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	<title>Jacqueline Olive &#8211; Chicken &amp; Egg Pictures</title>
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	<title>Jacqueline Olive &#8211; Chicken &amp; Egg Pictures</title>
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	<item>
		<title>Nest-supported Films at AFI Docs</title>
		<link>https://archive.chickeneggpics.org/nest-supported-films-at-afi-docs/</link>
					<comments>https://archive.chickeneggpics.org/nest-supported-films-at-afi-docs/#respond</comments>
		
		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Wed, 12 Jun 2019 18:17:31 +0000</pubDate>
				<category><![CDATA[AlumNest]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[Premieres]]></category>
		<category><![CDATA[(Egg)celerator Lab 2017]]></category>
		<category><![CDATA[(Egg)celerator Lab 2018]]></category>
		<category><![CDATA[AFI Docs]]></category>
		<category><![CDATA[Always In Season]]></category>
		<category><![CDATA[American Factory]]></category>
		<category><![CDATA[American Film Institute]]></category>
		<category><![CDATA[Beth Aala]]></category>
		<category><![CDATA[beth Levison]]></category>
		<category><![CDATA[Jacqueline Olive]]></category>
		<category><![CDATA[Jehane Noujaim]]></category>
		<category><![CDATA[Jialing Zhang]]></category>
		<category><![CDATA[Julia Reichert]]></category>
		<category><![CDATA[Made in Boise]]></category>
		<category><![CDATA[Martha Shane]]></category>
		<category><![CDATA[Nanfu Wang]]></category>
		<category><![CDATA[One Child Nation]]></category>
		<category><![CDATA[Steve Bognar]]></category>
		<category><![CDATA[World Premiere]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=6408</guid>

					<description><![CDATA[AFI Docs, the all-documentary film festival from American Film Institute, is just around the corner, taking place Wednesday, June 19 to Sunday, June 23 in Washington, DC and Silver Spring, Maryland. 68% of their slate of films are produced by women and almost half have a woman director or co-director. The lineup features 72 documentaries [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a id="auto-tag_afi-docs" href="https://deadline.com/tag/afi-docs/" data-tag="afi-docs">AFI Docs</a>, the all-documentary film festival from American Film Institute, is just around the corner, taking place Wednesday, June 19 to Sunday, June 23 in Washington, DC and Silver Spring, Maryland.</p>
<p><img fetchpriority="high" decoding="async" class="alignleft wp-image-6428 size-full" src="https://chickeneggpics.org/wp-content/uploads/2019/06/AFI-Docs-2019.png" alt="" width="3000" height="3000" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/06/AFI-Docs-2019.png 3000w, https://archive.chickeneggpics.org/wp-content/uploads/2019/06/AFI-Docs-2019-344x344.png 344w, https://archive.chickeneggpics.org/wp-content/uploads/2019/06/AFI-Docs-2019-608x608.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/06/AFI-Docs-2019-768x768.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2019/06/AFI-Docs-2019-1024x1024.png 1024w" sizes="(max-width: 3000px) 100vw, 3000px" /><span style="font-size: 18px;">68% of their slate of films are produced by women and almost half have a woman director or co-director. The lineup features 72 documentaries from 17 countries, including six world premieres—one of them being Nest-supported film </span><em style="font-size: 18px;">Made In Boise</em><span style="font-size: 18px;">.</span></p>
<p><img decoding="async" class="alignleft wp-image-3958 size-full" src="https://chickeneggpics.org/wp-content/uploads/2018/04/Made-in-Boise_Aala_Made-in-Boise_Cindy-Julian-and-family.jpg" alt="Made in Boise directed by Beth Aala" width="2576" height="1602" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/04/Made-in-Boise_Aala_Made-in-Boise_Cindy-Julian-and-family.jpg 2576w, https://archive.chickeneggpics.org/wp-content/uploads/2018/04/Made-in-Boise_Aala_Made-in-Boise_Cindy-Julian-and-family-608x378.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/04/Made-in-Boise_Aala_Made-in-Boise_Cindy-Julian-and-family-768x478.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/04/Made-in-Boise_Aala_Made-in-Boise_Cindy-Julian-and-family-1024x637.jpg 1024w" sizes="(max-width: 2576px) 100vw, 2576px" /></p>
<p><a href="https://chickeneggpics.org/grantee/made-in-boise/"><em>Made In Boise</em></a>, directed by Beth Aala (2018 Discretionary Grant) unveils a surprising—and booming—industry which has emerged in Boise, Idaho. In this idyllic, all-American city, nurses, nail technicians, and stay-at-home mothers are having babies for strangers—in record numbers. Boise’s own St. Luke’s Medical Center founded and runs the first and best surrogacy program of its kind, in all the US. But everything is not as it appears, surrogacy is not without its health risks, and the practice is not without its emotional complications. Character-driven and stylized in its approach, <em>Made In Boise</em> introduces audiences to the unique world of surrogacy in the most unexpected of places.</p>
<p>The film will have its world premiere with director, producer Beth Aala and producer Beth Levison in attendance, as part of the <a href="http://docsguide.afi.com/2019/search-bar/perform-search">Spectrum</a> selection of AFI Docs for &#8220;filmmakers pushing the boundaries of storytelling and exploring more unconventional subject matter.&#8221;</p>
<ul>
<li><a href="http://docsguide.afi.com/2019/sections/made-in-boise"><span class="venue">Saturday, June 22 at </span><span class="date">1:45 pm, </span></a><a href="http://docsguide.afi.com/2019/sections/made-in-boise"><span class="venue">Landmark E Street</span></a></li>
<li><a href="http://docsguide.afi.com/2019/sections/made-in-boise"><span class="venue">Sunday, June 23 at </span><span class="date">7:15 pm, </span></a><a href="http://docsguide.afi.com/2019/sections/made-in-boise"><span class="venue">AFI Silver Theater </span></a></li>
</ul>
<p>Three other Nest-supported films are also on the list:</p>
<p><img decoding="async" class="alignleft wp-image-5867 size-full" src="https://chickeneggpics.org/wp-content/uploads/2019/02/american-factory.jpg" alt="" width="892" height="598" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/02/american-factory.jpg 892w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/american-factory-608x408.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/american-factory-768x515.jpg 768w" sizes="(max-width: 892px) 100vw, 892px" /></p>
<p><em>American Factory</em>, directed by Julia Reichert (<a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient/">2016 Chicken &amp; Egg Award recipient</a>) and Steve Bognar will screen as the AFI Docs Centerpiece screening, with a conversation with co-directors Steven and Julia and NBC Meet The Press&#8217;s Chuck Todd to follow.</p>
<ul>
<li><a href="http://docsguide.afi.com/2019/sections/american-factory"><span class="venue">Friday, June 21 at </span><span class="date">7:00 pm, The National Museum of American History</span></a></li>
</ul>
<p><img loading="lazy" decoding="async" class="alignleft wp-image-5356 size-full" src="https://chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images.jpg" alt="Jacqueline Olive Always in Season" width="4000" height="2670" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images.jpg 4000w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images-608x406.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images-768x513.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images-1024x684.jpg 1024w" sizes="auto, (max-width: 4000px) 100vw, 4000px" /></p>
<p><a href="https://chickeneggpics.org/grantee/always-in-season/"><em>Always In Season </em></a>(2018 (Egg)celerator Lab), directed by Jacqueline Olive will screen as part of the <a href="http://docsguide.afi.com/2019/search-bar/perform-search">Truth and Justice</a> selection, with director Jacqueline Olive in attendance for both screenings.</p>
<ul>
<li><a href="http://docsguide.afi.com/2019/sections/always-in-season">Thursday, June 20 at 6:45 pm, AFI Silver Theater 3 </a></li>
<li><a href="http://docsguide.afi.com/2019/sections/always-in-season">Friday, June 21 at 1:00pm, Landmark E Street 10 </a></li>
</ul>
<p><img loading="lazy" decoding="async" class="alignleft wp-image-5868 size-full" src="https://chickeneggpics.org/wp-content/uploads/2019/02/one-child-nation-nanfu-wang-yuanchen-liu.jpg" alt="" width="1067" height="600" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/02/one-child-nation-nanfu-wang-yuanchen-liu.jpg 1067w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/one-child-nation-nanfu-wang-yuanchen-liu-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/one-child-nation-nanfu-wang-yuanchen-liu-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/one-child-nation-nanfu-wang-yuanchen-liu-1024x576.jpg 1024w" sizes="auto, (max-width: 1067px) 100vw, 1067px" /></p>
<p><em><a href="https://chickeneggpics.org/grantee/one-child-nation/">One Child Nation</a> </em>(2017 (Egg)celerator Lab grantee), directed by Nanfu Wang  (also a <a href="https://chickeneggpics.org/grantee/2018-breakthrough-award-recipient-wang/">2018 Chicken &amp; Egg Award recipient</a>) and Jialing Zhang will also screen as part of the <a href="http://docsguide.afi.com/2019/search-bar/perform-search">Truth and Justice</a> selection, with co-director Jialing Zhang in attendance.</p>
<ul>
