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	<title>Jennifer Redfearn &#8211; Chicken &amp; Egg Pictures</title>
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	<title>Jennifer Redfearn &#8211; Chicken &amp; Egg Pictures</title>
	<link>https://archive.chickeneggpics.org</link>
	<width>32</width>
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	<item>
		<title>Three Guggenheim Fellows</title>
		<link>https://archive.chickeneggpics.org/three-guggenheim-fellows/</link>
					<comments>https://archive.chickeneggpics.org/three-guggenheim-fellows/#respond</comments>
		
		<dc:creator><![CDATA[Tess Caldwell]]></dc:creator>
		<pubDate>Fri, 19 Apr 2024 19:43:57 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Guggenheim Fellowship]]></category>
		<category><![CDATA[Jennifer Redfearn]]></category>
		<category><![CDATA[Jude Chehab]]></category>
		<category><![CDATA[Loira Limbal]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=14004</guid>

					<description><![CDATA[We are sending a heartfelt congratulatory message to the Chicken &#38; Egg-supported filmmakers selected for the prestigious Guggenheim Fellowship. In its 99th year, The John Simon Guggenheim Memorial Foundation selected 188 Artists, Scholars, Photographers, Novelists, Essayists, Poets, Historians, Choreographers, Environmentalists, and Data Scientists. In the Film-Video field, 2021 (Egg)celerator grantee Jude Chehab, 2021 Chicken &#38; [&#8230;]]]></description>
										<content:encoded><![CDATA[
<figure class="wp-block-image size-large"><img fetchpriority="high" decoding="async" width="1024" height="511" src="https://chickeneggpics.org/wp-content/uploads/2024/04/Untitled-design-1-1024x511.png" alt="" class="wp-image-14005" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Untitled-design-1-1024x511.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Untitled-design-1-608x304.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Untitled-design-1-768x383.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Untitled-design-1-1536x767.png 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Untitled-design-1.png 1935w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>



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<p><span style="font-weight: 400;">We are sending a heartfelt congratulatory message to the Chicken &amp; Egg-supported filmmakers selected for the prestigious Guggenheim Fellowship. In its 99th year, The John Simon Guggenheim Memorial Foundation selected 188 Artists, Scholars, Photographers, Novelists, Essayists, Poets, Historians, Choreographers, Environmentalists, and Data Scientists. In the Film-Video field, 2021 (Egg)celerator grantee <a href="https://chickeneggpics.org/grantee/q/">Jude Chehab</a>, 2021 Chicken &amp; Egg Award Recipient <a href="https://chickeneggpics.org/grantee/loira-limbal/">Loira Limbal</a>, and 2018 (Egg)celerator Lab grantee <a href="https://chickeneggpics.org/grantee/apart/">Jennifer Redfearn</a> have been awarded this honor. </span></p>
<p><span style="font-weight: 400;">Congratulations all! </span></p>
]]></content:encoded>
					
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			</item>
		<item>
		<title>13 Emmy Nominations from the Nest!</title>
		<link>https://archive.chickeneggpics.org/13-emmy-nominations-from-the-nest/</link>
					<comments>https://archive.chickeneggpics.org/13-emmy-nominations-from-the-nest/#respond</comments>
		
		<dc:creator><![CDATA[Tess Caldwell]]></dc:creator>
		<pubDate>Mon, 25 Sep 2023 20:11:01 +0000</pubDate>
				<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Amanda Spain]]></category>
		<category><![CDATA[apart]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Cynthia Wade]]></category>
		<category><![CDATA[Dawn Porter]]></category>
		<category><![CDATA[diane quon]]></category>
		<category><![CDATA[Emma Pildes]]></category>
		<category><![CDATA[emmys]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Geeta Gandbhir]]></category>
		<category><![CDATA[Jacqueline Oliva]]></category>
		<category><![CDATA[Jennifer Redfearn]]></category>
		<category><![CDATA[Jess Devaney]]></category>
		<category><![CDATA[Kristy Guevara-Flanagan]]></category>
		<category><![CDATA[Laura Nix]]></category>
		<category><![CDATA[Lucy Walker]]></category>
		<category><![CDATA[Lynn Novick]]></category>
		<category><![CDATA[Shalini Kantayya]]></category>
		<category><![CDATA[The Janes]]></category>
		<category><![CDATA[Tia Lessin]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<category><![CDATA[Yoruba Richen]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=12729</guid>

					<description><![CDATA[Chicken &#38; Egg Pictures sends a massive congratulations to the two supported and 11 AlumNest films that received nominations for the 44th Annual News and Documentary Emmy® Awards. The honors will be presented live in two ceremonies, with Documentary Categories taking place on Thursday, September 28, 2023. The Janes dir. Tia Lessin, Emma Pildes prod. [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p>Chicken &amp; Egg Pictures sends a massive congratulations to the two supported and 11 AlumNest films that received nominations for the 44th Annual News and Documentary Emmy® Awards. The honors will be presented live in two ceremonies, with Documentary Categories taking place on Thursday, September 28, 2023.</p>



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<h2 class="wp-block-heading"><em><em><a href="https://chickeneggpics.org/grantee/the-janes/">The Janes</a></em></em></h2>



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<h3 class="wp-block-heading">dir. Tia Lessin, Emma Pildes</h3>



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<h3 class="wp-block-heading">prod. Emma Pildes, Daniel Arcana, Jessica Levin</h3>



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<figure class="wp-block-image size-large"><img decoding="async" width="1024" height="727" src="https://chickeneggpics.org/wp-content/uploads/2022/05/PH-2022-Finalist_The-Janes_Tia-Lessin_Emma-Pildes_Film-Still_01_MAIN-1024x727.jpeg" alt="A photograph of 5 women wearing swimsuits and shades, in a sunny day in the '70s." class="wp-image-10559" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/05/PH-2022-Finalist_The-Janes_Tia-Lessin_Emma-Pildes_Film-Still_01_MAIN-1024x727.jpeg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2022/05/PH-2022-Finalist_The-Janes_Tia-Lessin_Emma-Pildes_Film-Still_01_MAIN-608x432.jpeg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/05/PH-2022-Finalist_The-Janes_Tia-Lessin_Emma-Pildes_Film-Still_01_MAIN-768x545.jpeg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/05/PH-2022-Finalist_The-Janes_Tia-Lessin_Emma-Pildes_Film-Still_01_MAIN-1536x1090.jpeg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2022/05/PH-2022-Finalist_The-Janes_Tia-Lessin_Emma-Pildes_Film-Still_01_MAIN-2048x1453.jpeg 2048w" sizes="(max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">Still from <em>The Janes</em></figcaption></figure>



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<p><em><em>The Janes </em></em>is a <a href="https://chickeneggpics.org/programs/#project-hatched"><strong>Project: Hatched</strong></a> 2022 finalist nominated for Outstanding Social Issue Documentary, Best Documentary, Outstanding Research: Documentary, Outstanding Direction: Documentary.</p>



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<div class="wp-block-image">
<figure class="aligncenter is-resized"><img decoding="async" width="626" height="625" src="https://chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04.jpg" alt="graphic of a film reel" class="wp-image-11232" style="width:35px;height:35px" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04.jpg 626w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04-608x607.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04-344x344.jpg 344w" sizes="(max-width: 626px) 100vw, 626px" /></figure></div>


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<h2 class="wp-block-heading"><em><a href="https://chickeneggpics.org/grantee/apart/">Apart</a></em></h2>



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<h3 class="wp-block-heading">dir. &amp; prod. Jennifer Redfearn</h3>



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<h3 class="wp-block-heading">prod. Tim Metzger</h3>



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<figure class="wp-block-image size-large is-resized"><img loading="lazy" decoding="async" width="1024" height="540" src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-1024x540.jpg" alt="Still from Apart. Tomika and Amanda in the prison yard" class="wp-image-8745" style="width:840px;height:442px" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-1024x540.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-608x321.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-768x405.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-1536x810.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-2048x1080.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">Still from <em>Apart</em></figcaption></figure>



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<p><em><em>Apart </em></em>is a 2018 <a href="https://chickeneggpics.org/programs/#eggcelerator-lab">(Egg)celerator Lab</a> grantee nominated for Outstanding Politics and Government Documentary.&nbsp;</p>



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<h2 class="wp-block-heading">From the AlumNest</h2>



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<ul class="wp-block-list">
<li><em><a href="https://hotdocs.ca/whats-on/hot-docs-festival/films/2023/we-will-not-fade-away"></a><em><em>American Reckoning</em></em></em><br>dir. &amp; prod. <a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient-3/">Yoruba Richen</a>, Brad Lichtenstein<br>Nominated for: Outstanding Historical Documentary</li>
</ul>



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<li><em><a href="https://hotdocs.ca/whats-on/hot-docs-festival/films/2023/we-will-not-fade-away"></a><em><em>Art &amp; Krimes by Krimes</em></em></em><br>dir. &amp; prod. Alysa Nahmias<br>prod. <a href="https://chickeneggpics.org/grantee/on-the-divide/">Amanda Spain</a>, Benjamin Murray<br>Nominated for: Outstanding Arts and Culture Documentary</li>
</ul>



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<li><em>Body Parts</em><br>dir. <a href="https://chickeneggpics.org/grantee/going-on-13/">Kristy Guevara-Flanagan</a><br>prod. Helen Hood Scheer<br>Nominated for: Outstanding Music Composition</li>
</ul>



<ul class="wp-block-list">
<li><em><a href="https://hotdocs.ca/whats-on/hot-docs-festival/films/2023/we-will-not-fade-away"></a><em><em>Delikado</em></em></em><br>dir. &amp; prod. Karl Malakunas<br>prod. Kara Magsanoc-Alikpala, Michael Collins, Marty Syjuco, <a href="https://chickeneggpics.org/grantee/2018-breakthrough-award-recipient-nix/">Laura Nix</a><br>Nominated for: Outstanding Investigative Documentary</li>
</ul>



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<li><em>How to Change your Mind</em><br>dir. <a href="https://chickeneggpics.org/grantee/the-lions-mouth-opens/">Lucy Walker</a><em>, </em>Alison Ellwood<br>Nominated for: Outstanding Graphic Design and Art Direction: Documentary</li>
</ul>



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<li><em>Lincoln’s Dilemma</em><br>dir. <a href="https://chickeneggpics.org/grantee/always-in-season/">Jacqueline Olive</a>, Barak Goodman<br>Nominated for: Outstanding Graphic Design and Art Direction: Documentary</li>
</ul>



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<li><em>Lowndes County and the Road to Black Power</em><br>dir. <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-gandbhir/">Geeta Gandbhir</a><br>prod. <a href="https://chickeneggpics.org/grantee/love-the-sinner/">Jess Devaney</a><br>Nominated for: Outstanding Research Documentary, Outstanding Editing: Documentary</li>
</ul>



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<li><em>The Flagmakers</em><br>dir. &amp; prod. <a href="https://chickeneggpics.org/grantee/freeheld/">Cynthia Wade</a>, Sharon Liese<br>prod. Giannis Antetokounmpo, Carolyn Bernstein, Mark Gordon, Ryan Harrington, Jenna Segal<br>Nominated for: Outstanding Short Documentary</li>
</ul>



