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	<title>Lindsay Poulton &#8211; Chicken &amp; Egg Pictures</title>
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	<title>Lindsay Poulton &#8211; Chicken &amp; Egg Pictures</title>
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	<item>
		<title>Five Supported Films at Hot Docs</title>
		<link>https://archive.chickeneggpics.org/six-supported-films-at-hot-docs-2/</link>
					<comments>https://archive.chickeneggpics.org/six-supported-films-at-hot-docs-2/#respond</comments>
		
		<dc:creator><![CDATA[Tess Caldwell]]></dc:creator>
		<pubDate>Tue, 16 Jul 2024 20:37:18 +0000</pubDate>
				<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[7 Beats Per Minute]]></category>
		<category><![CDATA[A Photographic Memory]]></category>
		<category><![CDATA[Brett Story]]></category>
		<category><![CDATA[Chicken Egg Award]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[Farming the Revolution]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Ina Finchman]]></category>
		<category><![CDATA[Intercepted]]></category>
		<category><![CDATA[Lana Wilson]]></category>
		<category><![CDATA[Light of the Setting Sun]]></category>
		<category><![CDATA[Lindsay Poulton]]></category>
		<category><![CDATA[Look Into My Eyes]]></category>
		<category><![CDATA[Mila Aung-Thwin]]></category>
		<category><![CDATA[Nishtha Jain]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[nonprofit]]></category>
		<category><![CDATA[Oksana Karpovych]]></category>
		<category><![CDATA[Rachel Elizabeth Seed]]></category>
		<category><![CDATA[Sona Jo]]></category>
		<category><![CDATA[wilfred buck]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Yance Ford]]></category>
		<category><![CDATA[Yintah]]></category>
		<category><![CDATA[Yuqi Kang]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=14472</guid>

					<description><![CDATA[The 31st edition of Hot Docs will take place across Toronto this year from Thursday, April 25 to Sunday, May 5. We are thrilled to announce that 2020 Chicken &#38; Egg Award recipient Nishtha Jain&#8217;s film, Farming the Revolution, is having its world premiere along with 4 other supported films and 5 films from supported [&#8230;]]]></description>
										<content:encoded><![CDATA[


<p>The 31st edition of Hot Docs will take place across Toronto this year from Thursday, April 25 to Sunday, May 5. We are thrilled to announce that 2020 Chicken &amp; Egg Award recipient Nishtha Jain&#8217;s film, <em>Farming the Revolution</em>, is having its <strong>world premiere</strong> along with 4 other supported films and 5 films from supported filmmakers are on the lineup this year! </p>



<p>Hot Docs is North America’s largest documentary festival, conference, and market, and embodies a deep commitment to gender parity, with 54% female directors in this year’s official selection, according to <a href="https://s3.amazonaws.com/assets.hotdocs.ca/releases/HDF24_FestivalPR.pdf">their press release</a>. Two of our staff members will be in attendance so be sure to stay in touch via our social media channels for some exclusive content at the festival!</p>



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<h2 class="wp-block-heading"><em><a href="https://chickeneggpics.org/grantee/a-photographic-memory/"></a><em><em><em><em><em><em><em><a href="https://chickeneggpics.org/grantee/farming-the-revolution/">Farming the Revolution</a></em></em></em></em></em></em></em></em></h2>



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<h3 class="wp-block-heading">dir. &amp; prod. Nishtha Jain</h3>



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<h3 class="wp-block-heading">prod. Valérie Montmartin</h3>



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<figure class="wp-block-image size-large is-resized"><img fetchpriority="high" decoding="async" width="1024" height="768" src="https://chickeneggpics.org/wp-content/uploads/2024/04/Farming_the_Revolution_SecondaryStill01-1024x768.jpeg" alt="Still from Farming the Revolution" class="wp-image-13958" style="width:840px;height:auto" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Farming_the_Revolution_SecondaryStill01-1024x768.jpeg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Farming_the_Revolution_SecondaryStill01-608x456.jpeg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Farming_the_Revolution_SecondaryStill01-768x576.jpeg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Farming_the_Revolution_SecondaryStill01-1536x1152.jpeg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Farming_the_Revolution_SecondaryStill01-2048x1536.jpeg 2048w" sizes="(max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">Still from <em>Farming the Revolution</em></figcaption></figure>



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<p><em>Farming the Revolution </em>was supported through <a href="https://chickeneggpics.org/grantee/2020-chicken-egg-award-recipient-3/">Nishtha Jain</a>’s 2020 <a href="https://chickeneggpics.org/programs/#chicken-egg-award">Chicken &amp; Egg Award</a> and is having its <strong>World Premiere </strong>in the International Competition</p>



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<figure class="aligncenter"><img decoding="async" width="626" height="625" src="https://chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04.jpg" alt="graphic of a film reel" class="wp-image-11232" style="width:35px" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04.jpg 626w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04-608x607.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04-344x344.jpg 344w" sizes="(max-width: 626px) 100vw, 626px" /></figure></div>


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<h2 class="wp-block-heading"><em><em><a href="https://chickeneggpics.org/grantee/7-beats-per-minute/"><em>7 Beats Per Minute</em></a></em></em></h2>



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<h3 class="wp-block-heading">dir. Yuqi Kang</h3>



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<h3 class="wp-block-heading">prod. Ina Fichman, Anita Lee</h3>



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<figure class="wp-block-image size-large is-resized"><img decoding="async" width="1024" height="576" src="https://chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_7-Beats-Per-Minute_Yuqi-Kang_Film-Still_MAIN_01-1024x576.jpeg" alt="Long shot of a diver clenching her knees under water" class="wp-image-10129" style="width:840px;height:auto" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_7-Beats-Per-Minute_Yuqi-Kang_Film-Still_MAIN_01-1024x576.jpeg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_7-Beats-Per-Minute_Yuqi-Kang_Film-Still_MAIN_01-608x342.jpeg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_7-Beats-Per-Minute_Yuqi-Kang_Film-Still_MAIN_01-768x432.jpeg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_7-Beats-Per-Minute_Yuqi-Kang_Film-Still_MAIN_01-1536x864.jpeg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_7-Beats-Per-Minute_Yuqi-Kang_Film-Still_MAIN_01-2048x1152.jpeg 2048w" sizes="(max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">Still from <em>7 Beats Per Minute</em></figcaption></figure>



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<p><em>7 Beats Per Minute </em>was a 2022 <a href="https://chickeneggpics.org/programs/#eggcelerator-lab">(Egg)celerator Lab</a> grantee having its <strong>Canadian Premiere</strong> in the Canadian Spectrum Competition.</p>



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<div class="wp-block-image is-resized">
<figure class="aligncenter"><img decoding="async" width="626" height="625" src="https://chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04.jpg" alt="graphic of a film reel" class="wp-image-11232" style="width:35px" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04.jpg 626w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04-608x607.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04-344x344.jpg 344w" sizes="(max-width: 626px) 100vw, 626px" /></figure></div>


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<h2 class="wp-block-heading"><em><a href="https://chickeneggpics.org/grantee/a-photographic-memory/"><em>A Photographic Memory</em></a></em></h2>



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<h3 class="wp-block-heading">dir. &amp; prod. Rachel Elizabeth Seed</h3>



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<h3 class="wp-block-heading">prods. Sigrid Dyekjær, Beth Levison, Matt Perniciaro, Michael Sherman, Danielle Varga</h3>



