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	<title>Sabaah Jordan &#8211; Chicken &amp; Egg Pictures</title>
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	<title>Sabaah Jordan &#8211; Chicken &amp; Egg Pictures</title>
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		<title>Five Chicken &#038; Egg Pictures grantees set for World Premieres at Sundance 2017</title>
		<link>https://archive.chickeneggpics.org/five-chicken-egg-pictures-grantees-set-for-world-premieres-at-sundance-2017/</link>
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		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Wed, 07 Dec 2016 23:59:31 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[damon davis]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Jennifer Brea]]></category>
		<category><![CDATA[Milica Zec]]></category>
		<category><![CDATA[Motherland]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[Ramona Diaz]]></category>
		<category><![CDATA[Sabaah Jordan]]></category>
		<category><![CDATA[social change]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[Strong Island]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[Tree]]></category>
		<category><![CDATA[Unrest]]></category>
		<category><![CDATA[whose streets?]]></category>
		<category><![CDATA[Winslow Porter]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Yance Ford]]></category>
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					<description><![CDATA[We&#8217;re beaming with pride for our grantees who will be presenting the world premieres of their projects at the 2017 Sundance Film Festival this January. Congratulations to Jennifer Brea, Ramona Diaz, Yance Ford, Sabaah Jordan with Damon Davis, and Milica Zec with Winslow Porter! Unrest (Jennifer Brea) Jennifer, a Harvard Ph.D. student, was signing a check at a restaurant [&#8230;]]]></description>
										<content:encoded><![CDATA[<p style="text-align: left;">We&#8217;re beaming with pride for our grantees who will be presenting the world premieres of their projects at the 2017 Sundance Film Festival this January. Congratulations to Jennifer Brea, Ramona Diaz, Yance Ford, Sabaah Jordan with Damon Davis, and Milica Zec with Winslow Porter!</p>
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<figure id="attachment_1393" aria-describedby="caption-attachment-1393" style="width: 1920px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2014/12/Copy-of-MVI-0116.MOV.00-01-08-22.Still001.jpg" rel="lightbox[2779]"><img fetchpriority="high" decoding="async" class="wp-image-1393 size-full" src="http://chickeneggpics.org/wp-content/uploads/2014/12/Copy-of-MVI-0116.MOV.00-01-08-22.Still001.jpg" alt="Canary in a Coal Mine" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/12/Copy-of-MVI-0116.MOV.00-01-08-22.Still001.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2014/12/Copy-of-MVI-0116.MOV.00-01-08-22.Still001-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/12/Copy-of-MVI-0116.MOV.00-01-08-22.Still001-1024x576.jpg 1024w" sizes="(max-width: 1920px) 100vw, 1920px" /></a><figcaption id="caption-attachment-1393" class="wp-caption-text">Unrest</figcaption></figure>
<p><strong><em>Unrest</em></strong> (Jennifer Brea)</p>
<p>Jennifer, a Harvard Ph.D. student, was signing a check at a restaurant when she found she could not write her own name. Months before her wedding, she became progressively more ill, losing the ability even to sit in a wheelchair. When doctors insisted that her condition was psychosomatic, she picked up her camera to document her own story and the stories of four other patients struggling with the world’s most prevalent orphaned disease.</p>
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<figure id="attachment_1910" aria-describedby="caption-attachment-1910" style="width: 843px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2015/07/Strong-20Island-20Signature-20Image.jpg" rel="lightbox[2779]"><img decoding="async" class="wp-image-1910 size-full" src="http://chickeneggpics.org/wp-content/uploads/2015/07/Strong-20Island-20Signature-20Image.jpg" width="843" height="1024" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2015/07/Strong-20Island-20Signature-20Image.jpg 843w, https://archive.chickeneggpics.org/wp-content/uploads/2015/07/Strong-20Island-20Signature-20Image-608x739.jpg 608w" sizes="(max-width: 843px) 100vw, 843px" /></a><figcaption id="caption-attachment-1910" class="wp-caption-text">Strong Island</figcaption></figure>
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<p><strong><em>Strong Island </em></strong>(Yance Ford)</p>
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<p>Set in the suburbs of the black middle class, <em>Strong Island</em> seeks to uncover how—in the year of the Rodney King trial and the Los Angeles riots—the murder of the filmmaker&#8217;s older brother went unpunished. The film is an unflinching look at homicide, racial injustice, and the corrosive impact of grief over time.</p>
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<p>&nbsp;</p>
