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	<title>Petra Costa &#8211; Chicken &amp; Egg Pictures</title>
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	<title>Petra Costa &#8211; Chicken &amp; Egg Pictures</title>
	<link>https://archive.chickeneggpics.org</link>
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	<item>
		<title>Nine Supported Filmmakers Awarded IDA Production Grants</title>
		<link>https://archive.chickeneggpics.org/nine-supported-filmmakers-awarded-ida-production-grants/</link>
					<comments>https://archive.chickeneggpics.org/nine-supported-filmmakers-awarded-ida-production-grants/#respond</comments>
		
		<dc:creator><![CDATA[Tess Caldwell]]></dc:creator>
		<pubDate>Thu, 30 Nov 2023 19:18:08 +0000</pubDate>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Grants]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Colleen Cassingham]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Filippo piscopo]]></category>
		<category><![CDATA[IDA]]></category>
		<category><![CDATA[Ivan MacDonald]]></category>
		<category><![CDATA[Ivy MacDonald]]></category>
		<category><![CDATA[Jess Devaney]]></category>
		<category><![CDATA[Lorena luciano]]></category>
		<category><![CDATA[Maryam Ebrahimi]]></category>
		<category><![CDATA[Petra Costa]]></category>
		<category><![CDATA[Ramona Diaz]]></category>
		<category><![CDATA[The Phantom Pain of Rojava]]></category>
		<category><![CDATA[When They Were Here]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=12946</guid>

					<description><![CDATA[The IDA Enterprise Documentary Fund recently announced their 2023 Production Grantees and we are proud to have nine Chicken &#38; Egg Pictures-supported filmmakers on the list, as well as three Chicken &#38; Egg Pictures-supported films. The IDA Enterprise Documentary Fund offers production funds and tailored resources to support feature-length documentaries that delve into contemporary stories, [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p><span style="font-weight: 400;">The IDA Enterprise Documentary Fund recently announced their </span><a href="https://www.documentary.org/enterprise/2023production"><span style="font-weight: 400;">2023 Production Grantees</span></a><span style="font-weight: 400;"> and we are proud to have nine Chicken &amp; Egg Pictures-supported filmmakers on the list, as well as three Chicken &amp; Egg Pictures-supported films. </span><span style="font-weight: 400;">The IDA Enterprise Documentary Fund offers production funds and tailored resources to support feature-length documentaries that delve into contemporary stories, prioritize journalistic practices, and emphasize inclusion and diversity in filmmaking. Congratulations!</span></p>



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<figure class="wp-block-image size-large"><img fetchpriority="high" decoding="async" width="1024" height="588" src="https://chickeneggpics.org/wp-content/uploads/2023/11/Screenshot-2023-12-04-at-12.40.14-PM-1024x588.png" alt="" class="wp-image-12962" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2023/11/Screenshot-2023-12-04-at-12.40.14-PM-1024x588.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2023/11/Screenshot-2023-12-04-at-12.40.14-PM-608x349.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2023/11/Screenshot-2023-12-04-at-12.40.14-PM-768x441.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2023/11/Screenshot-2023-12-04-at-12.40.14-PM-1536x883.png 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2023/11/Screenshot-2023-12-04-at-12.40.14-PM-2048x1177.png 2048w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>



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<ul class="wp-block-list">
<li><strong>Colleen Cassingham</strong>, producer of <strong><a href="https://chickeneggpics.org/grantee/queer-futures/">QUEER FUTURES</a></strong> films <a href="https://chickeneggpics.org/grantee/the-script/"><strong><em>The Scrip</em></strong></a><strong><em><a href="https://chickeneggpics.org/grantee/the-script/">t</a></em></strong>, <a href="https://chickeneggpics.org/grantee/mnm/"><strong><em>MnM</em></strong></a>, <a href="https://chickeneggpics.org/grantee/how-to-carry-water/"><strong><em>How to Carry Water</em></strong></a></li>
</ul>