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<figure class="wp-block-image size-large is-resized"><img loading="lazy" decoding="async" width="1024" height="625" src="https://chickeneggpics.org/wp-content/uploads/2020/03/EL-2020_A-Photgraphic-Memory_Rachel-Elizabeth-SeedApmFilmStill2Film-Still-1024x625.jpg" alt="" class="wp-image-7353" style="width:840px;height:auto" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2020/03/EL-2020_A-Photgraphic-Memory_Rachel-Elizabeth-SeedApmFilmStill2Film-Still-1024x625.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2020/03/EL-2020_A-Photgraphic-Memory_Rachel-Elizabeth-SeedApmFilmStill2Film-Still-608x371.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2020/03/EL-2020_A-Photgraphic-Memory_Rachel-Elizabeth-SeedApmFilmStill2Film-Still-768x469.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2020/03/EL-2020_A-Photgraphic-Memory_Rachel-Elizabeth-SeedApmFilmStill2Film-Still-1536x938.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2020/03/EL-2020_A-Photgraphic-Memory_Rachel-Elizabeth-SeedApmFilmStill2Film-Still-2048x1250.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">Still from <em>A Photographic Memory</em></figcaption></figure>



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<p><em>A Photographic Memory </em>was a 2020 <a href="https://chickeneggpics.org/programs/#eggcelerator-lab">(Egg)celerator Lab</a> grantee having its <strong>International Premiere </strong>in the Persister section.</p>



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<figure class="aligncenter"><img decoding="async" width="626" height="625" src="https://chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04.jpg" alt="graphic of a film reel" class="wp-image-11232" style="width:35px" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04.jpg 626w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04-608x607.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04-344x344.jpg 344w" sizes="(max-width: 626px) 100vw, 626px" /></figure></div>


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<h2 class="wp-block-heading"><em><em><em><em><em><em><em><em><em><em><em><em><em><em><a href="https://chickeneggpics.org/grantee/intercepted/">Intercepted</a></em></em></em></em></em></em></em></em></em></em></em></em></em></em></h2>



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<h3 class="wp-block-heading">dir. Oksana Karpovych&nbsp;</h3>



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<h3 class="wp-block-heading">prods. Giacomo Nudi, Rocío Barba Fuentes, Pauline Tran Van Lieu, Lucie Rego, Darya Bassel</h3>



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<figure class="wp-block-image size-large is-resized"><img loading="lazy" decoding="async" width="1024" height="574" src="https://chickeneggpics.org/wp-content/uploads/2023/02/CIF-2022_Intercepted_Oksana-Karpovych_Film-Still_02-1024x574.jpeg" alt="Still from Intercepted. A lake is shown from the shoreline. Various people in bathing suits are shown wading in the far left and right of the frame. Two women and their grandson are in the middle, with their backs to the camera. In the far background, across the lake, recently bombed buildings are visible." class="wp-image-11638" style="width:840px;height:auto" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2023/02/CIF-2022_Intercepted_Oksana-Karpovych_Film-Still_02-1024x574.jpeg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2023/02/CIF-2022_Intercepted_Oksana-Karpovych_Film-Still_02-608x341.jpeg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2023/02/CIF-2022_Intercepted_Oksana-Karpovych_Film-Still_02-768x431.jpeg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2023/02/CIF-2022_Intercepted_Oksana-Karpovych_Film-Still_02-1536x862.jpeg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2023/02/CIF-2022_Intercepted_Oksana-Karpovych_Film-Still_02-2048x1149.jpeg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">Still from <em>Intercepted</em></figcaption></figure>



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<p><em>Intercepted </em>is a 2022 <a href="https://chickeneggpics.org/announcing-our-2022-critical-issues-fund-grantees/">Critical Issues Fund</a> grantee having its <strong>Canadian Premiere</strong> in the Festival Favorites section.</p>



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<figure class="aligncenter"><img decoding="async" width="626" height="625" src="https://chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04.jpg" alt="graphic of a film reel" class="wp-image-11232" style="width:35px" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04.jpg 626w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04-608x607.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04-344x344.jpg 344w" sizes="(max-width: 626px) 100vw, 626px" /></figure></div>


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<h2 class="wp-block-heading"><em><em><em><em><em><em><em><em><em><em><em><em><em><a href="https://chickeneggpics.org/grantee/look-into-my-eyes/">Look Into My Eyes</a></em></em></em></em></em></em></em></em></em></em></em></em></em></h2>



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<h3 class="wp-block-heading">dir. &amp; prod. Lana Wilson</h3>



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<h3 class="wp-block-heading">prod. Kyle Martin</h3>



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<figure class="wp-block-image size-large is-resized"><img loading="lazy" decoding="async" width="1024" height="540" src="https://chickeneggpics.org/wp-content/uploads/2024/04/LIME-CC_1-1024x540.png" alt="Still from Look Into My Eyes" class="wp-image-13959" style="width:840px;height:auto" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2024/04/LIME-CC_1-1024x540.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/LIME-CC_1-608x321.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/LIME-CC_1-768x405.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/LIME-CC_1-1536x810.png 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/LIME-CC_1-2048x1080.png 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">Still from <em>Look Into My Eyes</em></figcaption></figure>



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<p><em>Look Into My Eyes </em>was supported through <a href="https://chickeneggpics.org/grantee/2019-chicken-egg-award-recipient-lana-wilson/">Lana Wilson</a>’s 2019 <a href="https://chickeneggpics.org/programs/#chicken-egg-award">Chicken &amp; Egg Award</a> and is having its <strong>Canadian Premiere </strong>in the Special Presentations section.</p>



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<h2 class="wp-block-heading">Spotlight on Brett Story</h2>



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<div class="wp-block-image">
<figure class="aligncenter size-large is-resized"><img loading="lazy" decoding="async" width="1016" height="1024" src="https://chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1016x1024.jpg" alt="This is a headshot of Brett Story, a white woman with freckles and long brown hair and bangs. She is sitting at a table against a white wall, wearing a black turtleneck and jeans." class="wp-image-9961" style="width:299px;height:auto" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1016x1024.jpg 1016w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-608x613.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-768x774.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1525x1536.jpg 1525w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-2033x2048.jpg 2033w" sizes="auto, (max-width: 1016px) 100vw, 1016px" /></figure></div>


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<p>2022 <a href="https://chickeneggpics.org/programs/#chicken-egg-award">Chicken &amp; Egg Award</a> Recipient <a href="https://chickeneggpics.org/grantee/brett-story/">Brett Story</a> will be engaging in an illuminating conversation with author and organizer Astra Taylor. Learn more about <a href="https://hotdocs.ca/whats-on/hot-docs-festival/films/2024/astra-taylor-conversation"><strong>Astra Taylor in Conversation with Brett Story</strong></a> here.</p>



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<h2 class="wp-block-heading">From the AlumNest</h2>



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<ul class="wp-block-list">
<li><a href="https://hotdocs.ca/whats-on/hot-docs-festival/films/2024/adrianne-and-the-castle"><em>Adrianne &amp; the Castle</em></a> <strong>&#8211; Canadian Premiere</strong><br>dir. Shannon Walsh<br>prod. <a href="https://chickeneggpics.org/grantee/7-beats-per-minute/">Ina Fichman</a></li>
</ul>





<ul class="wp-block-list">
<li><a href="https://hotdocs.ca/whats-on/hot-docs-festival/films/2024/power"><em>Power</em></a><br>dir. &amp; prod. <a href="https://chickeneggpics.org/grantee/strong-island/">Yance Ford</a><br>prods. Sweta Vohra, <a href="https://chickeneggpics.org/grantee/love-the-sinner/">Jess Devaney</a>, Netsanet Negussie</li>
</ul>





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<li><a href="Luther: Never Too Much"></a><a href="https://hotdocs.ca/whats-on/hot-docs-festival/films/2024/we-did-not-consent"><em>We Did Not Consent</em></a><br>dir. Dorothy Allen-Pickard<br>prods. Rosa Harris Edmonds, <a href="https://chickeneggpics.org/grantee/6x9-a-virtual-experience-of-solitary-confinement/">Lindsay Poulton</a></li>
</ul>