<li><a href="http://docsguide.afi.com/2019/sections/one-child-nation"><span class="venue">Saturday, June 22 at </span><span class="date">12:00 pm, </span></a><a href="http://docsguide.afi.com/2019/sections/one-child-nation"><span class="venue">Landmark E Street </span></a></li>
<li><a href="http://docsguide.afi.com/2019/sections/one-child-nation"><span class="venue">Sunday, June 23 at 4:15 pm,  AFI Silver Theater</span></a></li>
</ul>
<p>And don&#8217;t miss these films by former Nest grantees: <em>Picture Character</em>, directed by Ian Cheney and Martha Shane (co-director of Nest-supported <a href="https://chickeneggpics.org/grantee/after-tiller/"><em>After Tiller</em></a>) and The Great Hack, directed by  Karim Amer and Jehane Noujaim (Nest-supported <em><a href="https://chickeneggpics.org/grantee/the-square/">The Square</a>). </em></p>
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			</item>
		<item>
		<title>Nine Women-directed Films to See at Full Frame Documentary Film Festival</title>
		<link>https://archive.chickeneggpics.org/nine-women-filmmakers-to-see-at-full-frame-documentary-film-festival/</link>
					<comments>https://archive.chickeneggpics.org/nine-women-filmmakers-to-see-at-full-frame-documentary-film-festival/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Thu, 18 Apr 2019 16:12:59 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[a thousand girls like me]]></category>
		<category><![CDATA[Always In Season]]></category>
		<category><![CDATA[Cynthia Wade]]></category>
		<category><![CDATA[Diversity Fellows Initiative]]></category>
		<category><![CDATA[El Velador]]></category>
		<category><![CDATA[Film Festival]]></category>
		<category><![CDATA[Full Frame]]></category>
		<category><![CDATA[Full Frame Documentary Film Festival]]></category>
		<category><![CDATA[Full Frame Film Festival]]></category>
		<category><![CDATA[Grit]]></category>
		<category><![CDATA[Hail Satan]]></category>
		<category><![CDATA[Impact & Innovation Initiative]]></category>
		<category><![CDATA[Jacqueline Olive]]></category>
		<category><![CDATA[Jialing Zhang]]></category>
		<category><![CDATA[Joe Brewster]]></category>
		<category><![CDATA[Julia Reichert]]></category>
		<category><![CDATA[Knock Down the House]]></category>
		<category><![CDATA[Michele Stephenson]]></category>
		<category><![CDATA[Nanfu Wang]]></category>
		<category><![CDATA[Natalia Almada]]></category>
		<category><![CDATA[North Carolina]]></category>
		<category><![CDATA[One Child Nation]]></category>
		<category><![CDATA[Penny Lane]]></category>
		<category><![CDATA[Rachel Lears]]></category>
		<category><![CDATA[Sahra Mani]]></category>
		<category><![CDATA[Sasha Friedlander]]></category>
		<category><![CDATA[Steven Bognar]]></category>
		<category><![CDATA[The Changing Same]]></category>
		<category><![CDATA[The Night Watchman]]></category>
		<category><![CDATA[Women Filmmaker]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=5962</guid>

					<description><![CDATA[The Full Frame Documentary Film Festival kicks off their 22nd annual festival today, which will take place in Durham, North Carolina from Thursday, April 4 to Sunday, April 7. The festival&#8217;s opening night film is American Factory, the Sundance 2019 Directing – US Documentary Competition award winner directed by Julia Reichert (2016 Chicken &#38; Egg Award recipient) and [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>The <a id="auto-tag_full-frame-documentary-film-festival" href="https://www.indiewire.com/t/full-frame-documentary-film-festival/" data-tag="full-frame-documentary-film-festival">Full Frame Documentary Film Festival</a> kicks off their 22nd annual festival today, which will take place in Durham, North Carolina from Thursday, April 4 to Sunday, April 7.</p>
<p>The festival&#8217;s opening night film is <em>American Factory</em>, the Sundance 2019 <a href="https://chickeneggpics.org/2019-sundance-festival-winners/">Directing – US Documentary Competition</a> award winner directed by Julia Reichert (<a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient/">2016 Chicken &amp; Egg Award recipient</a>) and Steven Bognar, screening <a href="https://www.fullframefest.org/film/american-factory/"><span class="datetime" data-date="2019-04-04">Thursday, April 4 — 7:30 pm at Fletcher</span></a>. In addition, we were egg-static to see Julia and her long-time directing partner Steven honored by Full Frame in a  tribute and curated retrospective of their work, which will screen throughout the festival, including <em>Union Maids</em>, directed by Jim Klein, Miles Mogulescu, and Julia Reichert (<span class="datetime" data-date="2019-04-04"><a href="https://store.fullframefest.org/online/seatSelect.asp?createBO::WSmap=1&amp;BOparam::WSmap::loadBestAvailable::performance_ids=7DE990FB-0865-4BA1-A944-894474DA51B1">Thursday, April 4 — 1:30 at Cinema Three</a> and </span><a href="https://store.fullframefest.org/online/seatSelect.asp?createBO::WSmap=1&amp;BOparam::WSmap::loadBestAvailable::performance_ids=654F7C4A-0406-4816-8326-E504EA471970"><span class="datetime" data-date="2019-04-07">Sunday, April 7 — 5:10 pm at Cinema Four</span></a>), as well as eight other films.</p>
<p>Full Frame&#8217;s lineup includes work by a total of nine Nest-supported women filmmakers:</p>
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<div><a href="https://chickeneggpics.org/wp-content/uploads/2015/07/MS-capilla-amarilla.jpg" rel="lightbox[5962]"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-1876" src="https://chickeneggpics.org/wp-content/uploads/2015/07/MS-capilla-amarilla-608x361.jpg" alt="El Velador Natalia Almada" width="608" height="361" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2015/07/MS-capilla-amarilla-608x361.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2015/07/MS-capilla-amarilla-1024x607.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2015/07/MS-capilla-amarilla.jpg 1278w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a></div>
<p><a href="https://chickeneggpics.org/grantee/el-velador/"><em>El Velador (The Night Watchman)</em></a>, directed by Natalia Almada (also a 2018 <a href="https://chickeneggpics.org/grantee/2018-breakthrough-award-recipient-almada/">Chicken &amp; Egg Award</a> recipient)</p>
<p>From dusk to dawn, El Velador (The Night Watchman) accompanies Martin, a guard who watches over the extravagant mausoleums of some of Mexico’s most notorious drug lords. In the labyrinth of the cemetery, this film about violence without violence reminds us that, amid the turmoil of a drug war that has claimed more than 50,000 lives, ordinary existence persists in Mexico and quietly defies the dead.<br />
<a href="http://ramefest.org/film/el-velador/">Thursday, April 4 — 4:00 pm at Cinema One </a>(as part of the <em>Some Other Lives of Time</em> program curated by <em>Hale County This Morning, This Evening </em>director Ramell Ross)</p>
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<p><a href="https://chickeneggpics.org/wp-content/uploads/2019/03/hail_satan_-_publicity_-_h_2018.jpg" rel="lightbox[5962]"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-5936" src="https://chickeneggpics.org/wp-content/uploads/2019/03/hail_satan_-_publicity_-_h_2018-608x343.jpg" alt="" width="608" height="343" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/03/hail_satan_-_publicity_-_h_2018-608x343.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/03/hail_satan_-_publicity_-_h_2018-768x433.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2019/03/hail_satan_-_publicity_-_h_2018.jpg 928w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a></p>
<p><em>Hail Satan?</em>, directed by Penny Lane (2017 <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-lane/">Chicken &amp; Egg Award</a> recipient)<br />
With humor and searing insight, director Penny Lane debunks misrepresentations about the Satanic Temple. Drawing on extensive access to the organization’s participants, this unflinching examination reveals the controversial religious movement’s aim to shine a light on the hypocrisy around America’s separation of church and state.*<br />
<a href="https://www.fullframefest.org/film/hail-satan/">Friday, April 5 — 10:00 pm at Fletcher</a></p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2018/01/Changing-Same_Stephenson_Cracker_House-Final-F18.png" rel="lightbox[5962]"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-4098" src="https://chickeneggpics.org/wp-content/uploads/2018/01/Changing-Same_Stephenson_Cracker_House-Final-F18-608x342.png" alt="Changing Same Michèle Stephenson Joe Brewster Impact Innovation Initiative 2018" width="608" height="342" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/01/Changing-Same_Stephenson_Cracker_House-Final-F18-608x342.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/01/Changing-Same_Stephenson_Cracker_House-Final-F18-768x432.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/01/Changing-Same_Stephenson_Cracker_House-Final-F18-1024x576.png 1024w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a></p>
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<p><a href="http://radafilm.com/portfolio/racial-terror/"><em>The Changing Same</em></a>, directed by Impact &amp; Innovation Initiative (past program) grantees <a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient-4/">Michèle Stephenson</a> (also a 2016 <a href="https://chickeneggpics.org/programs/#breakthrough-filmmaker-award">Chicken &amp; Egg Award </a>recipient) and Joe Brewster</p>
