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	<title>Katie Galloway &#8211; Chicken &amp; Egg Pictures</title>
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	<title>Katie Galloway &#8211; Chicken &amp; Egg Pictures</title>
	<link>https://archive.chickeneggpics.org</link>
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	<item>
		<title>Chicken &#038; Egg Pictures-supported Filmmakers at the Call-To-Action Film Festival</title>
		<link>https://archive.chickeneggpics.org/chicken-egg-pictures-supported-filmmakers-at-the-call-to-action-film-festival/</link>
					<comments>https://archive.chickeneggpics.org/chicken-egg-pictures-supported-filmmakers-at-the-call-to-action-film-festival/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Fri, 28 Sep 2018 14:09:54 +0000</pubDate>
				<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Call-To-Action Film Festival]]></category>
		<category><![CDATA[Dawn Valadez]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Environmental Justice]]></category>
		<category><![CDATA[Katie Galloway]]></category>
		<category><![CDATA[Nancy Schwartzman]]></category>
		<category><![CDATA[Prison and Education]]></category>
		<category><![CDATA[Rape Culture]]></category>
		<category><![CDATA[Roll Red Roll]]></category>
		<category><![CDATA[Santa Barbara]]></category>
		<category><![CDATA[Santa Barbara International Film Festival]]></category>
		<category><![CDATA[SBIFF]]></category>
		<category><![CDATA[social justice]]></category>
		<category><![CDATA[Stephanie Soechtig]]></category>
		<category><![CDATA[The Devil We Know]]></category>
		<category><![CDATA[The Pushouts]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<category><![CDATA[women nonfiction filmmakers]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=4830</guid>

					<description><![CDATA[The Call-To-Action Film Festival, a documentary mini-fest by the Santa Barbara International Film Festival, will present a diverse selection of seven thought provoking films starting this Friday, September 28 and running through Thursday, October 4 at Santa Barbara&#8217;s Riviera Theatre. The festival aims to bring communities together in order to spark dialogue on pressing issues using [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>The<a href="https://sbiff.org/cta/"> Call-To-Action Film Festival</a>, a documentary mini-fest by the <a href="https://sbiff.org/">Santa Barbara International Film Festival</a>, will present a diverse selection of seven thought provoking films starting this Friday, September 28 and running through Thursday, October 4 at Santa Barbara&#8217;s Riviera Theatre.</p>
<p>The festival aims to bring communities together in order to spark dialogue on pressing issues using the art of film. Each film screening will be followed by moderated panel discussions with the film’s directors and specialists on the film’s issues.</p>
<p>We are excited to announce that three out of seven presented films at the Call-To-Action Festival are directed by Chicken &amp; Egg Pictures-supported filmmakers.</p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2018/01/Soechtig_Official-Film-Still.jpg" rel="lightbox[4830]"><img fetchpriority="high" decoding="async" class="alignnone wp-image-3643 size-medium" src="https://chickeneggpics.org/wp-content/uploads/2018/01/Soechtig_Official-Film-Still-608x342.jpg" alt="The Devil We Know Stephanie Stephanie Soechtig Jeremy Seifert" width="608" height="342" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/01/Soechtig_Official-Film-Still-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/01/Soechtig_Official-Film-Still-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/01/Soechtig_Official-Film-Still-1024x576.jpg 1024w" sizes="(max-width: 608px) 100vw, 608px" /></a><a href="https://chickeneggpics.org/grantee/the-devil-we-know/"><em>The Devil We Know</em></a>, directed by Stephanie Soechtig</p>
<p>Unraveling one of the biggest environmental scandals of our time, a group of citizens in West Virginia take on a powerful corporation after they discover it has knowingly been dumping a toxic chemical &#8211; now found in the blood of 99.7% of Americans &#8211; into the drinking water supply. This shocking exposé will blow the lid off the chemical industry.</p>