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<li><a href="https://hotdocs.ca/whats-on/hot-docs-festival/films/2024/xixi"><em>Xixi</em></a> <strong>&#8211; World Premiere</strong><br>dir. &amp; prod. Fan Wu<br>prods. <a href="https://chickeneggpics.org/grantee/2023-research-development-grant-recipients/">Sona Jo</a>, Venice De Castro Atienza, Yoonsoo Her</li>
</ul>





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<li><a href="https://hotdocs.ca/whats-on/hot-docs-festival/films/2024/yintah"><em>Yintah</em></a> <strong>&#8211; Canadian Premiere</strong><br>dirs. &amp; prods. Jennifer Wickham, Brenda Michell, Michael Toledano<br>prods. Bob Moore, <a href="https://chickeneggpics.org/grantee/big-fight-in-little-chinatown/">Katie McKay</a>, <a href="https://chickeneggpics.org/grantee/midwives/">Mila Aung-Thwin</a></li>
</ul>



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<h2 class="wp-block-heading">Meet Our Team at Hot Docs</h2>



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<div class="wp-block-image">
<figure class="aligncenter size-large is-resized"><img loading="lazy" decoding="async" width="1024" height="511" src="https://chickeneggpics.org/wp-content/uploads/2024/04/Untitled-design-1024x511.png" alt="Black and white stills of Elaisha Stokes and Will Tamura" class="wp-image-13961" style="width:729px;height:auto" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Untitled-design-1024x511.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Untitled-design-608x304.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Untitled-design-768x383.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Untitled-design-1536x767.png 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Untitled-design.png 1975w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure></div>


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<p>We are exhilarated that our Senior Program Manager Elaisha Stokes and Program Assistant Will Tamura will be in attendance at the festival. They will be attending Chicken &amp; Egg Pictures-supported screenings and industry events. Make sure to say hi!</p>



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]]></content:encoded>
					
					<wfw:commentRss>https://archive.chickeneggpics.org/six-supported-films-at-hot-docs-2/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Six Supported Films at Hot Docs</title>
		<link>https://archive.chickeneggpics.org/six-supported-films-at-hot-docs/</link>
					<comments>https://archive.chickeneggpics.org/six-supported-films-at-hot-docs/#respond</comments>
		
		<dc:creator><![CDATA[Tess Caldwell]]></dc:creator>
		<pubDate>Tue, 16 Apr 2024 20:35:46 +0000</pubDate>
				<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[7 Beats Per Minute]]></category>
		<category><![CDATA[A Photographic Memory]]></category>
		<category><![CDATA[Brett Story]]></category>
		<category><![CDATA[Chicken Egg Award]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[Farming the Revolution]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Ina Finchman]]></category>
		<category><![CDATA[Intercepted]]></category>
		<category><![CDATA[Lana Wilson]]></category>
		<category><![CDATA[Light of the Setting Sun]]></category>
		<category><![CDATA[Lindsay Poulton]]></category>
		<category><![CDATA[Lisa Jackson]]></category>
		<category><![CDATA[Look Into My Eyes]]></category>
		<category><![CDATA[Mila Aung-Thwin]]></category>
		<category><![CDATA[Nishtha Jain]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[nonprofit]]></category>
		<category><![CDATA[Oksana Karpovych]]></category>
		<category><![CDATA[Rachel Elizabeth Seed]]></category>
		<category><![CDATA[Sona Jo]]></category>
		<category><![CDATA[wilfred buck]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Yance Ford]]></category>
		<category><![CDATA[Yintah]]></category>
		<category><![CDATA[Yuqi Kang]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=13957</guid>

					<description><![CDATA[The 31st edition of Hot Docs will take place across Toronto this year from Thursday, April 25 to Sunday, May 5. We are thrilled to announce that 2020 Chicken &#38; Egg Award recipient Nishtha Jain&#8217;s film, Farming the Revolution, is having its world premiere along with 5 other supported films and 5 films from supported [&#8230;]]]></description>
										<content:encoded><![CDATA[


<p>The 31st edition of Hot Docs will take place across Toronto this year from Thursday, April 25 to Sunday, May 5. We are thrilled to announce that 2020 Chicken &amp; Egg Award recipient Nishtha Jain&#8217;s film, <em>Farming the Revolution</em>, is having its <strong>world premiere</strong> along with 5 other supported films and 5 films from supported filmmakers are on the lineup this year!&nbsp;</p>



<p>Hot Docs is North America’s largest documentary festival, conference, and market, and embodies a deep commitment to gender parity, with 54% female directors in this year’s official selection, according to <a href="https://s3.amazonaws.com/assets.hotdocs.ca/releases/HDF24_FestivalPR.pdf">their press release</a>. Two of our staff members will be in attendance so be sure to stay in touch via our social media channels for some exclusive content at the festival!</p>



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<h2 class="wp-block-heading"><em><a href="https://chickeneggpics.org/grantee/a-photographic-memory/"></a><em><em><em><em><em><em><em><a href="https://chickeneggpics.org/grantee/farming-the-revolution/">Farming the Revolution</a></em></em></em></em></em></em></em></em></h2>



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<h3 class="wp-block-heading">dir. &amp; prod. Nishtha Jain</h3>



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<h3 class="wp-block-heading">prod. Valérie Montmartin</h3>



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<figure class="wp-block-image size-large is-resized"><img loading="lazy" decoding="async" width="1024" height="768" src="https://chickeneggpics.org/wp-content/uploads/2024/04/Farming_the_Revolution_SecondaryStill01-1024x768.jpeg" alt="Still from Farming the Revolution" class="wp-image-13958" style="width:840px;height:auto" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Farming_the_Revolution_SecondaryStill01-1024x768.jpeg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Farming_the_Revolution_SecondaryStill01-608x456.jpeg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Farming_the_Revolution_SecondaryStill01-768x576.jpeg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Farming_the_Revolution_SecondaryStill01-1536x1152.jpeg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Farming_the_Revolution_SecondaryStill01-2048x1536.jpeg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">Still from <em>Farming the Revolution</em></figcaption></figure>



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<p><em>Farming the Revolution </em>was supported through <a href="https://chickeneggpics.org/grantee/2020-chicken-egg-award-recipient-3/">Nishtha Jain</a>’s 2020 <a href="https://chickeneggpics.org/programs/#chicken-egg-award">Chicken &amp; Egg Award</a> and is having its <strong>World Premiere </strong>in the International Competition</p>



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<div class="wp-block-image is-resized">
<figure class="aligncenter"><img loading="lazy" decoding="async" width="626" height="625" src="https://chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04.jpg" alt="graphic of a film reel" class="wp-image-11232" style="width:35px" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04.jpg 626w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04-608x607.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04-344x344.jpg 344w" sizes="auto, (max-width: 626px) 100vw, 626px" /></figure></div>


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<h2 class="wp-block-heading"><em><em><a href="https://chickeneggpics.org/grantee/7-beats-per-minute/"><em>7 Beats Per Minute</em></a></em></em></h2>



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<h3 class="wp-block-heading">dir. Yuqi Kang</h3>



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<h3 class="wp-block-heading">prod. Ina Fichman, Anita Lee</h3>



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<figure class="wp-block-image size-large is-resized"><img loading="lazy" decoding="async" width="1024" height="576" src="https://chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_7-Beats-Per-Minute_Yuqi-Kang_Film-Still_MAIN_01-1024x576.jpeg" alt="Long shot of a diver clenching her knees under water" class="wp-image-10129" style="width:840px;height:auto" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_7-Beats-Per-Minute_Yuqi-Kang_Film-Still_MAIN_01-1024x576.jpeg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_7-Beats-Per-Minute_Yuqi-Kang_Film-Still_MAIN_01-608x342.jpeg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_7-Beats-Per-Minute_Yuqi-Kang_Film-Still_MAIN_01-768x432.jpeg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_7-Beats-Per-Minute_Yuqi-Kang_Film-Still_MAIN_01-1536x864.jpeg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2022/02/EL-2022_7-Beats-Per-Minute_Yuqi-Kang_Film-Still_MAIN_01-2048x1152.jpeg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">Still from <em>7 Beats Per Minute</em></figcaption></figure>



