The festival’s opening night film is American Factory, the Sundance 2019 Directing – US Documentary Competition award winner directed by Julia Reichert (2016 Chicken & Egg Award recipient) and Steven Bognar, screening Thursday, April 4 — 7:30 pm at Fletcher. In addition, we were egg-static to see Julia and her long-time directing partner Steven honored by Full Frame in a  tribute and curated retrospective of their work, which will screen throughout the festival, including Union Maids, directed by Jim Klein, Miles Mogulescu, and Julia Reichert (Thursday, April 4 — 1:30 at Cinema Three and Sunday, April 7 — 5:10 pm at Cinema Four), as well as eight other films.

Full Frame’s lineup includes work by a total of nine Nest-supported women filmmakers:

El Velador (The Night Watchman), directed by Natalia Almada (also a 2018 Chicken & Egg Award recipient)

From dusk to dawn, El Velador (The Night Watchman) accompanies Martin, a guard who watches over the extravagant mausoleums of some of Mexico’s most notorious drug lords. In the labyrinth of the cemetery, this film about violence without violence reminds us that, amid the turmoil of a drug war that has claimed more than 50,000 lives, ordinary existence persists in Mexico and quietly defies the dead.
Thursday, April 4 — 4:00 pm at Cinema One (as part of the Some Other Lives of Time program curated by Hale County This Morning, This Evening director Ramell Ross)

Always in Season (2018 (Egg)celerator Lab grantee), directed by Jacqueline Olive
When 17-year-old Lennon Lacy is found hanging from a swing set in rural North Carolina in 2014, his mother’s search for justice and reconciliation begins while the trauma of more than a century of lynching African Americans bleeds into the present.
Friday, April 5 — 7:20 pm at Cinema Three

One Child Nation (2017 (Egg)celerator Lab grantee), directed by Nanfu Wang (also a 2018 Chicken & Egg Award recipient) and Jialing Zhang
How much control does a person have over their own life? In China, state control begins before a child is even born.
Friday, April 5 — 7:00 pm at Cinema One

Grit, directed by Cynthia Wade and Sasha Friedlander
Grit is the story of a huge, toxic mudflow in Indonesia widely believed to be caused by shoddy drilling practices. The mud volcano has been erupting violently for the past eight years, burying 17 villages and permanently displacing 60,000 people. Grit follows ordinary Indonesians seeking justice for this disaster during a national election where one presidential candidate has promised restitution — and the other has not.
Thursday, April 4 — 10:00 am at Cinema One

A Thousand Girls Like Me, directed by Sahra Mani (2016 Diversity Fellows Initiative — past program)
In Afghanistan where systematic abuses of girls rarely come to light, and seeking justice can be deadly, one young woman says “Enough.” Khatera was brutally raped by her father since the age of nine and today she raises two precious and precocious children whom he sired. Against her family’s and many Afghanis’ wishes, Khatera forces her father to stand trial. This is her incredible story of love, hope, bravery, forgiveness, and truth.
Thursday, April 4 — 4:20 pm at Cinema Four 

Knock Down the House, directed by Rachel Lears (former Nest grantee for The Hand That Feeds)
In the run up to the 2018 U.S. midterms, four political newcomers challenge their Democratic incumbents in the primary elections that lead ultimately to a seat in Congress. Fearless and determined, Alexandria Ocasio-Cortez, Paula Jean Swearengin, Cori Bush, and Amy Vilela introduce their grassroots platforms to the communities in which they are deeply ingrained.*
Friday, April 5 — 7:20 pm at Fletcher

*Synopses courtesy of Full Frame.

Chicken & Egg Pictures is celebrating the holiday season by featuring a dozen of our supported women nonfiction filmmakers.

Jacqueline Olive is an independent filmmaker and immersive media producer with more than a decade of experience in journalism and film. She co-directed and produced the award-winning short documentary, Black To Our Roots, which broadcast on PBS World. Jacqueline has been a Sundance Documentary Edit & Story Lab Fellow, a Sundance Documentary Film Program Fellow, and Sundance Music & Sound Design Lab fellow.

She also received the Emerging Filmmakers of Color Award from International Documentary Association and the Jonathan Logan Family Foundation. Jacqueline has been a immersive media fellow with the Bay Area Video Coalition Institute for New Media Technologies and Mediamaker Fellows, the Black Public Media New Media Institute, and most recently, the Open Immersion VR Lab sponsored by the Ford Foundation, National Film Board of Canada, and the Canadian Film Centre. Jacqueline has an MA from the University of Florida Documentary Institute and previously worked on the production team of the Emmy Award-winning PBS documentary series, Independent Lens.

Her debut feature documentary and 2018 Accelerator Lab grantee,  Always In Season, will premiere in competition at the 2019 Sundance Film Festival.

Always In Season explores the lingering impact of more than a century of lynching African Americans and connects this form of historic racial terrorism to racial violence today. The film centers on the case of Lennon Lacy, an African American teen who was found hanging from a swing set in Bladenboro, North Carolina, on August 29, 2014. Despite inconsistencies in the case, local officials quickly ruled Lennon’s death a suicide, but his mother, Claudia, believes Lennon was lynched. Claudia moves from paralyzing grief to leading the fight for justice for her son. 

Jacqueline is currently producing a VR companion to Always In Season that uses 360° video and computer-generated imagery (CGI) to explore themes of dehumanization and violence, offering strategies for moving confidently through the racialized public spaces that black women navigate daily.

Post by Morgan Lee Hulquist.