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	<title>LoveTrue &#8211; Chicken &amp; Egg Pictures</title>
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	<title>LoveTrue &#8211; Chicken &amp; Egg Pictures</title>
	<link>https://archive.chickeneggpics.org</link>
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	<item>
		<title>The Nest is hot on the trail of Hot Docs</title>
		<link>https://archive.chickeneggpics.org/the-nest-is-hot-on-the-trail-of-hot-docs/</link>
					<comments>https://archive.chickeneggpics.org/the-nest-is-hot-on-the-trail-of-hot-docs/#respond</comments>
		
		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Mon, 11 Apr 2016 22:34:47 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Alma Ha'rel]]></category>
		<category><![CDATA[Beth Murphy]]></category>
		<category><![CDATA[Cameraperson]]></category>
		<category><![CDATA[Christopher LaMarca]]></category>
		<category><![CDATA[Dawn Porter]]></category>
		<category><![CDATA[Deborah S. Esquenazi]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Heidi Brandenburg]]></category>
		<category><![CDATA[Hot Docs]]></category>
		<category><![CDATA[Hot Docs 2016]]></category>
		<category><![CDATA[Jessica Dimmock]]></category>
		<category><![CDATA[Kirsten Johnson]]></category>
		<category><![CDATA[LoveTrue]]></category>
		<category><![CDATA[Mathew Orzel]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[Rokhsareh Ghaemmaghami]]></category>
		<category><![CDATA[social change]]></category>
		<category><![CDATA[Sonita]]></category>
		<category><![CDATA[Southwest of Salem]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[The Apology]]></category>
		<category><![CDATA[The Pearl]]></category>
		<category><![CDATA[Tiffany Hsiung]]></category>
		<category><![CDATA[Trapped]]></category>
		<category><![CDATA[What Tomorrow Brings]]></category>
		<category><![CDATA[When Two Worlds Collide]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">http://chickeneggpics.org/?p=2371</guid>

					<description><![CDATA[A whopping nine Chicken &#38; Egg Pictures-supported films have been selected to screen at the upcoming Hot Docs Film Festival in Toronto, Canada. The festival, which will run April 28-May 8, 2016, is the largest documentary film festival in North America. This year&#8217;s lineup is comprised of over 200 films from around the world. Tickets are [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>A whopping nine Chicken &amp; Egg Pictures-supported films have been selected to screen at the upcoming Hot Docs Film Festival in Toronto, Canada.</p>
<p>The festival, which will run April 28-May 8, 2016, is the largest documentary film festival in North America. This year&#8217;s lineup is comprised of over 200 films from around the world.</p>
<p>Tickets are on sale now; the full lineup can be found <a href="http://boxoffice.hotdocs.ca/websales/pages/list.aspx?epguid=7d40538f-b787-42db-b800-e5d6075294ae&amp;perpage=13&amp;cp268=Highlight&amp;" target="_blank" rel="noopener">here</a>.</p>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50897~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">The Apology</a></em><br />
Directed by Tiffany Hsiung<br />
This is a film about memory, told through the current relationships three women have with the people closest to them and how these relationships indelibly shape the last years of their lives. The three women – Gil Won-Ok in South Korea, Grandma Cao in China, and Lola Adela in the Philippines – are all former “comfort women” who were among the 200,000 girls and young women forced into military sexual slavery by the Japanese Imperial Army during World War II.</p>
<figure id="attachment_903" aria-describedby="caption-attachment-903" style="width: 1920px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy.jpg"  rel="lightbox[2371] attachment wp-att-903"><img fetchpriority="high" decoding="async" class="size-full wp-image-903" src="http://chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy.jpg" alt="The Apology, directed by Tiffany Hsiung" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy-1024x576.jpg 1024w" sizes="(max-width: 1920px) 100vw, 1920px" /></a><figcaption id="caption-attachment-903" class="wp-caption-text">The Apology, directed by Tiffany Hsiung</figcaption></figure>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50846~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">Cameraperson</a></em><br />
Directed by Kirsten Johnson<br />
Drawing on footage she’s shot over the course of 25 years, documentary cinematographer Kirsten Johnson searches to reconcile her part in the thorny questions of permission, power, creative ambition<em>,</em> and human obligation that come with filming the lives of others.</p>
<p><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50889~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener"><em>LoveTrue</em><br />
</a>Directed by Alma Ha’rel<br />
Does our view of love change as we grow older? How do we make decisions about our love lives? Is there such a thing as true love? Are there invisible partners in relationships? Past ghosts of ourselves? The film’s reenactments of significant past experiences and glimpses at possible futures, created with non-actors playing the characters’ older and younger selves, encourage the couples to confront the realities of their hopes and memories, and the effect they have on their love lives.</p>