<p>Saturday, September 29 at 7:30 PM and Thursday, October 4 at 5 PM.</p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2015/10/Football-Practice.jpg" rel="lightbox[4830]"><img decoding="async" class="alignnone wp-image-2237 size-medium" src="https://chickeneggpics.org/wp-content/uploads/2015/10/Football-Practice-608x342.jpg" alt="Roll Red Roll Nancy Schwartzman" width="608" height="342" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2015/10/Football-Practice-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2015/10/Football-Practice-1024x575.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2015/10/Football-Practice.jpg 1084w" sizes="(max-width: 608px) 100vw, 608px" /></a><a href="https://chickeneggpics.org/grantee/roll-red-roll/"><em>Roll Red Roll</em></a>, directed by Nancy Schwartzman</p>
<p>Go behind the headlines of a notorious sexual assault case to witness the social media-fueled “boys will be boys” culture that allowed it to happen. With unprecedented access to police documents, exhibits, and evidence, <em>Roll Red Roll</em> examines the 2012 assault of a teenage girl by members of an Ohio town’s beloved high school football team—and explores the complex motivations and attitudes of both perpetrators and bystanders.</p>
<p>Saturday, September 29 at 4:30 PM and Tuesday, October 2 at 5 PM. Rape culture panel to follow Saturday screening.</p>
<p><em><a href="https://chickeneggpics.org/wp-content/uploads/2018/09/Screen-Shot-2018-04-13-at-1.58.04-PM-1150x644.png" rel="lightbox[4830]"><img decoding="async" class="alignnone wp-image-4833 size-medium" src="https://chickeneggpics.org/wp-content/uploads/2018/09/Screen-Shot-2018-04-13-at-1.58.04-PM-1150x644-608x340.png" alt="" width="608" height="340" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/09/Screen-Shot-2018-04-13-at-1.58.04-PM-1150x644-608x340.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/09/Screen-Shot-2018-04-13-at-1.58.04-PM-1150x644-768x430.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/09/Screen-Shot-2018-04-13-at-1.58.04-PM-1150x644-1024x573.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2018/09/Screen-Shot-2018-04-13-at-1.58.04-PM-1150x644.png 1150w" sizes="(max-width: 608px) 100vw, 608px" /></a>The Pushouts</em>, directed by Katie Galloway (<em><a href="https://chickeneggpics.org/grantee/the-return/">The Return</a></em>), co-directed by Dawn Valadez*</p>
<p>&#8220;Dr. Victor Rios was a high school dropout and gang member with<br />
multiple felony convictions and a death wish. When a teacher’s<br />
persistence, a mentor’s moral conviction, and his best friend’s murder converge, Rios’s path takes an unexpected turn. <em>The Pushouts</em> examines questions of race, class, and power through the lens of Dr. Rios, now a professor at UCSB.&#8221;*</p>
<p>Sunday, September 30 at 4:30 PM and Tuesday, October 2 at 7:30 PM. Prison and education panel to follow Sunday screening.</p>
<p>*Chicken &amp; Egg Pictures did not support <em>The Pushouts </em>, but supported director Katie Galloway through<em> <a href="https://chickeneggpics.org/grantee/the-return/">The Return</a></em>.</p>
<p>*Synopsis and image courtesy of <a href="https://www.thepushouts.com/"><em>The Pushouts</em></a>.</p>
]]></content:encoded>
					
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		<item>
		<title>Chicken &#038; Egg Pictures at the Emmys®!</title>
		<link>https://archive.chickeneggpics.org/chicken-egg-pictures-emmys/</link>
					<comments>https://archive.chickeneggpics.org/chicken-egg-pictures-emmys/#respond</comments>
		
		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Wed, 26 Jul 2017 16:57:26 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[(T)ERROR]]></category>
		<category><![CDATA[Abigail Disney]]></category>
		<category><![CDATA[Academy of Motion Picture Arts and Sciences]]></category>
		<category><![CDATA[Among the Believers]]></category>
		<category><![CDATA[Awards ceremony]]></category>
		<category><![CDATA[Best Documentary]]></category>
