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	<title>Sonia Kennebeck &#8211; Chicken &amp; Egg Pictures</title>
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	<title>Sonia Kennebeck &#8211; Chicken &amp; Egg Pictures</title>
	<link>https://archive.chickeneggpics.org</link>
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	<item>
		<title>Academy Invitations to AlumNest Filmmakers</title>
		<link>https://archive.chickeneggpics.org/academy-invitations-to-alumnest-filmmakers/</link>
					<comments>https://archive.chickeneggpics.org/academy-invitations-to-alumnest-filmmakers/#respond</comments>
		
		<dc:creator><![CDATA[Tess Caldwell]]></dc:creator>
		<pubDate>Thu, 13 Jul 2023 10:47:48 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Academy Awards]]></category>
		<category><![CDATA[Academy of Motion Picture Arts and Sciences]]></category>
		<category><![CDATA[Belly of the Beast]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Erika Cohn]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Hidden Letters]]></category>
		<category><![CDATA[Katja Esson]]></category>
		<category><![CDATA[lindsey dryden]]></category>
		<category><![CDATA[Melanie Miller]]></category>
		<category><![CDATA[Nancy Schwartzman]]></category>
		<category><![CDATA[On The Divide]]></category>
		<category><![CDATA[One Shot One Kill]]></category>
		<category><![CDATA[razing liberty square]]></category>
		<category><![CDATA[Roll Red Roll]]></category>
		<category><![CDATA[Sonia Kennebeck]]></category>
		<category><![CDATA[Unrest]]></category>
		<category><![CDATA[Violet Feng]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=12396</guid>

					<description><![CDATA[Chicken &#38; Egg Pictures is extremely proud to share some big news: Five AlumNest filmmakers have been invited to become members of the Academy of Motion Picture Arts and Sciences. The new members include Project: Hatched 2020 grantee Erika Cohn (Belly of the Beast), 2022 Critical Issues Fund grantee Katja Esson (Razing Liberty Square), 2020 [&#8230;]]]></description>
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<figure class="wp-block-image size-large"><img fetchpriority="high" decoding="async" width="1024" height="431" src="https://chickeneggpics.org/wp-content/uploads/2023/07/Academy-invites-23-1024x431.png" alt="" class="wp-image-12397" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2023/07/Academy-invites-23-1024x431.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2023/07/Academy-invites-23-608x256.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2023/07/Academy-invites-23-768x323.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2023/07/Academy-invites-23-1536x647.png 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2023/07/Academy-invites-23.png 2048w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>



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<p>Chicken &amp; Egg Pictures is extremely proud to share some big news: Five AlumNest filmmakers have been invited to become members of the Academy of Motion Picture Arts and Sciences. The new members include Project: Hatched 2020 grantee <strong>Erika Cohn</strong> (<a href="https://chickeneggpics.org/grantee/belly-of-the-beast/"><em>Belly of the Beast</em></a>), 2022 Critical Issues Fund grantee <strong>Katja Esson</strong> (<a href="https://chickeneggpics.org/grantee/razing-liberty-square/"><em>Razing Liberty Square</em></a>), 2020 (Egg)celerator Lab grantee <strong>Violet Du Feng</strong> (<a href="https://chickeneggpics.org/grantee/hidden-letters/"><em>Hidden Letters</em></a>), 2023 Chicken &amp; Egg Award recipient <a href="https://chickeneggpics.org/grantee/2023-cea-sonia-kennebeck/"><em><strong>Sonia Kennebeck</strong></em></a>, and Nest-supported filmmaker <strong>Nancy Schwartzman</strong> (<a href="https://chickeneggpics.org/grantee/roll-red-roll/"><em>Roll Red Roll</em></a>, <a href="https://chickeneggpics.org/grantee/one-shot-one-kill/"><em>One Shot One Kill</em></a>). </p>



<p>We also want to congratulate Lindsey Dryden (producer of Nest-supported <a href="https://chickeneggpics.org/grantee/unrest/"><em>Unrest</em></a>) and Melanie Miller (producer of Project: Hatched 2021 grantee <a href="https://chickeneggpics.org/grantee/on-the-divide/"><em>On The Divide</em></a>) for their invitations!&nbsp;&nbsp;&nbsp;</p>



<p>Of the <a href="https://press.oscars.org/news/academy-invites-398-membership">2023 Class</a>, 40% identify as women, 34% belong to underrepresented ethnic/racial communities, and 52% are from 50 countries and territories outside the United States.</p>



<p>Congratulations to the Class of 2023!</p>
]]></content:encoded>
					
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			</item>
		<item>
		<title>Announcing our 2022 Chicken &#038; Egg Award Recipients!</title>
		<link>https://archive.chickeneggpics.org/2022-chicken-egg-award-recipients/</link>
					<comments>https://archive.chickeneggpics.org/2022-chicken-egg-award-recipients/#respond</comments>
		
		<dc:creator><![CDATA[Mariana Sanson]]></dc:creator>
		<pubDate>Tue, 25 Jan 2022 16:21:59 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Anayansi Prado]]></category>
		<category><![CDATA[Beverley Palesa Ditsie]]></category>
		<category><![CDATA[Brett Story]]></category>
		<category><![CDATA[Ditsi Carolino]]></category>
		<category><![CDATA[Margreth Olin]]></category>
		<category><![CDATA[Petra Costa]]></category>
		<category><![CDATA[Sonia Kennebeck]]></category>
		<category><![CDATA[Tracy Heather Strain]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=9990</guid>

					<description><![CDATA[Chicken &#038; Egg Pictures is proud to introduce the seventh cohort of our Chicken &#038; Egg Award, which supports six advanced-career women and gender nonconforming filmmakers with unrestricted funding.]]></description>
										<content:encoded><![CDATA[
<figure class="wp-block-image size-large"><img decoding="async" width="1024" height="383" src="https://chickeneggpics.org/wp-content/uploads/2022/01/Chicken-Egg-Award-2022-Banner-1024x383.jpg" alt="a series of headshots of six women looking at the camera" class="wp-image-9991" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/Chicken-Egg-Award-2022-Banner-1024x383.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/Chicken-Egg-Award-2022-Banner-608x227.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/Chicken-Egg-Award-2022-Banner-768x287.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/Chicken-Egg-Award-2022-Banner-1536x574.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/Chicken-Egg-Award-2022-Banner-2048x766.jpg 2048w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>



<p>Announced via <strong><a href="https://womenandhollywood.com/exclusive-petra-costa-and-tracy-heather-strain-among-2022-chicken-egg-award-recipients/?utm_source=dlvr.it&amp;utm_medium=twitter">Women &amp; Hollywood</a></strong> today, Chicken &amp; Egg Pictures is proud to introduce the seventh cohort of our <a href="https://chickeneggpics.org/programs/#breakthrough-filmmaker-award"><strong>Chicken &amp; Egg Award</strong></a>, which supports six advanced-career women and gender nonconforming filmmakers with <strong>unrestricted funding</strong>. The directors will receive a $50,000 grant, and for the first time ever two directors will receive a $15,000 finalist grant.</p>



<blockquote class="wp-block-quote is-layout-flow wp-block-quote-is-layout-flow"><p>“The Chicken &amp; Egg Award makes bold investments in the personal and professional wellbeing of visionary women and gender nonconforming documentary makers. Over the past seven years, we have given <strong>unrestricted cash grants totaling $1.9 million US dollars</strong> to <strong>38 change-making directors</strong>,” said Program Director Lucila Moctezuma. “Because filmmakers—especially those affected by roadblocks tied to their gender, race, class, and location—deserve financial freedom while they create new projects.”</p></blockquote>



<p>Please click on the Recipients’ names for more information on each filmmaker and give these visionary directors a warm welcome to the Nest!</p>



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<h2 class="has-text-align-center wp-block-heading"><strong>2022 CHICKEN &amp; EGG AWARD RECIPIENTS</strong></h2>