<ul class="wp-block-list">
<li><a href="https://chickeneggpics.org/grantee/2023-research-development-grant-recipients/"><strong>Petra Costa</strong></a>, 2023 Research &amp; Development Grant Recipient and 2022 Chicken &amp; Egg Award Recipient, for her Chicken &amp; Egg-supported film</li>
</ul>



<ul class="wp-block-list">
<li><strong>Jess Devaney</strong> director of Chicken &amp; Egg-supported film <a href="https://chickeneggpics.org/grantee/love-the-sinner/"><strong><em>Love the Sinner</em></strong></a> and producer of <a href="https://chickeneggpics.org/grantee/the-script/"><strong><em>The Script</em></strong></a>, <a href="https://chickeneggpics.org/grantee/mnm/"><strong><em>MnM</em></strong></a>, <a href="https://chickeneggpics.org/grantee/how-to-carry-water/"><strong><em>How to Carry Water</em></strong></a>, and <strong><em>It’s Only Life After All</em></strong></li>
</ul>



<ul class="wp-block-list">
<li><a href="https://chickeneggpics.org/grantee/2018-breakthrough-award-recipient-diaz/"><strong>Ramona Diaz</strong></a>, 2018 Chicken &amp; Egg Award Recipient</li>
</ul>



<ul class="wp-block-list">
<li><a href="https://chickeneggpics.org/grantee/2018-breakthrough-award-recipient-diaz/"></a><strong><a href="https://chickeneggpics.org/grantee/maryam-ebrahimi/"><strong>Maryam Ebrahimi</strong></a>, </strong>2021 Chicken &amp; Egg Award Recipient, for her Chicken &amp; Egg-supported film<strong> <a href="https://chickeneggpics.org/grantee/the-phantom-pain-of-rojava/"><strong><em>The Phantom Pain of Rojava</em></strong></a></strong></li>
</ul>



<ul class="wp-block-list">
<li><a href="https://chickeneggpics.org/grantee/2018-breakthrough-award-recipient-diaz/"></a><strong><strong><strong>Lorena Luciano</strong> </strong></strong>and<strong><strong> <strong>Filippo Piscopo</strong></strong></strong>, directors of Chicken &amp; Egg-supported film <strong><strong><strong><em><a href="https://chickeneggpics.org/grantee/it-will-be-chaos/">It Will Be Chaos</a></em></strong></strong></strong></li>
</ul>



<ul class="wp-block-list">
<li><strong>Ivan MacDonald</strong> and <strong>Ivy MacDonald</strong>, for their film, <a href="https://chickeneggpics.org/grantee/when-they-were-here/"><strong><em>When They Were Here</em></strong></a>, 2022 (Egg)celerator Lab Finalist</li>
</ul>



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<p>Post written by Communications Intern Tess Caldwell</p>
]]></content:encoded>
					
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			</item>
		<item>
		<title>Announcing our 2022 Chicken &#038; Egg Award Recipients!</title>
		<link>https://archive.chickeneggpics.org/2022-chicken-egg-award-recipients/</link>
					<comments>https://archive.chickeneggpics.org/2022-chicken-egg-award-recipients/#respond</comments>
		
		<dc:creator><![CDATA[Mariana Sanson]]></dc:creator>
		<pubDate>Tue, 25 Jan 2022 16:21:59 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Anayansi Prado]]></category>
		<category><![CDATA[Beverley Palesa Ditsie]]></category>
		<category><![CDATA[Brett Story]]></category>
		<category><![CDATA[Ditsi Carolino]]></category>
		<category><![CDATA[Margreth Olin]]></category>
		<category><![CDATA[Petra Costa]]></category>
		<category><![CDATA[Sonia Kennebeck]]></category>
		<category><![CDATA[Tracy Heather Strain]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=9990</guid>