		<category><![CDATA[Beth Murphy]]></category>
		<category><![CDATA[David Felix Sutcliffe]]></category>
		<category><![CDATA[David Osit]]></category>
		<category><![CDATA[Deborah S. Esquenazi]]></category>
		<category><![CDATA[Doc World]]></category>
		<category><![CDATA[Emmy]]></category>
		<category><![CDATA[Emmy Awards]]></category>
		<category><![CDATA[emmys]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[First-Time Filmmakers]]></category>
		<category><![CDATA[Geeta Patel]]></category>
		<category><![CDATA[Hemal Trivedi]]></category>
		<category><![CDATA[Hooligan Sparrow]]></category>
		<category><![CDATA[Independent Lens]]></category>
		<category><![CDATA[Investigation Discovery]]></category>
		<category><![CDATA[Katie Galloway]]></category>
		<category><![CDATA[Kelly Duane de la Vega]]></category>
		<category><![CDATA[Lyric R. Cabral]]></category>
		<category><![CDATA[Malika Zouhali-Worrall]]></category>
		<category><![CDATA[Meet the Patels]]></category>
		<category><![CDATA[Mohammed Naqvi]]></category>
		<category><![CDATA[Nanfu Wang]]></category>
		<category><![CDATA[News & Documentary Emmy Awards]]></category>
		<category><![CDATA[No Más Bebés]]></category>
		<category><![CDATA[nominations]]></category>
		<category><![CDATA[Outstanding Current Affairs Documentary]]></category>
		<category><![CDATA[Outstanding Politics and Government Documentary]]></category>
		<category><![CDATA[PBS]]></category>
		<category><![CDATA[POV]]></category>
		<category><![CDATA[public broadcasting]]></category>
		<category><![CDATA[Rachel Lears]]></category>
		<category><![CDATA[Ravi Patel]]></category>
		<category><![CDATA[Renee Tajima-Peña]]></category>
		<category><![CDATA[Robin Blotnick]]></category>
		<category><![CDATA[Social Issue Documentary]]></category>
		<category><![CDATA[Southwest of Salem: The Story of the San Antonio Four]]></category>
		<category><![CDATA[television]]></category>
		<category><![CDATA[Thank You for Playing]]></category>
		<category><![CDATA[The Armor of Light]]></category>
		<category><![CDATA[The Hand That Feeds]]></category>
		<category><![CDATA[The Return]]></category>
		<category><![CDATA[What Tomorrow Brings]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=3361</guid>

					<description><![CDATA[What a week for wonderful news at Chicken &#38; Egg Pictures! Nominees for the 38th Annual News &#38; Documentary Emmy Awards® were announced yesterday and we were overloaded with joy to see so many Nest-supported films and filmmakers included. Congratulations to all and good luck! Among the Believers, directed by Hemal Trivedi and Mohammed Naqvi (World ‘Doc World’) Nominated [&#8230;]]]></description>
										<content:encoded><![CDATA[<figure id="attachment_3363" aria-describedby="caption-attachment-3363" style="width: 608px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3363 size-medium" src="https://chickeneggpics.org/wp-content/uploads/2017/07/Emmy-Nominated-Films-2017-608x256.jpg" alt="" width="608" height="256" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2017/07/Emmy-Nominated-Films-2017-608x256.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2017/07/Emmy-Nominated-Films-2017.jpg 684w" sizes="auto, (max-width: 608px) 100vw, 608px" /><figcaption id="caption-attachment-3363" class="wp-caption-text">Row 1 (left to right): Among the Believers, The Hand That Feeds, Meet the Patels; Row 2 (left to right): No Más Bebés, The Return, Southwest of Salem; Row 3 (left to right):Thank You For Playing, (T)ERROR, What Tomorrow Brings</figcaption></figure>
<p>What a week for wonderful news at Chicken &amp; Egg Pictures!</p>
<p>Nominees for the 38th Annual News &amp; Documentary Emmy Awards® were announced yesterday and we were overloaded with joy to see so many Nest-supported films and filmmakers included. Congratulations to all and good luck!</p>
<p><a href="https://chickeneggpics.org/grantee/among-the-believers/"><em>Among the Believers</em></a>, directed by<em> </em>Hemal Trivedi and Mohammed Naqvi (World ‘Doc World’) Nominated for <b>Outstanding Politics and G</b><b>overnment Documentary</b></p>
