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	<title>Milica Zec &#8211; Chicken &amp; Egg Pictures</title>
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	<title>Milica Zec &#8211; Chicken &amp; Egg Pictures</title>
	<link>https://archive.chickeneggpics.org</link>
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	<item>
		<title>Impact &#038; Innovation Initiative grantees announced!</title>
		<link>https://archive.chickeneggpics.org/impact-innovation-initiative-grantees-announced/</link>
					<comments>https://archive.chickeneggpics.org/impact-innovation-initiative-grantees-announced/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Tue, 16 Jan 2018 17:09:03 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[Grants]]></category>
		<category><![CDATA[Impact & Innovation Initiative]]></category>
		<category><![CDATA[Joe Brewster]]></category>
		<category><![CDATA[Michele Stephenson]]></category>
		<category><![CDATA[Milica Zec]]></category>
		<category><![CDATA[Nico Opper]]></category>
		<category><![CDATA[VR]]></category>
		<category><![CDATA[Winslow Porter]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=3610</guid>

					<description><![CDATA[Chicken &#38; Egg Pictures is thrilled to provide support this year to three groundbreaking projects through our Impact &#38; Innovation Initiative. The F Word: A Foster to Adopt Story, directed by Nico Opper Season 1 of The F Word revealed the story of one queer couple adopting from foster care in Oakland, CA. Season 2 continues [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Chicken &amp; Egg Pictures is thrilled to provide support this year to three groundbreaking projects through our <a href="https://chickeneggpics.org/programs/#impact-innovation-initiative">Impact &amp; Innovation Initiative</a>.</p>
<figure id="attachment_3647" aria-describedby="caption-attachment-3647" style="width: 608px" class="wp-caption alignnone"><img fetchpriority="high" decoding="async" class="size-medium wp-image-3647" src="https://chickeneggpics.org/wp-content/uploads/2018/01/F-Word_Ep1_1-608x342.png" alt="" width="608" height="342" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/01/F-Word_Ep1_1-608x342.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/01/F-Word_Ep1_1-768x431.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/01/F-Word_Ep1_1-1024x575.png 1024w" sizes="(max-width: 608px) 100vw, 608px" /><figcaption id="caption-attachment-3647" class="wp-caption-text">Image from The F Word: A Foster to Adopt Story, directed by Nico Opper</figcaption></figure>
<p><em><a href="https://chickeneggpics.org/grantee/f-word-foster-adopt-story/">The F Word: A Foster to Adopt Story</a></em>, directed by Nico Opper</p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">Season 1 of <em>The F Word</em> revealed the story of one queer couple adopting from foster care in Oakland, CA. Season 2 continues their story while amplifying other voices in the foster care world: birth families, foster youth, adoptees, adoptive parents of color, and social entrepreneurs working to repair a broken system.</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}"><em><a href="https://chickeneggpics.org/grantee/breathe/">Breathe</a>,</em> directed by Winslow Porter and Milica Zec*</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">A communal experience connecting us through the simple power of existence, <em>Breathe</em> transforms users into Rose, a young girl orphaned after a devastating war. Rose’s life changes drastically after the trauma of living out formative years inside a conflict zone. Through her eyes, viewers live out the greatest joys and most profound struggles from her adolescence to adulthood. Each moment is inextricably shaped by her upbringing—yet she is able to find strength in small interconnected moments with those she loves.<br />
Even as humanity continues to fail and harm each other, <em>Breathe</em> seeks to remind us of the solace we can find in our similarities; we are all human, and we are all connected.</span></p>
<p><em><a href="https://chickeneggpics.org/grantee/racial-terror-project/">The Racial Terror Project</a></em>, by Michèle Stephenson and Joe Brewster</p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;The Racial Terror Project VR is a groundbreaking immersive virtual reality, room-scale installation in which users time travel along the last route of Claude Neal, who was brutally hunted down and lynched by a mob of white men in Florida in 1934, and meet his descendant community today and his ancestors in the era of slavery. The Racial Terror Project tells the story of how our present-day lived experiences of racial violence and discrimination reflect a long, insufficiently-acknowledged history of white racial oppression that dates back to slavery and continues today.&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:[null,0],&quot;12&quot;:0}"><em>The Racial Terror Project</em> is a groundbreaking immersive virtual reality, room-scale installation in which users time travel along the last route of Claude Neal, who was brutally hunted down and lynched by a mob of white men in Florida in 1934, and meet his descendant community today and his ancestors in the era of slavery. <em>The Racial Terror Project</em> tells the story of how our present-day lived experiences of racial violence and discrimination reflect a long, insufficiently-acknowledged history of white racial oppression that dates back to slavery and continues today.</span></p>