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<p><span class="e2ma-style"><strong><img decoding="async" class="wp-image-9905  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Petra-Costa_Headshot_BW_WEB-608x609.jpg" alt="Director Petra Costa’s headshot in black and white" width="219" height="219" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Petra-Costa_Headshot_BW_WEB-608x609.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Petra-Costa_Headshot_BW_WEB-1022x1024.jpg 1022w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Petra-Costa_Headshot_BW_WEB-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Petra-Costa_Headshot_BW_WEB-768x770.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Petra-Costa_Headshot_BW_WEB.jpg 1482w" sizes="(max-width: 219px) 100vw, 219px" /></strong></span><span class="e2ma-style" style="font-size: inherit;"><a href="https://chickeneggpics.org/grantee/petra-costa/"><b>Petra Costa</b></a><span style="font-weight: 400;"> is a Brazilian documentary filmmaker whose work lives on the borderlines of the personal and political. She directed </span><b><i>The Edge of Democracy</i></b><span style="font-weight: 400;"> (2019), which was nominated for the Academy Award® for Documentary Feature in 2020; </span><b><i>Undertow Eyes</i></b><span style="font-weight: 400;"> (2009); </span><b><i>Elena</i></b><span style="font-weight: 400;"> (2012); and </span><b><i>Olmo and the Seagull</i></b> <span style="font-weight: 400;">(2015). Petra is associate producer of Barbara Paz’s </span><i><span style="font-weight: 400;">Babenco </span></i><span style="font-weight: 400;">(2019), producer of Moara Passoni&#8217;s</span><i><span style="font-weight: 400;"> Ecstasy </span></i><span style="font-weight: 400;">(2020), and EP of Rebeca Huntt&#8217;s</span><i><span style="font-weight: 400;"> BEBA</span></i><span style="font-weight: 400;"> (2021).</span> &nbsp;<b>&nbsp;</b></span></p>
<p><img loading="lazy" decoding="async" class="wp-image-9950  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Beverley-Ditsie_Headshot_BW_WEB-1-608x607.jpg" alt="Black &amp; White medium image of Dr Bev in an Afro hairstyle, wearing a black tux and black tie, looking directly at camera." width="211" height="211" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Beverley-Ditsie_Headshot_BW_WEB-1-608x607.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Beverley-Ditsie_Headshot_BW_WEB-1-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Beverley-Ditsie_Headshot_BW_WEB-1-768x767.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Beverley-Ditsie_Headshot_BW_WEB-1.jpg 1000w" sizes="auto, (max-width: 211px) 100vw, 211px" /></p>
<p><a href="https://chickeneggpics.org/grantee/beverley-palesa-ditsie/"><b>Dr. Bev Palesa Ditsie</b></a><span style="font-weight: 400;"> (Hon) is a radical gender nonconforming lesbian activist and award winning filmmaker, disruptor and change agent who was instrumental in bringing LGBTIQA+ rights into focus in the late 80’s and 90’s in South Africa and the world. She is also a reality TV director whose credits include Big Brother Africa, Survivor South Africa, and Project Runway South Africa. Among her film credits are </span><b><i>Simon &amp; I</i></b><span style="font-weight: 400;">, </span><b><i>A Family Affair</i></b><span style="font-weight: 400;">, and </span><b><i>The Commission</i></b><span style="font-weight: 400;">. </span><b><i>Lesbians Free Everyone</i></b><span style="font-weight: 400;"> (2020), their latest work filmed during lockdown, takes the viewer along their journey as the first African Lesbian to address the UN at the Fourth World Conference on Women in Beijing 1995. </span></p>
<p><span class="e2ma-style"><img loading="lazy" decoding="async" class="wp-image-9956  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Anayansi-Prado_Headshot_BW_WEB-1-608x549.jpg" alt="A woman with dark skin, long, wavy black hair and black eyes sits on a bright red/orange sofa, her hands resting on the sofa's arm rest. She's smiling while looking into straight into the camera. She is wearing a long sleeve black dress with a V-neck,has on a turquoise necklace and matching earrings." width="218" height="197" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Anayansi-Prado_Headshot_BW_WEB-1-608x549.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Anayansi-Prado_Headshot_BW_WEB-1-1024x924.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Anayansi-Prado_Headshot_BW_WEB-1-768x693.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Anayansi-Prado_Headshot_BW_WEB-1-1536x1386.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Anayansi-Prado_Headshot_BW_WEB-1-2048x1848.jpg 2048w" sizes="auto, (max-width: 218px) 100vw, 218px" /></span><span class="e2ma-style"><a href="https://chickeneggpics.org/grantee/anayansi-prado/"><b>Anayansi Prado</b></a><span style="font-weight: 400;"> is an award-winning documentary filmmaker whose work has focused on issues of undocumented immigration, indigenous rights, and race identity. Her feature films have aired nationally on PBS including </span><b><i>The Unafraid</i></b> <span style="font-weight: 400;">(2018), </span><b><i>Paraiso for Sale</i></b> <span style="font-weight: 400;">(2010), and </span><b><i>Maid in America</i></b> <span style="font-weight: 400;">(2005). Anayansi is a Rockefeller Media Fellow and a Creative Capital Artist; her work has been supported by the MacArthur Foundation, Ford Foundation, Chicken &amp; Egg Pictures, amongst others.</span> </span></p>
<p><span class="e2ma-style"><img loading="lazy" decoding="async" class="wp-image-9968  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1-608x613.jpg" alt="This is a headshot of Brett Story, a white woman with freckles and long brown hair and bangs. She is sitting at a table against a white wall, wearing a black turtleneck and jeans." width="213" height="215" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1-608x613.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1-1016x1024.jpg 1016w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1-768x774.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1-1525x1536.jpg 1525w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Brett-Story_Headshot_BW_WEB-1-2033x2048.jpg 2033w" sizes="auto, (max-width: 213px) 100vw, 213px" /><a href="https://chickeneggpics.org/grantee/brett-story/"><b>Brett Story</b></a><span style="font-weight: 400;"> is an award-winning filmmaker and writer based out of Toronto. She is the director of the critically acclaimed feature documentaries </span><b><i>The Prison in Twelve</i></b> <b><i>Landscapes</i></b><span style="font-weight: 400;"> (2016) and</span> <b><i>The Hottest August</i></b><span style="font-weight: 400;"> (2019), both of which have screened around the world. Brett has held fellowships from the John Simon Guggenheim Memorial Foundation and Sundance Institute, and she was named one of Variety’s 10 Documentary Filmmakers to Watch 2019.</span><br></span></p>
<p><span class="e2ma-style"><img loading="lazy" decoding="async" class="wp-image-9976  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Margreth-Olin_Headshot_BW_2_WEB-1-608x656.jpg" alt="Director Margreth Olin in a coat, background winter landscape in Oslo" width="209" height="226" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Margreth-Olin_Headshot_BW_2_WEB-1-608x656.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Margreth-Olin_Headshot_BW_2_WEB-1-949x1024.jpg 949w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Margreth-Olin_Headshot_BW_2_WEB-1-768x829.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Margreth-Olin_Headshot_BW_2_WEB-1-1424x1536.jpg 1424w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Margreth-Olin_Headshot_BW_2_WEB-1-1898x2048.jpg 1898w" sizes="auto, (max-width: 209px) 100vw, 209px" /><a href="https://chickeneggpics.org/grantee/margreth-olin/"><b>Margreth Olin</b></a><span style="font-weight: 400;"> is a director and producer with a large cinema audience in Norway. She has made 13 films, which have received critical acclaim, participated at numerous festivals abroad, and won several Norwegian and international awards. Margreth has managed to catalyze important dialogues with the topics her films shed light on. She has personally received 26 honorary awards for her commitment and focus on human rights. Her credits include </span><b><i>My Body</i></b><span style="font-weight: 400;"> (Tribeca 2002), EFA-nominated </span><b><i>Raw Youth</i></b><span style="font-weight: 400;"> (2004), </span><b><i>The Angel </i></b><span style="font-weight: 400;">(TIFF 2010), </span><b><i>Nowhere Home</i></b><span style="font-weight: 400;"> (IDFA 2012), </span><b><i>Cathedrals of Culture</i></b><span style="font-weight: 400;"> (Berlinale 2013), </span><b><i>Self Portrait</i></b><span style="font-weight: 400;"> (DOC NYC 2020).</span><br></span></p>
<p><img loading="lazy" decoding="async" class="wp-image-9912  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Tracy-Heather-Strain_Headshot_BW_web-1-608x608.jpg" alt="" width="226" height="226" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Tracy-Heather-Strain_Headshot_BW_web-1-608x608.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Tracy-Heather-Strain_Headshot_BW_web-1-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Tracy-Heather-Strain_Headshot_BW_web-1-768x768.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022_Tracy-Heather-Strain_Headshot_BW_web-1.jpg 1000w" sizes="auto, (max-width: 226px) 100vw, 226px" /><a href="https://chickeneggpics.org/grantee/tracy-heather-strain/"><b>Tracy Heather Strain</b></a><span style="font-weight: 400;">, a two-time Peabody Award-winning and Emmy-nominated filmmaker, explores stories about the ways diverse peoples have experienced life in the US. She won an NAACP Image Award for Motion Picture Directing for </span><b><i>Lorraine Hansberry: Sighted Eyes/Feeling Heart</i></b><span style="font-weight: 400;">, which premiered at TIFF and made its television debut on American Masters. She is presently developing </span><b><i>Survival Floating</i></b><span style="font-weight: 400;">, a hybrid documentary investigating African-descended peoples’ relationships with swimming.</span></p>



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<h3 class="has-text-align-center wp-block-heading"><strong><strong>2022 CHICKEN &amp; EGG AWARD FINALIST DEVELOPMENT GRANT RECIPIENTS</strong></strong></h3>



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<p><span class="e2ma-style"><strong><img loading="lazy" decoding="async" class="wp-image-9978  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022-Finalist_Ditsi-Carolino_Headshot_BW-608x623.jpg" alt="" width="224" height="230" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022-Finalist_Ditsi-Carolino_Headshot_BW-608x623.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022-Finalist_Ditsi-Carolino_Headshot_BW-999x1024.jpg 999w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022-Finalist_Ditsi-Carolino_Headshot_BW-768x787.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/CEA-2022-Finalist_Ditsi-Carolino_Headshot_BW.jpg 1133w" sizes="auto, (max-width: 224px) 100vw, 224px" /></strong></span><span class="e2ma-style" style="font-size: inherit;"><a href="https://chickeneggpics.org/grantee/ditsi-carolino/"><b>Ditsi Carolino</b></a><span style="font-weight: 400;"> studied filmmaking at the National Film &amp; Television School in the UK on a Chevening Scholarship. Her past projects include </span><b><i>Life on the Tracks</i></b><span style="font-weight: 400;">, about a couple who live by the railway slums (IDFA World Premiere, BBC Storyville Broadcast); and </span><b><i>Bunso</i></b><b>:</b> <b><i>The Youngest</i></b><span style="font-weight: 400;">, about three imprisoned boys from 11–13, which was used by child rights advocates to pass the juvenile justice law. Ditsi is a member of Academy of Motion Picture Arts and Sciences. </span>  <b> </b></span></p>
<p><img loading="lazy" decoding="async" class="wp-image-9985  alignleft" src="https://chickeneggpics.org/wp-content/uploads/2022/01/2018-AL_Sonia_Kennebeck_Director-and-Producer_BW_WEB-608x532.jpg" alt="" width="229" height="200" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2022/01/2018-AL_Sonia_Kennebeck_Director-and-Producer_BW_WEB-608x532.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/2018-AL_Sonia_Kennebeck_Director-and-Producer_BW_WEB-1024x896.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/2018-AL_Sonia_Kennebeck_Director-and-Producer_BW_WEB-768x672.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/2018-AL_Sonia_Kennebeck_Director-and-Producer_BW_WEB-1536x1345.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2022/01/2018-AL_Sonia_Kennebeck_Director-and-Producer_BW_WEB-2048x1793.jpg 2048w" sizes="auto, (max-width: 229px) 100vw, 229px" /></p>
<p><a href="https://chickeneggpics.org/grantee/sonia-kennebeck/"><b>Sonia Kennebeck</b></a><span style="font-weight: 400;"> is an award-winning director and producer and has released three critically-acclaimed independent feature films: </span><b><i>National Bird</i></b><span style="font-weight: 400;"> (Berlinale Special 2016), </span><b><i>Enemies of the State</i></b><span style="font-weight: 400;"> (TIFF 2020), and </span><b><i>United States vs. Reality Winner</i></b><span style="font-weight: 400;"> (SXSW 2021). She received the Adrienne Shelly Excellence in Filmmaking Award and Ridenhour Documentary Film Prize. She is a first-generation college graduate who was born in Malaysia, raised in Germany, and lives in the US.  </span></p>
<p><span class="e2ma-style"><span style="font-weight: 400;">Read the <a href="https://womenandhollywood.com/exclusive-petra-costa-and-tracy-heather-strain-among-2022-chicken-egg-award-recipients/?utm_source=dlvr.it&amp;utm_medium=twitter"><b>Women &amp; Hollywood</b></a> article about the 2022 Chicken &amp; Egg Award. </span></span></p>
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		<title>Ascension Receives Six Critics Choice Nominations</title>
		<link>https://archive.chickeneggpics.org/critics-choice-2021/</link>
					<comments>https://archive.chickeneggpics.org/critics-choice-2021/#respond</comments>
		