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<li><em>The U.S. and the Holocaust</em><br>dir. <a href="https://chickeneggpics.org/grantee/2533/">Lynn Novick</a>, Ken Burns, Sarah Botstein<br>Nominated for: Outstanding Research Documentary</li>
</ul>



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<li><em><em><em><em>TikTok, Boom</em></em></em></em><br>dir. &amp; prod. <a href="https://chickeneggpics.org/grantee/coded-bias/">Shalini Kantayya</a><br>prod. Danni Mynard, Ross Dinerstein<br>Nominated for: Outstanding Business and Economic Documentary</li>
</ul>



<ul class="wp-block-list">
<li><em><a href="https://hotdocs.ca/whats-on/hot-docs-festival/films/2023/we-will-not-fade-away"></a><em>Wuhan Wuhan</em></em><br>dir. Yung Chang<br>prod. <a href="https://chickeneggpics.org/grantee/breaking-the-news/">Diane Quon</a>, Donna Gigliotti, Peter Luo<br>Nominated for: Outstanding Current Affairs Documentary</li>
</ul>



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<li><em>37 Words</em><br>dir. &amp; prod. <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-porter/">Dawn Porter</a>, Nicole Newnham<br>Nominated for: Outstanding Research Documentary</li>
</ul>



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<p>Post written by Communications Intern <a href="https://chickeneggpics.org/tess-caldwell/">Tess Caldwell</a></p>
]]></content:encoded>
					
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			</item>
		<item>
		<title>7 Supported Films to Stream at the Cleveland International Film Festival</title>
		<link>https://archive.chickeneggpics.org/cleveland-2021/</link>
					<comments>https://archive.chickeneggpics.org/cleveland-2021/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Wed, 14 Apr 2021 22:05:33 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[2018 (egg)celerator lab]]></category>
		<category><![CDATA[A Cops and Robbers Story]]></category>
		<category><![CDATA[apart]]></category>
		<category><![CDATA[Cecilia Aldarondo]]></category>
		<category><![CDATA[Down a Dark Stairwell]]></category>
		<category><![CDATA[Film Festival]]></category>
		<category><![CDATA[ilinca calgureanu]]></category>
		<category><![CDATA[In The Same Breath]]></category>
		<category><![CDATA[Jennifer Redfearn]]></category>
		<category><![CDATA[Landfall]]></category>
		<category><![CDATA[Loira Limbal]]></category>
		<category><![CDATA[Maria Finitzo]]></category>
		<category><![CDATA[Nanfu Wang]]></category>
		<category><![CDATA[ohio]]></category>
		<category><![CDATA[Rintu Thomas]]></category>
		<category><![CDATA[Sushmit Ghosh]]></category>
		<category><![CDATA[The Dilemma of Desire]]></category>
		<category><![CDATA[Through The Night]]></category>
		<category><![CDATA[United States]]></category>
		<category><![CDATA[ursula liang]]></category>
		<category><![CDATA[Writing With Fire]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=8753</guid>

					<description><![CDATA[Here are your Chicken &#038; Egg Pictures-supported films to stream at Cleveland International Film Festival from April 7 to April 20. ]]></description>
										<content:encoded><![CDATA[
<p>There&#8217;s plenty to stream at the 2021 <strong><a href="https://www.clevelandfilm.org/">Cleveland International Film Festival</a></strong>, which runs virtually from Wednesday,&nbsp;April 7 to Tuesday,&nbsp;April 20 on their website. </p>



<p>Granted films featured in the online festival include <b>four </b><a style="font-weight: bold;" href="https://chickeneggpics.org/programs/#eggcelerator-lab">2018 (Egg)celerator Lab</a><strong> grantees</strong>: <em>A Cops and Robbers Story</em>, <em>Apart</em>, <em>Through the Night</em>, and <em>Writing With Fire</em>, as well as three additional Nest-supported films. The (Egg)celerator Lab supports first- and second-time filmmakers who are working on a feature length documentary, with a special focus on underrepresented voices. Learn more about the films below, and get your tickets <a href="http://Tickets to stream are available here.">here</a>. <strong>Online stream tickets are just $10!  </strong></p>



<h3 class="wp-block-heading"><strong><a href="https://chickeneggpics.org/grantee/apart/"><em>Apart</em></a></strong>, dir. Jennifer Redfearn</h3>



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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="540" src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-1024x540.jpg" alt="" class="wp-image-8745" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-1024x540.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-608x321.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-768x405.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-1536x810.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-2048x1080.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>The number of women in U.S. prisons has grown by 800% over the past 40 years. And the vast majority are mothers. In a Midwestern state caught between the opioid epidemic, drug sentencing, and rising incarceration for women, three unforgettable mothers—Tomika, Lydia, and Amanda— return home from prison and rebuild their lives after being separated from their children for years. </p>



<p><em>Apart </em>participated in the 2018 (Egg)celerator Lab. </p>



<h3 class="wp-block-heading"><strong><a href="https://chickeneggpics.org/grantee/cops-robbers-story/">A Cops and Robbers Story</a>,</strong> dir. Ilinca Calugareanu</h3>



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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="825" height="525" src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_CR_Key-Image.jpg" alt="Ilinca Calugareanu A Cops and Robbers Story Accelerator Lab 2018" class="wp-image-3726" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_CR_Key-Image.jpg 825w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_CR_Key-Image-608x387.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_CR_Key-Image-768x489.jpg 768w" sizes="auto, (max-width: 825px) 100vw, 825px" /></figure>



<p>Corey Pegues, one of the highest ranking black executives in the NYPD, reveals a few months after retirement that before joining the NYPD he worked the streets dealing crack cocaine for one of the most notorious drug gangs in the US, the Supreme Team. To many he is either a perp in cop costume or a criminal turned hero. But who is the real Corey Pegues?</p>



<p><em>A Cops and Robbers Story </em>participated in the 2018 (Egg)celerator Lab.</p>



<h3 class="wp-block-heading"><strong><a href="https://chickeneggpics.org/grantee/the-dilemma-of-desire/">The Dilemma of Desire</a></strong>, dir. Maria Finitzo</h3>



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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="462" src="https://chickeneggpics.org/wp-content/uploads/2020/07/PH-2020_Dilemma-of-Desire_Maria-Finitzo_04_SophiaSign-e1594216813195-1024x462.png" alt="" class="wp-image-7888" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH-2020_Dilemma-of-Desire_Maria-Finitzo_04_SophiaSign-e1594216813195-1024x462.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH-2020_Dilemma-of-Desire_Maria-Finitzo_04_SophiaSign-e1594216813195-608x274.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH-2020_Dilemma-of-Desire_Maria-Finitzo_04_SophiaSign-e1594216813195-768x346.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH-2020_Dilemma-of-Desire_Maria-Finitzo_04_SophiaSign-e1594216813195-1536x693.png 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH-2020_Dilemma-of-Desire_Maria-Finitzo_04_SophiaSign-e1594216813195.png 1924w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>An exploration of “cliteracy,” and the clash between the gender politics and the imperatives of female sexual desire.</p>



<p><em>The Dilemma of Desire </em>participated in Project: Hatched 2020.</p>



<h3 class="wp-block-heading"><strong><a href="https://chickeneggpics.org/grantee/down-a-dark-stairwell/"><em>Down A Dark Stairwell</em></a></strong>, dir. Ursula Liang</h3>



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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="614" src="https://chickeneggpics.org/wp-content/uploads/2017/05/DownaDarkStairwell_Pink-Houses-5_creditPLAGDocumentaryLLC-scaled-e1583425015536-1024x614.jpg" alt="" class="wp-image-7348" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2017/05/DownaDarkStairwell_Pink-Houses-5_creditPLAGDocumentaryLLC-scaled-e1583425015536-1024x614.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2017/05/DownaDarkStairwell_Pink-Houses-5_creditPLAGDocumentaryLLC-scaled-e1583425015536-608x365.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2017/05/DownaDarkStairwell_Pink-Houses-5_creditPLAGDocumentaryLLC-scaled-e1583425015536-768x461.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2017/05/DownaDarkStairwell_Pink-Houses-5_creditPLAGDocumentaryLLC-scaled-e1583425015536-1536x922.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2017/05/DownaDarkStairwell_Pink-Houses-5_creditPLAGDocumentaryLLC-scaled-e1583425015536-2048x1229.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>A nuanced look at how two communities of color navigate an uneven criminal justice system, anchored by one polarizing New York City case.</p>



<h3 class="wp-block-heading"><strong><a href="http://chickeneggpics.org/grantee/landfall">Landfall</a></strong>, dir. Cecilia Aldarondo</h3>



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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="576" src="https://chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-1024x576.jpg" alt="" class="wp-image-7879" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-1024x576.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-1536x864.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2.jpg 1920w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>Through shard-like glimpses of everyday life in post-Hurricane María Puerto Rico, <em>Landfall</em> examines a ruined world at the brink of transformation, spinning a cautionary tale for our times.</p>



<p><em>Landfall </em>participated in Project: Hatched 2020.</p>



<h2 class="wp-block-heading"><strong><a href="https://chickeneggpics.org/grantee/through-the-night"><em>Through the&nbsp;Night</em></a>,</strong>&nbsp;dir. Loira Limbal</h2>



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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="540" src="https://chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-1024x540.jpg" alt="" class="wp-image-8312" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-1024x540.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-608x321.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-768x405.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-1536x810.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-2048x1081.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>To make ends meet, Americans are working longer hours across multiple jobs. This modern reality of nonstop work has resulted in an unexpected phenomenon: the flourishing of 24-hour daycare centers.&nbsp;<em>Through the Night</em>&nbsp;is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.</p>



<p><em>Through the Night </em>participated in the 2018 (Egg)celerator Lab. Director Loira Limbal is supported through the 2021 Chicken &amp; Egg Award. </p>



<h2 class="wp-block-heading"><strong><em><a href="https://chickeneggpics.org/grantee/writing-with-fire/">Writing with Fire</a></em>,</strong>&nbsp;dirs. Rintu Thomas and Sushmit Ghosh</h2>



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<figure class="wp-block-image size-large is-resized"><img loading="lazy" decoding="async" src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3-1024x576.png" alt="Writing With Fire, directed by Rintu Thomas and Sushmit Ghosh 2018 Accelerator Lab" class="wp-image-3797" width="580" height="326" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3-1024x576.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3-608x342.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3-768x432.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3.png 1920w" sizes="auto, (max-width: 580px) 100vw, 580px" /></figure>



<p>In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions, be it on the frontlines of India’s biggest issues or within the confines of their homes, redefining what it means to be powerful.</p>



<p><em>Writing With Fire </em>participated in the 2018 (Egg)celerator Lab.</p>



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<p><strong><em>In the Same Breath</em></strong>, dir. Nanfu Wang is also screening at the festival. Chicken &amp; Egg Pictures supported Nanfu&#8217;s previous film, as well as supported Nanfu through the 2018 Chicken &amp; Egg Award. </p>