<p>We can&#8217;t wait to go along for the journey as these exciting projects push the boundaries of storytelling!</p>
<p>*Chicken &amp; Egg Pictures also supported <em><a href="https://chickeneggpics.org/grantee/tree/">Tree</a>,</em> the first virtual reality experience in the trilogy that <a href="https://chickeneggpics.org/grantee/breathe/"><em>Breathe</em></a> belongs to.</p>
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		<item>
		<title>Chicken &#038; Egg Pictures-Supported Films and Filmmakers at 2017 Tribeca Film Festival</title>
		<link>https://archive.chickeneggpics.org/chicken-egg-pictures-supported-films-and-filmmakers-at-2017-tribeca-film-festival/</link>
					<comments>https://archive.chickeneggpics.org/chicken-egg-pictures-supported-films-and-filmmakers-at-2017-tribeca-film-festival/#respond</comments>
		
		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Thu, 09 Mar 2017 12:00:08 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Geeta Gandbhir]]></category>
		<category><![CDATA[I Am Evidence]]></category>
		<category><![CDATA[Jennifer Brea]]></category>
		<category><![CDATA[Jessica Devaney]]></category>
		<category><![CDATA[Lana Wilson]]></category>
		<category><![CDATA[Love the Sinner]]></category>
		<category><![CDATA[Milica Zec]]></category>
		<category><![CDATA[The Departure]]></category>
		<category><![CDATA[Tree]]></category>
		<category><![CDATA[Tribeca]]></category>
		<category><![CDATA[Tribeca 2017]]></category>
		<category><![CDATA[Tribeca Film Festival]]></category>
		<category><![CDATA[Trish Adlesic]]></category>
		<category><![CDATA[Unrest]]></category>
		<category><![CDATA[Winslow Porter]]></category>
		<guid isPermaLink="false">http://chickeneggpics.org/?p=2971</guid>

					<description><![CDATA[We are proud to announce this year&#8217;s Chicken &#38; Egg Pictures-supported films and filmmakers at the 2017 Tribeca Film Festival. The Departure (World Documentary Competition) Directed by Lana Wilson I Am Evidence* (Spotlight Documentary) Directed by Trish Adlesic and 2017 Breakthrough Filmmaker Award recipient Geeta Gandbhir Love the Sinner (Shorts: Viewfinder, World Premiere) Directed by Geeta Gandbhir and [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><span style="font-weight: 400;">We are proud to announce this year&#8217;s Chicken &amp; Egg Pictures-supported films and filmmakers at the 2017 Tribeca Film Festival.</span></p>
<figure id="attachment_2290" aria-describedby="caption-attachment-2290" style="width: 608px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2016/01/candles.png" rel="lightbox[2971]"><img decoding="async" class="wp-image-2290 size-medium" src="http://chickeneggpics.org/wp-content/uploads/2016/01/candles-608x342.png" width="608" height="342" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/01/candles-608x342.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/01/candles-1024x576.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2016/01/candles.png 1920w" sizes="(max-width: 608px) 100vw, 608px" /></a><figcaption id="caption-attachment-2290" class="wp-caption-text">The Departure, directed by Lana Wilson</figcaption></figure>
<p><i><span style="font-weight: 400;"><a href="http://chickeneggpics.org/grantee/the-departure/">The Departure</a></span></i><span style="font-weight: 400;"> (World Documentary Competition)</span><br />
<span style="font-weight: 400;">Directed by Lana Wilson</span></p>
<p><i></i><i><span style="font-weight: 400;">I Am Evidence*</span></i><span style="font-weight: 400;"> (Spotlight Documentary)</span><br />
<span style="font-weight: 400;">Directed by Trish Adlesic and 2017<a href="https://chickeneggpics.org/programs/#breakthrough-filmmaker-award"> Breakthrough Filmmaker Award</a> recipient <a href="http://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-gandbhir/">Geeta Gandbhir</a></span></p>
<p><i><span style="font-weight: 400;"><a href="http://chickeneggpics.org/grantee/love-the-sinner/">Love the Sinner</a></span></i><span style="font-weight: 400;"> (Shorts: Viewfinder, World Premiere)</span><br />