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<p><em>7 Beats Per Minute </em>was a 2022 <a href="https://chickeneggpics.org/programs/#eggcelerator-lab">(Egg)celerator Lab</a> grantee having its <strong>Canadian Premiere</strong> in the Canadian Spectrum Competition.</p>



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<div class="wp-block-image is-resized">
<figure class="aligncenter"><img loading="lazy" decoding="async" width="626" height="625" src="https://chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04.jpg" alt="graphic of a film reel" class="wp-image-11232" style="width:35px" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04.jpg 626w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04-608x607.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04-344x344.jpg 344w" sizes="auto, (max-width: 626px) 100vw, 626px" /></figure></div>


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<h2 class="wp-block-heading"><em><a href="https://chickeneggpics.org/grantee/a-photographic-memory/"><em>A Photographic Memory</em></a></em></h2>



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<h3 class="wp-block-heading">dir. &amp; prod. Rachel Elizabeth Seed</h3>



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<h3 class="wp-block-heading">prods. Sigrid Dyekjær, Beth Levison, Matt Perniciaro, Michael Sherman, Danielle Varga</h3>



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<figure class="wp-block-image size-large is-resized"><img loading="lazy" decoding="async" width="1024" height="625" src="https://chickeneggpics.org/wp-content/uploads/2020/03/EL-2020_A-Photgraphic-Memory_Rachel-Elizabeth-SeedApmFilmStill2Film-Still-1024x625.jpg" alt="" class="wp-image-7353" style="width:840px;height:auto" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2020/03/EL-2020_A-Photgraphic-Memory_Rachel-Elizabeth-SeedApmFilmStill2Film-Still-1024x625.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2020/03/EL-2020_A-Photgraphic-Memory_Rachel-Elizabeth-SeedApmFilmStill2Film-Still-608x371.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2020/03/EL-2020_A-Photgraphic-Memory_Rachel-Elizabeth-SeedApmFilmStill2Film-Still-768x469.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2020/03/EL-2020_A-Photgraphic-Memory_Rachel-Elizabeth-SeedApmFilmStill2Film-Still-1536x938.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2020/03/EL-2020_A-Photgraphic-Memory_Rachel-Elizabeth-SeedApmFilmStill2Film-Still-2048x1250.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">Still from <em>A Photographic Memory</em></figcaption></figure>



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<p><em>A Photographic Memory </em>was a 2020 <a href="https://chickeneggpics.org/programs/#eggcelerator-lab">(Egg)celerator Lab</a> grantee having its <strong>International Premiere </strong>in the Persister section.</p>



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<div class="wp-block-image is-resized">
<figure class="aligncenter"><img loading="lazy" decoding="async" width="626" height="625" src="https://chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04.jpg" alt="graphic of a film reel" class="wp-image-11232" style="width:35px" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04.jpg 626w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04-608x607.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04-344x344.jpg 344w" sizes="auto, (max-width: 626px) 100vw, 626px" /></figure></div>


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<h2 class="wp-block-heading"><em><em><em><em><em><em><em><em><em><em><em><em><em><em><a href="https://chickeneggpics.org/grantee/intercepted/">Intercepted</a></em></em></em></em></em></em></em></em></em></em></em></em></em></em></h2>



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<h3 class="wp-block-heading">dir. Oksana Karpovych&nbsp;</h3>



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<h3 class="wp-block-heading">prods. Giacomo Nudi, Rocío Barba Fuentes, Pauline Tran Van Lieu, Lucie Rego, Darya Bassel</h3>



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<figure class="wp-block-image size-large is-resized"><img loading="lazy" decoding="async" width="1024" height="574" src="https://chickeneggpics.org/wp-content/uploads/2023/02/CIF-2022_Intercepted_Oksana-Karpovych_Film-Still_02-1024x574.jpeg" alt="Still from Intercepted. A lake is shown from the shoreline. Various people in bathing suits are shown wading in the far left and right of the frame. Two women and their grandson are in the middle, with their backs to the camera. In the far background, across the lake, recently bombed buildings are visible." class="wp-image-11638" style="width:840px;height:auto" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2023/02/CIF-2022_Intercepted_Oksana-Karpovych_Film-Still_02-1024x574.jpeg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2023/02/CIF-2022_Intercepted_Oksana-Karpovych_Film-Still_02-608x341.jpeg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2023/02/CIF-2022_Intercepted_Oksana-Karpovych_Film-Still_02-768x431.jpeg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2023/02/CIF-2022_Intercepted_Oksana-Karpovych_Film-Still_02-1536x862.jpeg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2023/02/CIF-2022_Intercepted_Oksana-Karpovych_Film-Still_02-2048x1149.jpeg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">Still from <em>Intercepted</em></figcaption></figure>



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<p><em>Intercepted </em>is a 2022 <a href="https://chickeneggpics.org/announcing-our-2022-critical-issues-fund-grantees/">Critical Issues Fund</a> grantee having its <strong>Canadian Premiere</strong> in the Festival Favorites section.</p>



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<div class="wp-block-image is-resized">
<figure class="aligncenter"><img loading="lazy" decoding="async" width="626" height="625" src="https://chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04.jpg" alt="graphic of a film reel" class="wp-image-11232" style="width:35px" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04.jpg 626w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04-608x607.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04-344x344.jpg 344w" sizes="auto, (max-width: 626px) 100vw, 626px" /></figure></div>


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<h2 class="wp-block-heading"><em><em><em><em><em><em><em><em><em><em><em><em><em><a href="https://chickeneggpics.org/grantee/look-into-my-eyes/">Look Into My Eyes</a></em></em></em></em></em></em></em></em></em></em></em></em></em></h2>



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<h3 class="wp-block-heading">dir. &amp; prod. Lana Wilson</h3>



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<h3 class="wp-block-heading">prod. Kyle Martin</h3>



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<figure class="wp-block-image size-large is-resized"><img loading="lazy" decoding="async" width="1024" height="540" src="https://chickeneggpics.org/wp-content/uploads/2024/04/LIME-CC_1-1024x540.png" alt="Still from Look Into My Eyes" class="wp-image-13959" style="width:840px;height:auto" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2024/04/LIME-CC_1-1024x540.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/LIME-CC_1-608x321.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/LIME-CC_1-768x405.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/LIME-CC_1-1536x810.png 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/LIME-CC_1-2048x1080.png 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">Still from <em>Look Into My Eyes</em></figcaption></figure>



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<p><em>Look Into My Eyes </em>was supported through <a href="https://chickeneggpics.org/grantee/2019-chicken-egg-award-recipient-lana-wilson/">Lana Wilson</a>’s 2019 <a href="https://chickeneggpics.org/programs/#chicken-egg-award">Chicken &amp; Egg Award</a> and is having its <strong>Canadian Premiere </strong>in the Special Presentations section.</p>



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<div class="wp-block-image is-resized">
<figure class="aligncenter"><img loading="lazy" decoding="async" width="626" height="625" src="https://chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04.jpg" alt="graphic of a film reel" class="wp-image-11232" style="width:35px" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04.jpg 626w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04-608x607.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2023/01/small-icons-04-344x344.jpg 344w" sizes="auto, (max-width: 626px) 100vw, 626px" /></figure></div>


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<h2 class="wp-block-heading"><em><em><em><em><em><em><em><em><em><em><em><em><em><a href="https://chickeneggpics.org/grantee/wilfred-buck/">Wilfred Buck</a></em></em></em></em></em></em></em></em></em></em></em></em></em></h2>



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<h3 class="wp-block-heading">dir. &amp; prod. Lisa Jackson</h3>



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<h3 class="wp-block-heading">prod. Alicia Smith, Lauren Grant</h3>