<p>Poet Lamar Wilson remembers reading <em>Anatomy of a Lynching</em> as a young man and immediately asking his grandmother if she knew Claude Neal. The book recounts the heinous 1934 murder and mutilation of Neal, a 23-year-old African American, at the hands of a mob of white men.*<br />
<span class="datetime" data-date="2019-04-06"><a href="https://www.fullframefest.org/film/the-changing-same/">Saturday, April 6 at 1:00 pm at Cinema One</a></span></p>
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<div><a href="https://chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images.jpg" rel="lightbox[5962]"><img loading="lazy" decoding="async" class="size-medium wp-image-5356" src="https://chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images-608x406.jpg" alt="Jacqueline Olive Always in Season" width="608" height="406" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images-608x406.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images-768x513.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images-1024x684.jpg 1024w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a></div>
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<p><em><a href="https://chickeneggpics.org/grantee/always-in-season/">Always in Season </a></em>(2018 (Egg)celerator Lab grantee), directed by Jacqueline Olive<br />
When 17-year-old Lennon Lacy is found hanging from a swing set in rural North Carolina in 2014, his mother’s search for justice and reconciliation begins while the trauma of more than a century of lynching African Americans bleeds into the present.<br />
<a href="https://www.fullframefest.org/film/always-in-season/"><span class="datetime" data-date="2019-04-05">Friday, April 5 — 7:20 pm at Cinema Three</span></a></p>
<div><a href="https://chickeneggpics.org/wp-content/uploads/2019/02/one-child-nation-nanfu-wang-yuanchen-liu.jpg" rel="lightbox[5962]"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-5868" src="https://chickeneggpics.org/wp-content/uploads/2019/02/one-child-nation-nanfu-wang-yuanchen-liu-608x342.jpg" alt="" width="608" height="342" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/02/one-child-nation-nanfu-wang-yuanchen-liu-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/one-child-nation-nanfu-wang-yuanchen-liu-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/one-child-nation-nanfu-wang-yuanchen-liu-1024x576.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/one-child-nation-nanfu-wang-yuanchen-liu.jpg 1067w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a></div>
<p><em><a href="https://chickeneggpics.org/grantee/one-child-nation/">One Child Nation</a> </em>(2017 (Egg)celerator Lab grantee), directed by Nanfu Wang (also a 2018 Chicken &amp; Egg Award recipient) and Jialing Zhang<br />
How much control does a person have over their own life? In China, state control begins before a child is even born.<br />
<a href="https://www.fullframefest.org/film/one-child-nation/">Friday, April 5 — 7:00 pm at Cinema One</a></p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2014/08/mudflow1.jpg" rel="lightbox[5962]"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-851" src="https://chickeneggpics.org/wp-content/uploads/2014/08/mudflow1-608x405.jpg" alt="Mudflow Cynthia Wade and Sasha Friedlander" width="608" height="405" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/08/mudflow1-608x405.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/mudflow1-1024x682.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/mudflow1.jpg 1080w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a></p>
<p><a href="https://chickeneggpics.org/grantee/grit/"><em>Grit</em></a>, directed by Cynthia Wade and Sasha Friedlander<br />
Grit is the story of a huge, toxic mudflow in Indonesia widely believed to be caused by shoddy drilling practices. The mud volcano has been erupting violently for the past eight years, burying 17 villages and permanently displacing 60,000 people. Grit follows ordinary Indonesians seeking justice for this disaster during a national election where one presidential candidate has promised restitution — and the other has not.<br />
<a href="https://www.fullframefest.org/film/grit/">Thursday, April 4 — 10:00 am at Cinema One</a></p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2018/06/Obstinate.png" rel="lightbox[5962]"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-4181" src="https://chickeneggpics.org/wp-content/uploads/2018/06/Obstinate-608x341.png" alt="A Thousand Girls Like Me 2016 Diversity Fellows Initiative Sahra Mani" width="608" height="341" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/06/Obstinate-608x341.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/06/Obstinate-768x431.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/06/Obstinate-1024x575.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2018/06/Obstinate.png 1910w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a></p>
<p><a href="https://chickeneggpics.org/grantee/a-thousand-girls-like-me/"><em>A Thousand Girls Like Me</em></a>, directed by Sahra Mani (2016 Diversity Fellows Initiative — past program)<br />
In Afghanistan where systematic abuses of girls rarely come to light, and seeking justice can be deadly, one young woman says “Enough.” Khatera was brutally raped by her father since the age of nine and today she raises two precious and precocious children whom he sired. Against her family’s and many Afghanis’ wishes, Khatera forces her father to stand trial. This is her incredible story of love, hope, bravery, forgiveness, and truth.<br />
<a href="https://www.fullframefest.org/film/a-thousand-girls-like-me/">Thursday, April 4 — 4:20 pm at Cinema Four </a></p>
<p><em><a href="https://chickeneggpics.org/wp-content/uploads/2019/02/alex_tornillo_-_rachel_lears.jpg" rel="lightbox[5962]"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-5869" src="https://chickeneggpics.org/wp-content/uploads/2019/02/alex_tornillo_-_rachel_lears-608x321.jpg" alt="" width="608" height="321" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/02/alex_tornillo_-_rachel_lears-608x321.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/alex_tornillo_-_rachel_lears-768x405.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/alex_tornillo_-_rachel_lears-1024x540.jpg 1024w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a><br />
Knock Down the House</em>, directed by Rachel Lears (former Nest grantee for <em><a href="https://chickeneggpics.org/grantee/the-hand-that-feeds/">The Hand That Feeds</a></em>)<br />
In the run up to the 2018 U.S. midterms, four political newcomers challenge their Democratic incumbents in the primary elections that lead ultimately to a seat in Congress. Fearless and determined, Alexandria Ocasio-Cortez, Paula Jean Swearengin, Cori Bush, and Amy Vilela introduce their grassroots platforms to the communities in which they are deeply ingrained.*<br />
<a href="https://www.fullframefest.org/film/knock-down-the-house/">Friday, April 5 — 7:20 pm at Fletcher</a></p>
<p>*Synopses courtesy of Full Frame.</p>
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		<title>Supported Filmmakers are Soaring at the 62nd Annual SFFILM</title>
		<link>https://archive.chickeneggpics.org/supported-filmmakers-are-soaring-at-the-62nd-annual-sffilm/</link>
					<comments>https://archive.chickeneggpics.org/supported-filmmakers-are-soaring-at-the-62nd-annual-sffilm/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Thu, 21 Mar 2019 20:49:54 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Always In Season]]></category>
		<category><![CDATA[American Factory]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[Female Documentary Filmmakers]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Hail Satan]]></category>
		<category><![CDATA[Jacqueline Olive]]></category>
		<category><![CDATA[Jialing Zhang]]></category>
		<category><![CDATA[Julia Reichert]]></category>
		<category><![CDATA[Knock Down the House]]></category>
		<category><![CDATA[Nanfu Wang]]></category>
		<category><![CDATA[One Child Nation]]></category>
		<category><![CDATA[Penny Lane]]></category>
		<category><![CDATA[Rachel Lears]]></category>
		<category><![CDATA[San Francisco]]></category>
		<category><![CDATA[San Francisco International Film Festival]]></category>
		<category><![CDATA[SFFILM]]></category>
		<category><![CDATA[Steve Bognar]]></category>
		<category><![CDATA[Steven Bognar]]></category>
		<category><![CDATA[The Hand That Feeds]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=5935</guid>

					<description><![CDATA[The San Francisco International Film Festival (SFFILM), among the longest running film festivals in the US, unveiled the line-up yesterday for its 62nd annual showcase. Congratulations to the Nest-supported filmmakers who will be soaring to the Bay Area for the festival, which takes place from Wednesday, April 10  to Tuesday, April 23: American Factory, directed [&#8230;]]]></description>
										<content:encoded><![CDATA[<div>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2019/03/sffilm-2019.jpg" rel="lightbox[5935]"><img loading="lazy" decoding="async" class="alignnone size-full wp-image-5938" src="https://chickeneggpics.org/wp-content/uploads/2019/03/sffilm-2019.jpg" alt="" width="5700" height="2400" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/03/sffilm-2019.jpg 5700w, https://archive.chickeneggpics.org/wp-content/uploads/2019/03/sffilm-2019-608x256.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/03/sffilm-2019-768x323.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2019/03/sffilm-2019-1024x431.jpg 1024w" sizes="auto, (max-width: 5700px) 100vw, 5700px" /></a></p>
