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	<title>Southwest of Salem &#8211; Chicken &amp; Egg Pictures</title>
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	<title>Southwest of Salem &#8211; Chicken &amp; Egg Pictures</title>
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	<item>
		<title>Nest-supported Projects Receive Sundance Documentary Fund Grants</title>
		<link>https://archive.chickeneggpics.org/nest-supported-projects-receive-sundance-documentary-fund-grants/</link>
					<comments>https://archive.chickeneggpics.org/nest-supported-projects-receive-sundance-documentary-fund-grants/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Wed, 14 Nov 2018 14:50:53 +0000</pubDate>
				<category><![CDATA[Grants]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Amber Fares]]></category>
		<category><![CDATA[American Revolutionary: The Evolution of Grace Lee Boggs]]></category>
		<category><![CDATA[Anayansi Prado]]></category>
		<category><![CDATA[Anna Fitch]]></category>
		<category><![CDATA[Banker White]]></category>
		<category><![CDATA[born in china]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Chris King]]></category>
		<category><![CDATA[Cocaine Prison]]></category>
		<category><![CDATA[David Osit]]></category>
		<category><![CDATA[Deborah S. Esquenazi]]></category>
		<category><![CDATA[diversity fellows iniative]]></category>
		<category><![CDATA[Games You Can't Win]]></category>
		<category><![CDATA[Geeta Gandbhir]]></category>
		<category><![CDATA[Grace Lee]]></category>
		<category><![CDATA[Heaven Through the Backdoor]]></category>
		<category><![CDATA[inventing tomorrow]]></category>
		<category><![CDATA[Journey of a Thousand Miles: Peacekeepers]]></category>
		<category><![CDATA[Kendeda Fund]]></category>
		<category><![CDATA[Laura Nix]]></category>
		<category><![CDATA[Love the Sinner]]></category>
		<category><![CDATA[Lynn Zhang]]></category>
		<category><![CDATA[Macarthur Foundation]]></category>
		<category><![CDATA[Maia von Lekow]]></category>
		<category><![CDATA[Malika Zouhali-Worrall]]></category>
		<category><![CDATA[Marjan Safinia.]]></category>
		<category><![CDATA[Mayor]]></category>
		<category><![CDATA[Nanfu Wang]]></category>
		<category><![CDATA[Ramona Emerson]]></category>
		<category><![CDATA[Southwest of Salem]]></category>
		<category><![CDATA[Sundance Documentary Fund]]></category>
		<category><![CDATA[Sundance Institute]]></category>
		<category><![CDATA[Survivors]]></category>
		<category><![CDATA[Thank You for Playing]]></category>
		<category><![CDATA[the fight]]></category>
		<category><![CDATA[The Kendeda Fund]]></category>
		<category><![CDATA[the letter]]></category>
		<category><![CDATA[Untitled Dystopia Film]]></category>
		<category><![CDATA[Untitled Race & Criminal Justice Project]]></category>
		<category><![CDATA[ursula liang]]></category>
		<category><![CDATA[Violeta Ayala]]></category>
		<category><![CDATA[Yoruba Richen]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=5158</guid>

					<description><![CDATA[Wonderful news from Sundance Institute! Thirty-three recipients of the Sundance Institute Documentary Fund Stories of Change Grant were announced recently, and 81% of the supported projects have at least one woman producer or director. Projects are supported through grants in the development, production, post-production and audience engagement stages, and include custom grants from The Kendeda Fund, MacArthur Foundation, [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Wonderful news from Sundance Institute! Thirty-three recipients of the Sundance Institute Documentary Fund Stories of Change Grant were announced recently, and 81% of the supported projects have at least one woman producer or director.</p>
<p>Projects are supported through grants in the development, production, post-production and audience engagement stages, and include custom grants from The Kendeda Fund,<span class="text_exposed_show"> MacArthur Foundation, and The Skoll Foundation. </span></p>
<p>We were egg-static to see the following Nest-supported projects and filmmakers from our <a href="https://chickeneggpics.org/programs/#diversity-fellows-initiative">Diversity Fellows Initiative</a>, <a href="https://chickeneggpics.org/programs/#accelerator-lab">Accelerator Lab</a>, and <a href="https://chickeneggpics.org/programs/#breakthrough-filmmaker-award">Breakthrough Filmmaker Award</a> programs on the list.</p>