<p><i><a href="https://chickeneggpics.org/grantee/the-hand-that-feeds/">The Hand That Feeds</a>,</i> directed by Rachel Lears and Robin Blotnick<i> </i>(World ‘America ReFramed’) Nominated for<b> Outstanding Business and Economic Documentary</b></p>
<p><i><a href="https://chickeneggpics.org/grantee/meet-the-patels">Meet the Patels</a>, </i>directed by Geeta Patel and Ravi Patel (PBS ‘Independent Lens’) Nominated for<b> Outstanding Arts &amp; Culture Documentary</b></p>
<p><a href="https://chickeneggpics.org/grantee/no-mas-bebes/"><em>No Más Bebés</em></a>, directed by Renee Tajima-Peña (PBS ‘Independent Lens’) Nominated for<b> Outstanding Historical Documentary</b></p>
<p><a href="https://chickeneggpics.org/grantee/the-return"><em>The Return</em></a>, directed by Kelly Duane de la Vega and Katie Galloway (PBS ‘POV’) Nominated for<b> Outstanding Current Affairs </b><b>Documentary</b></p>
<p><a href="https://chickeneggpics.org/grantee/southwest-of-salem-the-story-of-the-san-antonio-four/"><em>Southwest of Salem: The Story of the San Antonio Four</em></a>, directed by Deborah S. Esquenazi (Investigation Discovery) Nominated for<b> Outstanding Social Issue Documentary</b></p>
<p><a href="https://chickeneggpics.org/grantee/thank-you-for-playing/"><i>Thank You For Playing</i></a>, directed by Malika Zouhali-Worrall and David Osit (PBS ‘POV’)<strong> Nominated for Best Documentary, <b>Outstanding Arts &amp; Culture Documentary, </b></strong>and<strong><b> Outstanding Editing: Documentary</b></strong></p>
<p><a href="https://chickeneggpics.org/grantee/terror/"><em>(T)ERROR</em></a>, directed by Lyric R. Cabral and David Felix Sutcliffe (PBS ‘Independent Lens’) Nominated for <b>Outstanding Investigative Documentary</b></p>
<p><a href="https://chickeneggpics.org/grantee/What-Tomorrow-Brings/"><em>What Tomorrow Brings</em></a>, directed by Beth Murphy (PBS ‘POV’) Nominated for<b> Outstanding Current Affairs Documentary</b></p>
<p>And a special congratulations to 2017 Accelerator Lab grantee Nanfu Wang for <em>Hooligan Sparrow</em>, (PBS ‘POV’), which was nominated for <strong>Outstanding Politics and Government Documentary</strong> and <strong>Outstanding Editing: Documentary</strong>; and our Nest-friend and supporter Abigail Disney for <em>The Armor of Light</em>, (PBS ‘Independent Lens’), nominated for <strong>Outstanding Social Issue Documentary</strong>.</p>
<p>&nbsp;</p>
]]></content:encoded>
					
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		<title>Chicken &#038; Egg Pictures at the 2016 Tribeca Film Festival</title>
		<link>https://archive.chickeneggpics.org/chicken-egg-pictures-at-the-2016-tribeca-film-festival/</link>
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		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Fri, 25 Mar 2016 19:31:45 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[2016 Tribeca Film Festival]]></category>
		<category><![CDATA[6X9: An Immersive Experience of Solitary Confinement]]></category>
		<category><![CDATA[Alma Ha'rel]]></category>
		<category><![CDATA[Criminal Justice]]></category>
		<category><![CDATA[Deborah S. Esquenazi]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Francesca Panetta]]></category>
		<category><![CDATA[Katie Galloway]]></category>
		<category><![CDATA[Kelly Duane de la Vega]]></category>
		<category><![CDATA[Kristi Jacobson]]></category>
		<category><![CDATA[Lindsay Poulton]]></category>
		<category><![CDATA[LoveTrue]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[social change]]></category>
		<category><![CDATA[Southwest of Salem]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[The Return]]></category>
		<category><![CDATA[The San Antonio Four]]></category>
		<category><![CDATA[Tribeca]]></category>
		<category><![CDATA[Tribeca Film Festival]]></category>
		<category><![CDATA[Virtual Reality]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">http://chickeneggpics.org/?p=2332</guid>

					<description><![CDATA[This year&#8217;s Tribeca Film Festival, running from April 13-24, marks the 15th edition of this annual spring event. Chicken &#38; Egg Pictures is proud to have four grantee films screening in this year&#8217;s lineup, along with 6X9: An Immersive Experience of Solitary Confinement, the first virtual reality project we have ever supported. For a full [&#8230;]]]></description>