<p>The San Francisco International Film Festival (SFFILM), among the longest running film festivals in the US, unveiled the line-up yesterday for its 62nd annual showcase. Congratulations to the Nest-supported filmmakers who will be soaring to the Bay Area for the festival, which takes place from Wednesday, April 10  to Tuesday, April 23:</p>
<p><i>American Factory</i>, directed by Julia Reichert (<a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient/">2016 Chicken &amp; Egg Award recipient</a>) and Steve Bognar</p>
<div>
<figure id="attachment_5867" aria-describedby="caption-attachment-5867" style="width: 892px" class="wp-caption alignnone"><a href="https://chickeneggpics.org/wp-content/uploads/2019/02/american-factory.jpg" rel="lightbox[5935]"><img loading="lazy" decoding="async" class="wp-image-5867 size-full" src="https://chickeneggpics.org/wp-content/uploads/2019/02/american-factory.jpg" alt="" width="892" height="598" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/02/american-factory.jpg 892w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/american-factory-608x408.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/american-factory-768x515.jpg 768w" sizes="auto, (max-width: 892px) 100vw, 892px" /></a><figcaption id="caption-attachment-5867" class="wp-caption-text">American Factory, directed by Julia Reichert and Steve Bognar</figcaption></figure>
</div>
</div>
<div>
<p>Dizzying, hilarious and devastating, this tale of two factories makes for a landmark story of workplace anxiety. Directors Reichert and Bognar have spent a decade documenting the plight of Ohio’s factory workers, and their dedication pays off when they are given astonishing access to Fuyao, a Chinese auto glass manufacturer, as it revives a shuttered General Motors plant in Dayton.*</p>
</div>
<div>
<div>
<div>
<ul>
<li><a href="https://sffilm.org/event/american-factory/">Sunday, April 14 at 4:30 pm at SFMOMA</a></li>
<li><a href="https://sffilm.org/event/american-factory/">Tuesday, April 16 at 8:30 pm at  SFMOMA Phyllis Wattis Theater</a></li>
</ul>
<p><a href="https://chickeneggpics.org/grantee/one-child-nation/"><i>One Child Nation</i></a>, directed by Nanfu Wang (also a <a href="https://chickeneggpics.org/grantee/2018-breakthrough-award-recipient-wang/">2018 Chicken &amp; Egg Award recipient</a>) and Jialing Zhang (2017 (Egg)celerator Lab grantee)</p>
</div>
</div>
<div>
<figure id="attachment_5868" aria-describedby="caption-attachment-5868" style="width: 1067px" class="wp-caption alignnone"><a href="https://chickeneggpics.org/wp-content/uploads/2019/02/one-child-nation-nanfu-wang-yuanchen-liu.jpg" rel="lightbox[5935]"><img loading="lazy" decoding="async" class="wp-image-5868 size-full" src="https://chickeneggpics.org/wp-content/uploads/2019/02/one-child-nation-nanfu-wang-yuanchen-liu.jpg" alt="" width="1067" height="600" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/02/one-child-nation-nanfu-wang-yuanchen-liu.jpg 1067w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/one-child-nation-nanfu-wang-yuanchen-liu-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/one-child-nation-nanfu-wang-yuanchen-liu-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/one-child-nation-nanfu-wang-yuanchen-liu-1024x576.jpg 1024w" sizes="auto, (max-width: 1067px) 100vw, 1067px" /></a><figcaption id="caption-attachment-5868" class="wp-caption-text">One Child Nation, directed by Nanfu Wang and Jialing Zhang</figcaption></figure>
</div>
<div>
<p>How much control does a person have over their own life? In China, state control begins before a child is even born.</p>
</div>
<ul>
<li><a href="https://sffilm.org/event/one-child-nation/">Sunday, April 14 at 1:00 pm at BAMPFA</a></li>
<li><a href="https://sffilm.org/event/one-child-nation/">Monday, April 15 at 6:00 pm at Creativity Theater</a></li>
</ul>
<p><a href="https://chickeneggpics.org/grantee/always-in-season/"><em>Alway</em>s<i> In Season</i></a>, directed by Jacqueline Olive (2018 (Egg)celerator Lab grantee)</p>
</div>
<div>
<div>
<figure id="attachment_5356" aria-describedby="caption-attachment-5356" style="width: 4000px" class="wp-caption alignnone"><a href="https://chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images.jpg" rel="lightbox[5935]"><img loading="lazy" decoding="async" class="wp-image-5356 size-full" src="https://chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images.jpg" alt="Jacqueline Olive Always in Season" width="4000" height="2670" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images.jpg 4000w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images-608x406.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images-768x513.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images-1024x684.jpg 1024w" sizes="auto, (max-width: 4000px) 100vw, 4000px" /></a><figcaption id="caption-attachment-5356" class="wp-caption-text">Always in Season, directed by Jacqueline Olive</figcaption></figure>
</div>
<div>
<p class="p1">When 17-year-old Lennon Lacy is found hanging from a swing set in rural North Carolina in 2014, his mother’s search for justice and reconciliation begins while the trauma of more than a century of lynching African Americans bleeds into the present.</p>
</div>
<div>
<ul>
<li><a href="https://sffilm.org/event/always-in-season/">Thursday, April 18 at 6:00 pm at SFMOMA</a></li>
<li><a href="https://sffilm.org/event/always-in-season/">Friday, April 19 at 6:00 pm at Grand Lake Theatre</a></li>
<li><a href="https://sffilm.org/event/always-in-season/">Saturday, April 20 at 3:30 pm at Creativity Theater</a></li>
</ul>
<p><i>Hail Satan?</i>, directed by <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-lane/">Penny Lane</a> (2017 Chicken &amp; Egg Award recipient)</p>
<div>
<figure id="attachment_5936" aria-describedby="caption-attachment-5936" style="width: 928px" class="wp-caption alignnone"><a href="https://chickeneggpics.org/wp-content/uploads/2019/03/hail_satan_-_publicity_-_h_2018.jpg" rel="lightbox[5935]"><img loading="lazy" decoding="async" class="wp-image-5936 size-full" src="https://chickeneggpics.org/wp-content/uploads/2019/03/hail_satan_-_publicity_-_h_2018.jpg" alt="" width="928" height="523" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/03/hail_satan_-_publicity_-_h_2018.jpg 928w, https://archive.chickeneggpics.org/wp-content/uploads/2019/03/hail_satan_-_publicity_-_h_2018-608x343.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/03/hail_satan_-_publicity_-_h_2018-768x433.jpg 768w" sizes="auto, (max-width: 928px) 100vw, 928px" /></a><figcaption id="caption-attachment-5936" class="wp-caption-text">Hail Satan?, directed by Penny Lane</figcaption></figure>
</div>
<div>
<p>A look at the intersection of religion and activism, tracing the rise of The Satanic Temple: only six years old and already one of the most controversial religious movements in American history. The Temple is calling for a Satanic revolution to save the nation’s soul. But are they for real?**</p>
</div>
<ul>
<li><a href="https://sffilm.org/event/hail-satan/">Saturday, April 20 at 6:00 pm at Victoria Theatre</a></li>
<li>
<div><a href="https://sffilm.org/event/hail-satan/">Tuesday, April 23 at 8:30 pm at Roxie Theatre</a></div>
</li>
</ul>
<figure id="attachment_5869" aria-describedby="caption-attachment-5869" style="width: 4096px" class="wp-caption alignnone"><a href="https://chickeneggpics.org/wp-content/uploads/2019/02/alex_tornillo_-_rachel_lears.jpg" rel="lightbox[5935]"><img loading="lazy" decoding="async" class="wp-image-5869 size-full" src="https://chickeneggpics.org/wp-content/uploads/2019/02/alex_tornillo_-_rachel_lears.jpg" alt="" width="4096" height="2160" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/02/alex_tornillo_-_rachel_lears.jpg 4096w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/alex_tornillo_-_rachel_lears-608x321.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/alex_tornillo_-_rachel_lears-768x405.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/alex_tornillo_-_rachel_lears-1024x540.jpg 1024w" sizes="auto, (max-width: 4096px) 100vw, 4096px" /></a><figcaption id="caption-attachment-5869" class="wp-caption-text">Knock Down The House, directed by Rachel Lears</figcaption></figure>
<div><span style="color: #000000;">And a special congratulations to Rachel Lears,</span><i><span style="color: #000000;"> director of Knock Down the House</span></i><span style="color: #000000;">, which will screen </span><span style="color: #000000;">Saturday, April 13 at 7:30 pm at Castro Theatre.</span><span style="color: #000000;"> Rachel is a </span>former Nest grantee for <i>The Hand that Feeds. </i></div>
</div>
</div>
<div></div>
<div>See you in San Francisco!</div>
<div></div>
<div>*Synopsis from SFFILM website.</div>
<div>**Synopsis from SFFILM website.</div>
<div>
<div class="yj6qo ajU"></div>
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]]></content:encoded>
					
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		<title>2019 Sundance Festival Winners</title>
		<link>https://archive.chickeneggpics.org/2019-sundance-festival-winners/</link>
					<comments>https://archive.chickeneggpics.org/2019-sundance-festival-winners/#comments</comments>
		
		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Sun, 03 Feb 2019 21:16:50 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[Premieres]]></category>
