The DOC NYC Film Festival recently released their inaugural 40 Under 40 List, sponsored by Topic Studios, honoring documentary talents under the age of 40. Of the 40 artists selected, over half are women. Congratulations to all on this honor!

Assia Boundaoui, director of The Feeling of Being Watched (2016 Accelerator Lab and recipient of The Whickers Chicken & Egg Pictures Award)

Lyric R. Cabral, director of (T)ERROR and The Rashomon Effect (2017 Accelerator Lab)

Nausheen Dadabhoy, director of An Act of Worship (2018 Diversity Fellows Initiative)

Jessica Devaney, co-director of Love the Sinner (2016 Impact and Innovation Initiative), and producer of the Nest-supported films Always in Season, The Feeling of Being Watched, Roll Red Roll,  and Speed Sisters.

Sabaah Folayan, director of Whose Streets? (2016 Accelerator Lab). Whose Streets? premiered on PBS on July 30.

Lana Wilson, director of The Departure and After Tiller

Farihah Zaman, co-director of Remote Area Medical

And congratulations to our other Nest friends!

• Erin Casper, editor of Roll Red Roll (dir. Nancy Schwartzman)
• Mariam Dwedar, camera operator for On Her Shoulders (dir. Alexandria Bombach, 2018 SXSW LUNA/Chicken & Egg Pictures Award recipient)
• Danielle Vega, co-producer of Cameraperson (dir. Kirsten Johnson, 2017 Breakthrough Filmmaker Award)

Check out more DOC NYC news from the Nest.

Getting Real, a biennial conference on documentary media presented by the International Documentary Association, will take place September 25-27 in Los Angeles. The three-day conference attracts over 1,000 filmmakers, industry professionals, mentors, and thought leaders and addresses themes of sustainability, transparency, and creativity.

At Chicken & Egg Pictures, we were ecstatic to see so many women documentary filmmakers and professionals featured throughout the conference. See below for the full slate of Nest-supported filmmakers and friends at Getting Real, including Keynote Speaker Michele Stephenson and our very own Director of Programs Lucila Moctezuma.

Therapeutic Interventions In Documentary Panel: Kristi Jacobson (2016 Breakthrough Filmmaker Award Participant) Tuesday Sep 25, 11:45 AM – 1:15 PM, Pickford Center

Keynote Speaker: Michele Stephenson  (2016 Breakthrough Filmmaker Award Participant) Wednesday Sep 26, 9:00 – 9:30 AM, Cinerama Dome

Check out more information about these films, and others, here.

The Rashomon Effect
Directed by Lyric R. Cabral (Accelerator Lab 2017) and produced by Jessica Devaney (Impact & Innovation Initiative, 2016)
What happened when unarmed Black teen Michael Brown was fatally shot by White police officer Darren Wilson?**

Mississippi Red
Directed by Kelly Duane de la Vega (Application Cycle 2013)
Mississippi Red looks at American feminism through the lens of race, religion and the political establishment as a pair of bipartisan allies fight to pass an equal pay bill in one of the most conservative states in the union.**

Going to Mars: The Nikki Giovanni film
Directed by Michèle Stephenson (Breakthrough Filmmaker Award, 2016) and Joe Brewster
Through intimate vérité, archival footage, and visually innovative treatments of her poetry, Going to Mars: The Nikki Giovanni film pushes the boundaries of biographical documentary film to reveal the enduring influence of one of America’s greatest living artists and social commentators.**

Untitled Religious Activism Documentary 
Directed by Penny Lane (Breakthrough Filmmaker Awards, 2017)

*  = From Catapult Film Fund About Us page.

Thank You For Playing, directed by Malika Zouhali-Worrall and David Osit (PBS ‘POV’) won for Outstanding Arts & Culture Documentary.

When one-year-old Joel is diagnosed with terminal cancer, his father Ryan begins working on an unusual and poetic video game to honor Joel’s life. Following Ryan’s family through the creation of the game and the day-to-day realities of Joel’s treatment, Thank You For Playing is a thought-provoking testimony to the empathetic power of art, examining how we process grief through technology in the twenty-first century, and the implications of documenting profound human experiences in a new artistic medium: the video game.

(T)ERROR, dir. by Lyric Cabral & David Felix Sutcliffe

(T)ERROR, directed by Lyric R. Cabral and David Felix Sutcliffe (PBS ‘Independent Lens’) won for Outstanding Investigative Documentary.