<figure id="attachment_964" aria-describedby="caption-attachment-964" style="width: 1920px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2014/07/lovetrue_photo-1.jpg"  rel="lightbox[2371] attachment wp-att-964"><img decoding="async" class="size-full wp-image-964" src="http://chickeneggpics.org/wp-content/uploads/2014/07/lovetrue_photo-1.jpg" alt="LoveTrue, directed by Alma Ha'rel" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/07/lovetrue_photo-1.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/lovetrue_photo-1-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/lovetrue_photo-1-1024x576.jpg 1024w" sizes="(max-width: 1920px) 100vw, 1920px" /></a><figcaption id="caption-attachment-964" class="wp-caption-text">LoveTrue, directed by Alma Ha&#8217;rel</figcaption></figure>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50842~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">The Pearl</a></em><br />
Directed by Jessica Dimmock &amp; Christopher LaMarca<br />
<i>The Pearl</i> witnesses the loss and extraordinary risk of four middle-aged and senior war vets, steel foremen, and fathers and grandfathers coming out for the first time as transgender women in the hyper-masculine culture of the Pacific Northwest. Each year, their lives intersect at the annual Esprit Conference for T-girls, a weeklong event enlivening a community broken by isolation and loss.</p>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50935~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">Sonita</a></em><br />
Directed by Rokhsareh Ghaem Maghami<br />
18-year-old Sonita is an undocumented Afghan illegal immigrant living in the suburbs of Tehran. She fights to live the way she wants: As a rapper in spite of all her obstacles she confronts in Iran and her conservative family. In harsh contrast to her goal is the plan of her family – strongly advanced by her mother – to make her a bride and sell her to a new family for the price of $9,000.</p>
<p><em> <a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50937~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;">Southwest of Salem: The Story of the San Antonio Four</a></em><br />
Directed by Deborah S. Esquenazi<br />
<i>Southwest of Salem</i> excavates the nightmarish persecution of Elizabeth Ramirez, Cassandra Rivera, Kristie Mayhugh, and Anna Vasquez — four Latina lesbians wrongfully convicted of allegedly gang raping two little girls. This bizarre case is the first to be adjudicated under momentous new legislation: for the first time in U.S. history, wrongfully convicted innocents can challenge convictions based on debunked scientific evidence. The film also unravels the sinister interplay of mythology, homophobia, and prosecutorial fervor which led to this modern day witch hunt.</p>
<figure id="attachment_2333" aria-describedby="caption-attachment-2333" style="width: 6000px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg"  rel="lightbox[2371] attachment wp-att-2333"><img decoding="async" class="size-full wp-image-2333" src="http://chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg" alt="Southwest of Salem: The Story of the San Antonio Four, directed by Deborah S. Esquenazi." width="6000" height="4000" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg 6000w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-608x405.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-768x512.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-1024x683.jpg 1024w" sizes="(max-width: 6000px) 100vw, 6000px" /></a><figcaption id="caption-attachment-2333" class="wp-caption-text">Southwest of Salem: The Story of the San Antonio Four, directed by Deborah S. Esquenazi.</figcaption></figure>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50942~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">Trapped</a></em><br />
Directed by Dawn Porter<br />
At least half of American women will experience an unintended pregnancy by the age of 45. Four in 10 unwanted pregnancies are terminated by abortion. What would happen if access to care for these cases completely disappeared? Following the progress of two Southern reproductive health clinics, <i>Trapped</i> captures their struggle as they continue to provide care in the face of an increasingly hostile legal and political climate. Winner of the Special Jury Prize for Social Impact Filmmaking at the 2016 Sundance Film Festival.</p>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50946~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">What Tomorrow Brings</a></em><br />
Directed by Beth Murphy<br />
<em>What Tomorrow Brings</em> is a coming-of-age story in which Afghan girls studying at the Zabuli School struggle against tradition and time. They discover that their school is the one place they can turn to understand the differences between the lives they were born into and the lives they dream of leading. At a time when the political and security situation is rapidly changing, the film weaves the interconnected stories of students, teachers, parents, and school founder Razia Jan.</p>
<figure id="attachment_2372" aria-describedby="caption-attachment-2372" style="width: 4288px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2.jpg"  rel="lightbox[2371] attachment wp-att-2372"><img loading="lazy" decoding="async" class="size-full wp-image-2372" src="http://chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2.jpg" alt="What Tomorrow Brings, directed by Beth Murphy." width="4288" height="2848" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2.jpg 4288w, https://archive.chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2-608x404.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2-768x510.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2-1024x680.jpg 1024w" sizes="auto, (max-width: 4288px) 100vw, 4288px" /></a><figcaption id="caption-attachment-2372" class="wp-caption-text">What Tomorrow Brings, directed by Beth Murphy.</figcaption></figure>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50828~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">When Two Worlds Collide</a></em><br />