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		<title>Celebrating Women This March at Chicken &#038; Egg Pictures</title>
		<link>https://archive.chickeneggpics.org/celebrating-women-this-march-at-chicken-egg-pictures-2019/</link>
					<comments>https://archive.chickeneggpics.org/celebrating-women-this-march-at-chicken-egg-pictures-2019/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Fri, 08 Mar 2019 13:28:48 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[A Journey of a Thousand Miles: Peacekeepers]]></category>
		<category><![CDATA[American Revolutionary: The Evolution of Grace Lee Boggs]]></category>
		<category><![CDATA[and Peace II]]></category>
		<category><![CDATA[Beth Murphy]]></category>
		<category><![CDATA[Elaine McMillion Sheldon]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Geeta Gandbhir]]></category>
		<category><![CDATA[Gini Reticker]]></category>
		<category><![CDATA[Grace Lee]]></category>
		<category><![CDATA[Hana Mire]]></category>
		<category><![CDATA[Heroin(e)]]></category>
		<category><![CDATA[International Women's Day]]></category>
		<category><![CDATA[Jennifer Redfearn]]></category>
		<category><![CDATA[Julia Bacha]]></category>
		<category><![CDATA[Naila and the Uprising]]></category>
		<category><![CDATA[Pashtana’s Lesson]]></category>
		<category><![CDATA[Perri Peltz]]></category>
		<category><![CDATA[Rajada Dalka/Nation's Hope]]></category>
		<category><![CDATA[Reentry (working title)]]></category>
		<category><![CDATA[Sharmeen Obaid-Chinoy]]></category>
		<category><![CDATA[The Apology]]></category>
		<category><![CDATA[The Trials of Spring]]></category>
		<category><![CDATA[Tiffany Hsiung]]></category>
		<category><![CDATA[War]]></category>
		<category><![CDATA[Women]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<category><![CDATA[women in media]]></category>
		<category><![CDATA[Women War and Peace]]></category>
		<category><![CDATA[women's history month]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=5899</guid>