<figure id="attachment_3812" aria-describedby="caption-attachment-3812" style="width: 250px" class="wp-caption alignleft"><a href="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Through-the-Night_Film-Still.jpg" rel="lightbox[5158]"><img decoding="async" class="wp-image-3812" src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Through-the-Night_Film-Still-e1541708206446-344x344.jpg" alt="Through the Night Loira Limbal 2018 Accelerator Lab" width="250" height="188" /></a><figcaption id="caption-attachment-3812" class="wp-caption-text">Through the Night, directed by Loira Limbal</figcaption></figure>
<p><strong><em><a href="https://chickeneggpics.org/grantee/through-the-night/">Through the Night</a></em>, directed by Loira Limbal (2018 Accelerator Lab) </strong></p>
<p>To make ends meet, Americans are working longer hours across multiple jobs. This modern reality of nonstop work has resulted in an unexpected phenomenon: the flourishing of 24-hour daycare centers. <em>Through the Night</em> is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.</p>
<p><em>Through the Night</em> received a production grant from the Sundance Documentary Fund.</p>
<figure id="attachment_3106" aria-describedby="caption-attachment-3106" style="width: 250px" class="wp-caption alignleft"><a href="https://chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210.jpg" rel="lightbox[5158]"><img fetchpriority="high" decoding="async" class="wp-image-3106" src="https://chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-344x344.jpg" alt="Nanfu Wang Lynn Zhang Born In China 2017 Accelerator Lab" width="250" height="250" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-608x608.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-768x768.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-1024x1024.jpg 1024w" sizes="(max-width: 250px) 100vw, 250px" /></a><figcaption id="caption-attachment-3106" class="wp-caption-text">Born in China, directed by Nanfu Wang and Lynn Zhang</figcaption></figure>
<p><strong><a href="https://chickeneggpics.org/grantee/born-in-china/"><em>Born in China</em></a>, directed by Nanfu Wang and Jialing Zhang (2017 Accelerator Lab)</strong></p>
<p>How much control does a person have over their own life? In China, state control begins before a child is even born.</p>
<p><em>Born in China</em> received a grant for post-production from the Sundance Documentary Fund.</p>
<figure id="attachment_3936" aria-describedby="caption-attachment-3936" style="width: 250px" class="wp-caption alignleft"><a href="https://chickeneggpics.org/wp-content/uploads/2018/04/The-Letter_Lekow_Still-photo-The-Letter-1-lo-e1541708623924.jpg" rel="lightbox[5158]"><img decoding="async" class="wp-image-3936" src="https://chickeneggpics.org/wp-content/uploads/2018/04/The-Letter_Lekow_Still-photo-The-Letter-1-lo-e1541708685643-344x344.jpg" alt="" width="250" height="182" /></a><figcaption id="caption-attachment-3936" class="wp-caption-text">The Letter, directed by Maia von Lekow &amp; Chris King</figcaption></figure>
<p><strong><a href="https://chickeneggpics.org/grantee/the-letter/"><em>The Letter</em></a>, directed by Maia von Lekow and Chris King (2018 Diversity Fellows Initiative)</strong></p>
<p>Along the coast of Kenya, a frenzied mix of consumerism and Christianity is turning hundreds of families against their elders, branding them as witches as a means to steal their land. Ninety-two-</p>
<p>year-old Margaret Kamango stands accused by her sons, while her strong-willed daughters try to protect her. This dangerous dispute is seen through the eyes of Margaret’s grandson, Karisa, who returns home from the city to investigate and is ultimately forced to choose which side he is on.</p>
<p><em>The Letter </em>received a grant for post-production from the Sundance Documentary Fund.</p>
<figure id="attachment_3178" aria-describedby="caption-attachment-3178" style="width: 250px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3178" src="https://chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_temp_Liang_SUBWAY_NYC_ImageByBrianChu-344x344.png" alt="Ursula Liang 2017 Diversity Fellows Initiative" width="250" height="156" /><figcaption id="caption-attachment-3178" class="wp-caption-text">Untitled Race &amp; Criminal Justice Project, directed by Ursula Liang</figcaption></figure>