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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="682" src="https://chickeneggpics.org/wp-content/uploads/2024/03/Wilfred-Buck-Chair-1024x682.jpg" alt="Still from Wilfred Buck. A person sits on a chair." class="wp-image-13847" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2024/03/Wilfred-Buck-Chair-1024x682.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2024/03/Wilfred-Buck-Chair-608x405.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2024/03/Wilfred-Buck-Chair-768x512.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2024/03/Wilfred-Buck-Chair-1536x1023.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2024/03/Wilfred-Buck-Chair-2048x1364.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">Still from <em>Wilfred Buck</em></figcaption></figure>



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<p><em>Wilfred Buck</em> was supported through <a href="https://chickeneggpics.org/grantee/2023-chicken-egg-award-recipient/">Lisa Jackson’s</a> 2023 <a href="https://chickeneggpics.org/programs/#chicken-egg-award">Chicken &amp; Egg Award</a> and is having its <strong>North American Premiere</strong> in the Canadian Spectrum Competition.</p>



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<h2 class="wp-block-heading">Spotlight on Brett Story</h2>



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<figure class="aligncenter size-large is-resized"><img loading="lazy" decoding="async" width="1016" height="1024" src="https://chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1016x1024.jpg" alt="This is a headshot of Brett Story, a white woman with freckles and long brown hair and bangs. She is sitting at a table against a white wall, wearing a black turtleneck and jeans." class="wp-image-9961" style="width:299px;height:auto" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1016x1024.jpg 1016w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-608x613.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-768x774.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1525x1536.jpg 1525w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-2033x2048.jpg 2033w" sizes="auto, (max-width: 1016px) 100vw, 1016px" /></figure></div>


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<p>2022 <a href="https://chickeneggpics.org/programs/#chicken-egg-award">Chicken &amp; Egg Award</a> Recipient <a href="https://chickeneggpics.org/grantee/brett-story/">Brett Story</a> will be engaging in an illuminating conversation with author and organizer Astra Taylor. Learn more about <a href="https://hotdocs.ca/whats-on/hot-docs-festival/films/2024/astra-taylor-conversation"><strong>Astra Taylor in Conversation with Brett Story</strong></a> here.</p>



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<h2 class="wp-block-heading">From the AlumNest</h2>



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<li><a href="https://hotdocs.ca/whats-on/hot-docs-festival/films/2024/adrianne-and-the-castle"><em>Adrianne &amp; the Castle</em></a> <strong>&#8211; Canadian Premiere</strong><br>dir. Shannon Walsh<br>prod. <a href="https://chickeneggpics.org/grantee/7-beats-per-minute/">Ina Fichman</a></li>
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<li><a href="https://hotdocs.ca/whats-on/hot-docs-festival/films/2024/power"><em>Power</em></a><br>dir. &amp; prod. <a href="https://chickeneggpics.org/grantee/strong-island/">Yance Ford</a><br>prods. Sweta Vohra, <a href="https://chickeneggpics.org/grantee/love-the-sinner/">Jess Devaney</a>, Netsanet Negussie</li>
</ul>





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<li><a href="Luther: Never Too Much"></a><a href="https://hotdocs.ca/whats-on/hot-docs-festival/films/2024/we-did-not-consent"><em>We Did Not Consent</em></a><br>dir. Dorothy Allen-Pickard<br>prods. Rosa Harris Edmonds, <a href="https://chickeneggpics.org/grantee/6x9-a-virtual-experience-of-solitary-confinement/">Lindsay Poulton</a></li>
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<li><a href="https://hotdocs.ca/whats-on/hot-docs-festival/films/2024/xixi"><em>Xixi</em></a> <strong>&#8211; World Premiere</strong><br>dir. &amp; prod. Fan Wu<br>prods. <a href="https://chickeneggpics.org/grantee/2023-research-development-grant-recipients/">Sona Jo</a>, Venice De Castro Atienza, Yoonsoo Her</li>
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<li><a href="https://hotdocs.ca/whats-on/hot-docs-festival/films/2024/yintah"><em>Yintah</em></a> <strong>&#8211; Canadian Premiere</strong><br>dirs. &amp; prods. Jennifer Wickham, Brenda Michell, Michael Toledano<br>prods. Bob Moore, <a href="https://chickeneggpics.org/grantee/big-fight-in-little-chinatown/">Katie McKay</a>, <a href="https://chickeneggpics.org/grantee/midwives/">Mila Aung-Thwin</a></li>
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<h2 class="wp-block-heading">Meet Our Team at Hot Docs</h2>



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<figure class="aligncenter size-large is-resized"><img loading="lazy" decoding="async" width="1024" height="511" src="https://chickeneggpics.org/wp-content/uploads/2024/04/Untitled-design-1024x511.png" alt="Black and white stills of Elaisha Stokes and Will Tamura" class="wp-image-13961" style="width:729px;height:auto" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Untitled-design-1024x511.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Untitled-design-608x304.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Untitled-design-768x383.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Untitled-design-1536x767.png 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2024/04/Untitled-design.png 1975w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure></div>


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<p>We are exhilarated that our Senior Program Manager Elaisha Stokes and Program Assistant Will Tamura will be in attendance at the festival. They will be attending Chicken &amp; Egg Pictures-supported screenings and industry events. Make sure to say hi!</p>



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		<title>The Nest takes off at the 2016 Human Rights Watch Film Festival</title>
		<link>https://archive.chickeneggpics.org/the-nest-takes-off-at-the-2016-human-rights-watch-film-festival/</link>
					<comments>https://archive.chickeneggpics.org/the-nest-takes-off-at-the-2016-human-rights-watch-film-festival/#respond</comments>
		
		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Fri, 10 Jun 2016 16:09:24 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[6X9: An Immersive Experience of Solitary Confinement]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Francesca Panetta]]></category>
		<category><![CDATA[Heidi Brandenburg]]></category>
		<category><![CDATA[Human Rights Watch]]></category>
		<category><![CDATA[Human Rights Watch Film Festival]]></category>
		<category><![CDATA[Kristi Jacobson]]></category>
		<category><![CDATA[Lindsay Poulton]]></category>
		<category><![CDATA[Mathew Orzel]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[Rokhsareh Ghaemmaghami]]></category>
		<category><![CDATA[social change]]></category>
		<category><![CDATA[Solitary]]></category>
		<category><![CDATA[Sonita]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[When Two Worlds Collide]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women documentarians]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">http://chickeneggpics.org/?p=2467</guid>