					<description><![CDATA[Today is International Women&#8217;s Day, a global day celebrating the social, economic, cultural, and political achievements of women. This year&#8217;s International Women&#8217;s Day theme is balance—promoting the need for equality and a gender-balanced world. Chicken &#38; Egg Pictures is honoring women&#8217;s voices today by looking back on the many Nest-supported films about women and girls and looking forward [&#8230;]]]></description>
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<p><a href="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3.jpg" rel="lightbox[5899]"><img loading="lazy" decoding="async" class="alignnone wp-image-3788 size-full" src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3.jpg" alt="Jennifer Redfearn Accelerator Lab 2018 Reentry" width="1280" height="720" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3.jpg 1280w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3-1024x576.jpg 1024w" sizes="auto, (max-width: 1280px) 100vw, 1280px" /></a></p>
<p>Today is International Women&#8217;s Day, a global day celebrating the social, economic, cultural, and political achievements of women. This year&#8217;s International Women&#8217;s Day theme is balance—promoting the need for equality and a gender-balanced world.</p>
<p>Chicken &amp; Egg Pictures is honoring women&#8217;s voices today by looking back on the many Nest-supported films about women and girls and looking forward at some powerful films to come. Through the lenses of empathy, intimacy, and dignity, these films represent the diverse complexities of what it means to be a woman or girl in our world today. We hope these Nest-supported filmmakers and their work lead to a more balanced film industry.</p>
<p>Get your International Women&#8217;s Day inspiration by streaming these egg-cellent women-directed and women-centered films:</p>
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<p><em><a href="https://chickeneggpics.org/wp-content/uploads/2014/07/aftertiller_Dr-Robinson.jpg" rel="lightbox[5899]"><img loading="lazy" decoding="async" class="alignnone wp-image-371 size-full" src="https://chickeneggpics.org/wp-content/uploads/2014/07/aftertiller_Dr-Robinson.jpg" alt="After Tiller Martha Shane Lana Wilson" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/07/aftertiller_Dr-Robinson.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/aftertiller_Dr-Robinson-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/aftertiller_Dr-Robinson-1024x576.jpg 1024w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a></em></p>
<p><strong><em><a href="https://chickeneggpics.org/grantee/after-tiller/">After Tiller</a></em></strong>, co-directed by Martha Shane and <a href="https://chickeneggpics.org/grantee/2019-chicken-egg-award-recipient-lana-wilson/">Lana Wilson</a> (also a Chicken &amp; Egg Award recipient), paints a complex, compassionate portrait of the four American doctors left who openly provide third-trimester abortions.  Since the assassination of Dr. George Tiller in Kansas in May 2009, these physicians have become the new number-one targets of the anti-abortion movement, yet continue to risk their lives every day to do work that many believe is murder, but which they believe is profoundly important for their patients’ lives.</p>
<p><em>After Tiller </em>is available <a href="https://www.amazon.com/After-Tiller-Martha-Shane/dp/B00IMY9MC8">on Amazon Prime</a>.</p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy.jpg" rel="lightbox[5899]"><img loading="lazy" decoding="async" class="wp-image-903 size-full" src="https://chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy.jpg" alt="The Apology Tiffany Hsiung" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy-1024x576.jpg 1024w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a></p>
<p><strong><a href="https://chickeneggpics.org/grantee/the-apology/"><em>The Apology</em></a></strong>, directed by Tiffany Hsiung, is a film about memory, told through the current relationships three women have with the people closest to them and how these relationships indelibly shape the last years of their lives. The three women – Gil Won-Ok in South Korea, Grandma Cao in China, and Lola Adela in the Philippines – are all former “comfort women” who were among the 200,000 girls and young women forced into military sexual slavery by the Japanese Imperial Army during World War II.</p>
<p><em>The Apology </em>is available <a href="https://www.amazon.com/gp/video/detail/B075L5DQNW/ref=atv_dl_rdr">on Amazon Prime</a>.</p>
<p><em><a href="https://chickeneggpics.org/wp-content/uploads/2019/03/netflix-heroine-bg-1.jpg" rel="lightbox[5899]"><img loading="lazy" decoding="async" class="alignnone wp-image-5885 size-full" src="https://chickeneggpics.org/wp-content/uploads/2019/03/netflix-heroine-bg-1.jpg" alt="" width="922" height="518" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/03/netflix-heroine-bg-1.jpg 922w, https://archive.chickeneggpics.org/wp-content/uploads/2019/03/netflix-heroine-bg-1-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/03/netflix-heroine-bg-1-768x431.jpg 768w" sizes="auto, (max-width: 922px) 100vw, 922px" /></a></em></p>
<p><i><strong>Heroin(e)</strong>, </i>directed by 2016 Chicken &amp; Egg Award recipient<a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient-2/"> Elaine McMillion Sheldon</a>, follows three women—a fire chief, a judge and a missionary—who are battling America’s modern opioid epidemic in Huntington, West Virginia, once a bustling industrial town, now a place with an overdose rate 10 times the national average. This flood of heroin now threatens this Appalachian city with a cycle of generational addiction, lawlessness, and poverty. But within this distressed landscape, Elaine McMillion Sheldon shows a different side of the fight against drugs<em>—</em>one of hope.</p>
<p><em>Heroin(e) </em>is available <a href="https://www.netflix.com/title/80192445">on Netflix</a>.</p>
<p><em><a href="https://chickeneggpics.org/wp-content/uploads/2015/01/GLBProdStill7.jpg" rel="lightbox[5899]"><img loading="lazy" decoding="async" class="alignnone wp-image-1426 size-full" src="https://chickeneggpics.org/wp-content/uploads/2015/01/GLBProdStill7.jpg" alt="Grace Lee American Revolutionary: The Evolution of Grace Lee Boggs" width="4840" height="3240" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2015/01/GLBProdStill7.jpg 4840w, https://archive.chickeneggpics.org/wp-content/uploads/2015/01/GLBProdStill7-608x407.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2015/01/GLBProdStill7-1024x685.jpg 1024w" sizes="auto, (max-width: 4840px) 100vw, 4840px" /></a></em></p>
<p><strong><em><a href="https://chickeneggpics.org/grantee/american-revolutionary-the-evolution-of-grace-lee-boggs/">American Revolutionary: The Evolution Of Grace Lee Boggs</a></em></strong>, directed by <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-lee/">Grace Lee</a> (also a Chicken &amp; Egg Award recipient) tells the story of Grace Lee Boggs, a 98-year-old Chinese American woman whose vision of revolution will surprise you. A writer, activist, and philosopher rooted for more than 70 years in the African American movement, she has devoted her life to an evolving revolution that encompasses the contradictions of America’s past and its potentially radical future.</p>
<p><em>American Revolutionary: The Evolution Of Grace</em> Lee Boggs is available <a href="https://www.netflix.com/title/70285587">on Netflix</a>.</p>
<p><em><a href="https://chickeneggpics.org/wp-content/uploads/2014/07/wtb_image_61.jpg" rel="lightbox[5899]"><img loading="lazy" decoding="async" class="alignnone wp-image-393 size-full" src="https://chickeneggpics.org/wp-content/uploads/2014/07/wtb_image_61.jpg" alt="Pashtana’s Lesson Beth Murphy" width="825" height="525" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/07/wtb_image_61.jpg 825w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/wtb_image_61-608x386.jpg 608w" sizes="auto, (max-width: 825px) 100vw, 825px" /></a></em></p>
<p><em><strong><a href="https://chickeneggpics.org/grantee/pashtanas-lesson/">Pashtana’s Lesson</a></strong>,</em> directed by Beth Murphy, follows the story of a young girl living in the rural Afghan village of Deh’Subz, on the outskirts of Kabul Province, as she resists an arranged marriage so that she may attend Zabuli Education Center, the first girls’ school in the area.</p>
<p>In 2016, <em>Pashtana’s Lesson</em> debuted as a <em>New York Times</em> Op-Doc. To watch, visit the <em>New York Times</em> Op-Docs <a href="https://www.nytimes.com/2016/10/29/opinion/pashtanas-lesson.html">website</a>. <em>What Tomorrow Brings</em>, the feature-length documentary on which <em>Pashtana’s Lesson</em> is based, aired on PBS’s POV series and is available <a href="https://www.amazon.com/gp/video/detail/B075DFNW7G/ref=atv_dl_rdr">on Amazon Prime</a>.</p>
<p><strong>Moving on to the rest of March, Women&#8217;s History Month</strong>: In a year when women are mobilizing and running for office in unprecedented numbers, tune into PBS for <a href="https://www.pbs.org/wnet/women-war-and-peace/about/">Women, War, and Peace II</a>, the acclaimed documentary series which presents four women-directed films exploring the pivotal role women are playing in dramatic conflicts and peace settlements across the globe. This season, three out of four films featured are Nest-supported projects. Check your local listings for exact times and dates.</p>
<p><em><b><a href="https://chickeneggpics.org/wp-content/uploads/2015/02/11-TTOS-Still_Hend-Profile.jpg" rel="lightbox[5899]"><img loading="lazy" decoding="async" class="alignnone wp-image-4407 size-full" src="https://chickeneggpics.org/wp-content/uploads/2015/02/11-TTOS-Still_Hend-Profile.jpg" alt="https://chickeneggpics.org/grantee/the-trials-of-spring/" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2015/02/11-TTOS-Still_Hend-Profile.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2015/02/11-TTOS-Still_Hend-Profile-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2015/02/11-TTOS-Still_Hend-Profile-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2015/02/11-TTOS-Still_Hend-Profile-1024x576.jpg 1024w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a></b></em></p>
<p><strong><em><a href="https://chickeneggpics.org/grantee/the-trials-of-spring/">The Trials </a><a href="https://chickeneggpics.org/grantee/the-trials-of-spring/">of</a><a href="https://chickeneggpics.org/grantee/the-trials-of-spring/"> Spring</a></em><a href="https://chickeneggpics.org/grantee/the-trials-of-spring/">, </a>directed by Gini Reticker debuts Monday, March 25.</strong> The film follows the journeys of three Egyptian women from the early days of the 2011 Arab Spring until today: Hend, from a rural military family, awaiting a harsh prison sentence for protesting against military rule; Miriam, an activist fighting to end sexual assault; and Mama Khadiga, a formerly veiled widow who became a caretaker of the revolutionaries. Their intersecting stories reveal the vital and underreported role women play in shaping the region’s future.</p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2015/02/08-TTOS-Still_Women-Chant.jpg" rel="lightbox[5899]"><img loading="lazy" decoding="async" class="alignnone wp-image-4406 size-full" src="https://chickeneggpics.org/wp-content/uploads/2015/02/08-TTOS-Still_Women-Chant.jpg" alt="https://chickeneggpics.org/grantee/the-trials-of-spring/" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2015/02/08-TTOS-Still_Women-Chant.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2015/02/08-TTOS-Still_Women-Chant-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2015/02/08-TTOS-Still_Women-Chant-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2015/02/08-TTOS-Still_Women-Chant-1024x576.jpg 1024w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a></p>
<p><strong><em><a href="https://www.justvision.org/nailaandtheuprising"><i>Naila and the Uprising</i></a></em>, directed by Julia Bacha debuts Tuesday, March 26. </strong>Weaving together interviews, news footage, and expressive animation, award-winning documentarian <a href="https://chickeneggpics.org/grantee/2019-chicken-egg-award-julia-bacha/">Julia Bacha</a> (also a Chicken &amp; Egg Award recipient) inventively chronicles the remarkable journey of Naila Ayesh, who in the late 1980s joined a clandestine movement of Palestinian women who played a pivotal role in the nonviolent uprising known as the First Intifada.</p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2019/03/journeyofathousandmiles-key.jpg" rel="lightbox[5899]"><img loading="lazy" decoding="async" class="alignnone wp-image-5887 size-full" src="https://chickeneggpics.org/wp-content/uploads/2019/03/journeyofathousandmiles-key.jpg" alt="" width="1110" height="620" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/03/journeyofathousandmiles-key.jpg 1110w, https://archive.chickeneggpics.org/wp-content/uploads/2019/03/journeyofathousandmiles-key-608x340.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/03/journeyofathousandmiles-key-768x429.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2019/03/journeyofathousandmiles-key-1024x572.jpg 1024w" sizes="auto, (max-width: 1110px) 100vw, 1110px" /></a></p>
<p><strong><em><a href="http://www.docnyc.net/film/journey-of-a-thousand-miles-peacekeepers-a/#.VkDWhq6rQ0p">A Journey of a Thousand Miles: Peacekeepers</a></em></strong>, co-directed by Geeta Gandbhir (also a Chicken &amp; Egg Award recipient), Sharmeen Obaid-Chinoy (also on our Eggsperts advisory board), and Perri Peltz, <strong>debuts Tuesday, March 26</strong>. The film follows an all-female, Bangladeshi unit of UN peacekeepers as they leave their friends, families and all familiarity for deployment abroad in Haiti. The  film examines how this journey forever alters their lives while illuminating the unique role that women play in restoring peace in the world’s most volatile regions.</p>
<p><strong>Nest-supported films about women and girls to look out for in the future: </strong></p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3.png" rel="lightbox[5899]"><img loading="lazy" decoding="async" class="alignnone wp-image-3797 size-full" src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3.png" alt="Writing With Fire, directed by Rintu Thomas and Sushmit Ghosh 2018 Accelerator Lab" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3.png 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3-608x342.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3-768x432.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3-1024x576.png 1024w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a></p>
<p><strong><em><a href="https://chickeneggpics.org/grantee/writing-with-fire/">Writing With Fire</a></em></strong><em>, </em>directed by Rintu Thomas &amp; Sushmit Ghosh (2018 (Egg)celerator Lab), tells the story India&#8217;s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions, be it on the frontlines of India&#8217;s biggest issues or within the confines of their homes, redefining what it means to be powerful.</p>
<p><em>Writing With Fire</em> is currently in production.</p>
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<p><a href="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3.jpg" rel="lightbox[5899]"><img loading="lazy" decoding="async" class="alignnone wp-image-3788 size-full" src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3.jpg" alt="Jennifer Redfearn Accelerator Lab 2018 Reentry" width="1280" height="720" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3.jpg 1280w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry3-1024x576.jpg 1024w" sizes="auto, (max-width: 1280px) 100vw, 1280px" /></a></p>
<p><strong><a href="https://chickeneggpics.org/grantee/reentry-working-title/"><em>Reentry (Working Title)</em></a></strong>, directed by Jennifer Redfearn (2018 (Egg)celerator Lab), is an immersive, character-driven film follows three women—who are part of a new reentry program in Cleveland, Ohio—as they prepare to leave prison, reunite with their children, and find jobs after serving time for drug-related charges.</p>
<p><em>Reentry</em> is currently in post production.</p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2016/09/Rajada-Dalka.jpg" rel="lightbox[5899]"><img loading="lazy" decoding="async" class="wp-image-2614 size-full" src="https://chickeneggpics.org/wp-content/uploads/2016/09/Rajada-Dalka.jpg" alt="Rajada Dalka Nation's Hope Hana Mire" width="699" height="466" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/09/Rajada-Dalka.jpg 699w, https://archive.chickeneggpics.org/wp-content/uploads/2016/09/Rajada-Dalka-608x405.jpg 608w" sizes="auto, (max-width: 699px) 100vw, 699px" /></a></p>
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<p><a href="https://chickeneggpics.org/grantee/rajada-dalka-nations-hope/"><strong><em>Rajada Dalka</em>/</strong><em><strong>Nation&#8217;s Hope</strong></em></a>, directed by Hana Mire<br />
(2016 Diversity Fellows Initiative; 2017 (Egg)celerator Lab),  follows the Somali National Women’s basketball team in their first season since the civil war, as veteran coach Suad Galow shepherds her team of fearless young women and helps them to overcome the violent threats against them from members of the Al-Shabab militia and reclaim their place on the international stage.</p>
<p><em>Rajada Dalka/Nation&#8217;s Hope</em> is currently in post production.</p>
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		<title>Fork Films Announces 2018 Grants</title>
		<link>https://archive.chickeneggpics.org/fork-films-announces-grants/</link>
					<comments>https://archive.chickeneggpics.org/fork-films-announces-grants/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Thu, 02 Aug 2018 16:36:03 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Abigail Disney]]></category>
		<category><![CDATA[born in china]]></category>
		<category><![CDATA[Cathryne Czubeck]]></category>
		<category><![CDATA[Diversity Fellows Initiative]]></category>
		<category><![CDATA[Fork Films]]></category>
		<category><![CDATA[Going to Mars: The Nikki Giovanni Film]]></category>
		<category><![CDATA[Hana Mire]]></category>
		<category><![CDATA[How to Have an American Baby]]></category>
		<category><![CDATA[Hugo Perez]]></category>
		<category><![CDATA[Jennifer Redfearn]]></category>
		<category><![CDATA[Leslie Tai]]></category>
		<category><![CDATA[Lights Camera Uganda]]></category>
		<category><![CDATA[Lynn Zhang]]></category>
		<category><![CDATA[Michele Stephenson]]></category>
		<category><![CDATA[Nanfu Wang]]></category>
		<category><![CDATA[nation's hope]]></category>
		<category><![CDATA[Rajada Dalka]]></category>
		<category><![CDATA[Rajada Dalka/Nation's Hope]]></category>
		<category><![CDATA[Reentry]]></category>
		<category><![CDATA[Women Directors]]></category>
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					<description><![CDATA[Fork Films announced yesterday $625,000 in grant funding to  sixteen documentaries &#8220;that align with the company’s dedication to promoting peacebuilding, human rights, and social justice.&#8221; We are so proud to have supported seven films of the sixteen announced, as well as one filmmaker. Born In China, directed by Nanfu Wang and Lynn Zhang (2017 Accelerator [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Fork Films announced yesterday $625,000 in grant funding to  sixteen documentaries &#8220;<a href="https://womenandhollywood.com/abigail-disneyss-fork-films-announces-625000-in-grant-funding-to-docs/">that align with the company’s dedication to promoting peacebuilding, human rights, and social justice</a>.&#8221;</p>
<p>We are so proud to have supported seven films of the sixteen announced, as well as one filmmaker.</p>
<p>
<a href='https://archive.chickeneggpics.org/rajada-dalka/'><img loading="lazy" decoding="async" width="344" height="344" src="https://archive.chickeneggpics.org/wp-content/uploads/2016/09/Rajada-Dalka-344x344.jpg" class="attachment-thumbnail size-thumbnail" alt="Rajada Dalka Nation&#039;s Hope Hana Mire" /></a>
<a href='https://archive.chickeneggpics.org/grantee/one-child-nation/2017-accelerator-lab_zhang_wang_born-in-china_lowres/'><img loading="lazy" decoding="async" width="344" height="344" src="https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-344x344.jpg" class="attachment-thumbnail size-thumbnail" alt="Nanfu Wang Lynn Zhang Born In China 2017 Accelerator Lab" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-608x608.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-768x768.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-1024x1024.jpg 1024w" sizes="auto, (max-width: 344px) 100vw, 344px" /></a>
<a href='https://archive.chickeneggpics.org/grantee/apart/al-2018_reentry1/'><img loading="lazy" decoding="async" width="344" height="344" src="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Reentry1-344x344.jpg" class="attachment-thumbnail size-thumbnail" alt="Jennifer Redfearn Accelerator Lab 2018 Reentry" /></a>
<a href='https://archive.chickeneggpics.org/2017-accelerator-lab_czubek_lights-camera-uganda_cooming-soon-picture_lowres/'><img loading="lazy" decoding="async" width="344" height="344" src="https://archive.chickeneggpics.org/wp-content/uploads/2016/09/2017-Accelerator-Lab_Czubek_Lights-Camera-Uganda_cooming-soon-picture_lowres-344x344.jpg" class="attachment-thumbnail size-thumbnail" alt="Still from Once Upon a Time in Uganda. Four men in front of a greenscreen outside. One is standing, holding a camera. Two men kneel on the ground holding guns and two goats, the words &quot;Cooming soon&quot; are painted in red on the two goats. Another man crouches above a goat with a red logo painted on it." /></a>
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<p><a href="https://chickeneggpics.org/grantee/born-in-china/"><em>Born In China</em></a>, directed by Nanfu Wang and Lynn Zhang (2017 <a href="https://chickeneggpics.org/programs/#accelerator-lab">Accelerator Lab</a>)</p>
<p>How much control does a person have over their own life? In China, state control begins before a child is even born.</p>
<p><em><a href="https://chickeneggpics.org/grantee/how-to-have-an-american-baby/">How to Have an American Baby</a>, </em>directed by Leslie Tai (2017 <a href="https://chickeneggpics.org/programs/#diversity-fellows-initiative">Diversity Fellows Initiative</a>)</p>
<p><em>How to Have an American Baby</em> is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the US on birthing vacations—in order to give birth and obtain US citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges—depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence.</p>
<p><a href="https://chickeneggpics.org/grantee/lights-camera-uganda/"><em>Lights Camera Uganda</em></a>, directed by Cathryne Czubek and Hugo Perez (2017 <a href="https://chickeneggpics.org/programs/#accelerator-lab">Accelerator Lab</a>)</p>
<p>Against all odds, former bricklayer and teacher Isaac Nabwana has turned his small home in the slums of Uganda’s capital city into the Wakaliwood action movie studio. After 10 years and 40+ films, Wakaliwood has become an overnight international media sensation, inspiring others around the world to follow in his footsteps. When New York film nerd Alan Hofmanis shows up on his doorstep one day, everything is bound to change.</p>
<p><a href="https://chickeneggpics.org/grantee/rajada-dalka-nations-hope/"><em>Rajada Dalka/Nation&#8217;s Hope</em></a>, directed by Hana Mire ( 2016 <a href="https://chickeneggpics.org/programs/#diversity-fellows-initiative">Diversity Fellows Initiative </a>and the 2017<a href="https://chickeneggpics.org/programs/#accelerator-lab"> Accelerator Lab</a>)</p>
<p>If doing what you love put your life at risk, would you continue to do it? What if it would also endanger the life of your family and friends? Would you carry on? Or would you quit? These are the questions the women athletes of <em>Rajada Dalka/Nation’s Hope</em> face every single day as they are met with threats from members of the Al-Shabab militia in Mogadishu. Diving deep inside the Somali National Women’s basketball team’s first season since the civil war, the film follows veteran coach Suad Galow as she shepherds her team of fearless young women, and helps them to overcome the violent threats against them and reclaim their place on the international stage.</p>
<p><em><a href="https://chickeneggpics.org/grantee/reentry-working-title/">Reentry (working title)</a></em>, directed by Jennifer Redfearn (2018 <a href="https://chickeneggpics.org/programs/#accelerator-lab">Accelerator Lab</a>)</p>
<p>Women are now the fastest growing population in the U.S. criminal justice system, increasing at nearly double the rate of men. The majority of women going into prison are serving time for drug-related charges. This immersive, character-driven film follows three women—who are part of a new reentry program in Cleveland, Ohio—as they prepare to leave prison, reunite with their children, and find jobs after serving time for drug-related charges.</p>
<p><em><a href="https://chickeneggpics.org/grantee/syrian-families-film-untitled/">Syrian Families Film (Untitled)</a></em>, directed by Megan Mylan</p>
<p>A look at war and displacement through the lens of parenthood from Megan Mylan, Academy-Award winning director of <em>Lost Boys of Sudan</em> and <em>Smile Pinki</em>. This feature documentary unfolds as a sequence of cinematic short stories revolving around Syrian families living in Turkey, Greece, the US, Germany, and Syria. Each chapter is an intimate portrait of parents—often mothers alone—as they work to rebuild their children’s lost sense of security and possibility. It is a story that is both urgent and timeless.</p>
<p><a href="https://chickeneggpics.org/grantee/the-rashomon-effect/"><em>The Rashomon Effect</em></a>, directed by Lyric R Cabral (2017 <a href="https://chickeneggpics.org/programs/#accelerator-lab">Accelerator Lab</a>)</p>
<p>What happened when unarmed Black teen Michael Brown was fatally shot by White police officer Darren Wilson?</p>
<p><em><a href="http://catapultfilmfund.org/films/GoingtoMarsTheNikkiGiovanniProject/">Going to Mars: The Nikki Giovanni Film</a></em>, directed by Michèle Stephenson (<a href="https://chickeneggpics.org/programs/#breakthrough-filmmaker-awards">Breakthrough Filmmaker Award</a>, 2016) and Joe Brewster*</p>
<p><em>Going to Mars: The Nikki Giovanni Project</em> recounts the story of acclaimed poet, Nikki Giovanni and the revolutionary historical periods through which she lived—from the Civil Rights and Black Arts Movement, to present-day Black Lives Matter.</p>
<p>* Chicken &amp; Egg Pictures did not directly support <em>Going to Mars: The Nikki Giovanni Film </em>but supports director Michèle through our 2016 Breakthrough Filmmaker Award program.</p>
<p>See the full slate of Fork Films&#8217; newly supported projects<a href="https://womenandhollywood.com/abigail-disneyss-fork-films-announces-625000-in-grant-funding-to-docs/"> here</a>.</p>
<p><em>Post by 2018 Communications Intern Morgan Lee Hulquist. </em></p>
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		<title>Announcing our 2018 Accelerator Lab grantees!</title>
		<link>https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/</link>
					<comments>https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/#comments</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Wed, 21 Feb 2018 16:06:31 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[2018 Accelerator Lab]]></category>
		<category><![CDATA[A Cops and Robbers Story]]></category>
		<category><![CDATA[Always In Season]]></category>
		<category><![CDATA[Arthur Nazaryan]]></category>
		<category><![CDATA[Electric Malady]]></category>
		<category><![CDATA[Enemies of the State]]></category>
		<category><![CDATA[Eunice Lau]]></category>
		<category><![CDATA[Ilinca Calugareanu]]></category>
		<category><![CDATA[Jacqueline Olive]]></category>
		<category><![CDATA[Jennifer Redfearn]]></category>
		<category><![CDATA[Loira Limbal]]></category>
		<category><![CDATA[Madeleine Leroyer]]></category>
		<category><![CDATA[Marie Lidén]]></category>
		<category><![CDATA[Number 387]]></category>
		<category><![CDATA[People's Hospital]]></category>
		<category><![CDATA[Reentry]]></category>
		<category><![CDATA[Rintu Thomas]]></category>
		<category><![CDATA[Siyi Chen]]></category>
		<category><![CDATA[Sonia Kennebeck]]></category>
		<category><![CDATA[Sushmit Ghosh]]></category>
		<category><![CDATA[The Youth]]></category>
		<category><![CDATA[Through The Night]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<category><![CDATA[Writing With Fire]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=3737</guid>