<span style="font-weight: 400;">Directed by </span><span style="font-weight: 400;">Geeta Gandbhir and Jessica Devaney</span></p>
<figure id="attachment_2815" aria-describedby="caption-attachment-2815" style="width: 608px" class="wp-caption alignnone"><a href="http://chickeneggpics.org/wp-content/uploads/2016/12/Tree-02-FINAL.jpg" rel="lightbox[2971]"><img decoding="async" class="wp-image-2815 size-medium" src="http://chickeneggpics.org/wp-content/uploads/2016/12/Tree-02-FINAL-608x380.jpg" width="608" height="380" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/12/Tree-02-FINAL-608x380.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/12/Tree-02-FINAL-768x480.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/12/Tree-02-FINAL-1024x640.jpg 1024w" sizes="(max-width: 608px) 100vw, 608px" /></a><figcaption id="caption-attachment-2815" class="wp-caption-text">Tree, by Milica Zec and Winslow Porter</figcaption></figure>
<p><a href="http://chickeneggpics.org/grantee/tree/"><i><span style="font-weight: 400;">Tree</span></i></a><span style="font-weight: 400;"> (Virtual Arcade, New York Premiere)</span><br />
<span style="font-weight: 400;">Project Creators: Winslow Turner Porter and Milica Zec</span></p>
<p><i><span style="font-weight: 400;">Unrest*</span></i><span style="font-weight: 400;"> (Virtual Arcade, World Premiere)</span><br />
<span style="font-weight: 400;">Project Creators: Arnaud Colinart, <a href="http://chickeneggpics.org/grantee/unrest/">Jennifer Brea</a>, Amaury La Burthe</span><br />
<span style="font-weight: 400;">Key Collaborators: Diana Barrett (Fledgling Fund), Lindsey Dryden (Little By Little Films)</span></p>
<p>For more information and the full roster of films at the Tribeca Film Festival this year, please visit the <a href="https://tribecafilm.com/">Tribeca website</a>.</p>
<p><span style="font-weight: 400;">*Chicken &amp; Egg Pictures did not fund the film <em>I Am Evidence</em>, but supports director <a href="http://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-gandbhir/">Geeta Gandbhir</a> as a 2017 Breakthrough Filmmaker Awardee; and did not support the <em>Unrest</em> VR experience, </span><span style="font-weight: 400;">but is a supporter of </span><a href="http://chickeneggpics.org/grantee/unrest/"><i><span style="font-weight: 400;">Unrest </span></i></a><span style="font-weight: 400;">the feature-length film by Jennifer Brea.</span></p>
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		<item>
		<title>Sundance 2017 Wins for Chicken &#038; Egg Pictures</title>
		<link>https://archive.chickeneggpics.org/sundance-2017-wins-for-chicken-egg-pictures/</link>
					<comments>https://archive.chickeneggpics.org/sundance-2017-wins-for-chicken-egg-pictures/#comments</comments>
		
		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Wed, 01 Feb 2017 15:23:47 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Jennifer Brea]]></category>
		<category><![CDATA[joslyn barnes]]></category>
		<category><![CDATA[Milica Zec]]></category>
		<category><![CDATA[Motherland]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[Ramona Diaz]]></category>
		<category><![CDATA[social change]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[Strong Island]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[Tree]]></category>
		<category><![CDATA[Unrest]]></category>
		<category><![CDATA[Winslow Porter]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<category><![CDATA[Yance Ford]]></category>
		<guid isPermaLink="false">http://chickeneggpics.org/?p=2884</guid>

					<description><![CDATA[This weekend marked the beginning of the Year of the Fire Rooster  and things are definitely heating up here at the Nest. At the 2017 Sundance Film Festival, four Chicken &#38; Egg Pictures-supported documentary films and one VR project made their world premieres and walked away with three awards. The message of these films couldn&#8217;t [&#8230;]]]></description>
										<content:encoded><![CDATA[<figure id="attachment_1451" aria-describedby="caption-attachment-1451" style="width: 608px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2014/12/Copy-of-airstream.jpg" rel="lightbox[2884]"><img loading="lazy" decoding="async" class="wp-image-1451 size-medium" src="http://chickeneggpics.org/wp-content/uploads/2014/12/Copy-of-airstream-608x342.jpg" width="608" height="342" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/12/Copy-of-airstream-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/12/Copy-of-airstream-1024x576.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2014/12/Copy-of-airstream.jpg 1920w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a><figcaption id="caption-attachment-1451" class="wp-caption-text">Unrest, directed by Jennifer Brea</figcaption></figure>