Directed by Heidi Brandenburg &amp; Mathew Orzel<br />
An indigenous leader forced into exile and facing 20 years in prison for resisting the environmental ruin of Amazonian lands by big business. Refusing to surrender he continues his quest, shedding light on conflicting visions shaping the fate of the Amazon and the climate future of our world.</p>
]]></content:encoded>
					
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			</item>
		<item>
		<title>Chicken &#038; Egg Pictures at the 2016 Tribeca Film Festival</title>
		<link>https://archive.chickeneggpics.org/chicken-egg-pictures-at-the-2016-tribeca-film-festival/</link>
					<comments>https://archive.chickeneggpics.org/chicken-egg-pictures-at-the-2016-tribeca-film-festival/#respond</comments>
		
		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Fri, 25 Mar 2016 19:31:45 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[2016 Tribeca Film Festival]]></category>
		<category><![CDATA[6X9: An Immersive Experience of Solitary Confinement]]></category>
		<category><![CDATA[Alma Ha'rel]]></category>
		<category><![CDATA[Criminal Justice]]></category>
		<category><![CDATA[Deborah S. Esquenazi]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Francesca Panetta]]></category>
		<category><![CDATA[Katie Galloway]]></category>
		<category><![CDATA[Kelly Duane de la Vega]]></category>
		<category><![CDATA[Kristi Jacobson]]></category>
		<category><![CDATA[Lindsay Poulton]]></category>
		<category><![CDATA[LoveTrue]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[social change]]></category>
		<category><![CDATA[Southwest of Salem]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[The Return]]></category>
		<category><![CDATA[The San Antonio Four]]></category>
		<category><![CDATA[Tribeca]]></category>
		<category><![CDATA[Tribeca Film Festival]]></category>
		<category><![CDATA[Virtual Reality]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">http://chickeneggpics.org/?p=2332</guid>

					<description><![CDATA[This year&#8217;s Tribeca Film Festival, running from April 13-24, marks the 15th edition of this annual spring event. Chicken &#38; Egg Pictures is proud to have four grantee films screening in this year&#8217;s lineup, along with 6X9: An Immersive Experience of Solitary Confinement, the first virtual reality project we have ever supported. For a full [&#8230;]]]></description>
										<content:encoded><![CDATA[<div>
<p>This year&#8217;s Tribeca Film Festival, running from April 13-24, marks the 15th edition of this annual spring event. Chicken &amp; Egg Pictures is proud to have four grantee films screening in this year&#8217;s lineup, along with <em>6X9: An Immersive Experience of Solitary Confinement</em>, the first virtual reality project we have ever supported.</p>
<p>For a full list of films that will screen at the 2016 Tribeca Film Festival, as well as a complete schedule, visit the Tribeca Film Festival <a href="https://tribecafilm.com/festival" target="_blank" rel="noopener">website</a>.</p>
</div>
<p><strong>World Documentary Competition<br />
</strong><em><a href="http://chickeneggpics.org/film/love-true/" target="_blank" rel="noopener">LoveTrue</a> </em>(Alma Ha&#8217;rel)<strong><br />
</strong>Does our view of love change as we grow older? How do we make decisions about our love lives? Is there such a thing as true love? Are there invisible partners in relationships? Past ghosts of ourselves? The film’s reenactments of significant past experiences and glimpses at possible futures, created with non-actors playing the characters’ older and younger selves, encourage the couples to confront the realities of their hopes and memories, and the effect they have on their love lives.</p>
<div></div>
<div>
<figure id="attachment_2335" aria-describedby="caption-attachment-2335" style="width: 1920px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1.png"  rel="lightbox[2332] attachment wp-att-2335"><img loading="lazy" decoding="async" class="size-full wp-image-2335" src="http://chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1.png" alt="LoveTrue" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1.png 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1-608x342.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1-768x432.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1-1024x576.png 1024w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a><figcaption id="caption-attachment-2335" class="wp-caption-text">LoveTrue</figcaption></figure>
</div>
<div></div>
<p><a href="http://chickeneggpics.org/film/the-return/" target="_blank" rel="noopener"><em>The Return</em> </a>(Katie Galloway &amp; Kelly Duane de la Vega)<strong><br />
</strong>In 2012, California voters passed Proposition 36, which  shortened sentences of the currently incarcerated. Within days, the reintegration of thousands of “lifers”—men &amp; women once expecting to spend their lives in prison—was underway. <em>The Return</em> weaves together multiple narratives of characters on the front lines of this unprecedented shift: prisoners suddenly freed, families turned upside down, attorneys and judges wrestling with an untested law, and reentry providers negotiating unfathomable transitions.</p>