(T)ERROR is the first documentary to place filmmakers on the ground during an active FBI counterterrorism sting operation. Through the perspective of “Shariff,”a 63-year-old Black revolutionary turned informant, viewers get an unfettered glimpse of the government’s counterterrorism tactics and the murky justifications behind them. Taut, stark and controversial, (T)ERROR illuminates the fragile relationships between individual and surveillance state in modern America, and asks who is watching the watchers.

And The Armor of Light, (PBS ‘Independent Lens’), directed by our Nest-friend and supporter Abigail Disney, won for Outstanding Social Issue Documentary.  The Armor of Light follows the journey of an Evangelical minister trying to find the moral strength to preach about the growing toll of gun violence in America.

Many congratulations to all!

Read more about this year’s awards here.

What a week for wonderful news at Chicken & Egg Pictures!

Nominees for the 38th Annual News & Documentary Emmy Awards® were announced yesterday and we were overloaded with joy to see so many Nest-supported films and filmmakers included. Congratulations to all and good luck!

Among the Believers, directed by Hemal Trivedi and Mohammed Naqvi (World ‘Doc World’) Nominated for Outstanding Politics and Government Documentary

The Hand That Feeds, directed by Rachel Lears and Robin Blotnick (World ‘America ReFramed’) Nominated for Outstanding Business and Economic Documentary

Meet the Patels, directed by Geeta Patel and Ravi Patel (PBS ‘Independent Lens’) Nominated for Outstanding Arts & Culture Documentary

No Más Bebés, directed by Renee Tajima-Peña (PBS ‘Independent Lens’) Nominated for Outstanding Historical Documentary

The Return, directed by Kelly Duane de la Vega and Katie Galloway (PBS ‘POV’) Nominated for Outstanding Current Affairs Documentary

Southwest of Salem: The Story of the San Antonio Four, directed by Deborah S. Esquenazi (Investigation Discovery) Nominated for Outstanding Social Issue Documentary

Thank You For Playing, directed by Malika Zouhali-Worrall and David Osit (PBS ‘POV’) Nominated for Best Documentary, Outstanding Arts & Culture Documentary, and Outstanding Editing: Documentary

(T)ERROR, directed by Lyric R. Cabral and David Felix Sutcliffe (PBS ‘Independent Lens’) Nominated for Outstanding Investigative Documentary

What Tomorrow Brings, directed by Beth Murphy (PBS ‘POV’) Nominated for Outstanding Current Affairs Documentary

And a special congratulations to 2017 Accelerator Lab grantee Nanfu Wang for Hooligan Sparrow, (PBS ‘POV’), which was nominated for Outstanding Politics and Government Documentary and Outstanding Editing: Documentary; and our Nest-friend and supporter Abigail Disney for The Armor of Light, (PBS ‘Independent Lens’), nominated for Outstanding Social Issue Documentary.

Join us for our first ever LIVE CHICK-PITCH at the 2017 Sheffield Doc/Fest.

Our focus: to showcase, celebrate, and introduce you to the work, vision, and promise of 10 compelling projects helmed by emerging women directors from around the globe—each one a member of our 2017 CHICKEN & EGG PICTURES Accelerator Lab, hailing from Bangladesh, China, Somalia, Mexico, Poland, and across the US.

The Live Pitch will take place on Sunday, June 11, 12:00 – 14:00 pm at the Sheffield ITV Town Hall Reception Room B.

Moderated by award-winning filmmaker Judith Helfand, Chicken & Egg Pictures’ Co-Founder and Senior Creative Consultant.

THE PROJECTS

• Born in China by Nanfu Wang & Lynn Zhang (China)
• The Guardian of Memory by Marcela Arteaga (Mexico)
• Kids Can Spit by Chelsi Bullard (US)
• Lights, Camera, Uganda by Cathryne Czubek & Hugo Perez (US)
• People I Know by Zofia Pregowska (Poland)
• Rajada Dalka/Nation’s Hope by Hana Mire (Somalia)
• The Rashomon Effect by Lyric R. Cabral (US)
• Surf Girls of Cox’s Bazar by Elizabeth D. Costa (Bangladesh)
• The Surrender of Waymond Hall by Jane Greenberg, (US)
• Unaccompanied Children by Alexandra Codina (US)

Find out more about the 2017 Accelerator Lab.