					<description><![CDATA[Chicken &#038; Egg Pictures is proud to introduce the seventh cohort of our Chicken &#038; Egg Award, which supports six advanced-career women and gender nonconforming filmmakers with unrestricted funding.]]></description>
										<content:encoded><![CDATA[
<figure class="wp-block-image size-large"><img decoding="async" width="1024" height="383" src="https://chickeneggpics.org/wp-content/uploads/2022/01/Chicken-Egg-Award-2022-Banner-1024x383.jpg" alt="a series of headshots of six women looking at the camera" class="wp-image-9991" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/Chicken-Egg-Award-2022-Banner-1024x383.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/Chicken-Egg-Award-2022-Banner-608x227.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/Chicken-Egg-Award-2022-Banner-768x287.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/Chicken-Egg-Award-2022-Banner-1536x574.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/Chicken-Egg-Award-2022-Banner-2048x766.jpg 2048w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>



<p>Announced via <strong><a href="https://womenandhollywood.com/exclusive-petra-costa-and-tracy-heather-strain-among-2022-chicken-egg-award-recipients/?utm_source=dlvr.it&amp;utm_medium=twitter">Women &amp; Hollywood</a></strong> today, Chicken &amp; Egg Pictures is proud to introduce the seventh cohort of our <a href="https://chickeneggpics.org/programs/#breakthrough-filmmaker-award"><strong>Chicken &amp; Egg Award</strong></a>, which supports six advanced-career women and gender nonconforming filmmakers with <strong>unrestricted funding</strong>. The directors will receive a $50,000 grant, and for the first time ever two directors will receive a $15,000 finalist grant.</p>



<blockquote class="wp-block-quote is-layout-flow wp-block-quote-is-layout-flow"><p>“The Chicken &amp; Egg Award makes bold investments in the personal and professional wellbeing of visionary women and gender nonconforming documentary makers. Over the past seven years, we have given <strong>unrestricted cash grants totaling $1.9 million US dollars</strong> to <strong>38 change-making directors</strong>,” said Program Director Lucila Moctezuma. “Because filmmakers—especially those affected by roadblocks tied to their gender, race, class, and location—deserve financial freedom while they create new projects.”</p></blockquote>



<p>Please click on the Recipients’ names for more information on each filmmaker and give these visionary directors a warm welcome to the Nest!</p>



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<h2 class="has-text-align-center wp-block-heading"><strong>2022 CHICKEN &amp; EGG AWARD RECIPIENTS</strong></h2>