<p><span style="font-weight: 400;">This weekend marked the beginning of the <strong>Year of the Fire Rooster</strong>  and things are definitely heating up here at the Nest.</span><span style="font-weight: 400;"><br />
</span><span style="font-weight: 400;"><br />
</span><span style="font-weight: 400;">At the 2017 Sundance Film Festival, four Chicken &amp; Egg Pictures-supported documentary films and one VR project made their world premieres and walked away with three awards. </span><span style="font-weight: 400;"><br />
</span></p>
<figure id="attachment_1910" aria-describedby="caption-attachment-1910" style="width: 608px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2015/07/Strong-20Island-20Signature-20Image.jpg" rel="lightbox[2884]"><img loading="lazy" decoding="async" class="wp-image-1910 size-medium" src="http://chickeneggpics.org/wp-content/uploads/2015/07/Strong-20Island-20Signature-20Image-608x739.jpg" width="608" height="739" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2015/07/Strong-20Island-20Signature-20Image-608x739.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2015/07/Strong-20Island-20Signature-20Image.jpg 843w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a><figcaption id="caption-attachment-1910" class="wp-caption-text"><i>Strong Island</i>, directed by Yance Ford</figcaption></figure>
<p><span style="font-weight: 400;"><br />
</span><span style="font-weight: 400;">The message of these films couldn&#8217;t be more crucial in these times, whether they examine failings of the American justice system, the stigma associated with a misunderstood illness, document one of the most critical moments in modern US racial history, expose the dire implications of a lack of a reproductive healthcare policy, or promote environmentalism through an inventive mix of empathy and technology. </span><span style="font-weight: 400;"><br />
</span><span style="font-weight: 400;"><br />
</span><span style="font-weight: 400;">Check out these links to get to know a bit about our Sundance filmmakers and their projects:</span></p>
<p><span style="font-weight: 400;"><a href="https://www.youtube.com/watch?v=b4695rbOZIg&amp;utm_source=Sundance+Institute+Mailing+List&amp;utm_campaign=9a5b42f088-EMAIL_CAMPAIGN_2017_01_27&amp;utm_medium=email&amp;utm_term=0_874220b756-9a5b42f088-132703949&amp;mc_cid=9a5b42f088&amp;mc_eid=611a449998"><strong>WATCH:</strong></a> Sundance&#8217;s Meet the Artist for Jennifer Brea, director of <a href="http://chickeneggpics.org/grantee/unrest/"><em>Unrest</em></a> (Sundance winner: <strong>U.S. Documentary Special Jury Award for Editing</strong>)</span></p>
<figure id="attachment_336" aria-describedby="caption-attachment-336" style="width: 608px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2014/07/thebill_maternityward3.jpg" rel="lightbox[2884]"><img loading="lazy" decoding="async" class="wp-image-336 size-medium" src="http://chickeneggpics.org/wp-content/uploads/2014/07/thebill_maternityward3-608x342.jpg" width="608" height="342" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/07/thebill_maternityward3-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/thebill_maternityward3-1024x576.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/thebill_maternityward3.jpg 1800w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a><figcaption id="caption-attachment-336" class="wp-caption-text">Motherland, directed by Ramona Diaz</figcaption></figure>
<p><span style="font-weight: 400;"><strong><a href="https://www.nytimes.com/2017/01/23/opinion/birth-place.html">WATCH:</a></strong> The <em>New York Times</em> Op-Docs short by Ramona Diaz, based on her film <a href="http://chickeneggpics.org/grantee/motherland/"><em>Motherland</em></a> (Sundance winner: <strong>World Cinema Documentary Special Jury Award for Commanding Vision</strong>)</span></p>
<p><span style="font-weight: 400;"><strong><a href="http://www.newyorker.com/culture/culture-desk/yance-fords-powerful-cinematic-memoir-strong-island">READ: </a></strong>A beautiful synopsis from the <em>New Yorker</em>&#8216;s Culture Desk of Yance Ford&#8217;s <a href="http://chickeneggpics.org/grantee/strong-island/"><em>Strong Island</em></a> (Sundance winner: <strong>U.S. Documentary Special Jury Award for Storytelling</strong>)</span></p>
<p><span style="font-weight: 400;"><a href="https://www.theguardian.com/film/2017/jan/20/whose-streets-review-ferguson-documentary-sundance-film-festival"><strong>READ:</strong></a> The <em>Guardian</em>&#8216;s five-star review of <a href="http://chickeneggpics.org/grantee/whose-streets/"><em>Whose Streets?</em></a>, directed by Sabaah Folayan and co-directed by Damon Davis</span></p>