		<dc:creator><![CDATA[Mariana Sanson]]></dc:creator>
		<pubDate>Mon, 18 Oct 2021 19:33:31 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Ascension]]></category>
		<category><![CDATA[board of directors]]></category>
		<category><![CDATA[Enemies of the State]]></category>
		<category><![CDATA[Jessica Kingdon]]></category>
		<category><![CDATA[Kristine Stolakis]]></category>
		<category><![CDATA[Penny Lane]]></category>
		<category><![CDATA[Pray Away]]></category>
		<category><![CDATA[Sonia Kennebeck]]></category>
		<category><![CDATA[Susan Margolin]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=9549</guid>

					<description><![CDATA[(Egg)celerator Lab grantees Pray Away and Enemies of the State also nominated. ]]></description>
										<content:encoded><![CDATA[
<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="431" src="https://chickeneggpics.org/wp-content/uploads/2021/10/Photo-Collage_Critics-Choice-Nominations-2021-1024x431.png" alt="" class="wp-image-9544" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2021/10/Photo-Collage_Critics-Choice-Nominations-2021-1024x431.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2021/10/Photo-Collage_Critics-Choice-Nominations-2021-608x256.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2021/10/Photo-Collage_Critics-Choice-Nominations-2021-768x323.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2021/10/Photo-Collage_Critics-Choice-Nominations-2021-1536x647.png 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2021/10/Photo-Collage_Critics-Choice-Nominations-2021-2048x862.png 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p><span style="font-weight: 400;">The </span><a href="http://criticschoice.com/"><span style="font-weight: 400;">Critics Choice Association</span></a><span style="font-weight: 400;"> has announced the nominees for the Sixth Annual Critics Choice Documentary Awards. The winners will be revealed at a gala on Sunday, November 14, in Brooklyn, New York. </span></p>
<p><span style="font-weight: 400;">At Chicken &amp; Egg Pictures, we are egg-cited to learn that three (Egg)celerator Lab grantees were nominated: <i>Pray Away</i>, <i>Enemies of the State, </i>and <i>Ascension</i>. <i>Ascension</i> is one of the two documentaries leading the Awards with six nominations each. </span></p>



<h3 class="wp-block-heading"><a href="https://chickeneggpics.org/grantee/ascension/"><em>Ascension</em></a></h3>



<h3 class="wp-block-heading">dir. &amp; prod. Jessica Kingdon</h3>



<h3 class="wp-block-heading">prods. Kira Simon-Kennedy and Nathan Truesdell</h3>



<p></p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="540" src="https://chickeneggpics.org/wp-content/uploads/2019/01/EL-2019_Ascension_Jessica-Kingdon_Film-Still_Waterpark-2_colorcor-1024x540.jpg" alt="Still from Ascension" class="wp-image-8832" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/01/EL-2019_Ascension_Jessica-Kingdon_Film-Still_Waterpark-2_colorcor-1024x540.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/EL-2019_Ascension_Jessica-Kingdon_Film-Still_Waterpark-2_colorcor-608x321.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/EL-2019_Ascension_Jessica-Kingdon_Film-Still_Waterpark-2_colorcor-768x405.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/EL-2019_Ascension_Jessica-Kingdon_Film-Still_Waterpark-2_colorcor-1536x810.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/EL-2019_Ascension_Jessica-Kingdon_Film-Still_Waterpark-2_colorcor-2048x1080.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption>Still from <em>Ascension</em></figcaption></figure>



<p>Nominated for Best Documentary Feature, Best Director, Best First Documentary Feature, Best Cinematography, Best Editing, and Best Score</p>



<hr class="wp-block-separator"/>



<h3 class="wp-block-heading"><a href="https://chickeneggpics.org/grantee/pray-away/"><em>Pray Away</em></a></h3>



<h3 class="wp-block-heading">dir. &amp; prod. Kristine Stolakis</h3>



<h3 class="wp-block-heading">prod. Jessica Devaney and Anya Rous</h3>



<p></p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="576" src="https://chickeneggpics.org/wp-content/uploads/2019/01/PRAY-AWAY-Primary-Still-1-1024x576.jpg" alt="Still from Pray Away" class="wp-image-7521" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/01/PRAY-AWAY-Primary-Still-1-1024x576.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/PRAY-AWAY-Primary-Still-1-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/PRAY-AWAY-Primary-Still-1-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/PRAY-AWAY-Primary-Still-1-1536x864.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/PRAY-AWAY-Primary-Still-1.jpg 1920w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption>Still from <em>Pray Away</em></figcaption></figure>



<p>Nominated for Best First Documentary Feature</p>



<hr class="wp-block-separator"/>



<h3 class="wp-block-heading"><a href="https://chickeneggpics.org/grantee/enemies-of-the-state/"><em>Enemies of the State</em></a></h3>



<h3 class="wp-block-heading">dir. Sonnia Kennebeck</h3>



<h3 class="wp-block-heading">prod. Ines Hofmann Kanna</h3>



<p></p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="735" src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_EnemiesOfTheState_still-anonymous-1024x735.jpg" alt="Enemies of the State Sonia Kennebeck 2018 Accelerator Lab" class="wp-image-3734" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_EnemiesOfTheState_still-anonymous-1024x735.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_EnemiesOfTheState_still-anonymous-608x437.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_EnemiesOfTheState_still-anonymous-768x552.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_EnemiesOfTheState_still-anonymous.jpg 1937w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption>Still from <em>Enemies of the State</em></figcaption></figure>



<p>Nominated for Best Political Documentary</p>



<hr class="wp-block-separator"/>



<div style="height:6px" aria-hidden="true" class="wp-block-spacer"></div>



<h2 class="wp-block-heading">Special Congratulations</h2>



<p></p>



<p><span style="font-weight: 400;"><em>Listening to Kenny G</em>, directed by 2017 Chicken &amp; Egg Award recipient Penny Lane, and produced by Gabriel Sedgwick, received a nomination for Best Music Documentary.</span></p>



<p>A special congratulations to our Board member Susan Margolin, producer of <em>A Crime on the Bayou</em> (dir. &amp; prod. Nancy Buirski, prods. Claire L. Chandler &amp; Susan Margolin). The film was nominated for Best Documentary Feature and Best Historical or Biographical Documentary.</p>



<p><em>Post by Communications Intern Mariana Sanson.&nbsp;</em></p>


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		<title>We&#8217;re Back to the Cinemas at the 2021 Tribeca Film Festival!</title>
		<link>https://archive.chickeneggpics.org/tribeca-2021/</link>
					<comments>https://archive.chickeneggpics.org/tribeca-2021/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Thu, 03 Jun 2021 16:41:14 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[AlumNest]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[Premieres]]></category>
		<category><![CDATA[Project: Hatched]]></category>
		<category><![CDATA[2018 (egg)celerator lab]]></category>
		<category><![CDATA[2019 (Egg)celerator Lab]]></category>
		<category><![CDATA[2021 Tribeca Film Festival]]></category>
		<category><![CDATA[AlumnNest]]></category>
		<category><![CDATA[Ascenion]]></category>
		<category><![CDATA[Cecilia Aldarondo]]></category>
		<category><![CDATA[Dave Chappelle documentary]]></category>
		<category><![CDATA[Deirdre Fishel]]></category>
		<category><![CDATA[Enemies of the State]]></category>
		<category><![CDATA[Film Festival]]></category>
		<category><![CDATA[Jessica Kingdon]]></category>
		<category><![CDATA[Julia Reichert]]></category>
		<category><![CDATA[Kristine Stolakis]]></category>
		<category><![CDATA[Landfall]]></category>
		<category><![CDATA[Loira Limbal]]></category>
		<category><![CDATA[Megan Mylan]]></category>
		<category><![CDATA[Michele Stephenson]]></category>
		<category><![CDATA[Nest]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Pray Away]]></category>
		<category><![CDATA[Simple As Water]]></category>
		<category><![CDATA[Sonia Kennebeck]]></category>
		<category><![CDATA[Stateless]]></category>
		<category><![CDATA[Steve Bognar]]></category>
		<category><![CDATA[streaming]]></category>
		<category><![CDATA[The Sit-In: Harry Belafonte Hosts The Tonight Show]]></category>
		<category><![CDATA[Through The Night]]></category>
		<category><![CDATA[Tribeca Film Festival]]></category>
		<category><![CDATA[United States]]></category>
		<category><![CDATA[Women in Blue]]></category>
		<category><![CDATA[Yoruba Richen]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=8858</guid>

					<description><![CDATA[Chicken &#038; Egg Pictures-supported projects at Tribeca from June 9 to June 20! ]]></description>
										<content:encoded><![CDATA[
<p>The <a href="https://tribecafilm.com/">Tribeca Film Festival</a> is celebrating its 20th anniversary with a return to the cinemas in 2021. The festival runs from Wednesday, June 9 to Sunday, June 20 with programming that can be accessed in person and virtually.</p>



<p><a href="https://chickeneggpics.org/wp-content/uploads/2021/06/Tribeca-2021-1.jpg" rel="lightbox[8858]"><img loading="lazy" decoding="async" class="alignnone wp-image-8892 size-full" src="https://chickeneggpics.org/wp-content/uploads/2021/06/Tribeca-2021-1.jpg" alt="" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2021/06/Tribeca-2021-1.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2021/06/Tribeca-2021-1-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2021/06/Tribeca-2021-1-1024x576.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2021/06/Tribeca-2021-1-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2021/06/Tribeca-2021-1-1536x864.jpg 1536w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a></p>