					<description><![CDATA[The Nest takes off at Human Rights Watch! This year, four Chicken &#38; Egg Pictures-supported projects will be screened at the Human Rights Watch Film Festival, including the first-ever virtual reality project we have supported. The festival will be held in New York from June 10 – June 19, 2016. HRW Film Festival screens more than 500 [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>The Nest takes off at Human Rights Watch!</p>
<p>This year, four Chicken &amp; Egg Pictures-supported projects will be screened at the Human Rights Watch Film Festival, including the first-ever virtual reality project we have supported.</p>
<p>The festival will be held in New York from June 10 – June 19, 2016. HRW Film Festival screens more than 500 films each year, spreading stories of suffering individuals through the medium of film in an effort to promote knowledge and awareness of the breaches of human rights in today’s world.</p>
<p><strong><em>Sonita<br />
</em></strong>Rokhsareh Ghaem Maghami<br />
<em>Sonita</em> is the story of an 18-year-old Afghan woman following her dream to be a rapper while society surrounding her tries to silence her. She stands up against forced marriages, including her own, in which she was to be sold off for $9,000 in order to allow her family to purchase a wife for their son. This film’s personal nature imbues it with universal meaning.</p>
<p><figure id="attachment_487" aria-describedby="caption-attachment-487" style="width: 1920px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2014/07/sonita_taliban_memory.jpg" rel="lightbox[2467]"><img loading="lazy" decoding="async" class="size-full wp-image-487" src="http://chickeneggpics.org/wp-content/uploads/2014/07/sonita_taliban_memory.jpg" alt="Sonita, directed by Rokhsareh Ghaem Maghami" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/07/sonita_taliban_memory.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/sonita_taliban_memory-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/sonita_taliban_memory-1024x576.jpg 1024w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a><figcaption id="caption-attachment-487" class="wp-caption-text">Sonita, directed by Rokhsareh Ghaem Maghami</figcaption></figure></p>
<p><strong><em>Solitary<br />
</em></strong>Directed by Kristi Jacobson (2017<a href="https://chickeneggpics.org/programs/#breakthrough-filmmaker-award"> Breakthrough Filmmaker Award</a> recipient)<br />
<em>Solitary</em> provides a gripping look into life in prison, for both inmates and officers. It is a film about entrapment with the self, an effort to inform society of life in loneliness. <em>Solitary</em> provides a voice for the 80,000 people currently in solitary confinement in the US while letting them know they are not alone.</p>
<p><figure id="attachment_2463" aria-describedby="caption-attachment-2463" style="width: 1400px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2016/06/SOLITARY_web_1.jpg" rel="lightbox[2467]"><img loading="lazy" decoding="async" class="size-full wp-image-2463" src="http://chickeneggpics.org/wp-content/uploads/2016/06/SOLITARY_web_1.jpg" alt="Solitary, directed by Chicken &amp; Egg Pictures Breakthrough Filmmaker Kristi Jacobson" width="1400" height="768" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/06/SOLITARY_web_1.jpg 1400w, https://archive.chickeneggpics.org/wp-content/uploads/2016/06/SOLITARY_web_1-608x334.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/06/SOLITARY_web_1-768x421.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/06/SOLITARY_web_1-1024x562.jpg 1024w" sizes="auto, (max-width: 1400px) 100vw, 1400px" /></a><figcaption id="caption-attachment-2463" class="wp-caption-text">Solitary, directed by Chicken &amp; Egg Pictures Breakthrough Filmmaker Award recipient Kristi Jacobson</figcaption></figure></p>
<p><strong><em>When Two Worlds Collide<br />
</em></strong>Heidi Brandenburg &amp; Mathew Orzel<br />
The struggle of indigenous people to maintain their surrounding land when in conflict with the interests of the big companies reminds us that our battle to preserve our environment rather than establishing locations for the production of monetary gains is ever present. <em>When</em> <em>Two Worlds Collide</em> captivatingly reminds us of the state of the one world we are slowly losing.</p>
<p><figure id="attachment_2447" aria-describedby="caption-attachment-2447" style="width: 720px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2016/05/oronegro-sunsetwalk.jpg" rel="lightbox[2467]"><img loading="lazy" decoding="async" class="size-full wp-image-2447" src="http://chickeneggpics.org/wp-content/uploads/2016/05/oronegro-sunsetwalk.jpg" alt="When Two Worlds Collide, directed by Heidi Brandenburg &amp; Mathew Orzel" width="720" height="370" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/05/oronegro-sunsetwalk.jpg 720w, https://archive.chickeneggpics.org/wp-content/uploads/2016/05/oronegro-sunsetwalk-608x312.jpg 608w" sizes="auto, (max-width: 720px) 100vw, 720px" /></a><figcaption id="caption-attachment-2447" class="wp-caption-text">When Two Worlds Collide, directed by Heidi Brandenburg &amp; Mathew Orzel</figcaption></figure></p>
<p><strong><em>6X9: An Immersive Experience of Solitary Confinement<br />
</em></strong>Francesca Panetta and Lindsay Poulton<br />
We are incredibly excited about <em>6X9: An Immersive Experience of Solitary Confinement</em>, the first VR project Chicken &amp; Egg Pictures has supported. While traditional methods of viewing films can take you on a journey one, cannot help but notice that that journey is confined. The limits of the screen are sharp contrasts, ever-present boundaries between two worlds. Our field of vision reminds us of our surroundings and modern comforts, and by doing so, rips us away from the experiences unfolding on the screen. <em>6X9: An Immersive Experience of Solitary Confinement </em>places us in a new reality, a reality where the outside world is no longer visible and no matter where we look, our surrounding world is the world of the inmate. Their lives become ours in ways that previously weren’t possible. <em>6X9: An Immersive Experience of Solitary Confinement </em>brings new perspective to a life in solitude.</p>
<p><a href="http://chickeneggpics.org/wp-content/uploads/2016/05/3_cellstill_14Jan_PROOF.jpg" rel="lightbox[2467]"><img loading="lazy" decoding="async" class="alignleft size-full wp-image-2439" src="http://chickeneggpics.org/wp-content/uploads/2016/05/3_cellstill_14Jan_PROOF.jpg" alt="6X9: An Immersive Experience of Solitary Confinement" width="1918" height="1026" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/05/3_cellstill_14Jan_PROOF.jpg 1918w, https://archive.chickeneggpics.org/wp-content/uploads/2016/05/3_cellstill_14Jan_PROOF-608x325.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/05/3_cellstill_14Jan_PROOF-768x411.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/05/3_cellstill_14Jan_PROOF-1024x548.jpg 1024w" sizes="auto, (max-width: 1918px) 100vw, 1918px" /></a></p>
<p>A panel, comprised of four members, including Francesca Panetta, will also be held on June 15, 2016. The panel will focus on the use of VR, its power to promote social change, as well as what boundaries we should place upon it. Virtual reality has the potential to allow a more complete understanding of suffering due to human rights violations, but like any new medium, its utility in promoting tangible change remains under debate.</p>
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		<title>Chicken &#038; Egg Pictures at the 2016 Tribeca Film Festival</title>
		<link>https://archive.chickeneggpics.org/chicken-egg-pictures-at-the-2016-tribeca-film-festival/</link>
					<comments>https://archive.chickeneggpics.org/chicken-egg-pictures-at-the-2016-tribeca-film-festival/#respond</comments>
		
		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Fri, 25 Mar 2016 19:31:45 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[2016 Tribeca Film Festival]]></category>
		<category><![CDATA[6X9: An Immersive Experience of Solitary Confinement]]></category>
		<category><![CDATA[Alma Ha'rel]]></category>
		<category><![CDATA[Criminal Justice]]></category>
		<category><![CDATA[Deborah S. Esquenazi]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Francesca Panetta]]></category>
		<category><![CDATA[Katie Galloway]]></category>
		<category><![CDATA[Kelly Duane de la Vega]]></category>
		<category><![CDATA[Kristi Jacobson]]></category>
		<category><![CDATA[Lindsay Poulton]]></category>
		<category><![CDATA[LoveTrue]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[social change]]></category>
		<category><![CDATA[Southwest of Salem]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[The Return]]></category>
		<category><![CDATA[The San Antonio Four]]></category>
		<category><![CDATA[Tribeca]]></category>
		<category><![CDATA[Tribeca Film Festival]]></category>
		<category><![CDATA[Virtual Reality]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">http://chickeneggpics.org/?p=2332</guid>