					<description><![CDATA[Chicken &#38; Egg Pictures is proud to announce the third cohort of our Accelerator Lab for first- and second-time filmmakers! The Accelerator Lab is focused on identifying and supporting women nonfiction directors working on their first or second feature-length documentary. This program brings together ten projects helmed by first- or second-time directors, with a special [&#8230;]]]></description>
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<p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-3844" src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner.jpg" alt="" width="3975" height="1200" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner.jpg 3975w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner-608x184.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner-768x232.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner-1024x309.jpg 1024w" sizes="auto, (max-width: 3975px) 100vw, 3975px" /></p>
<p>Chicken &amp; Egg Pictures is proud to announce the third cohort of our Accelerator Lab for first- and second-time filmmakers!</p>
<p>The Accelerator Lab is focused on identifying and supporting women nonfiction directors working on their first or second feature-length documentary. This program brings together ten projects helmed by first- or second-time directors, with a special focus on underrepresented voices.</p>
<p><span style="font-weight: 400;">“Community-building is key to this program,” says Chicken &amp; Egg Pictures Program Director Lucila Moctezuma. “While the Accelerator Lab for first- and second-time filmmakers certainly helps women filmmakers to </span><i><span style="font-weight: 400;">enter</span></i><span style="font-weight: 400;"> the industry pipeline, it also provides them with a community of support that helps them to </span><i><span style="font-weight: 400;">stay</span></i><span style="font-weight: 400;"> in the pipeline. The reality of being a film director is that it can often feel daunting and isolating. By explicitly encouraging peer-to-peer mentorship among our cohort, we provide emerging filmmakers with a chance to bond with and learn from one another, to help one another carve a space for themselves in the industry, and to equip them with the strength of a community they can rely on throughout their careers.” </span></p>
<p>Synopses of the 2018 Accelerator Lab grantees&#8217; compelling projects are below, and you can get to know the directors by viewing the linked project pages. Grantees will work on these films during their program year.</p>
<p>Our next open call for the Accelerator Lab will take place in the spring of 2018. For additional information on the program, including application criteria, please visit our <a href="https://chickeneggpics.org/programs/#accelerator-lab">Programs</a> page.</p>
<p>Congratulations to our newest grantees, and wishing you a fantastic year!</p>
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<p><figure id="attachment_3730" aria-describedby="caption-attachment-3730" style="width: 169px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3730" src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot-608x842.jpg" alt="" width="169" height="234" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot-608x842.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot-768x1063.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot-740x1024.jpg 740w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot.jpg 780w" sizes="auto, (max-width: 169px) 100vw, 169px" /><figcaption id="caption-attachment-3730" class="wp-caption-text">Ilinca Calugareanu</figcaption></figure></p>
<p><em><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3708&amp;preview=true">A Cops and Robbers Story</a>,</em> directed by Ilinca Calugareanu <span style="font-weight: 400;">(ROMANIA / UK)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">Corey Pegues, one of the highest ranking black executives in the NYPD, reveals a few months after retirement that before joining the NYPD he worked the streets dealing crack cocaine for one of the most notorious drug gangs in the US, the Supreme Team. To many he is either a perp in cop costume or a criminal turned hero. But who is the real Corey Pegues?</span></p>
<p>&nbsp;</p>
<p><figure id="attachment_3739" aria-describedby="caption-attachment-3739" style="width: 188px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3739 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Siyi-Chen_Headshot-e1519228656123-273x344.jpg" alt="" width="188" height="237" /><figcaption id="caption-attachment-3739" class="wp-caption-text">Siyi Chen</figcaption></figure></p>
<p><em><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3694&amp;preview=true">People&#8217;s Hospital</a>,</em> directed by Siyi Chen <span style="font-weight: 400;">(CHINA / US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">As the Chinese society criticizes dysfunctional hospitals, a doctor’s daughter revisits the small-town hospital where she grew up—this time with a camera, in the middle of a chaotic ER.</span></p>
<p>&nbsp;</p>
<p><figure id="attachment_3738" aria-describedby="caption-attachment-3738" style="width: 180px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3738 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Sonia_Kennebeck_Director-and-Producer-e1519228570327-258x344.jpg" alt="" width="180" height="240" /><figcaption id="caption-attachment-3738" class="wp-caption-text">Sonia Kennebeck</figcaption></figure></p>
<p><em><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3709&amp;preview=true">Enemies of the State</a>,</em> directed by Sonia Kennebeck <span style="font-weight: 400;">(MALAYSIA / GERMANY / US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">An average American family becomes entangled in a bizarre web of espionage and corporate secrets when their hacker son is targeted by the U.S. government.</span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>
<a href='https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/2018-al_eunice-lau_headshot/'><img loading="lazy" decoding="async" width="344" height="344" src="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Eunice-Lau_headshot-344x344.jpg" class="attachment-thumbnail size-thumbnail" alt="The Youth Eunice Lau and Arthur Nazaryan 2018 Accelerator Lab" /></a>
</p>
<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3693&amp;preview=true"><em>The Youth</em></a>, directed by Eunice Lau <span style="font-weight: 400;">(SINGAPORE / US) </span>and Arthur Nazaryan <span style="font-weight: 400;">(US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}"><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3693&amp;preview=true"><em>The Youth</em></a> is an unflinching look at the forces that drive one to adopt an extreme ideology. Through the eyes of a father who seeks to understand how his son is radicalized by the propaganda of the Islamic State Army, <a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3693&amp;preview=true"><em>The Youth</em></a> reveals how a Muslim American family is affected by the geopolitics and polemics that fuel the resurgence of reactionary and right-wing political movements. Through this intimate lens on the Somali community in Minnesota, <a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3693&amp;preview=true"><i>The Youth</i></a> explores the racism and prejudices against immigrants, the rise of radical Islam, and what it means to be Muslim in contemporary America.</span></p>
</div>
<p>&nbsp;</p>
<p><figure id="attachment_3781" aria-describedby="caption-attachment-3781" style="width: 196px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3781 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Madeleine-Leroyer_Headshot-e1519228743424-265x344.jpg" alt="" width="196" height="254" /><figcaption id="caption-attachment-3781" class="wp-caption-text">Madeleine Leroyer</figcaption></figure></p>
<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3736&amp;preview=true"><em>Number 387</em></a>, directed by Madeleine Leroyer <span style="font-weight: 400;">(FRANCE)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">This is the story of a Greek physician who collects pendants and bracelets.<br />
This is the story of an Italian woman who has been fighting for 15 years to &#8220;make bodies talk.&#8221;<br />
This is the story of those who watch over the forgotten migrants.<br />
Since the beginning of 2016, 3,649 migrants have died while attempting to reach Europe by sea. 3,649 names, the vast majority of which have been diluted in the deep blue waters of the Mediterranean.<br />
What happens to the dead? Who identifies them?<br />
What do the mothers, the brothers do to try to find their missing loved ones?<br />
For years, medical examiners have been trying to give back a name, dignity, a memory to these forgotten souls.<br />
This film tells their story.</span></p>
<p>&nbsp;</p>
<div class="column">
<p><figure id="attachment_3742" aria-describedby="caption-attachment-3742" style="width: 211px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3742 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Marie-Liden_Headshot-e1519229096993-268x344.jpg" alt="" width="211" height="270" /><figcaption id="caption-attachment-3742" class="wp-caption-text">Marie Lidén</figcaption></figure></p>
<p><em><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3712&amp;preview=true">Electric Malady</a></em>, directed by Marie Lidén <span style="font-weight: 400;">(SWEDEN / UK)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">Director Marie Lidén grew up with a mother who suffered from an illness that the world did not recognize—Electrosensitivity. Years later, in a technologically advanced world, Marie gives a poignant account of the lives of two electrosensitives: William, a 41-year-old Swedish man, and Tyler, a 13-year-old Canadian boy. Using Marie’s own family story as a thread, the film explores William and Tyler’s isolated worlds and their families’ unrelenting commitment to help their children.</span></p>
<p>&nbsp;</p>
<p><figure id="attachment_3824" aria-describedby="caption-attachment-3824" style="width: 192px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3824 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Limbal-Headshot-e1519229027398-274x344.jpg" alt="" width="192" height="241" /><figcaption id="caption-attachment-3824" class="wp-caption-text">Loira Limbal</figcaption></figure></p>
<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3809&amp;preview=true"><em>Through The Night</em></a>, directed by Loira Limbal <span style="font-weight: 400;">(US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">To make ends meet, Americans are working longer hours across multiple jobs. This modern reality of non-stop work has resulted in an unexpected phenomenon: the flourishing of 24-hour daycare centers. <a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3809&amp;preview=true"><em>Through the Night</em></a> is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.</span></p>
<p>&nbsp;</p>
<p><figure id="attachment_3821" aria-describedby="caption-attachment-3821" style="width: 179px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3821 " src="https://chickeneggpics.org/wp-content/uploads/2014/08/2018-AL_Jacqueline_Olive_headshot1-e1519228895877-267x344.jpg" alt="" width="179" height="231" /><figcaption id="caption-attachment-3821" class="wp-caption-text">Jacqueline Olive</figcaption></figure></p>
<p><em><a href="https://chickeneggpics.org/grantee/always-in-season/"> Always in Season</a></em>, directed by Jacqueline Olive <span style="font-weight: 400;">(US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;As the trauma of a century of lynching African Americans bleeds into the present, Always in Season follows relatives of the perpetrators and victims in communities across the country who’re seeking justice and reconciliation in the midst of racial profiling and police shootings. In Bladenboro, NC, the film connects historic racial terrorism to racial violence today with the story of Claudia Lacy who grieves as she fights to get an FBI investigation opened into the death of her seventeen-year-old son, Lennon Lacy, found hanging from a swing set on August 29, 2014. Claudia, like many others, believes Lennon was lynched. &quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:[null,0],&quot;12&quot;:0}">As the trauma of a century of lynching African Americans bleeds into the present, <a href="https://chickeneggpics.org/grantee/always-in-season/"><em>Always in Season</em></a> follows relatives of the perpetrators and victims in communities across the country who’re seeking justice and reconciliation in the midst of racial profiling and police shootings. In Bladenboro, NC, the film connects historic racial terrorism to racial violence today with the story of Claudia Lacy who grieves as she fights to get an FBI investigation opened into the death of her seventeen-year-old son, Lennon Lacy, found hanging from a swing set on August 29, 2014. Claudia, like many others, believes Lennon was lynched.</span></p>
<p>&nbsp;</p>
<p><figure id="attachment_3783" aria-describedby="caption-attachment-3783" style="width: 185px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3783 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Jennifer-Redfearn_Headshot-e1519228825399-256x344.jpg" alt="" width="185" height="249" /><figcaption id="caption-attachment-3783" class="wp-caption-text">Jennifer Redfearn</figcaption></figure></p>
<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3706&amp;preview=true"><em>Reentry</em></a> (working title), directed by Jennifer Redfearn <span style="font-weight: 400;">(US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">Women are now the fastest growing population in the U.S. criminal justice system, increasing at nearly double the rate of men. The majority of women going into prison are serving time for drug related charges. This immersive, character-driven film follows three women—who are part of a new reentry program in Cleveland, Ohio—as they prepare to leave prison, reunite with their children, and find jobs after serving time for drug related charges.</span></p>
<p>&nbsp;</p>
<p>
<a href='https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/al-2018_rintu-thomas-headshot/'><img loading="lazy" decoding="async" width="344" height="344" src="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-344x344.jpg" class="attachment-thumbnail size-thumbnail" alt="" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-608x608.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-768x768.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-1024x1024.jpg 1024w" sizes="auto, (max-width: 344px) 100vw, 344px" /></a>
<a href='https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/al-2018_sushmit-ghosh-headshot/'><img loading="lazy" decoding="async" width="344" height="344" src="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-344x344.jpg" class="attachment-thumbnail size-thumbnail" alt="" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-608x608.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-768x768.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-1024x1024.jpg 1024w" sizes="auto, (max-width: 344px) 100vw, 344px" /></a>
</p>
</div>
<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3753&amp;preview=true"><em>Writing With Fire</em></a>, directed by Rintu Thomas and Sushmit Ghosh <span style="font-weight: 400;">(INDIA)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">In a cluttered news landscape dominated by men, emerges India&#8217;s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions, be it on the frontlines of India&#8217;s biggest issues or within the confines of their homes, redefining what it means to be powerful.</span></p>
</div>
</div>
</div>
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		<title>Eight Chicken &#038; Egg Pictures grantees to screen at the 2015 DOC NYC film festival</title>
		<link>https://archive.chickeneggpics.org/eight-chicken-egg-pictures-grantees-to-screen-at-the-2015-doc-nyc-film-festival/</link>
					<comments>https://archive.chickeneggpics.org/eight-chicken-egg-pictures-grantees-to-screen-at-the-2015-doc-nyc-film-festival/#respond</comments>
		