<p>At Chicken &amp; Egg Pictures, we are looking forward to the shared experience of film, as New Yorkers head back to the movies again. Viewers within the US can access Tribeca’s virtual programming through $15 online stream tickets.<strong> </strong></p>



<p>We are also thrilled to let you know that films slated to premiere at the 2020 Tribeca Film Festival, but postponed due to COVID-19, will also screen at this year’s edition. Granted films featured in the festival include four <a href="https://chickeneggpics.org/programs/#eggcelerator-lab">(Egg)celerator Lab</a> grantees from 2018 and 2019, one <a href="https://chickeneggpics.org/programs/#project-hatched">Project: Hatched</a> grantee, one <a href="https://chickeneggpics.org/programs/#chicken-egg-award">Chicken &amp; Egg Award</a> recipient film, three films from the <a href="https://chickeneggpics.org/programs/#alumnest">AlumNest</a>, and one VR project. <strong>Learn more about the films below, and get your tickets <a href="https://tribecafilm.com/festival">here</a>.&nbsp;</strong></p>



<h3 class="wp-block-heading"><em><a href="https://chickeneggpics.org/grantee/ascension/" target="_blank" rel="noreferrer noopener">Ascension</a></em>, dir. Jessica Kingdon</h3>



<hr class="wp-block-separator"/>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="540" src="https://chickeneggpics.org/wp-content/uploads/2019/01/EL-2019_Ascension_Jessica-Kingdon_Film-Still_Waterpark-2_colorcor-1024x540.jpg" alt="" class="wp-image-8832" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/01/EL-2019_Ascension_Jessica-Kingdon_Film-Still_Waterpark-2_colorcor-1024x540.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/EL-2019_Ascension_Jessica-Kingdon_Film-Still_Waterpark-2_colorcor-608x321.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/EL-2019_Ascension_Jessica-Kingdon_Film-Still_Waterpark-2_colorcor-768x405.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/EL-2019_Ascension_Jessica-Kingdon_Film-Still_Waterpark-2_colorcor-1536x810.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/EL-2019_Ascension_Jessica-Kingdon_Film-Still_Waterpark-2_colorcor-2048x1080.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p><em>Ascension</em> examines the contemporary “Chinese Dream” through staggering observations of labor, consumerism and wealth. In cinematically exploring the aspiration that drives today’s People’s Republic of China, the film plunges into universal paradoxes of economic progress.</p>



<p>World Premiere │ Tribeca Documentary Competition │ 2019 (Egg)celerator Lab </p>



<h3 class="wp-block-heading"><em><a href="https://chickeneggpics.org/grantee/enemies-of-the-state/" target="_blank" rel="noreferrer noopener">Enemies of the State</a></em>, dir. Sonia Kennebeck</h3>



<hr class="wp-block-separator"/>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="735" src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_EnemiesOfTheState_still-anonymous-1024x735.jpg" alt="Enemies of the State Sonia Kennebeck 2018 Accelerator Lab" class="wp-image-3734" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_EnemiesOfTheState_still-anonymous-1024x735.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_EnemiesOfTheState_still-anonymous-608x437.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_EnemiesOfTheState_still-anonymous-768x552.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_EnemiesOfTheState_still-anonymous.jpg 1937w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>An American family becomes entangled in a bizarre web of secrets and lies when their hacker son is targeted by the U.S. government, making them all <em>Enemies of the State</em>.</p>



<p>US Premiere │ 2018 (Egg)celerator Lab</p>



<h3 class="wp-block-heading"><em><a href="https://chickeneggpics.org/grantee/pray-away" target="_blank" rel="noreferrer noopener">Pray Away</a></em>, dir. Kristine Stolakis</h3>



<hr class="wp-block-separator"/>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="576" src="https://chickeneggpics.org/wp-content/uploads/2019/01/PRAY-AWAY-Primary-Still-1-1024x576.jpg" alt="" class="wp-image-7521" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/01/PRAY-AWAY-Primary-Still-1-1024x576.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/PRAY-AWAY-Primary-Still-1-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/PRAY-AWAY-Primary-Still-1-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/PRAY-AWAY-Primary-Still-1-1536x864.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/PRAY-AWAY-Primary-Still-1.jpg 1920w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>Former leaders of the “pray away the gay” movement contend with the aftermath unleashed by their actions, while a survivor seeks healing and acceptance from more than a decade of trauma.</p>



<p>World Premiere │ 2019 (Egg)celerator Lab</p>



<h3 class="wp-block-heading"><em><a href="https://chickeneggpics.org/grantee/through-the-night" target="_blank" rel="noreferrer noopener">Through the Night</a></em>, dir. Loira Limbal</h3>



<hr class="wp-block-separator"/>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="540" src="https://chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-1024x540.jpg" alt="" class="wp-image-8312" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-1024x540.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-608x321.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-768x405.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-1536x810.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-2048x1081.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>To make ends meet, Americans are working longer hours across multiple jobs. This modern reality of nonstop work has resulted in an unexpected phenomenon: the flourishing of 24-hour daycare centers. <em>Through the Night</em> is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.</p>



<p>New York Premiere │ 2018 (Egg)celerator Lab</p>



<h3 class="wp-block-heading"><em><a href="https://chickeneggpics.org/grantee/landfall" target="_blank" rel="noreferrer noopener">Landfall</a></em>, dir. Cecilia Aldarondo</h3>



<hr class="wp-block-separator"/>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="576" src="https://chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-1024x576.jpg" alt="" class="wp-image-7879" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-1024x576.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-1536x864.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2.jpg 1920w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>Through shard-like glimpses of everyday life in post-Hurricane María Puerto Rico,&nbsp;<em>Landfall</em>&nbsp;examines a ruined world at the brink of transformation, spinning a cautionary tale for our times.</p>



<p>Project: Hatched 2020</p>



<h3 class="wp-block-heading"><em>Stateless</em>, dir. Michèle Stephenson</h3>



<hr class="wp-block-separator"/>



<figure class="wp-block-image size-large is-resized"><img loading="lazy" decoding="async" src="https://chickeneggpics.org/wp-content/uploads/2020/07/STATELESS_1-1024x576.jpg" alt="" class="wp-image-7987" width="839" height="471" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2020/07/STATELESS_1-1024x576.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/STATELESS_1-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/STATELESS_1-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/STATELESS_1-1536x864.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/STATELESS_1.jpg 1920w" sizes="auto, (max-width: 839px) 100vw, 839px" /></figure>



<p>Through the grassroots campaign of electoral hopeful Rosa Iris, director Michèle Stephenson’s new documentary reveals the depths of racial hatred and institutionalized oppression that divide Haiti and the Dominican Republic.</p>



<p>2016 Chicken &amp; Egg Award</p>



<h3 class="wp-block-heading"><em><a href="https://chickeneggpics.org/grantee/simple-as-water/" target="_blank" rel="noreferrer noopener">Simple as Water</a></em>, dir. Megan Mylan</h3>



<hr class="wp-block-separator is-style-default"/>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="436" src="https://chickeneggpics.org/wp-content/uploads/2021/06/Syrian-Familes-Film_Mylan_Samra.Still001-1024x436.jpg" alt="" class="wp-image-8871" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2021/06/Syrian-Familes-Film_Mylan_Samra.Still001-1024x436.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2021/06/Syrian-Familes-Film_Mylan_Samra.Still001-608x259.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2021/06/Syrian-Familes-Film_Mylan_Samra.Still001-768x327.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2021/06/Syrian-Familes-Film_Mylan_Samra.Still001-1536x654.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2021/06/Syrian-Familes-Film_Mylan_Samra.Still001-2048x872.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>A look at war and displacement through the lens of parenthood from Megan Mylan, Academy-Award winning director of Lost Boys of Sudan and Smile Pinki. This feature documentary unfolds as a sequence of cinematic short stories revolving around Syrian families living in Turkey, Greece, the US, Germany, and Syria. Each chapter is an intimate portrait of parents—often mothers alone—as they work to rebuild their children’s lost sense of security and possibility. It is a story that is both urgent and timeless.</p>



<p>World Premiere │ 2018 Grant </p>



<hr class="wp-block-separator is-style-default"/>



<h3 class="wp-block-heading"><strong>VR Experience</strong></h3>



<p></p>



<p><strong><a href="https://tribecafilm.com/films/changing-same-episode-1-2021" target="_blank" rel="noreferrer noopener"><em>The Changing Same</em>: Episode 1</a></strong>, dirs. Michèle Stephenson, Joe Brewster &amp; Yasmin Elayat</p>



<hr class="wp-block-separator is-style-default"/>



<h3 class="wp-block-heading"><a href="https://chickeneggpics.org/programs/#alumnest" target="_blank" rel="noreferrer noopener">AlumNest</a> Films</h3>



<p></p>



<p><strong><em><a href="https://www.peacocktv.com/stream-movies/the-sit-in-harry-belafonte">The Sit-In: Harry Belafonte Hosts The Tonight Show</a></em></strong>, dir. Yoruba Richen (<strong>2016 Chicken &amp; Egg Award recipient</strong>)<br>Selected for the 2020 Tribeca Film Festival </p>



<p><strong><em><a href="https://www.pbs.org/independentlens/documentaries/women-in-blue/" target="_blank" rel="noreferrer noopener">Women In Blue</a></em></strong>, dir. Deirdre Fishel (AlumNest for <strong><em>Care</em></strong>) <br>Selected for the 2020 Tribeca Film Festival</p>



<p>Untitled <a href="https://variety.com/2021/film/news/dave-chappelle-documentary-tribeca-film-festival-1234982006/"><strong><em>Dave Chappelle Documentary</em></strong>,</a> dirs. Julia Reichert (<strong>2016 Chicken &amp; Egg Award recipient</strong>) and Steve Bognar<br>Egg-citing news! This world premiere will be Tribeca’s <strong>closing night film</strong>.</p>



<p>See you at the cinema!&nbsp;Post by 2021 Summer Communications Intern Mariana Sanson.&nbsp;</p>