<div></div>
<div>
<figure id="attachment_2334" aria-describedby="caption-attachment-2334" style="width: 377px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2.jpg"  rel="lightbox[2332] attachment wp-att-2334"><img loading="lazy" decoding="async" class=" wp-image-2334" src="http://chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2.jpg" alt="The Return" width="377" height="462" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2.jpg 783w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2-608x745.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2-768x942.jpg 768w" sizes="auto, (max-width: 377px) 100vw, 377px" /></a><figcaption id="caption-attachment-2334" class="wp-caption-text">The Return</figcaption></figure>
</div>
<div></div>
<p><strong>Viewpoints</strong><br />
<em>Solitary</em> (Kristi Jacobson)<br />
<em>Solitary</em> investigates an invisible part of the American justice system: the use of isolation and segregation in US prisons, commonly known as solitary confinement. With unprecedented access inside a prison tackling the issue head on, the film explores this divisive issue through the experiences of those on both sides of the bars. Directed by Chicken &amp; Egg Pictures <a href="https://chickeneggpics.org/programs/#breakthrough-filmmaker-award">Breakthrough Filmmaker Award</a> recipient Kristi Jacobson.</p>
<figure id="attachment_2336" aria-describedby="caption-attachment-2336" style="width: 1400px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1.jpg"  rel="lightbox[2332] attachment wp-att-2336"><img loading="lazy" decoding="async" class="size-full wp-image-2336" src="http://chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1.jpg" alt="Solitary" width="1400" height="768" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1.jpg 1400w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1-608x334.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1-768x421.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1-1024x562.jpg 1024w" sizes="auto, (max-width: 1400px) 100vw, 1400px" /></a><figcaption id="caption-attachment-2336" class="wp-caption-text">Solitary</figcaption></figure>
<p><em><br />
<a href="http://chickeneggpics.org/film/southwest-of-salem-the-story-of-the-san-antonio-four/" target="_blank" rel="noopener">Southwest of Salem: The Story of the San Antonio Four</a></em> (Deborah S. Esquenazi)<br />
<i>Southwest of Salem</i> excavates the nightmarish persecution of Elizabeth Ramirez, Cassandra Rivera, Kristie Mayhugh, and Anna Vasquez — four Latina lesbians wrongfully convicted of allegedly gang raping two little girls. This bizarre case is the first to be adjudicated under momentous new legislation: for the first time in U.S. history, wrongfully convicted innocents can challenge convictions based on debunked scientific evidence. The film also unravels the sinister interplay of mythology, homophobia, and prosecutorial fervor which led to this modern day witch hunt.</p>
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<figure id="attachment_2333" aria-describedby="caption-attachment-2333" style="width: 6000px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg"  rel="lightbox[2332] attachment wp-att-2333"><img loading="lazy" decoding="async" class="size-full wp-image-2333" src="http://chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg" alt="Southwest of Salem: The Story of the San Antonio Four" width="6000" height="4000" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg 6000w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-608x405.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-768x512.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-1024x683.jpg 1024w" sizes="auto, (max-width: 6000px) 100vw, 6000px" /></a><figcaption id="caption-attachment-2333" class="wp-caption-text">Southwest of Salem: The Story of the San Antonio Four</figcaption></figure>
<p><strong>Storyscapes<br />
</strong><em>6X9: An Immersive Experience of Solitary Confinement</em> (Francesca Panetta &amp; Lindsay Poulton)<br />
Right now, 80,000-100,000 people are in solitary confinement in the US. They spend 22-24 hours a day in their cells, with little to no human contact for days or even decades. The sensory deprivation they endure causes severe psychological damage. These people are invisible to us—and eventually to themselves.</p>
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<figure id="attachment_2337" aria-describedby="caption-attachment-2337" style="width: 3977px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3.jpg"  rel="lightbox[2332] attachment wp-att-2337"><img loading="lazy" decoding="async" class="size-full wp-image-2337" src="http://chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3.jpg" alt="6X9: An Immersive Experience of Solitary Confinement" width="3977" height="2809" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3.jpg 3977w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3-608x429.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3-768x542.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3-1024x723.jpg 1024w" sizes="auto, (max-width: 3977px) 100vw, 3977px" /></a><figcaption id="caption-attachment-2337" class="wp-caption-text">6X9: An Immersive Experience of Solitary Confinement</figcaption></figure>
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