		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Fri, 13 Nov 2015 18:48:06 +0000</pubDate>
				<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[A Journey of a Thousand Miles: Peacekeepers]]></category>
		<category><![CDATA[Amber Fares]]></category>
		<category><![CDATA[anne bogart]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[DOC NYC]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[Dreamcatcher]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[From This Day Forward]]></category>
		<category><![CDATA[funding]]></category>
		<category><![CDATA[Gayby Baby]]></category>
		<category><![CDATA[Geeta Gandbhir]]></category>
		<category><![CDATA[holly morris]]></category>
		<category><![CDATA[jenni wolfson]]></category>
		<category><![CDATA[Jennifer Redfearn]]></category>
		<category><![CDATA[Kim Longinotto]]></category>
		<category><![CDATA[Maya Newell]]></category>
		<category><![CDATA[No Más Bebés]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[Renee Tajima-Peña]]></category>
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		<category><![CDATA[social change]]></category>
		<category><![CDATA[Speed Sisters]]></category>
		<category><![CDATA[storytelling]]></category>
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					<description><![CDATA[Eight Chicken &#38; Egg Pictures-supported films will be screening at this year&#8217;s edition of DOC NYC, of which Chicken &#38; Egg Pictures is a proud supporter. The festival will run November 12-19 in New York City; a full festival lineup and schedule is available here. As a creative partner of DOC NYC, you can also [&#8230;]]]></description>
										<content:encoded><![CDATA[<div>
<p>Eight Chicken &amp; Egg Pictures-supported films will be screening at this year&#8217;s edition of DOC NYC, of which Chicken &amp; Egg Pictures is a proud supporter. <span class="il">The</span> festival will run <span class="aBn" tabindex="0" data-term="goog_208606750"><span class="aQJ">November 12-19</span></span> in New York City; a full festival lineup and schedule is available <a href="https://t.e2ma.net/click/1jxch/hkch0n/t9bv6b" target="_blank" rel="noopener">here</a>.</p>
</div>
<div><a href="http://chickeneggpics.org/wp-content/uploads/2015/11/20151112_0946081.jpg" rel="lightbox[2247]"><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-2246" src="http://chickeneggpics.org/wp-content/uploads/2015/11/20151112_0946081.jpg" alt="" width="2048" height="1152" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2015/11/20151112_0946081.jpg 2048w, https://archive.chickeneggpics.org/wp-content/uploads/2015/11/20151112_0946081-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2015/11/20151112_0946081-1024x576.jpg 1024w" sizes="auto, (max-width: 2048px) 100vw, 2048px" /></a></div>
<div>As a creative partner of DOC NYC, you can also catch Chicken &amp; Egg Pictures co-presenting, moderating, and participating on numerous panels throughout <span class="il">the</span> festival, including:</div>
<div>
<p><a href="https://t.e2ma.net/click/1jxch/hkch0n/91cv6b" target="_blank" rel="noopener"><strong>Insiders Conference: Show Me <span class="il">the</span> Money</strong></a><a href="https://t.e2ma.net/click/1jxch/hkch0n/pudv6b" target="_blank" rel="noopener">:</a> Executive Director Jenni Wolfson moderates a panel on <span class="il">the</span> Anatomy of Funding, joined by producer Patricia Benabe (<em><span class="il">The</span> Hand That Feeds</em>) and filmmakers Dawn Porter (<em>Gideon’s Army</em>), and Jen Brea (<em>Canary In A Coal Mine</em>). Monday, November 16 at 10:30am at Bow Tie Cinemas Chelsea. Full schedule <a href="https://t.e2ma.net/click/1jxch/hkch0n/5mev6b" target="_blank" rel="noopener">here</a>.</p>
</div>
<div><strong><a href="https://t.e2ma.net/click/1jxch/hkch0n/lffv6b" target="_blank" rel="noopener">Insiders Conference: Breaking In, New Roadmaps</a>: </strong>Chicken &amp; Egg Pictures is excited to co-present <span class="il">the</span> second day of <span class="il">the</span> four-day Insiders Conference, which will cover new ways to break into filmmaking as a career, to make meaningful change through film, to fund social impact campaigns, and more. Co-presented by Chicken &amp; Egg Pictures and <span class="il">The</span> City of New York Mayor&#8217;s Office of Media &amp; Entertainment. <span class="aBn" tabindex="0" data-term="goog_208606751"><span class="aQJ">Thursday, November 19</span></span>. Full schedule <a href="https://t.e2ma.net/click/1jxch/hkch0n/17fv6b" target="_blank" rel="noopener">here</a>.</div>
<div></div>
<div>
<p><em><a href="http://www.docnyc.net/film/babushkas-of-chernobyl-the/#.VkDVjq6rQ0p">The Babushkas of Chernobyl</a></em> (Anne Bogart &amp; Holly Morris)<br />
<span data-term="goog_208606752">Wednesday, 11/18 at 9:15PM</span> (IFC Center)<br />
<span data-term="goog_208606753">Thursday, 11/19 at 3:15PM</span> (IFC Center)</p>
<p><em><a href="http://www.docnyc.net/film/dreamcatcher/#.VkDV0a6rQ0p">Dreamcatcher</a></em> (Kim Longinotto)<br />
<span data-term="goog_208606754">Friday, 11/13 at 7PM</span> (IFC Center)<br />
<span data-term="goog_208606755">Thursday, 11/19 at 5PM</span> (Bow Tie Cinemas Chelsea)</p>
</div>
<p><figure id="attachment_1723" aria-describedby="caption-attachment-1723" style="width: 618px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2015/05/dreamcatcher.jpg" rel="lightbox[2247]"><img loading="lazy" decoding="async" class="size-full wp-image-1723" src="http://chickeneggpics.org/wp-content/uploads/2015/05/dreamcatcher.jpg" alt="Dreamcatcher, directed by Kim Longinotto" width="618" height="412" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2015/05/dreamcatcher.jpg 618w, https://archive.chickeneggpics.org/wp-content/uploads/2015/05/dreamcatcher-608x405.jpg 608w" sizes="auto, (max-width: 618px) 100vw, 618px" /></a><figcaption id="caption-attachment-1723" class="wp-caption-text">Dreamcatcher, directed by Kim Longinotto</figcaption></figure></p>
<div>
<p><em><a href="http://www.docnyc.net/film/from-this-day-forward/#.VkDWJq6rQ0p">From This Day Forward</a></em> (Sharon Shattuck)<br />
<span data-term="goog_208606756">Saturday, 11/14 at 9PM</span> (Bow Tie Cinemas Chelsea)</p>
<p><em><a href="http://www.docnyc.net/film/gayby-baby/#.VkDWV66rQ0p">Gayby Baby</a> (</em>Maya Newell)<br />
<span data-term="goog_208606757">Wednesday, 11/18 at 7:15PM</span> (IFC Center)</p>
<p><em><a href="http://www.docnyc.net/film/journey-of-a-thousand-miles-peacekeepers-a/#.VkDWhq6rQ0p">A Journey of a Thousand Miles: Peacekeepers </a></em>(Geeta Gandbhir &amp; Sharmeen Obaid-Chinoy)<br />
<span data-term="goog_208606758">Saturday, 11/14 at 4:30PM</span> (Bow Tie Cinemas Chelsea)<br />
<span data-term="goog_208606759">Monday, 11/16 at 5:15PM</span> (Bow Tie Cinemas Chelsea)</p>
<p><em><a href="http://www.docnyc.net/film/no-mas-bebes/#.VkDW0a6rQ0p">No Más Bebés</a></em> (Renee Tajima-Peña)<br />
<span data-term="goog_208606760">Saturday, 11/14 at 4:30PM</span> (IFC Center)</p>
<p><a href="http://www.docnyc.net/film/speed-sisters/#.VkDW-K6rQ0p"><em>Speed Sisters</em></a> (Amber Fares)<br />
<span data-term="goog_208606761">Saturday, 11/14 at 2PM</span> (SVA Theatre)</p>
<p><em><a href="http://www.docnyc.net/film/tocando-la-luz/#.VkDW9a6rQ0p">Tocando la Luz</a></em> (Jennifer Redfearn)<br />
<span data-term="goog_208606762">Sunday, 11/15 at 4:45PM</span> (Bow Tie Cinemas Chelsea)<br />
<span data-term="goog_208606763">Wednesday, 11/18 at 10:15AM</span> (IFC Center)</p>
<p><figure id="attachment_1565" aria-describedby="caption-attachment-1565" style="width: 3414px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2014/06/TocandoLaLuz_1a_crop_400dpi-copy.jpg" rel="lightbox[2247]"><img loading="lazy" decoding="async" class="size-full wp-image-1565" src="http://chickeneggpics.org/wp-content/uploads/2014/06/TocandoLaLuz_1a_crop_400dpi-copy.jpg" alt="Tocando la Luz, directed by Jennifer Redfearn" width="3414" height="1957" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/06/TocandoLaLuz_1a_crop_400dpi-copy.jpg 3414w, https://archive.chickeneggpics.org/wp-content/uploads/2014/06/TocandoLaLuz_1a_crop_400dpi-copy-608x349.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/06/TocandoLaLuz_1a_crop_400dpi-copy-1024x587.jpg 1024w" sizes="auto, (max-width: 3414px) 100vw, 3414px" /></a><figcaption id="caption-attachment-1565" class="wp-caption-text">Tocando la Luz, directed by Jennifer Redfearn</figcaption></figure></p>
</div>
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		<title>Your Guide to Chicken &#038; Egg Pictures Grantees on the Spring Film Festival Circuit</title>
		<link>https://archive.chickeneggpics.org/your-guide-to-chicken-egg-pictures-grantees-on-the-spring-film-festival-circuit/</link>
					<comments>https://archive.chickeneggpics.org/your-guide-to-chicken-egg-pictures-grantees-on-the-spring-film-festival-circuit/#respond</comments>
		