<p><em><b><a href="https://chickeneggpics.org/grantee/untitled-race-criminal-justice-project/">Untitled Race &amp; Criminal Justice Project</a></b></em><b>, directed by Ursula Liang (2017 Diversity Fellows Initiative) </b></p>
<p>A nuanced look at how two communities of color navigate an uneven criminal justice system, anchored by one polarizing New York City case.</p>
<p><em>United Race &amp; Criminal Justice Project </em>received support for production from the Macarthur Foundation. This grant provides support for journalistic projects, prioritizing diverse, Native and Indigenous voices.</p>
<p>Chicken &amp; Egg Pictures would also like to congratulate the following filmmakers whose work we have supported in the past or who we have individually support through the Breakthrough Filmmaker Award program—</p>
<p>Malika Zouhali-Worrall (director of Nest-supported projects <i><a href="https://chickeneggpics.org/grantee/thank-you-for-playing/">Thank You For Playing</a>, <a href="https://chickeneggpics.org/grantee/call-me-kuchu-4/">Call Me Kuchu</a>, </i>and <a href="https://chickeneggpics.org/grantee/games-you-cant-win/"><em>Games You Can&#8217;t Win</em></a>) recieved a development grant for her new project <em>Untitled Dystopia Film</em>.</p>
<p>Malika&#8217;s co-director in <a style="font-style: italic;" href="https://chickeneggpics.org/grantee/thank-you-for-playing/">Thank You For Playing</a> and <i><a href="https://chickeneggpics.org/grantee/games-you-cant-win/"><em>Games You Can&#8217;t Win</em></a></i>, David Osit also received a development grant for his  project <em>Mayor</em>. Congratulations Malika and David!</p>
<figure id="attachment_3621" aria-describedby="caption-attachment-3621" style="width: 250px" class="wp-caption alignleft"><a href="https://chickeneggpics.org/wp-content/uploads/2018/01/Nix_Inventing-Tomorrow_Film-Still-3.png" rel="lightbox[5158]"><img loading="lazy" decoding="async" class="wp-image-3621 size-full" src="https://chickeneggpics.org/wp-content/uploads/2018/01/Nix_Inventing-Tomorrow_Film-Still-3-e1541713146679.png" alt="Laura Nix Inventing Tomorrow 2018 Breakthrough Filmmaker Award" width="250" height="250" /></a><figcaption id="caption-attachment-3621" class="wp-caption-text">Inventing Tomorrow, directed by Laura Nix</figcaption></figure>
<p><a href="https://chickeneggpics.org/grantee/2018-breakthrough-award-recipient-nix/">2016 Breakthrough Filmmaker Recipient</a> Laura Nix received a grant for audience engagement for her film <em>Inventing Tomorrow </em>from The Kendeda Fund.</p>
<p>Meet the passionate teen innovators from around the globe who dedicate their blood, sweat, and Bunsen burners to craft cutting-edge solutions to the world’s environmental threats and present their findings at the world’s largest high school science competition, the Intel International Science and Engineering Fair.</p>
<p>Chicken &amp; Egg Pictures did not directly support <em>Inventing Tomorrow</em>, but supported Laura Nix through our Breakthrough Filmmaker Award program in 2016.</p>
<p><em>And She Could Be Next </em>received a production grant from the Sundance Documentary Fund and is made by a team of women filmmakers of color, including four Nest-supported filmmakers. <em>And She Could Be Next </em>is directed by Grace Lee <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-lee/">(2017 Breakthrough Filmmaker Award recipient</a> and director of <a href="https://chickeneggpics.org/grantee/american-revolutionary-the-evolution-of-grace-lee-boggs/">American Revolutionary: The Evolution of Grace Lee Boggs</a>), Yoruba Richen (<a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient-3/">2016 Breakthrough Filmmaker Award</a> recipient), Deborah S. Esquenazi (<em><a href="https://chickeneggpics.org/grantee/southwest-of-salem-the-story-of-the-san-antonio-four/">Southwest of Salem</a></em>) , and Geeta Gandbhir (director of <em><a href="https://chickeneggpics.org/grantee/peacekeepers/">A Journey of a Thousand Miles: Peacekeepers</a>, </em>producer of <em><a href="https://chickeneggpics.org/grantee/love-the-sinner">Love the Sinner</a></em>,  and <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-gandbhir/">2017 Breakthrough Filmmaker Award recipient</a>) as well as Anayansi Prado, Ramona Emerson, Amber Fares, and Marjan Safinia.</p>