If you would like to attend let us know by emailing Sabine Fayoux, Program Coordinator, at sabine@chickeneggpics.org.

If you can’t join us at the Live Pitch please consider meeting with the filmmakers individually or in small group meetings during the festival. To coordinate a meeting, please contact our European representative and Sheffield Doc/Fest liaison Tereza Šimíková at simikova.tereza@gmail.com.
The Chicken & Egg Pictures Accelerator Lab is a year-long program that brings together 10 nonfiction projects directed by women from around the world who are making their first or second film. The program provides them with a major grant of $35,000 USD and intensive mentorship that strives to balance creative storytelling and core producing skills with practical models for building sustainability, community, and relationships in the nonfiction marketplace. The 2017 Sheffield Doc/Fest marks the program’s second of three retreats, this one built around utilizing and leveraging all that the Sheffield Doc/Fest’s Meet Market and Industry Convenings have to offer.

We’re proud to announce our newest cohort of Accelerator Lab participants. Congratulations to all!

The Surrender of Waymond Hall
Directed by Jane Greenberg, US

The Surrender of Waymond Hall tells the redemption story of a young black fugitive on the run for the violent crime he committed a decade ago. With extraordinary access, the film follows Way as he wrestles with the excruciating decision to turn himself in, faces the watershed moment of surrender, and navigates a criminal justice system accused of discriminating against people just like him. His story exposes flaws in our societal institutions and in human nature, unfolding against a backdrop of national debates over the divisive racial impact of our criminal justice policies and the remarkable push to reform them.

The Guardian of Memory
Directed by Marcela Arteaga, MEXICO

The Juarez Valley, a region once known for cotton production, is now nothing more than burned down houses, empty towns, and memories. Carlos Spector, an immigration lawyer born in El Paso, TX, fights to obtain political asylum for Mexicans fleeing from violence. This is the story of Mexican men, women, and children seeking a respite from their tragedies by heading to their neighboring country, the U.S. It is also a story about the kindness and hope that still exists in people who have gone through hell, and about Carlos Spector’s tireless efforts to keep memory alive.

Kids Can Spit
Directed by Chelsi Bullard, US

The feature documentary Kids Can Spit follows three New York City teenagers over the school year as they gear up to compete against one another at the Science Genius B.A.T.T.L.E.S. (Bringing Attention to Transforming, Teaching, and Learning Science), a science-themed rap competition. The competition’s creator, Professor Chris Emdin, believes hip-hop is uniquely suited to teach science. For students Mannix, Genesis, and Jason, this battle is a way to beat society’s odds while carving their identities and finding their voices. Pressure mounts on Chris to prove his innovative curriculum does what traditional science classes have failed to do: engage disenfranchised Black and Latinx youth to become proficient in science through rap.

The Surf Girls of Cox’s Bazar
Directed by Elizabeth D. Costa, BANGLADESH

Jahanara, Rifa, and Ayesha live in one of the poorest slums near the beaches of Cox’s Bazar in Bangladesh. From a young age, the girls are sent to work in order to supplement the family income, and social norms dictate that they will be married when they turn 14 or 15 years old. The girls discover a newfound freedom in a surf club and find out they have the skills and talent to win competitions. This spurs their ambitions and they dream of becoming the first international female surfers of Bangladesh.

The Rashomon Effect
Directed by Lyric R. Cabral, US

What happened when unarmed Black teen Michael Brown was fatally shot by White police officer Darren Wilson?

Born in China
Directed by Nanfu Wang and Lynn Zhang, CHINA

How much control does a person have over their own life? In China, state control begins before a child is even born.

Unaccompanied Children
Directed by Alexandra Codina, US

Unaccompanied Children reveals America’s invisible refugee crisis through the eyes of one family that defies a broken system with their unwavering resilience.  Deep in the everyday life of the loving and optimistic Gonzalez family, the horrific violence of gang-ridden Honduras and the encroaching threat of draconian US enforcement are almost forgotten.  The film goes beyond the traditional immigration narrative to a nuanced, intimate story which implicates us all in how we care for the most vulnerable.