<p><span style="font-weight: 400;"><a href="http://www.indiewire.com/2016/01/sundance-2016-women-directors-meet-milica-zec-giant-208725/"><strong>READ:</strong> </a>The Indiewire interview with <a href="http://chickeneggpics.org/grantee/tree/"><em>Tree</em></a> (VR) co-creator, Milica Zec</span></p>
<p><span style="font-weight: 400;">Congratulations also to Joslyn Barnes, Chicken &amp; Egg Pictures Eggspert who received <strong>The Sundance Institute/Amazon Studios Producer Award</strong> for <em>Strong Island</em>. </span></p>
<p><span style="font-weight: 400;">Here&#8217;s to amplifying fiery women&#8217;s voices in this <strong>Year of the Fire Rooster</strong>!!</span></p>
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		<title>Five Chicken &#038; Egg Pictures grantees set for World Premieres at Sundance 2017</title>
		<link>https://archive.chickeneggpics.org/five-chicken-egg-pictures-grantees-set-for-world-premieres-at-sundance-2017/</link>
					<comments>https://archive.chickeneggpics.org/five-chicken-egg-pictures-grantees-set-for-world-premieres-at-sundance-2017/#respond</comments>
		
		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Wed, 07 Dec 2016 23:59:31 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[damon davis]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Jennifer Brea]]></category>
		<category><![CDATA[Milica Zec]]></category>
		<category><![CDATA[Motherland]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[Ramona Diaz]]></category>
		<category><![CDATA[Sabaah Jordan]]></category>
		<category><![CDATA[social change]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[Strong Island]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[Tree]]></category>
		<category><![CDATA[Unrest]]></category>
		<category><![CDATA[whose streets?]]></category>
		<category><![CDATA[Winslow Porter]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Yance Ford]]></category>
		<guid isPermaLink="false">http://chickeneggpics.org/?p=2779</guid>

					<description><![CDATA[We&#8217;re beaming with pride for our grantees who will be presenting the world premieres of their projects at the 2017 Sundance Film Festival this January. Congratulations to Jennifer Brea, Ramona Diaz, Yance Ford, Sabaah Jordan with Damon Davis, and Milica Zec with Winslow Porter! Unrest (Jennifer Brea) Jennifer, a Harvard Ph.D. student, was signing a check at a restaurant [&#8230;]]]></description>
										<content:encoded><![CDATA[<p style="text-align: left;">We&#8217;re beaming with pride for our grantees who will be presenting the world premieres of their projects at the 2017 Sundance Film Festival this January. Congratulations to Jennifer Brea, Ramona Diaz, Yance Ford, Sabaah Jordan with Damon Davis, and Milica Zec with Winslow Porter!</p>
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<figure id="attachment_1393" aria-describedby="caption-attachment-1393" style="width: 1920px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2014/12/Copy-of-MVI-0116.MOV.00-01-08-22.Still001.jpg" rel="lightbox[2779]"><img loading="lazy" decoding="async" class="wp-image-1393 size-full" src="http://chickeneggpics.org/wp-content/uploads/2014/12/Copy-of-MVI-0116.MOV.00-01-08-22.Still001.jpg" alt="Canary in a Coal Mine" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/12/Copy-of-MVI-0116.MOV.00-01-08-22.Still001.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2014/12/Copy-of-MVI-0116.MOV.00-01-08-22.Still001-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/12/Copy-of-MVI-0116.MOV.00-01-08-22.Still001-1024x576.jpg 1024w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a><figcaption id="caption-attachment-1393" class="wp-caption-text">Unrest</figcaption></figure>
<p><strong><em>Unrest</em></strong> (Jennifer Brea)</p>
<p>Jennifer, a Harvard Ph.D. student, was signing a check at a restaurant when she found she could not write her own name. Months before her wedding, she became progressively more ill, losing the ability even to sit in a wheelchair. When doctors insisted that her condition was psychosomatic, she picked up her camera to document her own story and the stories of four other patients struggling with the world’s most prevalent orphaned disease.</p>
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<figure id="attachment_1910" aria-describedby="caption-attachment-1910" style="width: 843px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2015/07/Strong-20Island-20Signature-20Image.jpg" rel="lightbox[2779]"><img loading="lazy" decoding="async" class="wp-image-1910 size-full" src="http://chickeneggpics.org/wp-content/uploads/2015/07/Strong-20Island-20Signature-20Image.jpg" width="843" height="1024" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2015/07/Strong-20Island-20Signature-20Image.jpg 843w, https://archive.chickeneggpics.org/wp-content/uploads/2015/07/Strong-20Island-20Signature-20Image-608x739.jpg 608w" sizes="auto, (max-width: 843px) 100vw, 843px" /></a><figcaption id="caption-attachment-1910" class="wp-caption-text">Strong Island</figcaption></figure>