<p>Another special congratulations to Anna Fitch for her grant for production on her new project <em>Heaven Through the Backdoor</em>, which she is co-directing with Banker White. Anna Fitch previously received support on her work in <em><a href="https://chickeneggpics.org/grantee/survivors/">Survivors </a></em>from Chicken &amp; Egg Pictures, also co-directed with Banker White.</p>
<p>Congratulations also to Violeta Ayala (director of Nest-supported <em><a href="https://chickeneggpics.org/grantee/cocaine-prison/">Cocaine Prison</a>) </em>on receiving production support for her new feature documentary, <em>The Fight</em>.</p>
<p>What an incredible group of women-directed projects! Congratulations to all.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
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		<title>Chicken &#038; Egg Pictures-Supported Filmmakers Win at Peabody Awards</title>
		<link>https://archive.chickeneggpics.org/chicken-egg-pictures-supported-filmmakers-win-at-peabody-awards/</link>
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		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Mon, 01 May 2017 22:31:52 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[born in china]]></category>
		<category><![CDATA[Dawn Porter]]></category>
		<category><![CDATA[Deborah S. Esquenazi]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Hooligan Sparrow]]></category>
		<category><![CDATA[I Am Another You]]></category>
		<category><![CDATA[Nanfu Wang]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[Peabody Awards]]></category>
		<category><![CDATA[social change]]></category>
		<category><![CDATA[Southwest of Salem]]></category>
		<category><![CDATA[Southwest of Salem: The Story of the San Antonio Four]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[Trapped]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">http://chickeneggpics.org/?p=3264</guid>

					<description><![CDATA[Three Chicken &#38; Egg Pictures-supported filmmakers accepted Peabody Awards this year. A big congratulations to: Deborah S. Esquenazi for Southwest of Salem: The Story of the San Antonio Four Dawn Porter (2017 Breakthrough Filmmaker Award recipient) for Trapped Nanfu Wang (2017 Accelerator Lab grantee) for Hooligan Sparrow* Read more about these films and the other recipients [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><iframe loading="lazy" title="2016 Peabody Award Winners" src="https://player.vimeo.com/video/214786523?dnt=1&amp;app_id=122963" width="474" height="267" frameborder="0" allow="autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media"></iframe></p>
<p>Three Chicken &amp; Egg Pictures-supported filmmakers accepted Peabody Awards this year. A big congratulations to:</p>
<p>Deborah S. Esquenazi for <a href="http://chickeneggpics.org/grantee/southwest-of-salem"><em>Southwest of Salem: The Story of the San Antonio Four</em></a></p>
<p>Dawn Porter (<a href="http://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-porter">2017 Breakthrough Filmmaker Award </a>recipient) for <a href="http://chickeneggpics.org/grantee/trapped"><em>Trapped</em></a></p>
<p>Nanfu Wang (<a href="http://chickeneggpics.org/grantee/born-in-china">2017 Accelerator Lab grantee</a>) for <em>Hooligan Sparrow</em>*</p>
<p>Read more about these films and the other recipients in their company on the <a href="http://www.peabodyawards.com/stories/story/2016-peabody-award-winners-76th-annual-peabody-30">Peabody website</a>.</p>
<p>*Chicken &amp; Egg Pictures did not fund the film <em>Hooligan Sparrow</em>, but supports director Nanfu Wang as a 2017 Accelerator Lab grantee. Nanfu has also received the LUNA Chicken &amp; Egg Pictures Award at 2017 SXSW Film Festival (read more <a href="http://chickeneggpics.org/congratulations-to-nanfu-at-sxsw-2017/">here</a>).</p>
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		<title>The Nest brings a lot to the table at this year&#8217;s Sheffield Doc/Fest</title>
		<link>https://archive.chickeneggpics.org/the-nest-brings-a-lot-to-the-table-at-this-years-sheffield-doc-fest/</link>