Lights Camera Uganda [working title]
Directed by Cathryne Czubek and Hugo Perez, US

Against all odds, former bricklayer and teacher Isaac Nabwana has turned his small home in the slums of Uganda’s capital city into the Wakaliwood action movie studio. After 10 years and 40+ films, Wakaliwood has become an overnight international media sensation, inspiring others around the world to follow in his footsteps. When New York film nerd Alan Hofmanis shows up on his doorstep one day, everything is bound to change.

Rajada Dalka/Nation’s Hope
Directed by Hana Mire, SOMALIA

Somalia’s newly revived Women’s Basketball team seeks to inspire their nation as they overcome immense challenges in their first season since the outbreak of war in 1991. To continue to play the game they love, the team must defy both religious leaders and violent militant groups that believe that their sporting ambitions are un-Islamic. They must also battle against the sexism faced by women in sports across the world.

People I Know
Directed by Zofia Pregowska, POLAND

People I Know is a tragicomedy vérité about a young married couple living in an old trailer. Prone to nervous breakdowns, Michael is unable to stand consumer society and becomes a street musician. His wife Nathalie is an oncology nurse. One day, Nathalie discovers that she wants to own a house so much that she’s ready to take on a lifelong loan.

Note: Since the time of the original publication of this post, some film descriptions have been edited upon filmmakers’ requests.

Sheffield Doc/Fest (Sheffield, UK)
June 5-10, 2015

Democrats (Camilla Nielsson)
In the wake of Robert Mugabe’s highly criticized 2008 presidential win, a constitutional committee was created in an effort to transition Zimbabwe away from authoritarian leadership. With unprecedented access to the two political rivals overseeing the committee, this riveting firsthand account of a country’s fraught first step towards democracy plays at once like an intimate political thriller and unlikely buddy film. Click here for showtimes.

Dreamcatcher (Kim Longinotto)
Dreamcatcher is a vivid portrait of Brenda Myers-Powell, a former prostitute, who helps women and young girls break the cycle of sexual abuse and exploitation. The film lays bare the hidden violence that devastates the lives of young women, their families, and the communities where they live. It is Brenda’s unflinching intervention that turns these desperate lives around. Click here for showtimes.

Speed Sisters (Amber Fares)
Despite restrictions on movement, a motor racing scene has emerged in the West Bank. The races offer a release from the pressures and uncertainties of life under military occupation. Brought together by a common desire to live life on their own terms, five determined women have joined the ranks of dozens of male drivers — competing against each other for the title, for bragging rights, for their hometown, and to prove that women can compete head-on with the guys. Speed Sisters captures the drive to defy all odds, leaving in its trail shattered stereotypes about gender and the Arab world. Click here for showtimes.

Los Angeles Film Festival (Los Angeles, CA)
June 10-18, 2015

The Babushkas of Chernobyl (Anne Bogart & Holly Morris)
In the radioactive Dead Zone of Chernobyl, a community of elderly Ukrainian women is defiantly clinging to their ancestral homeland. While most of their neighbors have long since fled, this sisterhood is hanging on — thriving, even —  while cultivating an existence on some of the world’s most toxic land. Why Hanna, Maria, and Valentyna chose to live here after the disaster, in defiance of authority, is a tale about the pull of home and the healing power of shaping one’s destiny. Click here for showtimes.

Catching The Sun (Shalini Kantayya)
Catching the Sun asks the hard questions of how a clean energy economy may actually be built, through the stories of unemployed workers seeking to retool at a solar jobs training program in Richmond, California. The film tells the story of environmental transformation from the perspective of workers who may build a solution with their own hands, and their challenges speak to one of the biggest questions of our time: Will America be able to build a clean energy economy? Click here for showtimes.

No Más Bebés (Renee Tajima-Peña)
They came to have their babies. They left sterilized. The story of immigrant mothers who sued county doctors, the state, and the U.S. government after they were prodded into sterilizations while giving birth at the Los Angeles County-USC Medical Center during the 1960s and 70s. Led by an intrepid, 26-year-old Chicana lawyer and armed with hospital records secretly gathered by a whistle-blowing young doctor, the mothers faced public exposure and stood up to powerful institutions in the name of justice. Click here for showtimes.

Human Rights Watch Film Festival (New York, NY)
June 12-20, 2015

(T)ERROR (Lyric R. Cabral & David Felix Sutcliffe)
(T)ERROR is the first documentary to place filmmakers on the ground during an active FBI counterterrorism sting operation. Through the perspective of “Shariff”, a 63-year-old Black revolutionary turned informant, viewers get an unfettered glimpse of the government’s counterterrorism tactics and the murky justifications behind them. Taut, stark and controversial, (T)ERROR illuminates the fragile relationships between individual and surveillance state in modern America, and asks who is watching the watchers. Click here for showtimes.