<figure id="attachment_2769" aria-describedby="caption-attachment-2769" style="width: 2000px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2016/07/Whose-Streets.jpg" rel="lightbox[2779]"><img decoding="async" class="wp-image-2769 size-full" src="http://chickeneggpics.org/wp-content/uploads/2016/07/Whose-Streets.jpg" alt="whose-streets" width="2000" height="1333" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/07/Whose-Streets.jpg 2000w, https://archive.chickeneggpics.org/wp-content/uploads/2016/07/Whose-Streets-608x405.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/07/Whose-Streets-768x512.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/07/Whose-Streets-1024x682.jpg 1024w" sizes="(max-width: 2000px) 100vw, 2000px" /></a><figcaption id="caption-attachment-2769" class="wp-caption-text"><span style="font-size: 10pt;">Whose Streets?</span></figcaption></figure>
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<p><strong><em>Whose Streets? </em></strong>(Sabaah Jordan and Damon Davis)</p>
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<p>A firsthand look at how the murder of a teenage boy became the last straw for a community under siege, <em>Whose Streets?</em> is a story of love, loss, conflict, and ambition. Set in Ferguson, MO, the film follows the journey of everyday people whose lives are intertwined with a burgeoning national movement for black liberation.</p>
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<p>&nbsp;</p>
<div><a href="http://chickeneggpics.org/wp-content/uploads/2014/07/thebill_maternityward2.jpg" rel="lightbox[2779]"><img loading="lazy" decoding="async" class="alignleft size-full wp-image-335" src="http://chickeneggpics.org/wp-content/uploads/2014/07/thebill_maternityward2.jpg" alt="thebill_maternityward2" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/07/thebill_maternityward2.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/thebill_maternityward2-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/thebill_maternityward2-1024x576.jpg 1024w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a></div>
<div style="text-align: left;"><span style="font-size: 10pt; color: #808080;"><em>Motherland</em></span></div>
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<p><strong><em>Motherland</em></strong> (Ramona Diaz)</p>
<p>One of the world’s poorest and most populous countries, the Philippines, struggles with reproductive health policy—both in the legislature where laws are in debate, and in a hospital with the busiest maternity ward on the planet.</p>
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<p>&nbsp;</p>
<div><a href="http://chickeneggpics.org/wp-content/uploads/2016/12/Tree-02-FINAL.jpg" rel="lightbox[2779]"><img loading="lazy" decoding="async" class="alignleft size-full wp-image-2815" src="http://chickeneggpics.org/wp-content/uploads/2016/12/Tree-02-FINAL.jpg" alt="tree-02-final" width="3456" height="2160" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/12/Tree-02-FINAL.jpg 3456w, https://archive.chickeneggpics.org/wp-content/uploads/2016/12/Tree-02-FINAL-608x380.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/12/Tree-02-FINAL-768x480.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/12/Tree-02-FINAL-1024x640.jpg 1024w" sizes="auto, (max-width: 3456px) 100vw, 3456px" /></a></div>
<div style="text-align: left;"> <span style="font-size: 10pt; color: #808080;"><em>Tree</em></span></div>
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<p><strong><em>Tree </em></strong>(Milica Zec and Winslow Porter)</p>
<p>A virtual experience that transforms you into a rainforest tree. With your arms as branches and body as the trunk, you experience the tree’s growth from a seedling into its fullest form and witness its fate firsthand.</p>
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<p>This year&#8217;s Sundance Film Festival is January 19–29, 2017. For the full program and schedule for the upcoming festival, visit the Sundance <a href="http://www.sundance.org/">website</a>.</p>
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		<title>Chicken &#038; Egg Pictures announces grantees for inaugural Accelerator Lab</title>
		<link>https://archive.chickeneggpics.org/chicken-egg-pictures-announces-grantees-for-inaugural-accelerator-lab/</link>
					<comments>https://archive.chickeneggpics.org/chicken-egg-pictures-announces-grantees-for-inaugural-accelerator-lab/#comments</comments>
		
		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Wed, 21 Oct 2015 14:40:01 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[Grants]]></category>
		<category><![CDATA[Mentorship]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[2015 Accelerator Lab]]></category>
		<category><![CDATA[Assia Boundaoui]]></category>
		<category><![CDATA[damon davis]]></category>
		<category><![CDATA[Denali Tiller]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Hikaru Toda]]></category>
		<category><![CDATA[Hope Litoff]]></category>
		<category><![CDATA[Isabel Alcántara]]></category>
		<category><![CDATA[LC Cohen]]></category>
		<category><![CDATA[Nancy Schwartzman]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[Sabaah Jordan]]></category>
		<category><![CDATA[social change]]></category>
		<category><![CDATA[SONS AND DAUGHTERS OF THE INCARCERATED]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[THE FEELING OF BEING WATCHED]]></category>