					<description><![CDATA[This year&#8217;s Tribeca Film Festival, running from April 13-24, marks the 15th edition of this annual spring event. Chicken &#38; Egg Pictures is proud to have four grantee films screening in this year&#8217;s lineup, along with 6X9: An Immersive Experience of Solitary Confinement, the first virtual reality project we have ever supported. For a full [&#8230;]]]></description>
										<content:encoded><![CDATA[<div>
<p>This year&#8217;s Tribeca Film Festival, running from April 13-24, marks the 15th edition of this annual spring event. Chicken &amp; Egg Pictures is proud to have four grantee films screening in this year&#8217;s lineup, along with <em>6X9: An Immersive Experience of Solitary Confinement</em>, the first virtual reality project we have ever supported.</p>
<p>For a full list of films that will screen at the 2016 Tribeca Film Festival, as well as a complete schedule, visit the Tribeca Film Festival <a href="https://tribecafilm.com/festival" target="_blank" rel="noopener">website</a>.</p>
</div>
<p><strong>World Documentary Competition<br />
</strong><em><a href="http://chickeneggpics.org/film/love-true/" target="_blank" rel="noopener">LoveTrue</a> </em>(Alma Ha&#8217;rel)<strong><br />
</strong>Does our view of love change as we grow older? How do we make decisions about our love lives? Is there such a thing as true love? Are there invisible partners in relationships? Past ghosts of ourselves? The film’s reenactments of significant past experiences and glimpses at possible futures, created with non-actors playing the characters’ older and younger selves, encourage the couples to confront the realities of their hopes and memories, and the effect they have on their love lives.</p>
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<p><figure id="attachment_2335" aria-describedby="caption-attachment-2335" style="width: 1920px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1.png"  rel="lightbox[2332] attachment wp-att-2335"><img loading="lazy" decoding="async" class="size-full wp-image-2335" src="http://chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1.png" alt="LoveTrue" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1.png 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1-608x342.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1-768x432.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1-1024x576.png 1024w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a><figcaption id="caption-attachment-2335" class="wp-caption-text">LoveTrue</figcaption></figure></p>
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<div></div>
<p><a href="http://chickeneggpics.org/film/the-return/" target="_blank" rel="noopener"><em>The Return</em> </a>(Katie Galloway &amp; Kelly Duane de la Vega)<strong><br />
</strong>In 2012, California voters passed Proposition 36, which  shortened sentences of the currently incarcerated. Within days, the reintegration of thousands of “lifers”—men &amp; women once expecting to spend their lives in prison—was underway. <em>The Return</em> weaves together multiple narratives of characters on the front lines of this unprecedented shift: prisoners suddenly freed, families turned upside down, attorneys and judges wrestling with an untested law, and reentry providers negotiating unfathomable transitions.</p>
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<div>
<p><figure id="attachment_2334" aria-describedby="caption-attachment-2334" style="width: 377px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2.jpg"  rel="lightbox[2332] attachment wp-att-2334"><img loading="lazy" decoding="async" class=" wp-image-2334" src="http://chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2.jpg" alt="The Return" width="377" height="462" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2.jpg 783w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2-608x745.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2-768x942.jpg 768w" sizes="auto, (max-width: 377px) 100vw, 377px" /></a><figcaption id="caption-attachment-2334" class="wp-caption-text">The Return</figcaption></figure></p>
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<p><strong>Viewpoints</strong><br />
<em>Solitary</em> (Kristi Jacobson)<br />
<em>Solitary</em> investigates an invisible part of the American justice system: the use of isolation and segregation in US prisons, commonly known as solitary confinement. With unprecedented access inside a prison tackling the issue head on, the film explores this divisive issue through the experiences of those on both sides of the bars. Directed by Chicken &amp; Egg Pictures <a href="https://chickeneggpics.org/programs/#breakthrough-filmmaker-award">Breakthrough Filmmaker Award</a> recipient Kristi Jacobson.</p>
<p><figure id="attachment_2336" aria-describedby="caption-attachment-2336" style="width: 1400px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1.jpg"  rel="lightbox[2332] attachment wp-att-2336"><img loading="lazy" decoding="async" class="size-full wp-image-2336" src="http://chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1.jpg" alt="Solitary" width="1400" height="768" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1.jpg 1400w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1-608x334.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1-768x421.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1-1024x562.jpg 1024w" sizes="auto, (max-width: 1400px) 100vw, 1400px" /></a><figcaption id="caption-attachment-2336" class="wp-caption-text">Solitary</figcaption></figure></p>
<p><em><br />
<a href="http://chickeneggpics.org/film/southwest-of-salem-the-story-of-the-san-antonio-four/" target="_blank" rel="noopener">Southwest of Salem: The Story of the San Antonio Four</a></em> (Deborah S. Esquenazi)<br />
<i>Southwest of Salem</i> excavates the nightmarish persecution of Elizabeth Ramirez, Cassandra Rivera, Kristie Mayhugh, and Anna Vasquez — four Latina lesbians wrongfully convicted of allegedly gang raping two little girls. This bizarre case is the first to be adjudicated under momentous new legislation: for the first time in U.S. history, wrongfully convicted innocents can challenge convictions based on debunked scientific evidence. The film also unravels the sinister interplay of mythology, homophobia, and prosecutorial fervor which led to this modern day witch hunt.</p>
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<p><figure id="attachment_2333" aria-describedby="caption-attachment-2333" style="width: 6000px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg"  rel="lightbox[2332] attachment wp-att-2333"><img loading="lazy" decoding="async" class="size-full wp-image-2333" src="http://chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg" alt="Southwest of Salem: The Story of the San Antonio Four" width="6000" height="4000" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg 6000w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-608x405.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-768x512.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-1024x683.jpg 1024w" sizes="auto, (max-width: 6000px) 100vw, 6000px" /></a><figcaption id="caption-attachment-2333" class="wp-caption-text">Southwest of Salem: The Story of the San Antonio Four</figcaption></figure></p>
<p><strong>Storyscapes<br />
</strong><em>6X9: An Immersive Experience of Solitary Confinement</em> (Francesca Panetta &amp; Lindsay Poulton)<br />
Right now, 80,000-100,000 people are in solitary confinement in the US. They spend 22-24 hours a day in their cells, with little to no human contact for days or even decades. The sensory deprivation they endure causes severe psychological damage. These people are invisible to us—and eventually to themselves.</p>
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<p><figure id="attachment_2337" aria-describedby="caption-attachment-2337" style="width: 3977px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3.jpg"  rel="lightbox[2332] attachment wp-att-2337"><img loading="lazy" decoding="async" class="size-full wp-image-2337" src="http://chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3.jpg" alt="6X9: An Immersive Experience of Solitary Confinement" width="3977" height="2809" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3.jpg 3977w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3-608x429.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3-768x542.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3-1024x723.jpg 1024w" sizes="auto, (max-width: 3977px) 100vw, 3977px" /></a><figcaption id="caption-attachment-2337" class="wp-caption-text">6X9: An Immersive Experience of Solitary Confinement</figcaption></figure></p>
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		<title>Chicken &#038; Egg Pictures announces support of criminal justice projects</title>
		<link>https://archive.chickeneggpics.org/chicken-egg-pictures-announces-support-of-criminal-justice-projects/</link>
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		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Fri, 15 Jan 2016 16:45:21 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[Grants]]></category>
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		<category><![CDATA[6x9]]></category>
		<category><![CDATA[Bard Prison Initiative]]></category>
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		<category><![CDATA[Criminal Justice]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Francesca Panetta]]></category>
		<category><![CDATA[Lindsay Poulton]]></category>
		<category><![CDATA[Lynn Novick]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[social change]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[The Guardian]]></category>
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					<description><![CDATA[Chicken &#38; Egg Pictures was pleased to announce today our support of two additional projects focusing on criminal justice in the United States, joining a cohort of films currently supported by the organization that address the issue. 6X9: An Immersive Experience of Solitary Confinement and College Behind Bars will both receive grants from the organization. The Guardian’s 6X9: [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Chicken &amp; Egg Pictures was pleased to announce today our support of two additional projects focusing on criminal justice in the United States, joining a cohort of films currently supported by the organization that address the issue. <em>6X9: An Immersive Experience of Solitary Confinement </em>and <em>College Behind Bars</em> will both receive grants from the organization.</p>
<p>The Guardian’s <em>6X9: An Immersive Experience of Solitary Confinement</em> (Francesca Panetta and Lindsay Poulton) is the first virtual reality project supported by Chicken &amp; Egg Pictures. It is being funded through the organization’s new Impact &amp; Innovation Initiative, which empowers women filmmakers to explore the new world of immersive and digital storytelling through online and interactive shorts, web series, and other cross-platform projects aimed at creating social impact.</p>
<p><em>College Behind Bars</em>, directed by Lynn Novick, looks at a group of incarcerated men and women who are taking advantage of the Bard Prison Initiative to pursue a college degree while serving their sentences.</p>
<p>Chicken &amp; Egg Pictures recognizes the magnitude of the criminal justice and mass incarceration crisis in the United States, and over its ten years has supported numerous films that address the issue from multiple perspectives.</p>
<p><em>6X9</em> and <em>College Behind Bars</em> join five current projects supported by Chicken &amp; Egg Pictures that focus on various aspects of criminal justice, both in the United States and around the world. These projects include <em>Cocaine Prison</em> (Violeta Ayala), <em>The Return</em> (Kelly Duane de la Vega and Katie Galloway), <em>Out of Mind</em> (Kristi Jacobson), <em>Sons And Daughters Of The Incarcerated </em>(Denali Tiller), and <em>Southwest Of Salem</em> (Deborah S. Esquenazi).</p>
<p>“We’re very proud to be putting our support behind these projects that tackle one of the most pressing issues in the United States today,” said Chicken &amp; Egg Pictures Executive Director Jenni Wolfson. “Even though the U.S. represents just 5% of the world’s population, we are responsible for 25% of inmates around the globe. Chicken &amp; Egg Pictures believes firmly in the power of film to expose the systematic injustices surrounding mass incarceration, inhumane conditions, and miscarriages of justice. These storytellers address this matter with humanity, innovation, and purpose, ensuring that it stays at the top of our national conscience and contributes towards lasting change.”</p>
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		<title>5 Chicken &#038; Egg Pictures-supported projects to screen at the 2016 Sundance Film Festival</title>
		<link>https://archive.chickeneggpics.org/5-chicken-egg-pictures-supported-projects-to-screen-at-the-2016-sundance-film-festival/</link>
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		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Tue, 05 Jan 2016 17:22:08 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Pictures]]></category>
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		<category><![CDATA[Celebration Grant]]></category>
		<category><![CDATA[Dawn Porter]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
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		<category><![CDATA[Heidi Brandenburg]]></category>
		<category><![CDATA[Kirsten Johnson]]></category>
		<category><![CDATA[Lindsay Poulton]]></category>
		<category><![CDATA[Mathew Orzel]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[Rokhsareh Ghaemmaghami]]></category>
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		<category><![CDATA[Sonita]]></category>
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		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
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		<category><![CDATA[Trapped]]></category>
		<category><![CDATA[When Two Worlds Collide]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women documentarians]]></category>
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		<guid isPermaLink="false">http://chickeneggpics.org/?p=2273</guid>