		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Fri, 03 Apr 2015 15:41:05 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[(T)ERROR]]></category>
		<category><![CDATA[A Woman Like Me]]></category>
		<category><![CDATA[Alex Sichel]]></category>
		<category><![CDATA[Amber Fares]]></category>
		<category><![CDATA[Among the Believers]]></category>
		<category><![CDATA[Ashland Film Festival]]></category>
		<category><![CDATA[Camila Nielsson]]></category>
		<category><![CDATA[David Felix Sutcliffe]]></category>
		<category><![CDATA[David Osit]]></category>
		<category><![CDATA[Democrats]]></category>
		<category><![CDATA[Dreamcatcher]]></category>
		<category><![CDATA[Elizabeth Giamatti]]></category>
		<category><![CDATA[From This Day Forward]]></category>
		<category><![CDATA[Full Frame Film Festival]]></category>
		<category><![CDATA[Hemal Trivedi]]></category>
		<category><![CDATA[HotDocs]]></category>
		<category><![CDATA[Jennifer Redfearn]]></category>
		<category><![CDATA[Kim Longinotto]]></category>
		<category><![CDATA[Lyric R. Cabral]]></category>
		<category><![CDATA[Malika Zouhali-Worrall]]></category>
		<category><![CDATA[Mohammed Naqvi]]></category>
		<category><![CDATA[north america]]></category>
		<category><![CDATA[Sharon Shattuck]]></category>
		<category><![CDATA[Sophie Deraspe]]></category>
		<category><![CDATA[Speed Sisters]]></category>
		<category><![CDATA[Thank You for Playing]]></category>
		<category><![CDATA[the amina profile]]></category>
		<category><![CDATA[tocando la luz]]></category>
		<category><![CDATA[Tribeca Film Festival]]></category>
		<guid isPermaLink="false">http://chickeneggpics.org/?p=1637</guid>