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<p><span class="e2ma-style"><strong><img decoding="async" class="wp-image-9905  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Petra-Costa_Headshot_BW_WEB-608x609.jpg" alt="Director Petra Costa’s headshot in black and white" width="219" height="219" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Petra-Costa_Headshot_BW_WEB-608x609.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Petra-Costa_Headshot_BW_WEB-1022x1024.jpg 1022w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Petra-Costa_Headshot_BW_WEB-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Petra-Costa_Headshot_BW_WEB-768x770.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Petra-Costa_Headshot_BW_WEB.jpg 1482w" sizes="(max-width: 219px) 100vw, 219px" /></strong></span><span class="e2ma-style" style="font-size: inherit;"><a href="https://chickeneggpics.org/grantee/petra-costa/"><b>Petra Costa</b></a><span style="font-weight: 400;"> is a Brazilian documentary filmmaker whose work lives on the borderlines of the personal and political. She directed </span><b><i>The Edge of Democracy</i></b><span style="font-weight: 400;"> (2019), which was nominated for the Academy Award® for Documentary Feature in 2020; </span><b><i>Undertow Eyes</i></b><span style="font-weight: 400;"> (2009); </span><b><i>Elena</i></b><span style="font-weight: 400;"> (2012); and </span><b><i>Olmo and the Seagull</i></b> <span style="font-weight: 400;">(2015). Petra is associate producer of Barbara Paz’s </span><i><span style="font-weight: 400;">Babenco </span></i><span style="font-weight: 400;">(2019), producer of Moara Passoni&#8217;s</span><i><span style="font-weight: 400;"> Ecstasy </span></i><span style="font-weight: 400;">(2020), and EP of Rebeca Huntt&#8217;s</span><i><span style="font-weight: 400;"> BEBA</span></i><span style="font-weight: 400;"> (2021).</span> &nbsp;<b>&nbsp;</b></span></p>
<p><img loading="lazy" decoding="async" class="wp-image-9950  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Beverley-Ditsie_Headshot_BW_WEB-1-608x607.jpg" alt="Black &amp; White medium image of Dr Bev in an Afro hairstyle, wearing a black tux and black tie, looking directly at camera." width="211" height="211" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Beverley-Ditsie_Headshot_BW_WEB-1-608x607.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Beverley-Ditsie_Headshot_BW_WEB-1-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Beverley-Ditsie_Headshot_BW_WEB-1-768x767.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Beverley-Ditsie_Headshot_BW_WEB-1.jpg 1000w" sizes="auto, (max-width: 211px) 100vw, 211px" /></p>
<p><a href="https://chickeneggpics.org/grantee/beverley-palesa-ditsie/"><b>Dr. Bev Palesa Ditsie</b></a><span style="font-weight: 400;"> (Hon) is a radical gender nonconforming lesbian activist and award winning filmmaker, disruptor and change agent who was instrumental in bringing LGBTIQA+ rights into focus in the late 80’s and 90’s in South Africa and the world. She is also a reality TV director whose credits include Big Brother Africa, Survivor South Africa, and Project Runway South Africa. Among her film credits are </span><b><i>Simon &amp; I</i></b><span style="font-weight: 400;">, </span><b><i>A Family Affair</i></b><span style="font-weight: 400;">, and </span><b><i>The Commission</i></b><span style="font-weight: 400;">. </span><b><i>Lesbians Free Everyone</i></b><span style="font-weight: 400;"> (2020), their latest work filmed during lockdown, takes the viewer along their journey as the first African Lesbian to address the UN at the Fourth World Conference on Women in Beijing 1995. </span></p>
<p><span class="e2ma-style"><img loading="lazy" decoding="async" class="wp-image-9956  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Anayansi-Prado_Headshot_BW_WEB-1-608x549.jpg" alt="A woman with dark skin, long, wavy black hair and black eyes sits on a bright red/orange sofa, her hands resting on the sofa's arm rest. She's smiling while looking into straight into the camera. She is wearing a long sleeve black dress with a V-neck,has on a turquoise necklace and matching earrings." width="218" height="197" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Anayansi-Prado_Headshot_BW_WEB-1-608x549.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Anayansi-Prado_Headshot_BW_WEB-1-1024x924.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Anayansi-Prado_Headshot_BW_WEB-1-768x693.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Anayansi-Prado_Headshot_BW_WEB-1-1536x1386.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Anayansi-Prado_Headshot_BW_WEB-1-2048x1848.jpg 2048w" sizes="auto, (max-width: 218px) 100vw, 218px" /></span><span class="e2ma-style"><a href="https://chickeneggpics.org/grantee/anayansi-prado/"><b>Anayansi Prado</b></a><span style="font-weight: 400;"> is an award-winning documentary filmmaker whose work has focused on issues of undocumented immigration, indigenous rights, and race identity. Her feature films have aired nationally on PBS including </span><b><i>The Unafraid</i></b> <span style="font-weight: 400;">(2018), </span><b><i>Paraiso for Sale</i></b> <span style="font-weight: 400;">(2010), and </span><b><i>Maid in America</i></b> <span style="font-weight: 400;">(2005). Anayansi is a Rockefeller Media Fellow and a Creative Capital Artist; her work has been supported by the MacArthur Foundation, Ford Foundation, Chicken &amp; Egg Pictures, amongst others.</span> </span></p>