					<description><![CDATA[Congratulations to the five Chicken &#38; Egg Pictures grantees whose projects will screen at the upcoming 2016 Sundance Film Festival. 6&#215;9: An Immersive Experience of Solitary Confinement is the first virtual reality project supported by Chicken &#38; Egg Pictures and will premiere as part of the New Frontiers program. We look forward to seeing these [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Congratulations to the five Chicken &amp; Egg Pictures grantees whose projects will screen at the upcoming 2016 Sundance Film Festival.</p>
<p><em>6&#215;9: An Immersive Experience of Solitary Confinement</em> is the first virtual reality project supported by Chicken &amp; Egg Pictures and will premiere as part of the New Frontiers program.</p>
<p>We look forward to seeing these films launch in Park City and begin their journey to reach audiences across the world.</p>
<p>The full program and schedule for this year&#8217;s Sundance Film Festival is available <a href="http://www.sundance.org/festivals/sundance-film-festival/program" target="_blank" rel="noopener">here</a>.</p>
<p><b><em>6&#215;9: An Immersive Experience of Solitary Confinement</em> (The Guardian- Francesca Panetta &amp; Lindsay Poulton)</b><br />
Right now, more than 80,000 people are locked in a 6&#8242; by 9&#8242; concrete box where they have no human contact and every element of their environment is controlled. The sensory deprivation causes severe psychological damage. It changes them; they become invisible.</p>
<p><b><em>Cameraperson</em> (Kirsten Johnson)</b><br />
Drawing on footage she’s shot over the course of 25 years, cinematographer Kirsten Johnson searches to reconcile her part in the thorny questions of permission, power, creative ambition, and human obligation that come with filming the lives of others.</p>
<p><figure id="attachment_2274" aria-describedby="caption-attachment-2274" style="width: 580px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/01/cameraperson.png" rel="lightbox[2273]"><img loading="lazy" decoding="async" class="size-full wp-image-2274" src="http://chickeneggpics.org/wp-content/uploads/2016/01/cameraperson.png" alt="Cameraperson, directed by Kirsten Johnson." width="580" height="380" /></a><figcaption id="caption-attachment-2274" class="wp-caption-text">Cameraperson, directed by Kirsten Johnson.</figcaption></figure></p>
<p><b><em>Sonita</em> (Rokhsareh Ghaemmaghami)</b><br />
18-year-old Sonita is an undocumented Afghan immigrant living in the suburbs of Tehran. In spite of all the obstacles she confronts in Iran and from her conservative family, she fights to live the way she wants: as a rapper. In harsh contrast to her goal is the plan of her family to make her a bride and sell her to a new family for the price of $9,000.</p>
<p><figure id="attachment_489" aria-describedby="caption-attachment-489" style="width: 1800px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2014/07/sonitahush.jpg" rel="lightbox[2273]"><img loading="lazy" decoding="async" class="size-full wp-image-489" src="http://chickeneggpics.org/wp-content/uploads/2014/07/sonitahush.jpg" alt="Sonita, directed by Rokhsareh Ghaemmaghami" width="1800" height="1350" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/07/sonitahush.jpg 1800w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/sonitahush-608x456.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/sonitahush-1024x768.jpg 1024w" sizes="auto, (max-width: 1800px) 100vw, 1800px" /></a><figcaption id="caption-attachment-489" class="wp-caption-text">Sonita, directed by Rokhsareh Ghaemmaghami</figcaption></figure></p>
<p><b><em>Trapped</em> (Dawn Porter)</b><br />
At least half of American women will experience an unintended pregnancy by the age of 45. Four in 10 unwanted pregnancies are terminated by abortion. What would happen if access to care for these cases completely disappeared? Following the progress of two southern reproductive health clinics, <em>Trapped</em> captures their struggle as they continue to provide care in the face of an increasingly hostile legal and political climate.</p>
<p><b><em>When Two Worlds Collide</em> (Heidi Brandenburg &amp; Mathew Orzel)</b><br />
An indigenous leader is forced into exile and faces 20 years in prison for resisting the environmental ruin of Amazonian lands by big business. Refusing to surrender, he continues his quest, shedding light on conflicting visions shaping the fate of the Amazon and the climate future of our world.</p>
<p><figure id="attachment_2275" aria-describedby="caption-attachment-2275" style="width: 720px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/01/oronegro-manrower.jpg" rel="lightbox[2273]"><img loading="lazy" decoding="async" class="size-full wp-image-2275" src="http://chickeneggpics.org/wp-content/uploads/2016/01/oronegro-manrower.jpg" alt="When Two Worlds Collide, directed by Heidi Brandenburg &amp; Mathew Orzel" width="720" height="370" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/01/oronegro-manrower.jpg 720w, https://archive.chickeneggpics.org/wp-content/uploads/2016/01/oronegro-manrower-608x312.jpg 608w" sizes="auto, (max-width: 720px) 100vw, 720px" /></a><figcaption id="caption-attachment-2275" class="wp-caption-text">When Two Worlds Collide, directed by Heidi Brandenburg &amp; Mathew Orzel</figcaption></figure></p>
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