentry program in Cleveland, Ohio—as they prepare to leave prison, reunite with their children, and find jobs after serving time for drug related charges.</span></p>
<p>&nbsp;</p>
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<a href='https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/al-2018_rintu-thomas-headshot/'><img loading="lazy" decoding="async" width="344" height="344" src="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-344x344.jpg" class="attachment-thumbnail size-thumbnail" alt="" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-608x608.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-768x768.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-1024x1024.jpg 1024w" sizes="auto, (max-width: 344px) 100vw, 344px" /></a>
<a href='https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/al-2018_sushmit-ghosh-headshot/'><img loading="lazy" decoding="async" width="344" height="344" src="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-344x344.jpg" class="attachment-thumbnail size-thumbnail" alt="" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-608x608.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-768x768.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-1024x1024.jpg 1024w" sizes="auto, (max-width: 344px) 100vw, 344px" /></a>
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<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3753&amp;preview=true"><em>Writing With Fire</em></a>, directed by Rintu Thomas and Sushmit Ghosh <span style="font-weight: 400;">(INDIA)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">In a cluttered news landscape dominated by men, emerges India&#8217;s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions, be it on the frontlines of India&#8217;s biggest issues or within the confines of their homes, redefining what it means to be powerful.</span></p>
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