<p><span class="e2ma-style"><img loading="lazy" decoding="async" class="wp-image-9968  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1-608x613.jpg" alt="This is a headshot of Brett Story, a white woman with freckles and long brown hair and bangs. She is sitting at a table against a white wall, wearing a black turtleneck and jeans." width="213" height="215" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1-608x613.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1-1016x1024.jpg 1016w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1-768x774.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1-1525x1536.jpg 1525w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1-2033x2048.jpg 2033w" sizes="auto, (max-width: 213px) 100vw, 213px" /><a href="https://chickeneggpics.org/grantee/brett-story/"><b>Brett Story</b></a><span style="font-weight: 400;"> is an award-winning filmmaker and writer based out of Toronto. She is the director of the critically acclaimed feature documentaries </span><b><i>The Prison in Twelve</i></b> <b><i>Landscapes</i></b><span style="font-weight: 400;"> (2016) and</span> <b><i>The Hottest August</i></b><span style="font-weight: 400;"> (2019), both of which have screened around the world. Brett has held fellowships from the John Simon Guggenheim Memorial Foundation and Sundance Institute, and she was named one of Variety’s 10 Documentary Filmmakers to Watch 2019.</span><br></span></p>
<p><span class="e2ma-style"><img loading="lazy" decoding="async" class="wp-image-9976  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Margreth-Olin_Headshot_BW_2_WEB-1-608x656.jpg" alt="Director Margreth Olin in a coat, background winter landscape in Oslo" width="209" height="226" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Margreth-Olin_Headshot_BW_2_WEB-1-608x656.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Margreth-Olin_Headshot_BW_2_WEB-1-949x1024.jpg 949w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Margreth-Olin_Headshot_BW_2_WEB-1-768x829.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Margreth-Olin_Headshot_BW_2_WEB-1-1424x1536.jpg 1424w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Margreth-Olin_Headshot_BW_2_WEB-1-1898x2048.jpg 1898w" sizes="auto, (max-width: 209px) 100vw, 209px" /><a href="https://chickeneggpics.org/grantee/margreth-olin/"><b>Margreth Olin</b></a><span style="font-weight: 400;"> is a director and producer with a large cinema audience in Norway. She has made 13 films, which have received critical acclaim, participated at numerous festivals abroad, and won several Norwegian and international awards. Margreth has managed to catalyze important dialogues with the topics her films shed light on. She has personally received 26 honorary awards for her commitment and focus on human rights. Her credits include </span><b><i>My Body</i></b><span style="font-weight: 400;"> (Tribeca 2002), EFA-nominated </span><b><i>Raw Youth</i></b><span style="font-weight: 400;"> (2004), </span><b><i>The Angel </i></b><span style="font-weight: 400;">(TIFF 2010), </span><b><i>Nowhere Home</i></b><span style="font-weight: 400;"> (IDFA 2012), </span><b><i>Cathedrals of Culture</i></b><span style="font-weight: 400;"> (Berlinale 2013), </span><b><i>Self Portrait</i></b><span style="font-weight: 400;"> (DOC NYC 2020).</span><br></span></p>
<p><img loading="lazy" decoding="async" class="wp-image-9912  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Tracy-Heather-Strain_Headshot_BW_web-1-608x608.jpg" alt="" width="226" height="226" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Tracy-Heather-Strain_Headshot_BW_web-1-608x608.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Tracy-Heather-Strain_Headshot_BW_web-1-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Tracy-Heather-Strain_Headshot_BW_web-1-768x768.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Tracy-Heather-Strain_Headshot_BW_web-1.jpg 1000w" sizes="auto, (max-width: 226px) 100vw, 226px" /><a href="https://chickeneggpics.org/grantee/tracy-heather-strain/"><b>Tracy Heather Strain</b></a><span style="font-weight: 400;">, a two-time Peabody Award-winning and Emmy-nominated filmmaker, explores stories about the ways diverse peoples have experienced life in the US. She won an NAACP Image Award for Motion Picture Directing for </span><b><i>Lorraine Hansberry: Sighted Eyes/Feeling Heart</i></b><span style="font-weight: 400;">, which premiered at TIFF and made its television debut on American Masters. She is presently developing </span><b><i>Survival Floating</i></b><span style="font-weight: 400;">, a hybrid documentary investigating African-descended peoples’ relationships with swimming.</span></p>



