The Janes

dir. Tia Lessin, Emma Pildes

prod. Emma Pildes, Daniel Arcana, Jessica Levin

The Janes is a Project: Hatched 2022 finalist nominated for Outstanding Social Issue Documentary, Best Documentary, Outstanding Research: Documentary, Outstanding Direction: Documentary.

Apart

dir. & prod. Jennifer Redfearn

prod. Tim Metzger

Apart is a 2018 (Egg)celerator Lab grantee nominated for Outstanding Politics and Government Documentary. 

From the AlumNest

• American Reckoning
  dir. & prod. Yoruba Richen, Brad Lichtenstein
  Nominated for: Outstanding Historical Documentary

• Art & Krimes by Krimes
  dir. & prod. Alysa Nahmias
  prod. Amanda Spain, Benjamin Murray
  Nominated for: Outstanding Arts and Culture Documentary

• Body Parts
  dir. Kristy Guevara-Flanagan
  prod. Helen Hood Scheer
  Nominated for: Outstanding Music Composition

• Delikado
  dir. & prod. Karl Malakunas
  prod. Kara Magsanoc-Alikpala, Michael Collins, Marty Syjuco, Laura Nix
  Nominated for: Outstanding Investigative Documentary

• How to Change your Mind
  dir. Lucy Walker, Alison Ellwood
  Nominated for: Outstanding Graphic Design and Art Direction: Documentary

• Lincoln’s Dilemma
  dir. Jacqueline Olive, Barak Goodman
  Nominated for: Outstanding Graphic Design and Art Direction: Documentary

• Lowndes County and the Road to Black Power
  dir. Geeta Gandbhir
  prod. Jess Devaney
  Nominated for: Outstanding Research Documentary, Outstanding Editing: Documentary

• The Flagmakers
  dir. & prod. Cynthia Wade, Sharon Liese
  prod. Giannis Antetokounmpo, Carolyn Bernstein, Mark Gordon, Ryan Harrington, Jenna Segal
  Nominated for: Outstanding Short Documentary

• The U.S. and the Holocaust
  dir. Lynn Novick, Ken Burns, Sarah Botstein
  Nominated for: Outstanding Research Documentary

• TikTok, Boom
  dir. & prod. Shalini Kantayya
  prod. Danni Mynard, Ross Dinerstein
  Nominated for: Outstanding Business and Economic Documentary

• Wuhan Wuhan
  dir. Yung Chang
  prod. Diane Quon, Donna Gigliotti, Peter Luo
  Nominated for: Outstanding Current Affairs Documentary

• 37 Words
  dir. & prod. Dawn Porter, Nicole Newnham
  Nominated for: Outstanding Research Documentary

Post written by Communications Intern Tess Caldwell

“Through our mission to advance gender equity in the documentary film industry, Chicken & Egg Pictures is proud to support women and nonbinary filmmakers whose work expands our collective consciousness. We congratulate all Nest-supported filmmakers for their tremendous achievements, and for crafting stories that advance social change.” -Jenni Wolfson, Executive Director of Chicken & Egg Pictures.

Check out each nomination below and celebrate the filmmakers and their teams with us:

A Thousand Cuts

dir. & prod. Ramona S. Diaz

prods. Christopher Clements, Julie Goldman, Carolyn Hepburn, Leah Marino

Nominated for: 

• Outstanding Social Issue Documentary
• Best Documentary

Supported through Ramona’s 2018 Chicken & Egg Award

Coded Bias

dir. & prod. Shalini Kantayya

Nominated for: 

• Outstanding Science and Technology Documentary 

Coded Bias was a Project: Hatched 2020 grantee

Picture a Scientist

dirs. & prods. Sharon Shattuck & Ian Cheney

prod. Manette Pottle

Nominated for: 

• Outstanding Science and Technology Documentary 

Picture a Scientist was a Project: Hatched 2020 grantee

Pray Away

dir. & prod. Kristine Stolakis

prod. Jessica Devaney and Anya Rous

Nominated for:

• Outstanding Social Issue Documentary 

Pray Away was a 2019 (Egg)celerator Lab grantee

Simple As Water

dirs. & prod. Megan Mylan

prod. Robin Hessman

Nominated for:

• Outstanding Direction: Documentary 

Simple As Water was a 2018 Nest-supported project

Storm Lake

dirs. Beth Levison & Jerry Risius

prod. Beth Levison

Nominated for:

• Outstanding Business and Economic Documentary

Storm Lake was a Project: Hatched 2021 grantee

Takeover

dir. Emma Francis-Snyder

prod. Tony Gerber

Nominated for:

• Outstanding Short Documentary 

Takeover is a Project: Hatched 2022 grantee

The Changing Same: An American Pilgrimage

dirs. Michèle Stephenson, Joe Brewster

prods. Scatter, Rada Studio

Nominated for: 

• Outstanding Interactive Media: Innovation 

The Changing Same: An American Pilgrimage was supported through the 2017 Impact and Innovation Grant

From the AlumNest  

• In the Same Breath
  dir. Nanfu Wang
  prods. Jialing Zhang, Carolyn Hepburn, Sara Rodriguez, Julie Goldman, and Christopher Clements 
  Nominated for: Outstanding Current Affairs Documentary, Best Documentary  
  
  
• Through Our Eyes: Apart  
  dirs. Geeta Gandbhir, Rudy Valdez
  prods. Beth Miranda Botshon, Jessica Devaney, Lisa Diamond, Anya Rous
  Nominated for: Best Short Documentary

Check out the full nominations list with this link.

World Premiere

Silent Beauty

dir. & prod. Jasmin Lopez

A personal documentary that follows Director Jasmin López as she works to heal from child sexual abuse she endured at the hands of her grandfather, Gilberto, a Baptist minister, almost thirty years ago. In the process of sharing her own trauma with her large family, she learns that generations of children in her family were victims of the same abuse. Told from the director’s perspective, Silent Beauty is a film about confronting and accepting difficult truths while finding beauty in the process. 

Silent Beauty is a 2019 (Egg)celerator Lab grantee and is having its World Premiere in the Persister section. 

Get your tickets + more info with this link.

Alis

dirs.& prods.  Clare Weiskopf, Nicolas van Hemelryck

prods. Radu Stancu, Alexandra Galvis

In a Colombian shelter for teenage girls, filmmakers ask a group of young women to close their eyes and imagine the life story of a fictional classmate named Alis. As reality prevails and fiction fades, the innocent game becomes a descent into hell, where their luminous faces guide the audience to the depths of the dark world they once inhabited, only to emerge with new skin. How to imagine a different life, break the cycle of violence, and embrace a brighter future? 

Alis is a 2022 (Egg)celerator Lab finalist and is part of Made In Chile: A spotlight on docs from Chile

Get your tickets + more info with this link.

All of Our Heartbeats Are Connected Through Exploding Stars

(previously titled Stories From Debris)

dir. Jennifer Rainsford

prods. Mirjam Gelhorn, David Herdies, Michael Krotkiewski

The 2011 Japan tsunami triggers this staggering essay about loss that connects human and environmental trauma using astonishing juxtapositions. Humans breathe out and the oceans breathe in, so that we are constantly breathing together and becoming our planet. If we admit that our human experiences of pain and the Earth’s are just different versions of the same destruction, will recovery come, be it in ripples or waves?* 

All of Our Heartbeats Are Connected Through Exploding Stars is a 2020 (Egg)celerator Lab grantee and is part of the World Showcase section.

Get your tickets + more info with this link.

Boycott

dir & prod. Julia Bacha

prod. Suhad Babaa, Daniel J. Chalfen

When a news publisher in Arkansas, an attorney in Arizona and a speech therapist in Texas are told to choose between their jobs and their political beliefs, they launch legal battles that expose an attack on freedom of speech in 33 states in America.

Boycott was supported through Julia Bacha’s 2019 Chicken & Egg Award, and is a Hot Docs Special Presentation.  

Get your tickets + more info with this link.