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		<title>Nest-supported Films at the 2020 DOC NYC Film Festival</title>
		<link>https://archive.chickeneggpics.org/doc-nyc-2020/</link>
					<comments>https://archive.chickeneggpics.org/doc-nyc-2020/#comments</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Tue, 10 Nov 2020 17:18:54 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[9to5: The Story of a Movement]]></category>
		<category><![CDATA[A Cops and Robbers Story]]></category>
		<category><![CDATA[Anabel Rodríguez]]></category>
		<category><![CDATA[Anabel Rodriguez Rios]]></category>
		<category><![CDATA[Cecilia Aldarondo]]></category>
		<category><![CDATA[Chris King]]></category>
		<category><![CDATA[DOC NYC]]></category>
		<category><![CDATA[DOC NYC Film Festival]]></category>
		<category><![CDATA[Down a Dark Stairwell]]></category>
		<category><![CDATA[Enemies of the State]]></category>
		<category><![CDATA[Ilinca Calugareanu]]></category>
		<category><![CDATA[Judith Helfand]]></category>
		<category><![CDATA[Julia Reichert]]></category>
		<category><![CDATA[Julie Parker Benello]]></category>
		<category><![CDATA[Landfall]]></category>
		<category><![CDATA[Loira Limbal]]></category>
		<category><![CDATA[Love & Stuff]]></category>
		<category><![CDATA[Maia von Lekow]]></category>
		<category><![CDATA[Maria Finitzo]]></category>
		<category><![CDATA[Michele Stephenson]]></category>
		<category><![CDATA[Once Upon a Time in Venezuela]]></category>
		<category><![CDATA[Sonia Kennebeck]]></category>
		<category><![CDATA[Stateless]]></category>
		<category><![CDATA[Stateless (Apatrida)]]></category>
		<category><![CDATA[Steve Bognar]]></category>
		<category><![CDATA[The Dilemma of Desire]]></category>
		<category><![CDATA[the letter]]></category>
		<category><![CDATA[Through The Night]]></category>
		<category><![CDATA[Tiffany Hsiung]]></category>
		<category><![CDATA[ursula liang]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=8105</guid>

					<description><![CDATA[Our Nest-supported filmmaking community is soaring into DOC NYC Film Festival, which runs virtually from Wednesday, November 11 to Thursday, November 19. Ten supported films across many of our core programs— (Egg)celerator Lab films by emerging filmmakers, projects by advanced-career Chicken &#38; Egg Awardees, and films from our inaugural Project: Hatched completion program—are official selections. [&#8230;]]]></description>
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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="309" src="https://chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-1024x309.jpg" alt="" class="wp-image-8112" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-1024x309.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-608x184.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-768x232.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-1536x464.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-2048x618.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>Our Nest-supported filmmaking community is soaring into <strong>DOC NYC Film Festival</strong>, which runs virtually from Wednesday, November 11 to Thursday, November 19. Ten supported films across many of our core programs— (Egg)celerator Lab films by emerging filmmakers, projects by advanced-career Chicken &amp; Egg Awardees, and films from our inaugural Project: Hatched completion program—are official selections. Plus <em><strong>A Cops and Robbers Story</strong></em>, directed by directed by Ilinca Calugareanu, will make its world premiere at the New York festival! Learn more about the ten projects below, and get your tickets for DOC NYC <a href="https://www.docnyc.net/">here</a>.&nbsp;</p>



<hr class="wp-block-separator"/>



<h3 class="wp-block-heading">Nest-supported Films </h3>



<p></p>



<div>
<p><strong><em>9to5: The Story of a Movement</em>, directed by&nbsp;<a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient/">Julia Reichert</a>&nbsp;and Steven Bognar | </strong><span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/9to5-the-story-of-a-movement/">Tickets here</a></span><br><span style="font-size: inherit;">&#8220;In the early 1970s, secretaries and other female office workers were underpaid, undervalued, unable to advance, and often subject to sexual harassment. In the wake of the Women’s Liberation Movement, a group of women in Boston finally had enough, joining together to begin 9to5, a movement that would sweep the nation with irreverent, attention-getting actions to demand meaningful change—and later inspire the eponymous hit film and song.&#8221;*&nbsp;</span></p>
<p><em><strong><a href="https://chickeneggpics.org/grantee/cops-robbers-story/">A Cops</a><a href="https://chickeneggpics.org/grantee/cops-robbers-story/"> and Robbers</a></strong><a href="https://chickeneggpics.org/grantee/cops-robbers-story/"><strong> Story</strong></a></em><strong>, directed by Ilinca Călugăreanu</strong>&nbsp;| <span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/a-cops-and-robbers-story/">Tickets here</a></span> <strong>(World Premiere)&nbsp;<br></strong>In the 1980s, Corey Pegues found himself embroiled in a life of crime as a member of New York’s City’s infamous Supreme Team gang. After an incident forces Pegues away from the streets, he unexpectedly emerges as a rising star in the NYPD, his past unknown to his fellow officers. A decorated 21-year police career is threatened when his political stances and revelations about his former life cause strife within the police community.&nbsp;</p>
<p><strong><em><a href="https://chickeneggpics.org/grantee/the-dilemma-of-desire/">The Dilemma of Desire</a></em>, directed by Maria Finitzo |&nbsp;</strong><span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/the-dilemma-of-desire/">Tickets here</a></span><br>An exploration of “cliteracy,” and the clash between the gender politics and the imperatives of female sexual desire.</p>
<p><em><strong><a href="https://chickeneggpics.org/grantee/down-a-dark-stairwell/">Down a Dark Stairw</a><a href="https://chickeneggpics.org/grantee/down-a-dark-stairwell/">ell</a></strong></em><strong>, directed by Ursula Liang</strong> |&nbsp;<span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/down-a-dark-stairwell/">Tickets here</a></span><em><strong><br></strong></em><span style="font-size: inherit;">In 2014, Peter Liang, a Chinese-American police officer, shot and killed an innocent, unarmed black man named Akai Gurley in the dark stairwell of a Brooklyn housing project. In the midst of high racial tension surrounding police conduct, Liang becomes the first NYPD officer to receive a guilty verdict in such a case in over a decade. The highly publicized incident polarizes New York’s Asian and African American communities’ in this insightful look into the complexities of police reform.</span><em><br></em></p>
<p><strong><em><a href="https://chickeneggpics.org/grantee/enemies-of-the-state/">Enemies of the State</a></em>, directed by Sonia Kennebeck </strong>| <span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/enemies-of-the-state/">Tickets here&nbsp;</a></span><strong><br></strong>An average American family becomes entangled in a bizarre web of espionage and corporate secrets when their hacker son is targeted by the US government.</p>
<p><strong><a href="https://chickeneggpics.org/grantee/landfall/"><em>Landfall</em></a>, directed by Cecilia Aldarondo | </strong><span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/landfall/">Tickets here</a><br></span>Through shard-like glimpses of everyday life in post-Hurricane María Puerto Rico,<em> Landfall</em> examines a ruined world at the brink of transformation, spinning a cautionary tale for our times.</p>
<p><strong><em>Stateless (Apátrida)</em>, directed by&nbsp;<a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient-4/">Michèle Stephenson</a> |</strong> <span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/stateless/">Tickets here</a></span><strong><br></strong>Through the grassroots campaign of electoral hopeful Rosa Iris, director Michèle Stephenson’s new documentary reveals the depths of racial hatred and institutionalized oppression that divide Haiti and the Dominican Republic.</p>
<p><strong><em><a href="https://chickeneggpics.org/grantee/through-the-night/">Through the Night</a></em>, directed by Loira Limbal</strong> |<span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/through-the-night/">Tickets here</a></span><strong><br></strong><em>Through the Night</em>&nbsp;is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.</p>
<p><strong><a href="https://chickeneggpics.org/grantee/the-letter/"><em>The Letter</em></a>, directed by Maia von Lekow and Chris King | </strong><span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/the-letter/">Tickets here</a></span><br><span style="font-size: inherit;">Along the coast of Kenya, a frenzied mix of consumerism and Christianity is turning hundreds of families against their elders, branding them as witches as a means to steal their land. Ninety-two-year-old Margaret Kamango stands accused by her sons, while her strong-willed daughters try to protect her. This dangerous dispute is seen through the eyes of Margaret’s grandson, Karisa, who returns home from the city to investigate and is ultimately forced to choose which side he is on.</span><br><br><a href="https://chickeneggpics.org/grantee/once-upon-a-time-in-venezuela/"><em><strong>Once Upon A Time In Venezuela</strong></em></a><strong>, directed by Anabel Rodríguez Ríos |&nbsp;</strong><span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/once-upon-a-time-in-venezuela/">Tickets here</a></span><br><em>Once Upon A Time In Venezuela </em>follows residents of a small fishing village as they prepare for parliamentary election. Once the village of Congo Mirador was prosperous. Now it is decaying and disintegrating—a prophetic reflection of Venezuela itself.</p>
</div>



<h3 class="wp-block-heading">AlumNest Films </h3>



<hr class="wp-block-separator"/>



<p>AlumNest filmmaker Tiffany Hsiung&#8217;s short film <em><a href="https://www.docnyc.net/film/sing-me-a-lullaby/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.docnyc.net/film/sing-me-a-lullaby/&amp;source=gmail&amp;ust=1605110860569000&amp;usg=AFQjCNER5nMwqaGnQomktR7peT6p3oemDw"><strong>Sing Me A Lullaby</strong></a> </em>will make its US premiere; <a href="https://www.docnyc.net/film/call-center-blues/"><em><strong>Call Center Blues</strong></em></a>, directed by Chicken &amp; Egg Award Recipient <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-gandbhir/">Geeta Gandbhir</a> will screen in the Shorts program; <em><strong>Dick Johnson is Dead</strong></em> (Kirsten Johnson), <em><strong>A Thousand Cuts</strong></em> (Ramona Diaz), and <a href="https://chickeneggpics.org/grantee/the-fight/"><em><strong>The Fight</strong></em></a> (Elyse Steinberg, Eli Despres, Josh Kriegman) are on the DOC NYC Short List for feature films; and our Co-Founder &amp; Senior Creative Consultant Judith Helfand&#8217;s film <a href="https://www.docnyc.net/film/love-stuff/"><strong><em>Love &amp; Stuff</em></strong></a> is an official selection under the Masters program (co-produced with our Co-Founder Julie Parker Benello).</p>
<p>*Language courtesy of DOC NYC. </p>
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		<title>A Full Nest at Tribeca Film Festival</title>
		<link>https://archive.chickeneggpics.org/a-full-nest-at-tribeca-film-festival/</link>
					<comments>https://archive.chickeneggpics.org/a-full-nest-at-tribeca-film-festival/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Thu, 05 Mar 2020 21:52:12 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Premieres]]></category>
		<category><![CDATA[Dawn Porter]]></category>
		<category><![CDATA[Deirdre Fishel]]></category>
		<category><![CDATA[Enemies of the State]]></category>
		<category><![CDATA[Kristine Stolakis]]></category>
		<category><![CDATA[Loira Limbal]]></category>
		<category><![CDATA[Megan Mylan]]></category>
		<category><![CDATA[Michele Stephenson]]></category>
		<category><![CDATA[Pray Away]]></category>
		<category><![CDATA[Simple As Water]]></category>
		<category><![CDATA[Sonia Kennebeck]]></category>
		<category><![CDATA[Stateless]]></category>
		<category><![CDATA[Through The Night]]></category>
		<category><![CDATA[Woman in Blue]]></category>
		<category><![CDATA[Yoruba Richen]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=7344</guid>