		<category><![CDATA[whose streets?]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women documentarians]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">http://chickeneggpics.org/?p=2225</guid>

					<description><![CDATA[Chicken &#38; Egg Pictures announced today the selected participants of the inaugural Accelerator Lab. The Accelerator Lab brings together 10 non-fiction projects helmed by first and second-time women filmmakers as part of a brand new program with the goal of providing the necessary tools and environment for talented filmmakers to tell their stories. The Accelerator [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Chicken &amp; Egg Pictures announced today the selected participants of the inaugural Accelerator Lab. The Accelerator Lab brings together 10 non-fiction projects helmed by first and second-time women filmmakers as part of a brand new program with the goal of providing the necessary tools and environment for talented filmmakers to tell their stories. The Accelerator Lab is focused on identifying a diverse group of first and second-time women non-fiction filmmakers and supporting their continued success through various means and initiatives.</p>
<p>These include providing financial assistance by way of grants, as well as creative guidance and support through mentorship workshops, industry connections, and peer support. Participants will receive a two-part grant for the production of their film, which they will develop over the course of the 12-18 month program.</p>
<p>&#8220;These filmmakers and projects represent a microcosm of the over 200 filmmakers whom Chicken &amp; Egg Pictures has supported over the last ten years. Our goal is to nurture their talent by providing them with a yearlong creative lab program, a grant of up to $35,000, and a community of women filmmakers who can support and learn from one another,&#8221; said Jenni Wolfson, Executive Director of Chicken &amp; Egg Pictures. &#8220;We selected these women filmmakers because we believe not only that they are going to make artful and compelling films, but because we believe that these stories must be told and will contribute to changing how we see and respond to the world around us.&#8221;</p>
<p><strong><u>2015 ACCELERATOR LAB PARTICIPANTS:</u></strong></p>
<p><strong><u> </u></strong><strong>A GUANGZHOU LOVE STORY<br />
</strong>Director: Kathy Huang<br />
In China, an unprecedented surge in African migration has led to a rise in marriages between Chinese women and African men. <em>A Guangzhou Love Story</em> captures the love, heartache, and real life challenges of Afro-Chinese couples attempting to forge a meaningful future together in the face of racism and xenophobia.</p>
<figure id="attachment_2228" aria-describedby="caption-attachment-2228" style="width: 1800px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2015/10/A-Guangzhou-Love-Story.jpg" rel="lightbox[2225]"><img loading="lazy" decoding="async" class="size-full wp-image-2228" src="http://chickeneggpics.org/wp-content/uploads/2015/10/A-Guangzhou-Love-Story.jpg" alt="A Guangzhou Love Story, directed by Kathy Huang" width="1800" height="1200" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2015/10/A-Guangzhou-Love-Story.jpg 1800w, https://archive.chickeneggpics.org/wp-content/uploads/2015/10/A-Guangzhou-Love-Story-608x405.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2015/10/A-Guangzhou-Love-Story-1024x683.jpg 1024w" sizes="auto, (max-width: 1800px) 100vw, 1800px" /></a><figcaption id="caption-attachment-2228" class="wp-caption-text">A Guangzhou Love Story, directed by Kathy Huang</figcaption></figure>
<p><strong>BY A THREAD<br />
</strong>Director: Rina Castelnuovo &amp; Tamir Elterman<br />
<em>By A Thread</em> tells the story of Muhammad (Muhi), a Palestinian child from Gaza and the son of a Hamas activist wanted by Israel. As a newborn, Muhi is transferred to Israel for treatment of a life-threatening condition. Months turn into years and Muhi, now six, has lived his whole life in the Israeli hospital, confined for security reasons to its premises with his grandfather. The film explores Muhi’s contradictory world in which he is treated, raised, and saved by his people’s enemy, while his parents remain in Gaza.</p>
<p><em>By A Thread</em> is an inside look at the Israeli-Palestinian conflict’s inescapable presence in everyday life and how it shapes those like Muhi who are unwillingly drawn into it.</p>
<p><strong>CUENCA<br />
</strong>Director: Isabel Alcántara<br />
After a spate of mysterious illnesses and deaths, a community in Mexico discovers its water is radioactive. What unfolds is a story of resilience, conviction and the lies we tell ourselves about our dwindling resources.</p>
<figure id="attachment_2227" aria-describedby="caption-attachment-2227" style="width: 1920px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2015/10/Cuenca.jpg" rel="lightbox[2225]"><img loading="lazy" decoding="async" class="size-full wp-image-2227" src="http://chickeneggpics.org/wp-content/uploads/2015/10/Cuenca.jpg" alt="Cuenca, directed by Isabel Alcantara" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2015/10/Cuenca.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2015/10/Cuenca-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2015/10/Cuenca-1024x576.jpg 1024w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a><figcaption id="caption-attachment-2227" class="wp-caption-text">Cuenca, directed by Isabel Alcantara</figcaption></figure>