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		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Thu, 09 Jun 2016 19:45:37 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Festivals]]></category>
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		<category><![CDATA[News]]></category>
		<category><![CDATA[Cameraperson]]></category>
		<category><![CDATA[Care]]></category>
		<category><![CDATA[Deborah S. Esquenazi]]></category>
		<category><![CDATA[Deirdre Fishel]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Heidi Brandenburg]]></category>
		<category><![CDATA[Kirsten Johnson]]></category>
		<category><![CDATA[Kristi Jacobson]]></category>
		<category><![CDATA[Mathew Orzel]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[Rokhsareh Ghaemmaghami]]></category>
		<category><![CDATA[sheffield]]></category>
		<category><![CDATA[Sheffield Doc Fest]]></category>
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		<category><![CDATA[social change]]></category>
		<category><![CDATA[Solitary]]></category>
		<category><![CDATA[Sonita]]></category>
		<category><![CDATA[Southwest of Salem]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[When Two Worlds Collide]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">http://chickeneggpics.org/?p=2461</guid>

					<description><![CDATA[This year, a half-dozen Chicken &#038; Egg Pictures supported films will be screened at Sheffield Doc Fest. These Egg-septional films span a variety of topics including life behind bars, the cost of aging, and battles both personal and universal.]]></description>
										<content:encoded><![CDATA[<p>This year, a half-dozen Chicken &amp; Egg Pictures supported films will be screened at Sheffield Doc Fest. These Egg-septional films span a variety of topics including life behind bars, the cost of aging, and battles both personal and universal.</p>
<p>The festival, which bridges the gap between audience and filmmaker, takes place this year from June 10-15, 2016, and will screen over 150 films.</p>
<p><strong><em><a href="http://chickeneggpics.org/film/cameraperson/" target="_blank" rel="noopener">Cameraperson</a><br />
</em></strong>Directed by Kirsten Johnson<br />
<em>Cameraperson</em> turns the camera inwards, exposing the most powerful moments for cinematographer and filmmaker Kirsten Johnson. By plucking footage from her expansive work of over 25 years, Kirsten Johnson reminds us of the nature of life, where stories intermingle, cross-pollinate, and provide a new lens through which to view the world.</p>
<p><strong><em><a href="http://chickeneggpics.org/film/care/" target="_blank" rel="noopener">Care</a><br />
</em></strong>Directed by Deirdre Fishel<br />
As lifespans are increasing, the question of providing the quality care needed to our ever-aging population presses down upon us with increasing force. Deirdre Fishel gives insight into the lives of both the caregivers and those taken under their wing. The story, which focuses on home health aides in their struggle to provide for themselves as they devote their lives to helping others, is paralleled by that of the families that can no longer afford to bring in the help our older generation needs.</p>
<figure id="attachment_2464" aria-describedby="caption-attachment-2464" style="width: 3500px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2016/06/CARE-Vilma_and_Dee-med.jpg" rel="lightbox[2461]"><img loading="lazy" decoding="async" class="size-full wp-image-2464" src="http://chickeneggpics.org/wp-content/uploads/2016/06/CARE-Vilma_and_Dee-med.jpg" alt="Care, directed by Deirdre Fishel" width="3500" height="1969" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/06/CARE-Vilma_and_Dee-med.jpg 3500w, https://archive.chickeneggpics.org/wp-content/uploads/2016/06/CARE-Vilma_and_Dee-med-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/06/CARE-Vilma_and_Dee-med-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/06/CARE-Vilma_and_Dee-med-1024x576.jpg 1024w" sizes="auto, (max-width: 3500px) 100vw, 3500px" /></a><figcaption id="caption-attachment-2464" class="wp-caption-text">Care, directed by Deirdre Fishel</figcaption></figure>
<p><strong><em><a href="http://chickeneggpics.org/film/solitary/" target="_blank" rel="noopener">Solitary</a><br />
</em></strong>Directed by Kristi Jacobson<br />