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<h3 class="has-text-align-center wp-block-heading"><strong><strong>2022 CHICKEN &amp; EGG AWARD FINALIST DEVELOPMENT GRANT RECIPIENTS</strong></strong></h3>



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<p><span class="e2ma-style"><strong><img loading="lazy" decoding="async" class="wp-image-9978  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022-Finalist_Ditsi-Carolino_Headshot_BW-608x623.jpg" alt="" width="224" height="230" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022-Finalist_Ditsi-Carolino_Headshot_BW-608x623.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022-Finalist_Ditsi-Carolino_Headshot_BW-999x1024.jpg 999w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022-Finalist_Ditsi-Carolino_Headshot_BW-768x787.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022-Finalist_Ditsi-Carolino_Headshot_BW.jpg 1133w" sizes="auto, (max-width: 224px) 100vw, 224px" /></strong></span><span class="e2ma-style" style="font-size: inherit;"><a href="https://chickeneggpics.org/grantee/ditsi-carolino/"><b>Ditsi Carolino</b></a><span style="font-weight: 400;"> studied filmmaking at the National Film &amp; Television School in the UK on a Chevening Scholarship. Her past projects include </span><b><i>Life on the Tracks</i></b><span style="font-weight: 400;">, about a couple who live by the railway slums (IDFA World Premiere, BBC Storyville Broadcast); and </span><b><i>Bunso</i></b><b>:</b> <b><i>The Youngest</i></b><span style="font-weight: 400;">, about three imprisoned boys from 11–13, which was used by child rights advocates to pass the juvenile justice law. Ditsi is a member of Academy of Motion Picture Arts and Sciences. </span>  <b> </b></span></p>
<p><img loading="lazy" decoding="async" class="wp-image-9985  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/2018-AL_Sonia_Kennebeck_Director-and-Producer_BW_WEB-608x532.jpg" alt="" width="229" height="200" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/2018-AL_Sonia_Kennebeck_Director-and-Producer_BW_WEB-608x532.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/2018-AL_Sonia_Kennebeck_Director-and-Producer_BW_WEB-1024x896.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/2018-AL_Sonia_Kennebeck_Director-and-Producer_BW_WEB-768x672.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/2018-AL_Sonia_Kennebeck_Director-and-Producer_BW_WEB-1536x1345.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/2018-AL_Sonia_Kennebeck_Director-and-Producer_BW_WEB-2048x1793.jpg 2048w" sizes="auto, (max-width: 229px) 100vw, 229px" /></p>
<p><a href="https://chickeneggpics.org/grantee/sonia-kennebeck/"><b>Sonia Kennebeck</b></a><span style="font-weight: 400;"> is an award-winning director and producer and has released three critically-acclaimed independent feature films: </span><b><i>National Bird</i></b><span style="font-weight: 400;"> (Berlinale Special 2016), </span><b><i>Enemies of the State</i></b><span style="font-weight: 400;"> (TIFF 2020), and </span><b><i>United States vs. Reality Winner</i></b><span style="font-weight: 400;"> (SXSW 2021). She received the Adrienne Shelly Excellence in Filmmaking Award and Ridenhour Documentary Film Prize. She is a first-generation college graduate who was born in Malaysia, raised in Germany, and lives in the US.  </span></p>
<p><span class="e2ma-style"><span style="font-weight: 400;">Read the <a href="https://womenandhollywood.com/exclusive-petra-costa-and-tracy-heather-strain-among-2022-chicken-egg-award-recipients/?utm_source=dlvr.it&amp;utm_medium=twitter"><b>Women &amp; Hollywood</b></a> article about the 2022 Chicken &amp; Egg Award. </span></span></p>
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