<p><strong>FLY AWAY</strong><br />
Director: LC Cohen<br />
<em>Fly Away</em> is a film about memory, identity, and growing up told through the eyes of seven siblings and their mother. Five of the children are on the autistic spectrum and as they move through adolescence, an event of the past keeps drawing them back. Combining observational footage with a rich archive of home movies and songs, the film is both a detective story and coming-of-age tale, exploring universal themes of memory, family, and love.</p>
<p><strong>LAWYERS<br />
</strong>Director: Hikaru Toda<br />
A story of love, family, and rights, <em>Lawyers</em> is a snapshot of Japan in transition. Fumi and Kazu are life partners, both professionally and privately: they run the first and only law firm in Japan run by an openly gay couple. From activists to artists to vulnerable young people, we see a cross section of Japanese society pass through Kazu and Fumi’s office – their clients and their cases reveal Japan’s changing social landscape and the diversity too often overlooked in its homogenous society. <em>Lawyers</em> also follows Kazu and Fumi’s quest to raise a family. Faced with a legal system that doesn’t allow adoption by same sex couples and having seen firsthand the realities of institutionalized youths, they have begun the process of registering as foster parents.</p>
<p><strong>ROLL RED ROLL<br />
</strong>Director: Nancy Schwartzman<br />
The story of a football town divided, <em>Roll Red Roll</em> is a true crime thriller examining sexual assault in small town America.</p>
<p><strong>RULES TO LIVE BY<br />
</strong>Director: Hope Litoff<br />
A reflection on the life and suicide of Ruth Litoff, a successful artist, a pathological liar, and the filmmaker&#8217;s sister. By looking back on Ruth’s incredible highs and lows, bursts of creative genius, depression, secrets, and lies, a vivid portrait will emerge of the brilliant woman the filmmaker is not sure she ever really knew. This is her attempt to understand what happened.</p>
<p><strong>SONS AND DAUGHTERS OF THE INCARCERATED<br />
</strong>Director: Denali Tiller<br />
Growing up is full of challenges, but for Tre, Maison, and Giana those challenges reach beyond friends, school, and middle school crushes. <em>Sons and Daughters of the Incarcerated</em> tells the story of three children whose fathers are in prison, and a formerly incarcerated mother who is now working to stop the cycle. How do the stigmas of incarceration shape their identities as they struggle to find their places in their communities and the world? What will it take to break the cycle of violence, crime, and imprisonment that pulls so hard on these kids&#8217; lives and millions more like them?</p>
<p><strong>THE FEELING OF BEING WATCHED<br />
</strong>Director: Assia Boundaoui &amp; Alex Bushe<br />
<em>The Feeling of Being Watched</em> is the first documentary film to tell the story of the War on Terror from the perspective inside an Arab-American neighborhood. Since the early 90’s, people in Bridgeview, IL have stayed quiet about their deep suspicions of living under government surveillance, and no one has ever dug into why the surveillance may have begun. Until now. This film brings to light an under-represented human story and follows the filmmakers as they investigate what really happened, and may still be happening, in Bridgeview.</p>
<p><strong>WHOSE STREETS?<br />
</strong>Director: Sabaah Jordan &amp; Damon Davis<br />
A first-hand look at how the murder of one teenage boy became the last straw for a community under siege. <em>Whose Streets?</em> is a story of love, loss, conflict, and ambition; the journey of everyday people turned freedom fighters, whose lives intertwined with a burgeoning national movement for black liberation. This is a film for all of America – it provides insight into the unseen reality of racism, the role of media in conflict, state-sanctioned violence, and militarized policing – but at its core it is Ferguson’s story, it is our cry of “enough is enough.”</p>
<figure id="attachment_2226" aria-describedby="caption-attachment-2226" style="width: 5616px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2015/10/Whose-Streets.jpg" rel="lightbox[2225]"><img loading="lazy" decoding="async" class="size-full wp-image-2226" src="http://chickeneggpics.org/wp-content/uploads/2015/10/Whose-Streets.jpg" alt="Whose Streets?, directed by Sabaah Jordan and Damon Davis" width="5616" height="3744" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2015/10/Whose-Streets.jpg 5616w, https://archive.chickeneggpics.org/wp-content/uploads/2015/10/Whose-Streets-608x405.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2015/10/Whose-Streets-1024x683.jpg 1024w" sizes="auto, (max-width: 5616px) 100vw, 5616px" /></a><figcaption id="caption-attachment-2226" class="wp-caption-text">Whose Streets?, directed by Sabaah Jordan and Damon Davis</figcaption></figure>
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