Eskape

dir. Neary Adeline Hay

prods. Jasmin Basic

The survival story of a mother and her daughter, the filmmaker, through the desperate flight from a crumbling Cambodia after the collapse of the Khmer Rouge regime. Faced with the silence brought by trauma and time, the longing to understand her mother today resonates in an abysmal echo, while reviving the memories as a political refugee in Europe.

Eskape is a 2020 (Egg)celerator Lab grantee and is having its North American premiere in the Hidden Stories section. 

Get your tickets + more info with this link.

Midwives

dir. & prod. Snow Hnin Ei Hlaing

prods. Bob Moore, Ulla Lehmann, Mila Aung-Thwin

A tale of the complicated relationship between Rohingya and Buddhists in Myanmar, told over five years through the eyes of two midwives from either side of the divide. 

Midwives is a 2020 (Egg)celerator Lab grantee and is having its Canadian premiere as a HotDocs Special Presentation. 

Get your tickets + more info with this link.

Mija

dir. & prod. Isabel Castro

prod. Tabs Breese, Yesenia Tlahuel

With Doris’ voice as our guide, Mija uses VHS archive, verité footage, and camcorder vlogging to tell the story of two young women’s coming-of-age journeys as they look for success and belonging. The film is an immensely emotional and intimate portrait honoring the resilience of immigrants and their children. 

Mija is a 2021 (Egg)celerator Lab grantee and is part of the Artscapes section. 

Get your tickets + more info with this link.

Once Upon a Time in Uganda

dir. Cathryne Czubek, co-dir. Hugo Perez

prods. Gigi Dement, Cathryne Czubek, Matt Porwoll, Hugo Perez, Kyaligamba Ark Martin

Against all odds, former bricklayer and teacher Isaac Nabwana has turned his small home in the slums of Uganda’s capital city into the Wakaliwood action movie studio. After 10 years and 40+ films, Wakaliwood has become an overnight international media sensation, inspiring others around the world to follow in his footsteps. When New York film nerd Alan Hofmanis shows up on his doorstep one day, everything is bound to change. 

Once Upon a Time in Uganda is a 2017 (Egg)celerator Lab grantee and is part of the Nightvision section. 

Get your tickets + more info with this link.

From the AlumNest

• A Peculiar Silence
  prod. Catherine Gund, dir. Cinque Northern 
  

• Angels of Sinjar
  dir. & prod. Hanna Polak, prod. Simone Baumann

• Don’t Come Searching
  prods. Michelle Serieux, Sherien Barsoum, dir. & prod. Andrew Moir
  
  
• The Martha Mitchell Effect
  prods. Beth Levison, Judith Mizrachy, dirs. Anne Alvergue, Debra McClutchy
  
  
• The Mole Agent
  dir. Maite Alberdi, prod. Marcela Santibanez
  
  
• TikTok, Boom. 
  dir. & prod. Shalini Kantayya, prods. Ross Dinerstein, Danni Mynard
  
  
• To The End
  dir. Rachel Lears, prod. Sabrina Schmidt Gordon

Check out the full line-up with this link.  

*Language courtesy of Hot Docs.

Mija

dir. & prod. Isabel Castro

prod. Tabs Breese, Yesenia Tlahuel

With Doris’ voice as our guide, Mija uses VHS archive, verité footage, and camcorder vlogging to tell the story of two young women’s coming-of-age journeys as they look for success and belonging. The film is an immensely emotional and intimate portrait honoring the resilience of immigrants and their children. 

Mija is a 2021 (Egg)celerator Lab grantee and is part of the McBaine Documentary Feature Competition.

For our Children

(previously Black Mothers Love & Resist)

dir. & prod. Débora Souza Silva

prod. David Felix Sutcliffe

Wanda Johnson and Angela Williams, mothers of young Black men victimized by police brutality, come together and build a network of community-led support, mutual aid, and healing in this trenchant documentary. 

For our Children is a 2020 (Egg)celerator Lab grantee and is part of the Documentaries: USA section.

Midwives

dir. & prod. Snow Hnin Ei Hlaing

prods. Bob Moore, Ulla Lehmann, Mila Aung-Thwin

A tale of the complicated relationship between Rohingya and Buddhists in Myanmar, told over five years through the eyes of two midwives from either side of the divide. 