		<category><![CDATA[Alma Ha'rel]]></category>
		<category><![CDATA[Always In Season]]></category>
		<category><![CDATA[Amazon]]></category>
		<category><![CDATA[American Factory]]></category>
		<category><![CDATA[Directing - US Documentary Competition]]></category>
		<category><![CDATA[Honey Boy]]></category>
		<category><![CDATA[Jacky Olive]]></category>
		<category><![CDATA[Jacqueline Olive]]></category>
		<category><![CDATA[Jialing Zhang]]></category>
		<category><![CDATA[Julia Reichert]]></category>
		<category><![CDATA[Knock Down the House]]></category>
		<category><![CDATA[Laura Nix]]></category>
		<category><![CDATA[Lynn Zhang]]></category>
		<category><![CDATA[Nanfu Wang]]></category>
		<category><![CDATA[Netflix]]></category>
		<category><![CDATA[One Child Nation]]></category>
		<category><![CDATA[Rachel Lears]]></category>
		<category><![CDATA[Sea of Shadows]]></category>
		<category><![CDATA[Special Jury Award for Moral Urgency - US Documentary Competition]]></category>
		<category><![CDATA[Steve Bognar]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[Sundance Grand Jury Prize]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=5743</guid>

					<description><![CDATA[A huge congratulations to Chicken &#38; Egg Pictures-supported films and filmmakers who won big at Sundance this year: One Child Nation Dirs. Nanfu Wang &#38; Jialing Zhang Grand Jury Prize &#8211; US Documentary Competition Always in Season Dir. Jacqueline Olive Special Jury Award for Moral Urgency &#8211; US Documentary Competition American Factory Dir. Julia Reichert [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://chickeneggpics.org/wp-content/uploads/2019/02/2019-Sundance-CE-award-winners.jpg" rel="lightbox[5743]"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-5744" src="https://chickeneggpics.org/wp-content/uploads/2019/02/2019-Sundance-CE-award-winners-608x442.jpg" alt="" width="608" height="442" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/02/2019-Sundance-CE-award-winners-608x442.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/2019-Sundance-CE-award-winners-768x559.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/2019-Sundance-CE-award-winners-1024x745.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/2019-Sundance-CE-award-winners.jpg 1650w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a></p>
<p>A huge congratulations to Chicken &amp; Egg Pictures-supported films and filmmakers who <a href="https://variety.com/2019/film/festivals/sundance-film-festival-2019-winners-list-1203127036/">won big at Sundance this year:</a></p>
<p style="text-align: center;"><a href="https://chickeneggpics.org/grantee/one-child-nation/"><em>One Child Nation</em></a><br />
Dirs. <a href="https://chickeneggpics.org/grantee/2018-breakthrough-award-recipient-wang/">Nanfu Wang</a> &amp; Jialing Zhang<br />
<strong>Grand Jury Prize &#8211; US Documentary Competition<br />
</strong></p>
<p style="text-align: center;"><a href="https://chickeneggpics.org/grantee/always-in-season/"><em>Always in Season</em></a><br />
Dir. Jacqueline Olive<br />
<strong>Special Jury Award for Moral Urgency &#8211; US Documentary Competition</strong></p>
<p style="text-align: center;"><em>American Factory</em><br />
Dir. <a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient/">Julia Reichert</a> &amp; Steven Bognar<br />
<strong>Directing &#8211; US Documentary Competition</strong></p>
<p>It was a big weekend for these incredible filmmakers in more ways than one, with Amazon acquiring <em>One Child Nation</em> and Netflix acquiring <em>American Factory</em>. And a special congratulations to former Nest grantees Rachel Lears (dir. of <em>Knock Down the House</em> &#8211; US Documentary Competition Audience Award), Alma Har&#8217;el (dir. of <em>Honey Boy</em> &#8211; US Dramatic CompetitionSpecial Jury Award for Vision and Craft); and Laura Nix (executive producer of <em>Sea of Shadows</em> &#8211; World Cinema Documentary Audience Award).</p>
<p>We couldn&#8217;t be prouder of our Nest friends. Learn more about <em>American Factory</em>, <em>Always in Season</em>, and <em>One Child Nation</em>—and the amazing women that made them—through these reads:</p>
<p><a href="https://www.indiewire.com/2019/02/one-child-policy-documentary-nanfu-wang-defied-china-expose-truth-1202040527/">‘One Child Nation’: How Nanfu Wang Defied China to Expose Its Dark Side</a> &#8211; Indiewire</p>
<p><a href="https://womenandhollywood.com/sundance-2019-women-directors-meet-nanfu-wang-one-child-nation/">Sundance 2019 Women Directors: Meet Nanfu Wang – “One Child Nation”</a>&#8211; Women and Hollywood</p>
<p><a href="https://womenandhollywood.com/sundance-2019-women-directors-meet-jacqueline-olive-always-in-season/?utm_source=dlvr.it&amp;utm_medium=twitter">Sundance 2019 Women Directors: Meet Jacqueline Olive – “Always in Season”</a>&#8211; Women and Hollywood</p>
<p><a href="https://www.theutahreview.com/sundance-2019-always-in-season-an-exceptional-documentary-on-communities-of-memory-history-of-lynchings/">Sundance 2019: Always in Season an exceptional documentary on communities of memory, history of lynchings</a> &#8211; The Utah Review</p>
<p><a href="https://www.screendaily.com/reviews/american-factory-sundance-review/5136212.article">&#8216;American Factory&#8217;: Sundance Review</a> &#8211; Screen Daily</p>
<p class="article__headline"><a href="https://www.hollywoodreporter.com/news/netflix-nabs-american-factory-doc-3-million-1179673">Sundance: Netflix Nabs &#8216;American Factory&#8217; Doc for $3 Million</a> &#8211; The Hollywood Reporter</p>
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		<title>Jacqueline Olive: Dozen Days of Filmmakers — Day 12</title>
		<link>https://archive.chickeneggpics.org/jacqueline-olive-dozen-days-of-filmmakers-day-12/</link>
					<comments>https://archive.chickeneggpics.org/jacqueline-olive-dozen-days-of-filmmakers-day-12/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Mon, 24 Dec 2018 23:04:24 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[2019 Sundance Film Festival]]></category>
		<category><![CDATA[Always In Season]]></category>
		<category><![CDATA[Black to Our Roots]]></category>
		<category><![CDATA[Dozen Days of Filmmakers]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Independent Lens]]></category>
		<category><![CDATA[Jackie Olive]]></category>
		<category><![CDATA[Jacqueline Olive]]></category>
		<category><![CDATA[North Carolina]]></category>
		<category><![CDATA[PBS World]]></category>
		<category><![CDATA[Racial Justice]]></category>
		<category><![CDATA[Racial Terrorism]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[VR]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=5333</guid>

					<description><![CDATA[&#160; Chicken &#38; Egg Pictures is celebrating the holiday season by featuring a dozen of our supported women nonfiction filmmakers. Jacqueline Olive is an independent filmmaker and immersive media producer with more than a decade of experience in journalism and film. She co-directed and produced the award-winning short documentary, Black To Our Roots, which broadcast on PBS [&#8230;]]]></description>
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<p>Chicken &amp; Egg Pictures is celebrating the holiday season by featuring a dozen of our supported women nonfiction filmmakers.</p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2014/08/Jacqueline-Olive_Director-Always-in-Season_Courtesy-of-Teo-Olive-1-min.jpg" rel="lightbox[5333]"><img loading="lazy" decoding="async" class="wp-image-5266 alignleft" src="https://chickeneggpics.org/wp-content/uploads/2014/08/Jacqueline-Olive_Director-Always-in-Season_Courtesy-of-Teo-Olive-1-min-344x344.jpg" alt="Jacqueline Olive Always In Season 2018 Accelerator Lab" width="208" height="208" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Jacqueline-Olive_Director-Always-in-Season_Courtesy-of-Teo-Olive-1-min-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Jacqueline-Olive_Director-Always-in-Season_Courtesy-of-Teo-Olive-1-min-608x608.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Jacqueline-Olive_Director-Always-in-Season_Courtesy-of-Teo-Olive-1-min-768x768.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Jacqueline-Olive_Director-Always-in-Season_Courtesy-of-Teo-Olive-1-min-1024x1024.jpg 1024w" sizes="auto, (max-width: 208px) 100vw, 208px" /></a>Jacqueline Olive is an independent filmmaker and immersive media producer with more than a decade of experience in journalism and film. She co-directed and produced the award-winning short documentary, <em>Black To Our Roots</em>, which broadcast on PBS World. Jacqueline has been a Sundance Documentary Edit &amp; Story Lab Fellow, a Sundance Documentary Film Program Fellow, and Sundance Music &amp; Sound Design Lab fellow.</p>
<figure id="attachment_3816" aria-describedby="caption-attachment-3816" style="width: 1728px" class="wp-caption alignnone"><a href="https://chickeneggpics.org/wp-content/uploads/2014/08/2018-AL_AIS_Production_Still_1_Claudia-Lacy2.jpg" rel="lightbox[5333]"><img loading="lazy" decoding="async" class="wp-image-3816 size-full" src="https://chickeneggpics.org/wp-content/uploads/2014/08/2018-AL_AIS_Production_Still_1_Claudia-Lacy2.jpg" alt="Always in Season 2018 Accelerator Lab Grantee Jacqueline Olive" width="1728" height="1220" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/08/2018-AL_AIS_Production_Still_1_Claudia-Lacy2.jpg 1728w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/2018-AL_AIS_Production_Still_1_Claudia-Lacy2-608x429.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/2018-AL_AIS_Production_Still_1_Claudia-Lacy2-768x542.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/2018-AL_AIS_Production_Still_1_Claudia-Lacy2-1024x723.jpg 1024w" sizes="auto, (max-width: 1728px) 100vw, 1728px" /></a><figcaption id="caption-attachment-3816" class="wp-caption-text">Always in Season, directed by Jacqueline Olive</figcaption></figure>