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<p><strong><em>Strong Island </em></strong>(Yance Ford)</p>
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<p>Set in the suburbs of the black middle class, <em>Strong Island</em> seeks to uncover how—in the year of the Rodney King trial and the Los Angeles riots—the murder of the filmmaker&#8217;s older brother went unpunished. The film is an unflinching look at homicide, racial injustice, and the corrosive impact of grief over time.</p>
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<p>&nbsp;</p>
<figure id="attachment_2769" aria-describedby="caption-attachment-2769" style="width: 2000px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2016/07/Whose-Streets.jpg" rel="lightbox[2779]"><img loading="lazy" decoding="async" class="wp-image-2769 size-full" src="http://chickeneggpics.org/wp-content/uploads/2016/07/Whose-Streets.jpg" alt="whose-streets" width="2000" height="1333" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/07/Whose-Streets.jpg 2000w, https://archive.chickeneggpics.org/wp-content/uploads/2016/07/Whose-Streets-608x405.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/07/Whose-Streets-768x512.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/07/Whose-Streets-1024x682.jpg 1024w" sizes="auto, (max-width: 2000px) 100vw, 2000px" /></a><figcaption id="caption-attachment-2769" class="wp-caption-text"><span style="font-size: 10pt;">Whose Streets?</span></figcaption></figure>
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<p><strong><em>Whose Streets? </em></strong>(Sabaah Jordan and Damon Davis)</p>
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<p>A firsthand look at how the murder of a teenage boy became the last straw for a community under siege, <em>Whose Streets?</em> is a story of love, loss, conflict, and ambition. Set in Ferguson, MO, the film follows the journey of everyday people whose lives are intertwined with a burgeoning national movement for black liberation.</p>
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<p>&nbsp;</p>
<div><a href="http://chickeneggpics.org/wp-content/uploads/2014/07/thebill_maternityward2.jpg" rel="lightbox[2779]"><img loading="lazy" decoding="async" class="alignleft size-full wp-image-335" src="http://chickeneggpics.org/wp-content/uploads/2014/07/thebill_maternityward2.jpg" alt="thebill_maternityward2" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/07/thebill_maternityward2.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/thebill_maternityward2-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/thebill_maternityward2-1024x576.jpg 1024w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a></div>
<div style="text-align: left;"><span style="font-size: 10pt; color: #808080;"><em>Motherland</em></span></div>
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<p><strong><em>Motherland</em></strong> (Ramona Diaz)</p>
<p>One of the world’s poorest and most populous countries, the Philippines, struggles with reproductive health policy—both in the legislature where laws are in debate, and in a hospital with the busiest maternity ward on the planet.</p>
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<div><a href="http://chickeneggpics.org/wp-content/uploads/2016/12/Tree-02-FINAL.jpg" rel="lightbox[2779]"><img loading="lazy" decoding="async" class="alignleft size-full wp-image-2815" src="http://chickeneggpics.org/wp-content/uploads/2016/12/Tree-02-FINAL.jpg" alt="tree-02-final" width="3456" height="2160" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/12/Tree-02-FINAL.jpg 3456w, https://archive.chickeneggpics.org/wp-content/uploads/2016/12/Tree-02-FINAL-608x380.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/12/Tree-02-FINAL-768x480.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/12/Tree-02-FINAL-1024x640.jpg 1024w" sizes="auto, (max-width: 3456px) 100vw, 3456px" /></a></div>
<div style="text-align: left;"> <span style="font-size: 10pt; color: #808080;"><em>Tree</em></span></div>
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<p><strong><em>Tree </em></strong>(Milica Zec and Winslow Porter)</p>
<p>A virtual experience that transforms you into a rainforest tree. With your arms as branches and body as the trunk, you experience the tree’s growth from a seedling into its fullest form and witness its fate firsthand.</p>
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<p>&nbsp;</p>
<p>This year&#8217;s Sundance Film Festival is January 19–29, 2017. For the full program and schedule for the upcoming festival, visit the Sundance <a href="http://www.sundance.org/">website</a>.</p>
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