Midwives is a 2020 (Egg)celerator Lab grantee and is part of the Documentaries: USA section.

From the AlumNest

• The Janes
  dirs. Tia Lessin and Emma Pildes
  prods. Emma Pildes, Daniel Arcana, Jessica Levin
  
  
• TikTok, Boom.
  dir. & prod. Shalini Kantayya
  prods. Ross M. Dinerstein, Danni Mynard

A special shout out to our Co-Founder & Board President Julie Parker Benello, producer of Sell/Buy/Date (dir. & prod. Sarah Jones, prods. David Goldblum, Julie Parker Benello), screening in the Documentaries: USA section.

Check out the full line-up with this link.

The festival will run in Copenhagen cinemas from Wednesday, March 23 through Sunday, April 3, and stream throughout Denmark from Friday, April 1 to Sunday, April 10.

Electric Malady

dir. Marie Lidén

prod. Aimara Reques, Lorna Jane Ferguson

Allergic to electronics and isolated in the Swedish wilderness in a homemade turtle shell of thick blankets. Meet 40-year-old William, whose mysterious condition is not recognised by the world.

Electric Malady is a 2018 (Egg)celerator Lab grantee. As well as having its world premiere at the festival, the film will also be participating in the Nordic:Dox Award Competition. 

Get your tickets with this link.

Midwives

dir. & prod. Snow Hnin Ei Hlaing

prods. Bob Moore, Ulla Lehmann, Mila Aung-Thwin

A tale of the complicated relationship between Rohingya and Buddhists in Myanmar, told over five years through the eyes of two midwives from either side of the divide. 

Midwives is a 2020 (Egg)celerator Lab grantee, and its first screening at the festival will mark its European premiere. It is participating in the Dox:Award Competition. 

Get your tickets with this link.

Mija

dir. & prod. Isabel Castro

prods. Tabitha Breese, Yesenia Tlahuel

A tale of the complicated relationship between Rohingya and Buddhists in Myanmar, told over five years through the eyes of two midwives from either side of the divide. 

Mija is a 2021 (Egg)celerator Lab grantee, and its screenings at the Sound & Vision section will mark its international premiere.  

Get your tickets with this link.

AlumNest Films

• TikTok, Boom.  

dir. & prod. Shalini Kantayya (Coded Bias)
prods. Ross M. Dinerstein, Danni Mynard 

• To the End 

dir. Rachel Lears (The Hand That Feeds)
prod. Sabrina Schmidt Gordon

Meet Our Team at CPH:DOX 2022

Filmmaker Engagement Manager Jaad Asante will be attending CPH:FORUM from Thursday, March 28 through Friday, April 1. If you are visiting CPH:DOX and would like to meet Jaad, please feel free to contact her to hatch a plan.

Jaad Asante 
jaad@chickeneggpics.org

Take a look at the full line-up with this link.

The festival will take place in Austin, Texas, from Friday, March 11 through Sunday, March 20. Take a look at the films from the Nest below:

Mama Bears

dir. & prod. Daresha Kyi

prod. Laura Tatham

Mama Bears is an intimate exploration of two “mama bears”—conservative, Christian mothers who have become fierce advocates for LGBTQ+ people—and a young lesbian whose struggle for self-acceptance exemplifies why the mama bears are so important.  

Mama Bears is a 2019 (Egg)celerator Lab grantee, and is participating in SXSW World Premiere – Documentary Feature Competition. 

Get your tickets with this link.  

Sign up for the Mama Bears doc newsletter to receive updates from the film team.

Boycott

dir & prod. Julia Bacha

prod. Suhad Babaa, Daniel J. Chalfen

When a news publisher in Arkansas, an attorney in Arizona and a speech therapist in Texas are told to choose between their jobs and their political beliefs, they launch legal battles that expose an attack on freedom of speech in 33 states in America.

Boycott was supported through Julia Bacha’s 2019 Chicken & Egg Award, and is a SXSW Texas Premiere–Festival Favorites (Acclaimed standouts from festivals around the world).

Get your tickets with this link. 