<p>She also received the Emerging Filmmakers of Color Award from International Documentary Association and the Jonathan Logan Family Foundation. Jacqueline has been a immersive media fellow with the Bay Area Video Coalition Institute for New Media Technologies and Mediamaker Fellows, the Black Public Media New Media Institute, and most recently, the Open Immersion VR Lab sponsored by the Ford Foundation, National Film Board of Canada, and the Canadian Film Centre. Jacqueline has an MA from the University of Florida Documentary Institute and previously worked on the production team of the Emmy Award-winning PBS documentary series, Independent Lens.</p>
<p><span style="font-weight: 400;">Her debut feature documentary and 2018 Accelerator Lab grantee,  <a href="https://chickeneggpics.org/grantee/always-in-season/"><em>Always In Season</em></a>, will premiere in competition at the 2019 Sundance Film Festival.</span></p>
<figure id="attachment_1556" aria-describedby="caption-attachment-1556" style="width: 4000px" class="wp-caption alignnone"><a href="https://chickeneggpics.org/wp-content/uploads/2014/08/AlwaysInSeason_Alternate1-1-copy.jpg" rel="lightbox[5333]"><img loading="lazy" decoding="async" class="wp-image-1556 size-full" src="https://chickeneggpics.org/wp-content/uploads/2014/08/AlwaysInSeason_Alternate1-1-copy.jpg" alt="Always in Season 2018 Accelerator Lab Jacqueline Olive" width="4000" height="2250" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/08/AlwaysInSeason_Alternate1-1-copy.jpg 4000w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/AlwaysInSeason_Alternate1-1-copy-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/AlwaysInSeason_Alternate1-1-copy-1024x576.jpg 1024w" sizes="auto, (max-width: 4000px) 100vw, 4000px" /></a><figcaption id="caption-attachment-1556" class="wp-caption-text">Always in Season, directed by Jacqueline Olive</figcaption></figure>
<p><span style="font-weight: 400;"><a href="https://chickeneggpics.org/grantee/always-in-season/"><em>Always In Season</em></a> explores the lingering impact of more than a century of lynching African Americans and connects this form of historic racial terrorism to racial violence today. The film centers on the case of Lennon Lacy, an African American teen who was found hanging from a swing set in Bladenboro, North Carolina, on August 29, 2014. Despite inconsistencies in the case, local officials quickly ruled Lennon’s death a suicide, but his mother, Claudia, believes Lennon was lynched. Claudia moves from paralyzing grief to leading the fight for justice for her son. </span></p>
<p>Jacqueline is currently producing a VR companion to <em>Always In Season</em> that uses 360° video and computer-generated imagery (CGI) to explore themes of dehumanization and violence, offering strategies for moving confidently through the racialized public spaces that black women navigate daily.</p>
<p>&nbsp;</p>
<p><em>Post by Morgan Lee Hulquist.</em></p>
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		<title>The Nest at the 2019 Sundance Film Festival</title>
		<link>https://archive.chickeneggpics.org/the-nest-at-the-2019-sundance-film-festival/</link>
					<comments>https://archive.chickeneggpics.org/the-nest-at-the-2019-sundance-film-festival/#comments</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Thu, 29 Nov 2018 23:50:51 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[Film Festival]]></category>
		<category><![CDATA[Jacqueline Olive]]></category>
		<category><![CDATA[Jehane Noujaim]]></category>
		<category><![CDATA[Julia Reichert]]></category>
		<category><![CDATA[Kim Longinotto]]></category>
		<category><![CDATA[Nanfu Wang]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[One Child Nation]]></category>
		<category><![CDATA[Penny Lane]]></category>
		<category><![CDATA[Rachel Lears]]></category>
		<category><![CDATA[social change]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women documentarians]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=5243</guid>

					<description><![CDATA[Chicken &#38; Egg Pictures is coming to the 2019 Sundance Film Festival! In addition to seeing our filmmakers soar, we are delighted that they are contributing to a festival where 40% of selected films are directed by one or more women, and 53% percent of the directors eligible for the festival’s top prize are women.  The following [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img loading="lazy" decoding="async" class="alignnone wp-image-5250 size-full" src="https://chickeneggpics.org/wp-content/uploads/2018/11/2019-Sundance-Banner.jpg" alt="" width="1605" height="600" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/11/2019-Sundance-Banner.jpg 1605w, https://archive.chickeneggpics.org/wp-content/uploads/2018/11/2019-Sundance-Banner-608x227.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/11/2019-Sundance-Banner-768x287.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/11/2019-Sundance-Banner-1024x383.jpg 1024w" sizes="auto, (max-width: 1605px) 100vw, 1605px" /></p>
<p>Chicken &amp; Egg Pictures is coming to the 2019 <a href="https://www.sundance.org/festivals/sundance-film-festival">Sundance Film Festival</a>! In addition to seeing our filmmakers soar, we are delighted that they are contributing to a festival where 40% of selected films are directed by one or more women, and 53% percent of the <span style="font-weight: 400;">directors eligible for the festival’s top prize are women. </span></p>
<p>The following Nest-supported projects and filmmakers from our <a href="https://chickeneggpics.org/programs/#accelerator-lab">Accelerator Lab </a>and <a href="https://chickeneggpics.org/programs/#breakthrough-filmmaker-award">Breakthrough Filmmaker Award</a> programs, along with several directors from our AlumNest, will be celebrating their world premieres.</p>
<figure id="attachment_5356" aria-describedby="caption-attachment-5356" style="width: 4000px" class="wp-caption alignnone"><a href="https://chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images.jpg" rel="lightbox[5243]"><img loading="lazy" decoding="async" class="wp-image-5356 size-full" src="https://chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images.jpg" alt="Jacqueline Olive Always in Season" width="4000" height="2670" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images.jpg 4000w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images-608x406.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images-768x513.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images-1024x684.jpg 1024w" sizes="auto, (max-width: 4000px) 100vw, 4000px" /></a><figcaption id="caption-attachment-5356" class="wp-caption-text">Always in Season, directed by Jacqueline Olive</figcaption></figure>
<p><a href="https://chickeneggpics.org/grantee/always-in-season/"><em>Always in Season</em></a>, directed by Jacqueline Olive (<a href="https://chickeneggpics.org/programs/#accelerator-lab">2018 Accelerator Lab</a>)</p>
<p>As the trauma of a century of lynching African Americans bleeds into the present, <em>Always in Season</em> follows relatives of the perpetrators and victims in communities across the country who are seeking justice and reconciliation in the midst of racial profiling and police shootings. In Bladenboro, NC, the film connects historic racial terrorism to racial violence today with the story of Claudia Lacy who grieves as she fights to get an FBI investigation opened into the death of her seventeen-year-old son, Lennon Lacy, found hanging from a swing set on August 29, 2014. Claudia, like many others, believes Lennon was lynched.</p>
<p><a href="https://chickeneggpics.org/grantee/one-child-nation/"><em>One Child Nation</em></a>, directed by Nanfu Wang and Jialing Zhang (<a href="https://chickeneggpics.org/programs/#accelerator-lab">2017 Accelerator Lab</a>)</p>
<p>How much control does a person have over their own life? In China, state control begins before a child is even born.</p>
<p>Director Nanfu Wang is also a recipient of the <a href="https://chickeneggpics.org/grantee/2018-breakthrough-award-recipient-wang/">2018 Breakthrough Filmmaker Award</a>.</p>
<p><em>American Factory*,</em> directed by Steven Bognar and Julia Reichert (<a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient/">2016 Breakthrough Filmmaker Award</a>)</p>
<p><span style="font-weight: 400;">In post-industrial Ohio, a Chinese billionaire opens a new factory in the husk of an abandoned General Motors plant, hiring two thousand blue-collar Americans. Early days of hope and optimism give way to setbacks as high-tech China clashes with working-class America.**</span></p>
<p><em>Hail Satan*</em>, directed by Penny Lane (<a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-lane/">2017 Breakthrough Filmmaker Award</a>)</p>