										<content:encoded><![CDATA[<div>
<p>This year&#8217;s Tribeca Film Festival, running from April 13-24, marks the 15th edition of this annual spring event. Chicken &amp; Egg Pictures is proud to have four grantee films screening in this year&#8217;s lineup, along with <em>6X9: An Immersive Experience of Solitary Confinement</em>, the first virtual reality project we have ever supported.</p>
<p>For a full list of films that will screen at the 2016 Tribeca Film Festival, as well as a complete schedule, visit the Tribeca Film Festival <a href="https://tribecafilm.com/festival" target="_blank" rel="noopener">website</a>.</p>
</div>
<p><strong>World Documentary Competition<br />
</strong><em><a href="http://chickeneggpics.org/film/love-true/" target="_blank" rel="noopener">LoveTrue</a> </em>(Alma Ha&#8217;rel)<strong><br />
</strong>Does our view of love change as we grow older? How do we make decisions about our love lives? Is there such a thing as true love? Are there invisible partners in relationships? Past ghosts of ourselves? The film’s reenactments of significant past experiences and glimpses at possible futures, created with non-actors playing the characters’ older and younger selves, encourage the couples to confront the realities of their hopes and memories, and the effect they have on their love lives.</p>
<div></div>
<div>
<figure id="attachment_2335" aria-describedby="caption-attachment-2335" style="width: 1920px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1.png"  rel="lightbox[2332] attachment wp-att-2335"><img loading="lazy" decoding="async" class="size-full wp-image-2335" src="http://chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1.png" alt="LoveTrue" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1.png 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1-608x342.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1-768x432.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1-1024x576.png 1024w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a><figcaption id="caption-attachment-2335" class="wp-caption-text">LoveTrue</figcaption></figure>
</div>
<div></div>
<p><a href="http://chickeneggpics.org/film/the-return/" target="_blank" rel="noopener"><em>The Return</em> </a>(Katie Galloway &amp; Kelly Duane de la Vega)<strong><br />
</strong>In 2012, California voters passed Proposition 36, which  shortened sentences of the currently incarcerated. Within days, the reintegration of thousands of “lifers”—men &amp; women once expecting to spend their lives in prison—was underway. <em>The Return</em> weaves together multiple narratives of characters on the front lines of this unprecedented shift: prisoners suddenly freed, families turned upside down, attorneys and judges wrestling with an untested law, and reentry providers negotiating unfathomable transitions.</p>
<div></div>
<div>
<figure id="attachment_2334" aria-describedby="caption-attachment-2334" style="width: 377px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2.jpg"  rel="lightbox[2332] attachment wp-att-2334"><img loading="lazy" decoding="async" class=" wp-image-2334" src="http://chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2.jpg" alt="The Return" width="377" height="462" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2.jpg 783w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2-608x745.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2-768x942.jpg 768w" sizes="auto, (max-width: 377px) 100vw, 377px" /></a><figcaption id="caption-attachment-2334" class="wp-caption-text">The Return</figcaption></figure>
</div>
<div></div>
<p><strong>Viewpoints</strong><br />
<em>Solitary</em> (Kristi Jacobson)<br />
<em>Solitary</em> investigates an invisible part of the American justice system: the use of isolation and segregation in US prisons, commonly known as solitary confinement. With unprecedented access inside a prison tackling the issue head on, the film explores this divisive issue through the experiences of those on both sides of the bars. Directed by Chicken &amp; Egg Pictures <a href="https://chickeneggpics.org/programs/#breakthrough-filmmaker-award">Breakthrough Filmmaker Award</a> recipient Kristi Jacobson.</p>