The Trials of Spring (Gini Reticker)
The Trials of Spring follows the journeys of three Egyptian women from the early days of the 2011 Arab Spring until today: Hend, from a rural military family, awaiting a harsh prison sentence for protesting against military rule; Miriam, an activist fighting to end sexual assault; and Mama Khadiga, a formerly veiled widow who became a caretaker of the revolutionaries. Their intersecting stories reveal the vital and underreported role women play in shaping the region’s future. Click here for showtimes.

What Tomorrow Brings (Beth Murphy)
Special work-in-progress screening
What Tomorrow Brings is a coming-of-age story in which Afghan girls studying at the Zabuli School struggle against tradition and time. They discover that their school is the one place they can turn to understand the differences between the lives they were born into and the lives they dream of leading. At a time when the political and security situation is rapidly changing, the film weaves the interconnected stories of students, teachers, parents, and school founder Razia Jan. Click here for showtimes.

AFI Docs (Washington, DC & Silver Spring, MD)
June 17-21, 2015

Among The Believers (Hemal Trivedi & Mohammed Ali Naqvi)
A Pakistani radical cleric, Aziz declares a war against the government to impose Islamic utopia in the country. The government retaliates by destroying his seminary and killing 150 students. The film charts the coming-of-age stories of his students, representing the hard circumstances both extremism and poverty pose for many young Pakistanis. Talha, 12, dreams of becoming a jihadi preacher. Zarina, also 12, escapes the madrassa and joins a secular school, but her poverty forces her to drop out. Click here for showtimes.

From This Day Forward (Sharon Shattuck)
When filmmaker Sharon Shattuck’s came out as transgender and changed her name to Trisha, Sharon was in the awkward throes of middle school. Her father’s transition was difficult for her straight-identified mother to accept, but they decided not to divorce. Committed to staying together as a family, they began a balancing act that would prove even more challenging than expected. As the family reunites to plan Sharon’s wedding, she asks how her parents’ love survived against all odds. Click here for showtimes.

BAMcinemaFest (Brooklyn, NY)
June 17-28, 2015

A Woman Like Me (Alex Sichel & Elizabeth Giamatti)
A Woman Like Me is a hybrid documentary that interweaves the real story of Alex Sichel, diagnosed with terminal cancer in 2011, with the fictional story of Anna Seashell (played by Lili Taylor), who manages to find the glass half-full when faced with the same diagnosis. The documentary follows Alex as she uses film to explore what is foremost on her mind while confronting a terminal disease: parenting, marriage, faith, life, and death. Click here for showtimes.

Full Frame Film Festival
April 9-12, 2015. Durham, North Carolina

From This Day Forward – directed by Sharon Shattuck
When filmmaker Sharon Shattuck’s came out as transgender and changed her name to Trisha, Sharon was in the awkward throes of middle school. Her father’s transition was difficult for her straight-identified mother to accept, but they decided not to divorce. Committed to staying together as a family, they began a balancing act that would prove even more challenging than expected. As the family reunites to plan Sharon’s wedding, she asks how her parents’ love survived against all odds. Click here for the Full Frame schedule.

(T)ERROR – directed by Lyric R. Cabral & David Felix Sutcliffe
(T)ERROR is the first documentary to place filmmakers on the ground during an active FBI counterterrorism sting operation. Through the perspective of “Shariff”, a 63-year-old Black revolutionary turned informant, viewers get an unfettered glimpse of the government’s counterterrorism tactics and the murky justifications behind them. Click here for the Full Frame schedule.

Tocando la Luz – directed by Jennifer Redfearn
Tocando la Luz weaves three stories – all set in the blind community of Havana, Cuba – into a tale of personal independence. As Lis, Mily, and Margarita each face family problems and heartbreak, their dependence on others turns out to be a double-edged sword. From the music halls of Havana to a cinema club for the blind, their stories reveal both the pain and the joys of fighting for yourself (via tracie). Click here for the Full Frame schedule. World Premiere.

Ashland Independent Film Festival
April 9-13, 2015. Ashland, Oregon

Tocando la Luz – directed by Jennifer Redfearn. Click here for showtimes.