					<description><![CDATA[We are thrilled that nine Chicken &#38; Egg Pictures grantees will be featured in four upcoming film festivals across North America. These festivals include: Ashland Independent Film Festival in Oregon, Hot Docs International Documentary Festival in Toronto, Canada, Full Frame Film Festival in Durham, North Carolina and the Tribeca Film Festival in New York City. [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>We are thrilled that nine Chicken &amp; Egg Pictures grantees will be featured in four upcoming film festivals across North America. These festivals include: Ashland Independent Film Festival in Oregon, Hot Docs International Documentary Festival in Toronto, Canada, Full Frame Film Festival in Durham, North Carolina and the Tribeca Film Festival in New York City. Congratulations to all the filmmakers!</p>
<p><figure id="attachment_1528" aria-describedby="caption-attachment-1528" style="width: 608px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2015/02/FTDF_still1.png" rel="lightbox[1637]"><img loading="lazy" decoding="async" class="size-medium wp-image-1528" src="http://chickeneggpics.org/wp-content/uploads/2015/02/FTDF_still1-608x387.png" alt="From This Day Forward, directed by Sharon Shattuck" width="608" height="387" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2015/02/FTDF_still1-608x387.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2015/02/FTDF_still1.png 825w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a><figcaption id="caption-attachment-1528" class="wp-caption-text">From This Day Forward, directed by Sharon Shattuck</figcaption></figure></p>
<p><b><a href="https://t.e2ma.net/click/xsplg/hkch0n/dts4yb">Full Frame Film Festival<br />
</a></b><b>April 9-12, 2015. Durham, North Carolina</b></p>
<p><i>From This Day Forward </i>&#8211; directed by Sharon Shattuck<br />
When filmmaker Sharon Shattuck’s came out as transgender and changed her name to Trisha, Sharon was in the awkward throes of middle school. Her father’s transition was difficult for her straight-identified mother to accept, but they decided not to divorce. Committed to staying together as a family, they began a balancing act that would prove even more challenging than expected. As the family reunites to plan Sharon’s wedding, she asks how her parents’ love survived against all odds. Click <a href="http://www.fullframefest.org/filmsevents/film-schedule/?date=4/9/2015">here</a> for the Full Frame schedule.</p>
<p><i>(T)ERROR</i> &#8211; directed by Lyric R. Cabral &amp; David Felix Sutcliffe<br />
<i>(T)ERROR</i> is the first documentary to place filmmakers on the ground during an active FBI counterterrorism sting operation. Through the perspective of “Shariff”, a 63-year-old Black revolutionary turned informant, viewers get an unfettered glimpse of the government’s counterterrorism tactics and the murky justifications behind them. Click <a href="http://www.fullframefest.org/filmsevents/film-schedule/?date=4/9/2015">here</a> for the Full Frame schedule.</p>
<p><i>Tocando la Luz &#8211; </i>directed by Jennifer Redfearn<br />
<i>Tocando la Luz</i> weaves three stories – all set in the blind community of Havana, Cuba – into a tale of personal independence. As Lis, Mily, and Margarita each face family problems and heartbreak, their dependence on others turns out to be a double-edged sword. From the music halls of Havana to a cinema club for the blind, their stories reveal both the pain and the joys of fighting for yourself (via <a style="text-decoration: none; color: #2b2b2b;" href="http://www.dresshead.com/dresshead-staff-profile-tracie-thurmond/">tracie</a>). Click <a href="http://www.fullframefest.org/filmsevents/film-schedule/?date=4/9/2015">here</a> for the Full Frame schedule. World Premiere.</p>
<p><figure id="attachment_1565" aria-describedby="caption-attachment-1565" style="width: 608px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2014/06/TocandoLaLuz_1a_crop_400dpi-copy.jpg" rel="lightbox[1637]"><img loading="lazy" decoding="async" class="size-medium wp-image-1565" src="http://chickeneggpics.org/wp-content/uploads/2014/06/TocandoLaLuz_1a_crop_400dpi-copy-608x349.jpg" alt="Tocando la Luz, directed by Jennifer Redfearn" width="608" height="349" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/06/TocandoLaLuz_1a_crop_400dpi-copy-608x349.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/06/TocandoLaLuz_1a_crop_400dpi-copy-1024x587.jpg 1024w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a><figcaption id="caption-attachment-1565" class="wp-caption-text">Tocando la Luz, directed by Jennifer Redfearn</figcaption></figure></p>
<p><b><a href="http://www.ashlandfilm.org">Ashland Independent Film Festival<br />
</a></b><b>April 9-13, 2015. Ashland, Oregon</b></p>
<p><i>Tocando la Luz &#8211; </i>directed by Jennifer Redfearn. Click <a href="http://www.ashlandfilm.org/FilmDetails.asp?View=Film&amp;FilmID=1026">here</a> for showtimes.</p>
<p><b><a href="https://t.e2ma.net/click/xsplg/hkch0n/5yv4yb">Tribeca Film Festival<br />
</a></b><b>April 15-26, 2015. New York City, New York</b></p>
<p><i>Among the Believers</i> &#8211; directed by Hemal Trivedi &amp; Mohammed Naqvi<br />
An unsettling and eye opening exploration into the spread of the radical Islamic school Red Mosque, which trains legions of children to devote their lives to jihad, or holy war, from a very young age. With incredible access and chilling footage, <i>Among the Believers</i> is a timely and relevant look into the causes that have led to the growth of radical Islam in Pakistan and around the world. Click <a href="https://t.e2ma.net/click/xsplg/hkch0n/1jx4yb">here</a> for showtimes. World Premiere.</p>
<p><figure id="attachment_1639" aria-describedby="caption-attachment-1639" style="width: 608px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2015/04/amongbelievers_still6-copy.jpg" rel="lightbox[1637]"><img loading="lazy" decoding="async" class="size-medium wp-image-1639" src="http://chickeneggpics.org/wp-content/uploads/2015/04/amongbelievers_still6-copy-608x407.jpg" alt="Among the Believers, directed by Hemal Trivedi and Mohammed Naqvi" width="608" height="407" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2015/04/amongbelievers_still6-copy-608x407.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2015/04/amongbelievers_still6-copy-1024x685.jpg 1024w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a><figcaption id="caption-attachment-1639" class="wp-caption-text">Among the Believers, directed by Hemal Trivedi and Mohammed Naqvi</figcaption></figure></p>
<p><i>Democrats</i> &#8211; directed by Camilla Nielsson<br />
In the wake of Robert Mugabe&#8217;s highly criticized 2008 presidential win, a constitutional committee was created in an effort to transition Zimbabwe away from authoritarian leadership. With unprecedented access to the two political rivals overseeing the committee, this riveting firsthand account of a country&#8217;s fraught first step towards democracy plays at once like an intimate political thriller and unlikely buddy film. Click <a href="https://t.e2ma.net/click/xsplg/hkch0n/hcy4yb">here</a> for showtimes. North American Premiere.</p>
<p><i>(T)ERROR</i> &#8211; directed by Lyric R. Cabral &amp; David Felix Sutcliffe<br />
Click <a href="https://t.e2ma.net/click/xsplg/hkch0n/dxz4yb">here</a> for showtimes. New York Premiere.</p>
<p><i>Thank You for Playing </i>&#8211; directed by Malika Zouhali-Worrall &amp; David Osit<br />
For the past two years, Ryan and Amy Green have been working on That Dragon, Cancer, a videogame about their son Joel&#8217;s fight against that disease. Following the family through the creation of the game and the day-to-day realities of Joel&#8217;s treatment, David Osit and Malika Zouhali-Worrall create a moving testament to the joy and heartbreak of raising a terminally ill child. Click <a href="https://t.e2ma.net/click/xsplg/hkch0n/9h14yb">here</a> for showtimes. World Premiere.</p>
<p><figure id="attachment_1638" aria-describedby="caption-attachment-1638" style="width: 608px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2015/04/ThankYouForPlaying_Web_3.jpg" rel="lightbox[1637]"><img loading="lazy" decoding="async" class="size-medium wp-image-1638" src="http://chickeneggpics.org/wp-content/uploads/2015/04/ThankYouForPlaying_Web_3-608x334.jpg" alt="Thank You For Playing, directed by Malika Zouhali-Worrall and David Osit" width="608" height="334" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2015/04/ThankYouForPlaying_Web_3-608x334.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2015/04/ThankYouForPlaying_Web_3-1024x562.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2015/04/ThankYouForPlaying_Web_3.jpg 1400w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a><figcaption id="caption-attachment-1638" class="wp-caption-text">Thank You For Playing, directed by Malika Zouhali-Worrall and David Osit</figcaption></figure></p>
<p>&nbsp;</p>
<p><b><a href="http://www.hotdocs.ca">Hot Docs: Canadian International Documentary Festival<br />
</a></b><b>April 23-May 3, 2015. Toronto, Ontario, Canada</b></p>
<p><figure id="attachment_324" aria-describedby="caption-attachment-324" style="width: 608px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2014/07/speed_sisters_1_speed_sisters__credit_tanya_habjouqa.jpg" rel="lightbox[1637]"><img loading="lazy" decoding="async" class="size-medium wp-image-324" src="http://chickeneggpics.org/wp-content/uploads/2014/07/speed_sisters_1_speed_sisters__credit_tanya_habjouqa-608x405.jpg" alt="Speed Sisters, directed by Amber Fares" width="608" height="405" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/07/speed_sisters_1_speed_sisters__credit_tanya_habjouqa-608x405.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/speed_sisters_1_speed_sisters__credit_tanya_habjouqa.jpg 800w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a><figcaption id="caption-attachment-324" class="wp-caption-text">Speed Sisters, directed by Amber Fares</figcaption></figure></p>
<p><i>The Amina Profile</i> &#8211; directed by Sophie Deraspe<br />
In 2011, Amina Arraf, a beautiful lesbian revolutionary blogger in Syria, captured the heart of Sandra Bagaria. The fervent love affair that developed between them would sweep Sandra into an international intrigue involving American secret services, some of the biggest media outlets, and countless supporters of the Syrian revolution. This is the story of an unprecedented media fiasco that Sandra was forced to live through, and that we invite you to experience with her on a journey around the world. Click <a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=38170~446634ba-e848-4237-9b3c-72aceddb5263&amp;epguid=b314c44a-eed5-4434-9c2c-cc86c0bf61ee&amp;">here</a> for showtimes.</p>
<p><i>Democrats &#8211; </i>directed by <a href="http://boxoffice.hotdocs.ca/WebSales/pages/list.aspx?epguid=b314c44a-eed5-4434-9c2c-cc86c0bf61ee&amp;cp258=Camilla%20Nielsson&amp;">Camilla Nielsson<br />
</a>Click <a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=38198~446634ba-e848-4237-9b3c-72aceddb5263&amp;epguid=b314c44a-eed5-4434-9c2c-cc86c0bf61ee&amp;">here</a> for showtimes.</p>
<p><i>Dreamcatcher</i> &#8211; directed by Kim Longinotto<br />
<i>Dreamcatcher</i> is a vivid portrait of Brenda Myers-Powell, a former prostitute, who helps women and young girls break the cycle of sexual abuse and exploitation. The film lays bare the hidden violence that devastates the lives of young women, their families, and the communities where they live. It is Brenda’s unflinching intervention that turns these desperate lives around. Click <a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=38205~446634ba-e848-4237-9b3c-72aceddb5263&amp;epguid=b314c44a-eed5-4434-9c2c-cc86c0bf61ee&amp;">here</a> for showtimes.</p>
<p><i>From This Day Forward &#8211;</i> directed by Sharon Shattuck<br />
Click <a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=38224~446634ba-e848-4237-9b3c-72aceddb5263&amp;epguid=b314c44a-eed5-4434-9c2c-cc86c0bf61ee&amp;">here</a> for showtimes.</p>
<p><i>Speed Sisters</i> &#8211; directed by Amber Fares<br />
Despite restrictions on movement, a motor racing scene has emerged in the West Bank. The races offer a release from the pressures and uncertainties of life under military occupation. Brought together by a common desire to live life on their own terms, five determined women have joined the ranks of dozens of male drivers — competing against each other for the title, for bragging rights, for their hometown, and to prove that women can compete head-on with the guys. <i>Speed Sisters</i> captures the drive to defy all odds, leaving in its trail shattered stereotypes about gender and the Arab world. Click <a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=38301~446634ba-e848-4237-9b3c-72aceddb5263&amp;">here</a> for showtimes.</p>
<p><i>(T)ERROR &#8211;</i> directed by Lyric R. Cabral and David Felix Sutcliffe<br />
Click <a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=38309~446634ba-e848-4237-9b3c-72aceddb5263&amp;epguid=b314c44a-eed5-4434-9c2c-cc86c0bf61ee&amp;">here</a> for showtimes.</p>
<p><i>Thank You for Playing </i>&#8211; directed by Malika Zouhali-Worrall and David Osit<br />
Click <a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=38310~446634ba-e848-4237-9b3c-72aceddb5263&amp;epguid=b314c44a-eed5-4434-9c2c-cc86c0bf61ee&amp;">here</a> for showtimes.</p>
<p><em>A Woman Like Me</em>&#8211; directed by Alex Sichel and Elizabeth Giamatti<br />
<i>A Woman Like Me </i>is a hybrid documentary that interweaves the real story of Alex Sichel, diagnosed with terminal cancer in 2011, with the fictional story of Anna Seashell (played by Lili Taylor), who manages to find the glass half-full when faced with the same diagnosis. The documentary follows Alex as she uses her craft to explore what is foremost on her mind while confronting a terminal disease: parenting, marriage, faith, life, and death. Click <a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=38330~446634ba-e848-4237-9b3c-72aceddb5263&amp;epguid=b314c44a-eed5-4434-9c2c-cc86c0bf61ee&amp;" target="_blank" rel="noopener">here</a> for showtimes.</p>
<p>&nbsp;</p>
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