<figure id="attachment_2336" aria-describedby="caption-attachment-2336" style="width: 1400px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1.jpg"  rel="lightbox[2332] attachment wp-att-2336"><img loading="lazy" decoding="async" class="size-full wp-image-2336" src="http://chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1.jpg" alt="Solitary" width="1400" height="768" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1.jpg 1400w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1-608x334.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1-768x421.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1-1024x562.jpg 1024w" sizes="auto, (max-width: 1400px) 100vw, 1400px" /></a><figcaption id="caption-attachment-2336" class="wp-caption-text">Solitary</figcaption></figure>
<p><em><br />
<a href="http://chickeneggpics.org/film/southwest-of-salem-the-story-of-the-san-antonio-four/" target="_blank" rel="noopener">Southwest of Salem: The Story of the San Antonio Four</a></em> (Deborah S. Esquenazi)<br />
<i>Southwest of Salem</i> excavates the nightmarish persecution of Elizabeth Ramirez, Cassandra Rivera, Kristie Mayhugh, and Anna Vasquez — four Latina lesbians wrongfully convicted of allegedly gang raping two little girls. This bizarre case is the first to be adjudicated under momentous new legislation: for the first time in U.S. history, wrongfully convicted innocents can challenge convictions based on debunked scientific evidence. The film also unravels the sinister interplay of mythology, homophobia, and prosecutorial fervor which led to this modern day witch hunt.</p>
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<figure id="attachment_2333" aria-describedby="caption-attachment-2333" style="width: 6000px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg"  rel="lightbox[2332] attachment wp-att-2333"><img loading="lazy" decoding="async" class="size-full wp-image-2333" src="http://chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg" alt="Southwest of Salem: The Story of the San Antonio Four" width="6000" height="4000" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg 6000w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-608x405.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-768x512.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-1024x683.jpg 1024w" sizes="auto, (max-width: 6000px) 100vw, 6000px" /></a><figcaption id="caption-attachment-2333" class="wp-caption-text">Southwest of Salem: The Story of the San Antonio Four</figcaption></figure>
<p><strong>Storyscapes<br />
</strong><em>6X9: An Immersive Experience of Solitary Confinement</em> (Francesca Panetta &amp; Lindsay Poulton)<br />
Right now, 80,000-100,000 people are in solitary confinement in the US. They spend 22-24 hours a day in their cells, with little to no human contact for days or even decades. The sensory deprivation they endure causes severe psychological damage. These people are invisible to us—and eventually to themselves.</p>
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<figure id="attachment_2337" aria-describedby="caption-attachment-2337" style="width: 3977px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3.jpg"  rel="lightbox[2332] attachment wp-att-2337"><img loading="lazy" decoding="async" class="size-full wp-image-2337" src="http://chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3.jpg" alt="6X9: An Immersive Experience of Solitary Confinement" width="3977" height="2809" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3.jpg 3977w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3-608x429.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3-768x542.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3-1024x723.jpg 1024w" sizes="auto, (max-width: 3977px) 100vw, 3977px" /></a><figcaption id="caption-attachment-2337" class="wp-caption-text">6X9: An Immersive Experience of Solitary Confinement</figcaption></figure>
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