Sign up for the Boycott newsletter to receive updates from the film team.

AlumNest films

Look At Me
dir. Sabaah Folayan (Whose Streets?) 
prods. Darcy McKinnon, Chloe Campion

Video Visit 
dir. & prod. Malika Zouhali-Worrall (2019 Chicken & Egg Award recipient) 

Descendant  
dir. & prod. Margaret Brown (The Great Invisible) 
prods. Kyle Martin, Essie Chambers

TikTok, Boom.  
dir. & prod. Shalini Kantayya (Coded Bias)
prods. Ross M. Dinerstein, Danni Mynard 

A special shout out to our Co-Founder & Board President Julie Parker Benello, producer of Sell/Buy/Date (dir. & prod. Sarah Jones, prods. David Goldblum, Julie Parker Benello), screening in SXSW World Premiere – Visions.  

Check out the full line-up by visiting this link.

Last week, Director Tabitha Jackson and Director of Programming Kim Yutani, announced this edition’s details. Yutani and Jackson shared important statistics about women filmmakers in their program selection: 

“Of the submissions to Sundance this year, only 28 percent were from women. Yet among all the features selected, 52 percent were directed by women. When asked whether the programmers decided to boost women auteurs over men, they steered around the question, saying they are always looking to promote female filmmakers. Jackson added: “The slightly depressing fact is that the figure of 28 percent submissions from women has remained pretty static across the years. It is a figure that we would wish to see higher because of what it indicates about the state of the industry. It’s surprising that so few are submitting.”

Sundance Film Festival Unveils 2022 Lineup That Reflects ‘Age of Reckoning’, Nicole Sperling

Learn more about Mija, Midwives, and AlumNest films below:

Mija

dir. Isabel Castro

prod. Tabs Breese, Isabel Castro, Yesenia Tlahuel

Selected as part of the Next category
Premiering on Friday, January 21 
Get your tickets

With Doris’ voice as our guide, Mija uses VHS archive, verité footage, and camcorder vlogging to tell the story of two young women’s coming-of-age journeys as they look for success and belonging. The film is an immensely emotional and intimate portrait honoring the resilience of immigrants and their children. 

Midwives

dir. & prod. Snow Hnin Ei Hlaing

prods. Bob Moore, Ulla Lehmann, Mila Aung-Thwin

Selected as part of the World Cinema Documentary Competition 
Premiering on Monday, January 24 
Get your tickets

Hla and Nyo Nyo are two midwives that work side by side in a makeshift medical clinic in western Myanmar, where the Rohingya (a Muslim minority community) are persecuted and denied basic rights. Filmed over three tumultuous years, their remarkable relationship reveals both tensions and the hope inherent in their common cause.

From the AlumNest

AlumNest filmmakers are soaring into Sundance’s program in the U.S. Documentary Competition to the World Cinema Documentary Competition:

• Descendant, directed by Margaret Brown, prods. Essie Chambers, Kyle Martin
• The Janes, directed by Tia Lessin and Emma Pildes, prods. Emma Pildes, Daniel Arcana, Jessica Levin
• TikTok, Boom., directed by Shalini Kantayya, prods. Ross M. Dinerstein. Shalini Kantayya, Danni Mynard
• To The End, directed by Rachel Lears, prod. Sabrina Schmidt Gordon
• The Martha Mitchell Effect, produced by Beth Levison, Judith Mizrachy, dirs. Anne Alvergue, Debra McClutchy 

A special shoutout to 2018 Chicken & Egg Award recipient Natalia Almada, whose 2002 short documentary film All Water Has a Perfect Memory,  will screen online as part of the “From the Collection” program, a line-up of 40 short films selected to celebrate the 40th anniversary of the Sundance Institute. Ticket sales start Friday, December, 17.

Coded Bias — Outstanding Documentary (Film)

Coded Bias, directed by Shalini Kantayya, explores the fallout of MIT Media Lab researcher Joy Buolamwini’s startling discovery that facial recognition does not see dark-skinned faces accurately, and her subsequent journey to push for the first-ever US legislation to govern against bias in artificial intelligence. The documentary aims to shine a light on the threat artificial intelligence poses to civil rights and democracy. The film participated in Project: Hatched 2020.