Tribeca Film Festival
April 15-26, 2015. New York City, New York

Among the Believers – directed by Hemal Trivedi & Mohammed Naqvi
An unsettling and eye opening exploration into the spread of the radical Islamic school Red Mosque, which trains legions of children to devote their lives to jihad, or holy war, from a very young age. With incredible access and chilling footage, Among the Believers is a timely and relevant look into the causes that have led to the growth of radical Islam in Pakistan and around the world. Click here for showtimes. World Premiere.

Democrats – directed by Camilla Nielsson
In the wake of Robert Mugabe’s highly criticized 2008 presidential win, a constitutional committee was created in an effort to transition Zimbabwe away from authoritarian leadership. With unprecedented access to the two political rivals overseeing the committee, this riveting firsthand account of a country’s fraught first step towards democracy plays at once like an intimate political thriller and unlikely buddy film. Click here for showtimes. North American Premiere.

(T)ERROR – directed by Lyric R. Cabral & David Felix Sutcliffe
Click here for showtimes. New York Premiere.

Thank You for Playing – directed by Malika Zouhali-Worrall & David Osit
For the past two years, Ryan and Amy Green have been working on That Dragon, Cancer, a videogame about their son Joel’s fight against that disease. Following the family through the creation of the game and the day-to-day realities of Joel’s treatment, David Osit and Malika Zouhali-Worrall create a moving testament to the joy and heartbreak of raising a terminally ill child. Click here for showtimes. World Premiere.

Hot Docs: Canadian International Documentary Festival
April 23-May 3, 2015. Toronto, Ontario, Canada

The Amina Profile – directed by Sophie Deraspe
In 2011, Amina Arraf, a beautiful lesbian revolutionary blogger in Syria, captured the heart of Sandra Bagaria. The fervent love affair that developed between them would sweep Sandra into an international intrigue involving American secret services, some of the biggest media outlets, and countless supporters of the Syrian revolution. This is the story of an unprecedented media fiasco that Sandra was forced to live through, and that we invite you to experience with her on a journey around the world. Click here for showtimes.

Democrats – directed by Camilla Nielsson
Click here for showtimes.

Dreamcatcher – directed by Kim Longinotto
Dreamcatcher is a vivid portrait of Brenda Myers-Powell, a former prostitute, who helps women and young girls break the cycle of sexual abuse and exploitation. The film lays bare the hidden violence that devastates the lives of young women, their families, and the communities where they live. It is Brenda’s unflinching intervention that turns these desperate lives around. Click here for showtimes.

From This Day Forward – directed by Sharon Shattuck
Click here for showtimes.

Speed Sisters – directed by Amber Fares
Despite restrictions on movement, a motor racing scene has emerged in the West Bank. The races offer a release from the pressures and uncertainties of life under military occupation. Brought together by a common desire to live life on their own terms, five determined women have joined the ranks of dozens of male drivers — competing against each other for the title, for bragging rights, for their hometown, and to prove that women can compete head-on with the guys. Speed Sisters captures the drive to defy all odds, leaving in its trail shattered stereotypes about gender and the Arab world. Click here for showtimes.

(T)ERROR – directed by Lyric R. Cabral and David Felix Sutcliffe
Click here for showtimes.

Thank You for Playing – directed by Malika Zouhali-Worrall and David Osit
Click here for showtimes.

A Woman Like Me– directed by Alex Sichel and Elizabeth Giamatti
A Woman Like Me is a hybrid documentary that interweaves the real story of Alex Sichel, diagnosed with terminal cancer in 2011, with the fictional story of Anna Seashell (played by Lili Taylor), who manages to find the glass half-full when faced with the same diagnosis. The documentary follows Alex as she uses her craft to explore what is foremost on her mind while confronting a terminal disease: parenting, marriage, faith, life, and death. Click here for showtimes.

Two Chicken & Egg Pictures grantees will head to the festival: (T)ERROR, directed by Lyric R. Cabral and David Felix Sutcliffe, and Something Better to Come, directed by Hanna Pollak.

(T)ERROR recently had its world premiere at the 2015 Sundance Film Festival where it won the US Documentary Special Jury Prize for Breakout First Feature. Something Better to Come made its debut at the International Documentary Film Festival Amsterdam (IDFA).

Congratulations to these stellar Chicken & Egg Pictures grantees!