					<description><![CDATA[The 2020 Tribeca line-up for feature films is out! And there&#8217;s plenty to see from the Nest. Making their world premieres at Tribeca Film Festival this year are three films (Enemies of the State, Pray Away, and Through the Night) from our (Egg)celerator Lab program in 2018 and 2019, one film supported through our Chicken [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p>The 2020 <a href="https://www.tribecafilm.com/news/2020-tribeca-film-festival-features">Tribeca line-up for feature films</a> is out! And there&#8217;s plenty to see from the Nest. Making their world premieres at Tribeca Film Festival this year are three films <em>(</em><strong><a href="https://chickeneggpics.org/grantee/enemies-of-the-state/"><em>Enemies of the State</em></a></strong>, <strong><a href="https://chickeneggpics.org/grantee/pray-away/"><em>Pray Away</em></a></strong>,<em> and </em><strong><em><a href="https://chickeneggpics.org/grantee/through-the-night/">Through the Night</a></em></strong>) from our (Egg)celerator Lab program in 2018 and 2019, one film supported through our Chicken &amp; Egg Award (<em><strong>Stateless</strong></em>), and one film supported through a grant in 2018 (<strong><a href="https://chickeneggpics.org/grantee/simple-as-water/"><em>Simple As Water</em></a></strong>).</p>



<p>AlumNest filmmakers screening at Tribeca include directors such as Chicken &amp; Egg Award recipients <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-porter/"><strong>Dawn Porter</strong></a> (premiering <em>John Lewis: Good Trouble</em>) and <a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient-3/"><strong>Yoruba Richen</strong></a> (premiering <em>The Sit-In: Harry Belafonte Hosts The Tonight Show</em>). </p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="383" src="https://chickeneggpics.org/wp-content/uploads/2020/03/2020-Tribeca-Film-Festival-2-1-1024x383.png" alt="" class="wp-image-7523" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2020/03/2020-Tribeca-Film-Festival-2-1-1024x383.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2020/03/2020-Tribeca-Film-Festival-2-1-608x227.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2020/03/2020-Tribeca-Film-Festival-2-1-768x287.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2020/03/2020-Tribeca-Film-Festival-2-1-1536x574.png 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2020/03/2020-Tribeca-Film-Festival-2-1-2048x766.png 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p></p>



<p>Here is your Nest guide to the upcoming Tribeca Film Festival, from Wednesday, April 15 to Sunday, April 26:&nbsp;</p>



<h4 class="has-text-align-center wp-block-heading">Nest-supported films</h4>



<p></p>



<p><strong><a href="https://chickeneggpics.org/grantee/enemies-of-the-state/">Enemies of the State</a>, directed by Sonia Kennebeck <br>2018 (Egg)celerator Lab</strong><br>An average American family becomes entangled in a bizarre web of espionage and corporate secrets when their hacker son is targeted by the US government.</p>



<p><strong><a href="https://chickeneggpics.org/grantee/pray-away/"><em>Pray Away</em></a>, directed by Kristine Stolakis<br>2019 (Egg)celerator Lab</strong><br>Former leaders of the &#8220;pray&nbsp;away&nbsp;the gay&#8221; movement contend with the aftermath unleashed by their actions, while a survivor seeks healing and acceptance&nbsp;from more than a decade of trauma</p>



<p><strong><em><a href="https://chickeneggpics.org/grantee/simple-as-water/">Simple As Water</a></em>, directed by Megan Mylan <br>2018 Grant</strong><br>Megan Mylan’s closely observed fragments of lives cut between Turkey, Greece, Germany, and the US. Each unfolding scene portrays the elemental bonds holding together Syrian families pulled apart by war, searching for a new life.</p>



<p><strong><em>Stateless (Apátrida)</em>, directed by <a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient-4/">Michèle Stephenson</a><br>2016 Chicken &amp; Egg Award</strong><br>Through the grassroots campaign of electoral hopeful Rosa Iris, director Michèle Stephenson’s new documentary reveals the depths of racial hatred and institutionalized oppression that divide Haiti and the Dominican Republic.</p>



<p><strong><em><a href="https://chickeneggpics.org/grantee/through-the-night/">Through the Night</a></em>, directed by Loira Limbal<br>2018 (Egg)celerator Lab</strong><br><em>Through the Night</em>&nbsp;is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.</p>



<h4 class="has-text-align-center wp-block-heading">AlumNest films</h4>



<p></p>



<p><strong><em>John Lewis: Good Trouble</em></strong>, directed by <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-porter/"><strong>Dawn Porter</strong></a> (2017 Chicken &amp; Egg Award recipient)</p>



<p><strong><em>The Sit-In: Harry Belafonte Hosts The Tonight Show</em></strong>, directed by <a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient-3/"><strong>Yoruba Richen</strong></a></p>



<p><strong>Picture a Scientist</strong>, directed by Ian Cheney and <strong>Sharon Shattuck</strong>&nbsp;<em>(<a href="https://chickeneggpics.org/grantee/from-this-day-forward/">From This Day Forward</a></em>)</p>



<p><strong>Women in Blue</strong>, directed by <strong>Deirdre Fishel </strong>(<em><a href="https://chickeneggpics.org/grantee/care/">Care</a></em>) </p>



<p>Also premiering at Tribeca is <em>Athlete A</em>, directed by Bonni Cohen and Jon Shenk, which is produced by our Co-Founder Julie Parker Benello, along with Serin Marshall and Jen Sey. </p>



<p>Congratulations to these filmmakers on their premieres! </p>
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		<title>Sonia Kennebeck: Dozen Days of Filmmakers — Day 10</title>
		<link>https://archive.chickeneggpics.org/sonia-kennebeck-dozen-days-of-filmmakers-day-10/</link>
					<comments>https://archive.chickeneggpics.org/sonia-kennebeck-dozen-days-of-filmmakers-day-10/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Sun, 23 Dec 2018 02:59:24 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[2018 Accelerator Lab]]></category>
		<category><![CDATA[Dozen Days of Filmmakers]]></category>
		<category><![CDATA[Enemies of the State]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Indiewire]]></category>
		<category><![CDATA[National Bird]]></category>
		<category><![CDATA[Sonia Kennebeck]]></category>
		<category><![CDATA[women nonfiction filmmakers]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=5326</guid>

					<description><![CDATA[“Films, especially documentaries, are recording and preserving current events for future generations. It is important that our female and diverse voices, stories and perspectives are part of this collection of visual history, and that includes films about major political issues, war and national security.” &#8211; Sonia Kennebeck, Indiewire Chicken &#38; Egg Pictures is celebrating the [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><i><span style="font-weight: 400;">“Films, especially documentaries, are recording and preserving current events for future generations. It is important that our female and diverse voices, stories and perspectives are part of this collection of visual history, and that includes films about major political issues, war and national security.” &#8211; Sonia Kennebeck,<a href="https://www.indiewire.com/2016/04/tribeca-2016-women-directors-meet-sonia-kennebeck-national-bird-288398/"> Indiewire </a></span></i></p>
<p><strong><span style="font-weight: 400;">Chicken &amp; Egg Pictures is celebrating the holiday season by featuring a dozen of our supported women nonfiction filmmakers.</span><br />
</strong></p>
<p><span style="font-weight: 400;"><a href="https://chickeneggpics.org/wp-content/uploads/2018/02/Sonia_Kennebeck_Director-and-Producer_BW.jpg" rel="lightbox[5326]"><img loading="lazy" decoding="async" class="wp-image-3732 alignleft" src="https://chickeneggpics.org/wp-content/uploads/2018/02/Sonia_Kennebeck_Director-and-Producer_BW-344x344.jpg" alt="Enemies of the State Sonia Kennebeck 2018 Accelerator Lab" width="208" height="139" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/Sonia_Kennebeck_Director-and-Producer_BW-608x405.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/Sonia_Kennebeck_Director-and-Producer_BW-768x512.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/Sonia_Kennebeck_Director-and-Producer_BW-1024x683.jpg 1024w" sizes="auto, (max-width: 208px) 100vw, 208px" /></a>Sonia Kennebeck is an independent documentary filmmaker and investigative journalist with more than 15 years of directing and producing experience. She has directed eight television documentaries and more than 50 investigative reports. Foreign Policy recognized Kennebeck as one of “100 Leading Global Thinkers of 2016,” and Filmmaker Magazine selected her as one of “25 New Faces of Independent Film.” </span></p>
<p><a href="http://nationalbirdfilm.com/"><i><span style="font-weight: 400;">National Bird</span></i></a><span style="font-weight: 400;">, her first feature documentary, follows the dramatic journey of three whistleblowers who are determined to break the silence around one of the most controversial current affairs issues of our time: the secret US drone war.  <em>National Bird</em> premiered at Berlinale, was selected for Tribeca Film Festival, Sheffield Doc/Fest, and IDFA, and was nominated for the News and Documentary Emmy® Award for Outstanding Current Affairs Documentary. </span></p>
<p><figure id="attachment_3734" aria-describedby="caption-attachment-3734" style="width: 1937px" class="wp-caption alignnone"><a href="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_EnemiesOfTheState_still-anonymous.jpg" rel="lightbox[5326]"><img loading="lazy" decoding="async" class="wp-image-3734 size-full" src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_EnemiesOfTheState_still-anonymous.jpg" alt="Enemies of the State Sonia Kennebeck 2018 Accelerator Lab" width="1937" height="1391" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_EnemiesOfTheState_still-anonymous.jpg 1937w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_EnemiesOfTheState_still-anonymous-608x437.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_EnemiesOfTheState_still-anonymous-768x552.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_EnemiesOfTheState_still-anonymous-1024x735.jpg 1024w" sizes="auto, (max-width: 1937px) 100vw, 1937px" /></a><figcaption id="caption-attachment-3734" class="wp-caption-text">Enemies of the State, directed by Sonia Kennebeck</figcaption></figure></p>
<p><span style="font-weight: 400;">Her second feature,</span><a href="https://chickeneggpics.org/?s=enemies"><i><span style="font-weight: 400;"> Enemies of the State</span></i></a><span style="font-weight: 400;">, is a participant of the <a href="https://chickeneggpics.org/programs/#accelerator-lab">2018 Accelerator Lab</a>.</span></p>
<p><i><span style="font-weight: 400;">Enemies of the State</span></i><span style="font-weight: 400;"> is the story of an average American family who become entangled in a bizarre web of espionage and corporate secrets when their hacker son is targeted by the US government. </span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><em>Post by Morgan Lee Hulquist. </em></p>
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		<title>Chicken &#038; Egg Pictures at the News &#038; Documentary Emmy Awards®</title>
		<link>https://archive.chickeneggpics.org/chicken-egg-pictures-at-the-news-documentary-emmy-awards/</link>
					<comments>https://archive.chickeneggpics.org/chicken-egg-pictures-at-the-news-documentary-emmy-awards/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Thu, 26 Jul 2018 22:13:35 +0000</pubDate>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Elaine McMillion Sheldon]]></category>
		<category><![CDATA[Emmy Awards]]></category>
		<category><![CDATA[Enemies of the State]]></category>
		<category><![CDATA[Heroin(e)]]></category>
		<category><![CDATA[Kristi Jacobson]]></category>
		<category><![CDATA[National Bird]]></category>
		<category><![CDATA[News and Documentary Emmy Awards]]></category>
		<category><![CDATA[Solitary]]></category>
		<category><![CDATA[Sonia Kennebeck]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=4432</guid>