Through the Night — Outstanding Breakthrough Creative (Motion Picture)

Loira Limbal and her work on Through the Night are nominated for Outstanding Breakthrough Creative (Motion Picture). Through the Night is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY. The film participated in the 2018 (Egg)celerator Lab.

AlumNest filmmakers nominated include Chicken & Egg Award Recipients Yoruba Richen, Dawn Porter, and Grace Lee:

The Sit-In: Harry Belafonte Hosts the Tonight Show by Yoruba Richen — Outstanding Directing in a Documentary (Television or Motion Picture) and Outstanding Writing in a Documentary (Television or Motion Picture)

And She Could Be Next by Grace Lee and Chicken & Egg Pictures Board Member Marjan Safinia — Outstanding Documentary (Television)

John Lewis: Good Trouble by Dawn Porter — Outstanding Documentary (Film)

Congratulations to all the nominees! We will be watching the awards ceremony from our Nest on Saturday, March 27th at 8 pm ET.

*Language courtesy of NAACP Image Awards.

“This moment is asking us to drop into a deeper place in our humanity to lead. I’m so grateful to the people in my film who have shown me how to do this. There has never been more clarity that the people who have been systematically missing from the conversation have the most to share with us about the way forward.” — Shalini Kantayya, Letters from the AlumNest

Shalini Kantayya’s newest film, Coded Bias, explores the fallout of MIT Media Lab researcher Joy Buolamwini’s startling discovery that facial recognition does not see dark-skinned faces accurately, and her subsequent journey to push for the first-ever US legislation to govern against bias in artificial intelligence. The documentary aims to shine a light on the threat artificial intelligence poses to civil rights and democracy. Coded Bias participated in our 2020 Project: Hatched program; was an Official Selection at the 2020 Sundance Film Festival; and was featured in The New York Times, Democracy Now!, and Hollywood Reporter. The film is now playing at 70+ virtual cinemas across the US. Support a local movie theater and stream from home: codedbias.com/virtualcinema. 

Shalini’s other credits include directing the season finale episode for the National Geographic television series Breakthrough, a series profiling trailblazing scientists transforming the future, executive produced by Ron Howard, broadcast globally in June 2017. Her debut feature film Catching the Sun, about the race for a clean energy future, premiered at the Los Angeles Film Festival and was named a New York Times Critics’ Pick. Catching the Sun released globally on Netflix on Earth Day 2016 with Executive Producer Leonardo DiCaprio and was nominated for the Environmental Media Association Award for Best Documentary.

Kantayya is a TED Fellow, a William J. Fulbright Scholar, and a finalist for the ABC Disney DGA Directing Program. She is an Associate of the UC Berkeley Graduate School of Journalism.

We also partnered with our friends at The Fledgling Fund for the
Chicken & Egg Pictures/Fledgling Fund Impact Grant, which provides an additional $20,000 to a Project: Hatched film whose campaign strategy has the ability to shape national and international conversations around the world’s most pressing issues. Congratulations to Coded Bias, directed by Shalini Kantayya, for being the first recipient of the Chicken & Egg Pictures/Fledgling Fund Impact Grant! 

Coded Bias (Chicken & Egg Pictures/Fledgling Fund Impact Grant recipient), directed by Shalini Kantayya, explores the fallout of MIT Media Lab researcher Joy Buolamwini’s startling discovery that facial recognition does not see dark-skinned faces accurately, and her subsequent journey to push for the first-ever US legislation to govern against bias in artificial intelligence.*

The Fight, co-directed by Elyse Steinberg, Josh Kriegman, and
Eli Despres, documents a team of scrappy ACLU lawyers battling Trump’s historic assault on civil liberties.*

Once Upon a Time in Venezuela, directed by Anabel Rodríguez, follows residents of a small fishing village as they prepare for parliamentary election. Once the village of Congo Mirador was prosperous. Now it is decaying and disintegrating—a prophetic reflection of Venezuela itself.*

*Premiering at the 2020 Sundance Film Festival.