<p><span style="font-weight: 400;">A look at the intersection of religion and activism, tracing the rise of The Satanic Temple: only six years old and already one of the most controversial religious movements in American history. The Temple is calling for a Satanic revolution to save the nation’s soul. But are they for real?**</span></p>
<p>In addition, the following films directed by Nest-supported filmmakers will be featured at the festival:</p>
<p><em>Knock Down the House</em>, directed by Rachel Lears (director of Nest-supported film <a href="https://chickeneggpics.org/grantee/the-hand-that-feeds/"><em>The Hand That Feeds</em></a> with Robin Blotnick)</p>
<p><em>Shooting the Mafia</em>, directed by Kim Longinotto (director of Nest-supported film <a href="https://chickeneggpics.org/grantee/dreamcatcher/"><em>Dreamcatcher</em></a>)</p>
<p><em>The Great Hack</em>, directed by Karim Amer and Jehane Noujaim (Jehane is the director of the Nest-supported film <a href="https://chickeneggpics.org/grantee/the-square/"><em>The Square</em></a>)</p>
<p><span style="font-weight: 400;">The <a href="https://www.sundance.org/festivals/sundance-film-festival">Sundance Film Festival</a> will run from January 24 to February 3, 2019. Congratulations to all, and we will see you in Park City! </span></p>
<p>&nbsp;</p>
<p>*Chicken &amp; Egg Pictures did not directly support <em>American Factory</em> and <em>Hail Satan</em> but supported director Julia Reichert and director Penny Lane during their Breakthrough years.</p>
<p>**Synopses courtesy of Sundance Film Festival.</p>
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		<title>Announcing our 2018 Accelerator Lab grantees!</title>
		<link>https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/</link>
					<comments>https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/#comments</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Wed, 21 Feb 2018 16:06:31 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[2018 Accelerator Lab]]></category>
		<category><![CDATA[A Cops and Robbers Story]]></category>
		<category><![CDATA[Always In Season]]></category>
		<category><![CDATA[Arthur Nazaryan]]></category>
		<category><![CDATA[Electric Malady]]></category>
		<category><![CDATA[Enemies of the State]]></category>
		<category><![CDATA[Eunice Lau]]></category>
		<category><![CDATA[Ilinca Calugareanu]]></category>
		<category><![CDATA[Jacqueline Olive]]></category>
		<category><![CDATA[Jennifer Redfearn]]></category>
		<category><![CDATA[Loira Limbal]]></category>
		<category><![CDATA[Madeleine Leroyer]]></category>
		<category><![CDATA[Marie Lidén]]></category>
		<category><![CDATA[Number 387]]></category>
		<category><![CDATA[People's Hospital]]></category>
		<category><![CDATA[Reentry]]></category>
		<category><![CDATA[Rintu Thomas]]></category>
		<category><![CDATA[Siyi Chen]]></category>
		<category><![CDATA[Sonia Kennebeck]]></category>
		<category><![CDATA[Sushmit Ghosh]]></category>
		<category><![CDATA[The Youth]]></category>
		<category><![CDATA[Through The Night]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<category><![CDATA[Writing With Fire]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=3737</guid>

					<description><![CDATA[Chicken &#38; Egg Pictures is proud to announce the third cohort of our Accelerator Lab for first- and second-time filmmakers! The Accelerator Lab is focused on identifying and supporting women nonfiction directors working on their first or second feature-length documentary. This program brings together ten projects helmed by first- or second-time directors, with a special [&#8230;]]]></description>
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<p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-3844" src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner.jpg" alt="" width="3975" height="1200" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner.jpg 3975w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner-608x184.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner-768x232.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner-1024x309.jpg 1024w" sizes="auto, (max-width: 3975px) 100vw, 3975px" /></p>
<p>Chicken &amp; Egg Pictures is proud to announce the third cohort of our Accelerator Lab for first- and second-time filmmakers!</p>
<p>The Accelerator Lab is focused on identifying and supporting women nonfiction directors working on their first or second feature-length documentary. This program brings together ten projects helmed by first- or second-time directors, with a special focus on underrepresented voices.</p>
<p><span style="font-weight: 400;">“Community-building is key to this program,” says Chicken &amp; Egg Pictures Program Director Lucila Moctezuma. “While the Accelerator Lab for first- and second-time filmmakers certainly helps women filmmakers to </span><i><span style="font-weight: 400;">enter</span></i><span style="font-weight: 400;"> the industry pipeline, it also provides them with a community of support that helps them to </span><i><span style="font-weight: 400;">stay</span></i><span style="font-weight: 400;"> in the pipeline. The reality of being a film director is that it can often feel daunting and isolating. By explicitly encouraging peer-to-peer mentorship among our cohort, we provide emerging filmmakers with a chance to bond with and learn from one another, to help one another carve a space for themselves in the industry, and to equip them with the strength of a community they can rely on throughout their careers.” </span></p>
<p>Synopses of the 2018 Accelerator Lab grantees&#8217; compelling projects are below, and you can get to know the directors by viewing the linked project pages. Grantees will work on these films during their program year.</p>
<p>Our next open call for the Accelerator Lab will take place in the spring of 2018. For additional information on the program, including application criteria, please visit our <a href="https://chickeneggpics.org/programs/#accelerator-lab">Programs</a> page.</p>
<p>Congratulations to our newest grantees, and wishing you a fantastic year!</p>
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<div class="column">
<figure id="attachment_3730" aria-describedby="caption-attachment-3730" style="width: 169px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3730" src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot-608x842.jpg" alt="" width="169" height="234" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot-608x842.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot-768x1063.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot-740x1024.jpg 740w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot.jpg 780w" sizes="auto, (max-width: 169px) 100vw, 169px" /><figcaption id="caption-attachment-3730" class="wp-caption-text">Ilinca Calugareanu</figcaption></figure>
<p><em><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3708&amp;preview=true">A Cops and Robbers Story</a>,</em> directed by Ilinca Calugareanu <span style="font-weight: 400;">(ROMANIA / UK)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">Corey Pegues, one of the highest ranking black executives in the NYPD, reveals a few months after retirement that before joining the NYPD he worked the streets dealing crack cocaine for one of the most notorious drug gangs in the US, the Supreme Team. To many he is either a perp in cop costume or a criminal turned hero. But who is the real Corey Pegues?</span></p>
<p>&nbsp;</p>
<figure id="attachment_3739" aria-describedby="caption-attachment-3739" style="width: 188px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3739 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Siyi-Chen_Headshot-e1519228656123-273x344.jpg" alt="" width="188" height="237" /><figcaption id="caption-attachment-3739" class="wp-caption-text">Siyi Chen</figcaption></figure>
<p><em><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3694&amp;preview=true">People&#8217;s Hospital</a>,</em> directed by Siyi Chen <span style="font-weight: 400;">(CHINA / US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">As the Chinese society criticizes dysfunctional hospitals, a doctor’s daughter revisits the small-town hospital where she grew up—this time with a camera, in the middle of a chaotic ER.</span></p>
<p>&nbsp;</p>
<figure id="attachment_3738" aria-describedby="caption-attachment-3738" style="width: 180px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3738 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Sonia_Kennebeck_Director-and-Producer-e1519228570327-258x344.jpg" alt="" width="180" height="240" /><figcaption id="caption-attachment-3738" class="wp-caption-text">Sonia Kennebeck</figcaption></figure>
<p><em><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3709&amp;preview=true">Enemies of the State</a>,</em> directed by Sonia Kennebeck <span style="font-weight: 400;">(MALAYSIA / GERMANY / US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">An average American family becomes entangled in a bizarre web of espionage and corporate secrets when their hacker son is targeted by the U.S. government.</span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>

<a href='https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/2018-al_eunice-lau_headshot/'><img loading="lazy" decoding="async" width="344" height="344" src="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Eunice-Lau_headshot-344x344.jpg" class="attachment-thumbnail size-thumbnail" alt="The Youth Eunice Lau and Arthur Nazaryan 2018 Accelerator Lab" /></a>