					<description><![CDATA[Nominees for the 39th Annual News &#38; Documentary Emmy Awards® were announced today. Here are the Nest-supported films and filmmakers included. Congratulations to all and good luck! Solitary, directed by Kristi Jacobson (2016 Breakthrough Filmmaker Award recipient) for Outstanding Investigative Documentary  and Outstanding Editing &#8211; Documentary Solitary investigates an invisible part of the American justice system: the [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Nominees for the 39th Annual News &amp; Documentary Emmy Awards® were announced today. Here are the Nest-supported films and filmmakers included. Congratulations to all and good luck!</p>
<p><figure id="attachment_2336" aria-describedby="caption-attachment-2336" style="width: 608px" class="wp-caption alignnone"><img loading="lazy" decoding="async" class="wp-image-2336 size-medium" src="https://chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1-608x334.jpg" alt="Solitary Kristi Jacobson 2016 Breakthrough Filmmaker Award" width="608" height="334" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1-608x334.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1-768x421.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1-1024x562.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1.jpg 1400w" sizes="auto, (max-width: 608px) 100vw, 608px" /><figcaption id="caption-attachment-2336" class="wp-caption-text">Solitary, directed by Kristi Jacobson</figcaption></figure></p>
<p><em><a href="https://chickeneggpics.org/grantee/solitary/">Solitary</a></em>, directed by Kristi Jacobson (2016 <a href="https://chickeneggpics.org/grantee/kristi-jacobson-2016-breakthrough-award-recipient/">Breakthrough Filmmaker Award </a>recipient) for Outstanding Investigative Documentary  and Outstanding Editing &#8211; Documentary</p>
<p><em>Solitary</em> investigates an invisible part of the American justice system: the use of isolation and segregation in US prisons, commonly known as solitary confinement. With unprecedented access inside a prison tackling the issue head on, the film explores this divisive issue through the experiences of those on both sides of the bars.</p>
<p><i>Heroin(e)</i>, directed by Elaine McMillion Sheldon (2016 <a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient-2/">Breakthrough Filmmaker Award</a> recipient)* for Outstanding Short Documentary</p>
<p>“Once a bustling industrial town, Huntington, West Virginia has become the epicenter of America’s modern opioid epidemic, with an overdose rate 10 times the national average. This flood of heroin now threatens this Appalachian city with a cycle of generational addiction, lawlessness, and poverty. But within this distressed landscape, Peabody Award-winning filmmaker Elaine McMillion Sheldon (<em>Hollow</em>) shows a different side of the fight against drugs<em>—</em>one of hope.”**</p>
<p><em>National Bird</em>, directed by Sonia Kennebeck for Outstanding Current Affairs Documentary</p>
<p><em>&#8220;National Bird</em> follows the dramatic journey of three whistleblowers who are determined to break the silence around one of the most controversial current affairs issues of our time: the secret US drone war. At the center of the film are three US military veterans. Plagued by guilt over participating in the killing of faceless people in foreign countries, they decide to speak out publicly, despite the possible consequences.&#8221;*</p>
<p>Sonia&#8217;s second film <a href="https://chickeneggpics.org/grantee/enemies-of-the-state/"><em>Enemies of the State</em></a> is a participant of the <a href="https://chickeneggpics.org/announcing-2018-accelerator-lab-grantees/">2018 Accelerator Lab</a>.</p>
<p>See the rest of the nominees <a href="https://emmyonline.tv/39th-news-and-documentary-nominations/">here</a>. The 39th Annual News &amp; Documentary Emmy Awards® will be presented Monday, October 1.</p>
<p>*Chicken &amp; Egg Pictures did not directly support <i>Heroin(e), </i>but supported Elaine during her Breakthrough year. Check out Elaine&#8217;s newest film on the subject, <em>Recovery Boys </em>(on <a href="https://www.netflix.com/title/80177782">Netflix streaming</a>).</p>
<p>**Synopsis from the <em><a href="http://heroinethefilm.com/about/">Heroin(e)</a></em> webpage.</p>
<p>***Synopsis from the<em><a href="http://nationalbirdfilm.com/"> National Bird</a> </em>webpage.</p>
<p><em>Post by 2018 Communications Intern Morgan Lee Hulquist. </em></p>
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		<title>Announcing our 2018 Accelerator Lab grantees!</title>
		<link>https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/</link>
					<comments>https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/#comments</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Wed, 21 Feb 2018 16:06:31 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[2018 Accelerator Lab]]></category>
		<category><![CDATA[A Cops and Robbers Story]]></category>
		<category><![CDATA[Always In Season]]></category>
		<category><![CDATA[Arthur Nazaryan]]></category>
		<category><![CDATA[Electric Malady]]></category>
		<category><![CDATA[Enemies of the State]]></category>
		<category><![CDATA[Eunice Lau]]></category>
		<category><![CDATA[Ilinca Calugareanu]]></category>
		<category><![CDATA[Jacqueline Olive]]></category>
		<category><![CDATA[Jennifer Redfearn]]></category>
		<category><![CDATA[Loira Limbal]]></category>
		<category><![CDATA[Madeleine Leroyer]]></category>
		<category><![CDATA[Marie Lidén]]></category>
		<category><![CDATA[Number 387]]></category>
		<category><![CDATA[People's Hospital]]></category>
		<category><![CDATA[Reentry]]></category>
		<category><![CDATA[Rintu Thomas]]></category>
		<category><![CDATA[Siyi Chen]]></category>
		<category><![CDATA[Sonia Kennebeck]]></category>
		<category><![CDATA[Sushmit Ghosh]]></category>
		<category><![CDATA[The Youth]]></category>
		<category><![CDATA[Through The Night]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<category><![CDATA[Writing With Fire]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=3737</guid>