<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3693&amp;preview=true"><em>The Youth</em></a>, directed by Eunice Lau <span style="font-weight: 400;">(SINGAPORE / US) </span>and Arthur Nazaryan <span style="font-weight: 400;">(US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}"><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3693&amp;preview=true"><em>The Youth</em></a> is an unflinching look at the forces that drive one to adopt an extreme ideology. Through the eyes of a father who seeks to understand how his son is radicalized by the propaganda of the Islamic State Army, <a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3693&amp;preview=true"><em>The Youth</em></a> reveals how a Muslim American family is affected by the geopolitics and polemics that fuel the resurgence of reactionary and right-wing political movements. Through this intimate lens on the Somali community in Minnesota, <a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3693&amp;preview=true"><i>The Youth</i></a> explores the racism and prejudices against immigrants, the rise of radical Islam, and what it means to be Muslim in contemporary America.</span></p>
</div>
<p>&nbsp;</p>
<figure id="attachment_3781" aria-describedby="caption-attachment-3781" style="width: 196px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3781 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Madeleine-Leroyer_Headshot-e1519228743424-265x344.jpg" alt="" width="196" height="254" /><figcaption id="caption-attachment-3781" class="wp-caption-text">Madeleine Leroyer</figcaption></figure>
<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3736&amp;preview=true"><em>Number 387</em></a>, directed by Madeleine Leroyer <span style="font-weight: 400;">(FRANCE)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">This is the story of a Greek physician who collects pendants and bracelets.<br />
This is the story of an Italian woman who has been fighting for 15 years to &#8220;make bodies talk.&#8221;<br />
This is the story of those who watch over the forgotten migrants.<br />
Since the beginning of 2016, 3,649 migrants have died while attempting to reach Europe by sea. 3,649 names, the vast majority of which have been diluted in the deep blue waters of the Mediterranean.<br />
What happens to the dead? Who identifies them?<br />
What do the mothers, the brothers do to try to find their missing loved ones?<br />
For years, medical examiners have been trying to give back a name, dignity, a memory to these forgotten souls.<br />
This film tells their story.</span></p>
<p>&nbsp;</p>
<div class="column">
<figure id="attachment_3742" aria-describedby="caption-attachment-3742" style="width: 211px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3742 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Marie-Liden_Headshot-e1519229096993-268x344.jpg" alt="" width="211" height="270" /><figcaption id="caption-attachment-3742" class="wp-caption-text">Marie Lidén</figcaption></figure>
<p><em><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3712&amp;preview=true">Electric Malady</a></em>, directed by Marie Lidén <span style="font-weight: 400;">(SWEDEN / UK)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">Director Marie Lidén grew up with a mother who suffered from an illness that the world did not recognize—Electrosensitivity. Years later, in a technologically advanced world, Marie gives a poignant account of the lives of two electrosensitives: William, a 41-year-old Swedish man, and Tyler, a 13-year-old Canadian boy. Using Marie’s own family story as a thread, the film explores William and Tyler’s isolated worlds and their families’ unrelenting commitment to help their children.</span></p>
<p>&nbsp;</p>
<figure id="attachment_3824" aria-describedby="caption-attachment-3824" style="width: 192px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3824 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Limbal-Headshot-e1519229027398-274x344.jpg" alt="" width="192" height="241" /><figcaption id="caption-attachment-3824" class="wp-caption-text">Loira Limbal</figcaption></figure>
<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3809&amp;preview=true"><em>Through The Night</em></a>, directed by Loira Limbal <span style="font-weight: 400;">(US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">To make ends meet, Americans are working longer hours across multiple jobs. This modern reality of non-stop work has resulted in an unexpected phenomenon: the flourishing of 24-hour daycare centers. <a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3809&amp;preview=true"><em>Through the Night</em></a> is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.</span></p>
<p>&nbsp;</p>
<figure id="attachment_3821" aria-describedby="caption-attachment-3821" style="width: 179px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3821 " src="https://chickeneggpics.org/wp-content/uploads/2014/08/2018-AL_Jacqueline_Olive_headshot1-e1519228895877-267x344.jpg" alt="" width="179" height="231" /><figcaption id="caption-attachment-3821" class="wp-caption-text">Jacqueline Olive</figcaption></figure>
<p><em><a href="https://chickeneggpics.org/grantee/always-in-season/"> Always in Season</a></em>, directed by Jacqueline Olive <span style="font-weight: 400;">(US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;As the trauma of a century of lynching African Americans bleeds into the present, Always in Season follows relatives of the perpetrators and victims in communities across the country who’re seeking justice and reconciliation in the midst of racial profiling and police shootings. In Bladenboro, NC, the film connects historic racial terrorism to racial violence today with the story of Claudia Lacy who grieves as she fights to get an FBI investigation opened into the death of her seventeen-year-old son, Lennon Lacy, found hanging from a swing set on August 29, 2014. Claudia, like many others, believes Lennon was lynched. &quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:[null,0],&quot;12&quot;:0}">As the trauma of a century of lynching African Americans bleeds into the present, <a href="https://chickeneggpics.org/grantee/always-in-season/"><em>Always in Season</em></a> follows relatives of the perpetrators and victims in communities across the country who’re seeking justice and reconciliation in the midst of racial profiling and police shootings. In Bladenboro, NC, the film connects historic racial terrorism to racial violence today with the story of Claudia Lacy who grieves as she fights to get an FBI investigation opened into the death of her seventeen-year-old son, Lennon Lacy, found hanging from a swing set on August 29, 2014. Claudia, like many others, believes Lennon was lynched.</span></p>
<p>&nbsp;</p>
<figure id="attachment_3783" aria-describedby="caption-attachment-3783" style="width: 185px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3783 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Jennifer-Redfearn_Headshot-e1519228825399-256x344.jpg" alt="" width="185" height="249" /><figcaption id="caption-attachment-3783" class="wp-caption-text">Jennifer Redfearn</figcaption></figure>
<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3706&amp;preview=true"><em>Reentry</em></a> (working title), directed by Jennifer Redfearn <span style="font-weight: 400;">(US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">Women are now the fastest growing population in the U.S. criminal justice system, increasing at nearly double the rate of men. The majority of women going into prison are serving time for drug related charges. This immersive, character-driven film follows three women—who are part of a new reentry program in Cleveland, Ohio—as they prepare to leave prison, reunite with their children, and find jobs after serving time for drug related charges.</span></p>
<p>&nbsp;</p>

<a href='https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/al-2018_rintu-thomas-headshot/'><img loading="lazy" decoding="async" width="344" height="344" src="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-344x344.jpg" class="attachment-thumbnail size-thumbnail" alt="" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-608x608.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-768x768.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-1024x1024.jpg 1024w" sizes="auto, (max-width: 344px) 100vw, 344px" /></a>
<a href='https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/al-2018_sushmit-ghosh-headshot/'><img loading="lazy" decoding="async" width="344" height="344" src="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-344x344.jpg" class="attachment-thumbnail size-thumbnail" alt="" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-608x608.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-768x768.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-1024x1024.jpg 1024w" sizes="auto, (max-width: 344px) 100vw, 344px" /></a>

</div>
<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3753&amp;preview=true"><em>Writing With Fire</em></a>, directed by Rintu Thomas and Sushmit Ghosh <span style="font-weight: 400;">(INDIA)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">In a cluttered news landscape dominated by men, emerges India&#8217;s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions, be it on the frontlines of India&#8217;s biggest issues or within the confines of their homes, redefining what it means to be powerful.</span></p>
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