					<description><![CDATA[Chicken &#38; Egg Pictures is proud to announce the third cohort of our Accelerator Lab for first- and second-time filmmakers! The Accelerator Lab is focused on identifying and supporting women nonfiction directors working on their first or second feature-length documentary. This program brings together ten projects helmed by first- or second-time directors, with a special [&#8230;]]]></description>
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<p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-3844" src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner.jpg" alt="" width="3975" height="1200" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner.jpg 3975w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner-608x184.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner-768x232.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner-1024x309.jpg 1024w" sizes="auto, (max-width: 3975px) 100vw, 3975px" /></p>
<p>Chicken &amp; Egg Pictures is proud to announce the third cohort of our Accelerator Lab for first- and second-time filmmakers!</p>
<p>The Accelerator Lab is focused on identifying and supporting women nonfiction directors working on their first or second feature-length documentary. This program brings together ten projects helmed by first- or second-time directors, with a special focus on underrepresented voices.</p>
<p><span style="font-weight: 400;">“Community-building is key to this program,” says Chicken &amp; Egg Pictures Program Director Lucila Moctezuma. “While the Accelerator Lab for first- and second-time filmmakers certainly helps women filmmakers to </span><i><span style="font-weight: 400;">enter</span></i><span style="font-weight: 400;"> the industry pipeline, it also provides them with a community of support that helps them to </span><i><span style="font-weight: 400;">stay</span></i><span style="font-weight: 400;"> in the pipeline. The reality of being a film director is that it can often feel daunting and isolating. By explicitly encouraging peer-to-peer mentorship among our cohort, we provide emerging filmmakers with a chance to bond with and learn from one another, to help one another carve a space for themselves in the industry, and to equip them with the strength of a community they can rely on throughout their careers.” </span></p>
<p>Synopses of the 2018 Accelerator Lab grantees&#8217; compelling projects are below, and you can get to know the directors by viewing the linked project pages. Grantees will work on these films during their program year.</p>
<p>Our next open call for the Accelerator Lab will take place in the spring of 2018. For additional information on the program, including application criteria, please visit our <a href="https://chickeneggpics.org/programs/#accelerator-lab">Programs</a> page.</p>
<p>Congratulations to our newest grantees, and wishing you a fantastic year!</p>
<p>&nbsp;</p>
</div>
<div class="column">
<p><figure id="attachment_3730" aria-describedby="caption-attachment-3730" style="width: 169px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3730" src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot-608x842.jpg" alt="" width="169" height="234" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot-608x842.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot-768x1063.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot-740x1024.jpg 740w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot.jpg 780w" sizes="auto, (max-width: 169px) 100vw, 169px" /><figcaption id="caption-attachment-3730" class="wp-caption-text">Ilinca Calugareanu</figcaption></figure></p>
<p><em><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3708&amp;preview=true">A Cops and Robbers Story</a>,</em> directed by Ilinca Calugareanu <span style="font-weight: 400;">(ROMANIA / UK)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">Corey Pegues, one of the highest ranking black executives in the NYPD, reveals a few months after retirement that before joining the NYPD he worked the streets dealing crack cocaine for one of the most notorious drug gangs in the US, the Supreme Team. To many he is either a perp in cop costume or a criminal turned hero. But who is the real Corey Pegues?</span></p>
<p>&nbsp;</p>
<p><figure id="attachment_3739" aria-describedby="caption-attachment-3739" style="width: 188px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3739 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Siyi-Chen_Headshot-e1519228656123-273x344.jpg" alt="" width="188" height="237" /><figcaption id="caption-attachment-3739" class="wp-caption-text">Siyi Chen</figcaption></figure></p>
<p><em><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3694&amp;preview=true">People&#8217;s Hospital</a>,</em> directed by Siyi Chen <span style="font-weight: 400;">(CHINA / US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">As the Chinese society criticizes dysfunctional hospitals, a doctor’s daughter revisits the small-town hospital where she grew up—this time with a camera, in the middle of a chaotic ER.</span></p>
<p>&nbsp;</p>
<p><figure id="attachment_3738" aria-describedby="caption-attachment-3738" style="width: 180px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3738 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Sonia_Kennebeck_Director-and-Producer-e1519228570327-258x344.jpg" alt="" width="180" height="240" /><figcaption id="caption-attachment-3738" class="wp-caption-text">Sonia Kennebeck</figcaption></figure></p>
<p><em><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3709&amp;preview=true">Enemies of the State</a>,</em> directed by Sonia Kennebeck <span style="font-weight: 400;">(MALAYSIA / GERMANY / US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">An average American family becomes entangled in a bizarre web of espionage and corporate secrets when their hacker son is targeted by the U.S. government.</span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>
<a href='https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/2018-al_eunice-lau_headshot/'><img loading="lazy" decoding="async" width="344" height="344" src="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Eunice-Lau_headshot-344x344.jpg" class="attachment-thumbnail size-thumbnail" alt="The Youth Eunice Lau and Arthur Nazaryan 2018 Accelerator Lab" /></a>
</p>
<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3693&amp;preview=true"><em>The Youth</em></a>, directed by Eunice Lau <span style="font-weight: 400;">(SINGAPORE / US) </span>and Arthur Nazaryan <span style="font-weight: 400;">(US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}"><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3693&amp;preview=true"><em>The Youth</em></a> is an unflinching look at the forces that drive one to adopt an extreme ideology. Through the eyes of a father who seeks to understand how his son is radicalized by the propaganda of the Islamic State Army, <a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3693&amp;preview=true"><em>The Youth</em></a> reveals how a Muslim American family is affected by the geopolitics and polemics that fuel the resurgence of reactionary and right-wing political movements. Through this intimate lens on the Somali community in Minnesota, <a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3693&amp;preview=true"><i>The Youth</i></a> explores the racism and prejudices against immigrants, the rise of radical Islam, and what it means to be Muslim in contemporary America.</span></p>
</div>
<p>&nbsp;</p>
<p><figure id="attachment_3781" aria-describedby="caption-attachment-3781" style="width: 196px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3781 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Madeleine-Leroyer_Headshot-e1519228743424-265x344.jpg" alt="" width="196" height="254" /><figcaption id="caption-attachment-3781" class="wp-caption-text">Madeleine Leroyer</figcaption></figure></p>
<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3736&amp;preview=true"><em>Number 387</em></a>, directed by Madeleine Leroyer <span style="font-weight: 400;">(FRANCE)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">This is the story of a Greek physician who collects pendants and bracelets.<br />
This is the story of an Italian woman who has been fighting for 15 years to &#8220;make bodies talk.&#8221;<br />
This is the story of those who watch over the forgotten migrants.<br />
Since the beginning of 2016, 3,649 migrants have died while attempting to reach Europe by sea. 3,649 names, the vast majority of which have been diluted in the deep blue waters of the Mediterranean.<br />
What happens to the dead? Who identifies them?<br />
What do the mothers, the brothers do to try to find their missing loved ones?<br />
For years, medical examiners have been trying to give back a name, dignity, a memory to these forgotten souls.<br />
This film tells their story.</span></p>
<p>&nbsp;</p>
<div class="column">
<p><figure id="attachment_3742" aria-describedby="caption-attachment-3742" style="width: 211px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3742 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Marie-Liden_Headshot-e1519229096993-268x344.jpg" alt="" width="211" height="270" /><figcaption id="caption-attachment-3742" class="wp-caption-text">Marie Lidén</figcaption></figure></p>
<p><em><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3712&amp;preview=true">Electric Malady</a></em>, directed by Marie Lidén <span style="font-weight: 400;">(SWEDEN / UK)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">Director Marie Lidén grew up with a mother who suffered from an illness that the world did not recognize—Electrosensitivity. Years later, in a technologically advanced world, Marie gives a poignant account of the lives of two electrosensitives: William, a 41-year-old Swedish man, and Tyler, a 13-year-old Canadian boy. Using Marie’s own family story as a thread, the film explores William and Tyler’s isolated worlds and their families’ unrelenting commitment to help their children.</span></p>
<p>&nbsp;</p>
<p><figure id="attachment_3824" aria-describedby="caption-attachment-3824" style="width: 192px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3824 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Limbal-Headshot-e1519229027398-274x344.jpg" alt="" width="192" height="241" /><figcaption id="caption-attachment-3824" class="wp-caption-text">Loira Limbal</figcaption></figure></p>
<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3809&amp;preview=true"><em>Through The Night</em></a>, directed by Loira Limbal <span style="font-weight: 400;">(US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">To make ends meet, Americans are working longer hours across multiple jobs. This modern reality of non-stop work has resulted in an unexpected phenomenon: the flourishing of 24-hour daycare centers. <a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3809&amp;preview=true"><em>Through the Night</em></a> is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.</span></p>
<p>&nbsp;</p>
<p><figure id="attachment_3821" aria-describedby="caption-attachment-3821" style="width: 179px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3821 " src="https://chickeneggpics.org/wp-content/uploads/2014/08/2018-AL_Jacqueline_Olive_headshot1-e1519228895877-267x344.jpg" alt="" width="179" height="231" /><figcaption id="caption-attachment-3821" class="wp-caption-text">Jacqueline Olive</figcaption></figure></p>
<p><em><a href="https://chickeneggpics.org/grantee/always-in-season/"> Always in Season</a></em>, directed by Jacqueline Olive <span style="font-weight: 400;">(US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;As the trauma of a century of lynching African Americans bleeds into the present, Always in Season follows relatives of the perpetrators and victims in communities across the country who’re seeking justice and reconciliation in the midst of racial profiling and police shootings. In Bladenboro, NC, the film connects historic racial terrorism to racial violence today with the story of Claudia Lacy who grieves as she fights to get an FBI investigation opened into the death of her seventeen-year-old son, Lennon Lacy, found hanging from a swing set on August 29, 2014. Claudia, like many others, believes Lennon was lynched. &quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:[null,0],&quot;12&quot;:0}">As the trauma of a century of lynching African Americans bleeds into the present, <a href="https://chickeneggpics.org/grantee/always-in-season/"><em>Always in Season</em></a> follows relatives of the perpetrators and victims in communities across the country who’re seeking justice and reconciliation in the midst of racial profiling and police shootings. In Bladenboro, NC, the film connects historic racial terrorism to racial violence today with the story of Claudia Lacy who grieves as she fights to get an FBI investigation opened into the death of her seventeen-year-old son, Lennon Lacy, found hanging from a swing set on August 29, 2014. Claudia, like many others, believes Lennon was lynched.</span></p>
<p>&nbsp;</p>
<p><figure id="attachment_3783" aria-describedby="caption-attachment-3783" style="width: 185px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3783 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Jennifer-Redfearn_Headshot-e1519228825399-256x344.jpg" alt="" width="185" height="249" /><figcaption id="caption-attachment-3783" class="wp-caption-text">Jennifer Redfearn</figcaption></figure></p>
<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3706&amp;preview=true"><em>Reentry</em></a> (working title), directed by Jennifer Redfearn <span style="font-weight: 400;">(US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">Women are now the fastest growing population in the U.S. criminal justice system, increasing at nearly double the rate of men. The majority of women going into prison are serving time for drug related charges. This immersive, character-driven film follows three women—who are part of a new reentry program in Cleveland, Ohio—as they prepare to leave prison, reunite with their children, and find jobs after serving time for drug related charges.</span></p>
<p>&nbsp;</p>
<p>
<a href='https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/al-2018_rintu-thomas-headshot/'><img loading="lazy" decoding="async" width="344" height="344" src="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-344x344.jpg" class="attachment-thumbnail size-thumbnail" alt="" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-608x608.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-768x768.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-1024x1024.jpg 1024w" sizes="auto, (max-width: 344px) 100vw, 344px" /></a>
<a href='https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/al-2018_sushmit-ghosh-headshot/'><img loading="lazy" decoding="async" width="344" height="344" src="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-344x344.jpg" class="attachment-thumbnail size-thumbnail" alt="" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-608x608.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-768x768.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-1024x1024.jpg 1024w" sizes="auto, (max-width: 344px) 100vw, 344px" /></a>
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<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3753&amp;preview=true"><em>Writing With Fire</em></a>, directed by Rintu Thomas and Sushmit Ghosh <span style="font-weight: 400;">(INDIA)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">In a cluttered news landscape dominated by men, emerges India&#8217;s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions, be it on the frontlines of India&#8217;s biggest issues or within the confines of their homes, redefining what it means to be powerful.</span></p>
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