<em>Solitary</em> provides a gripping look into life in prison, for both inmates and officers. It is a film about entrapment with the self, an effort to inform society of life in loneliness. <em>Solitary</em> provides a voice for the 80,000 people currently in solitary confinement in the US while letting them know they are not alone.</p>
<figure id="attachment_2463" aria-describedby="caption-attachment-2463" style="width: 1400px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2016/06/SOLITARY_web_1.jpg" rel="lightbox[2461]"><img loading="lazy" decoding="async" class="size-full wp-image-2463" src="http://chickeneggpics.org/wp-content/uploads/2016/06/SOLITARY_web_1.jpg" alt="Solitary, directed by Chicken &amp; Egg Pictures Breakthrough Filmmaker Kristi Jacobson" width="1400" height="768" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/06/SOLITARY_web_1.jpg 1400w, https://archive.chickeneggpics.org/wp-content/uploads/2016/06/SOLITARY_web_1-608x334.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/06/SOLITARY_web_1-768x421.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/06/SOLITARY_web_1-1024x562.jpg 1024w" sizes="auto, (max-width: 1400px) 100vw, 1400px" /></a><figcaption id="caption-attachment-2463" class="wp-caption-text">Solitary, directed by Chicken &amp; Egg Pictures Breakthrough Filmmaker Award recipient Kristi Jacobson</figcaption></figure>
<p><strong><em><a href="http://chickeneggpics.org/film/sonita/" target="_blank" rel="noopener">Sonita</a><br />
</em></strong>Rokhsareh Ghaem Maghami<br />
<em>Sonita</em> is the story of an 18-year-old Afghan woman following her dream to be a rapper while society surrounding her tries to silence her. She stands up against forced marriages, including her own, in which she was to be sold off for $9,000 in order to allow her family to purchase a wife for their son. This film’s personal nature imbues it with universal meaning.</p>
<p><a href="http://chickeneggpics.org/film/southwest-of-salem-the-story-of-the-san-antonio-four/" target="_blank" rel="noopener"><strong><em>Southwest of Salem: The Story of the San Antonio Four</em></strong></a><strong><em><br />
</em></strong>Deborah S. Esquenazi<br />
The events that transpired in Salem in 1692 seemed a far cry from anything that could happen today, yet when four women are convicted of raping two little girls in 1994, we encounter a modern day Salem. <em>Southwest of Salem</em> brings hints that our judicial system might be more of a prejudicial one.</p>
<p><strong><em><a href="http://chickeneggpics.org/film/when-two-worlds-collide/" target="_blank" rel="noopener">When Two Worlds Collide </a><br />
</em></strong>Heidi Brandenburg &amp; Mathew Orzel<br />
The struggle of indigenous people to maintain their surrounding land when in conflict with the interests of the big companies reminds us that our battle to preserve our environment rather than establishing locations for the production of monetary gains is ever present.Honored with a Special Jury Prize for Best First Feature at the 2016 Sundance Film Festival, <em>Two Worlds Collide</em> captivatingly reminds us of the state of the one world we are slowly losing.</p>
<figure id="attachment_2462" aria-describedby="caption-attachment-2462" style="width: 720px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2016/06/YFS-image4.jpg" rel="lightbox[2461]"><img loading="lazy" decoding="async" class="size-full wp-image-2462" src="http://chickeneggpics.org/wp-content/uploads/2016/06/YFS-image4.jpg" alt="When Two Worlds Collide, directed by Heidi Brandenburg &amp; Mathew Orzel" width="720" height="436" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/06/YFS-image4.jpg 720w, https://archive.chickeneggpics.org/wp-content/uploads/2016/06/YFS-image4-608x368.jpg 608w" sizes="auto, (max-width: 720px) 100vw, 720px" /></a><figcaption id="caption-attachment-2462" class="wp-caption-text">When Two Worlds Collide, directed by Heidi Brandenburg &amp; Mathew Orzel</figcaption></figure>
<p>&nbsp;</p>
<p>&nbsp;</p>
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		<title>The Nest is hot on the trail of Hot Docs</title>
		<link>https://archive.chickeneggpics.org/the-nest-is-hot-on-the-trail-of-hot-docs/</link>
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		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Mon, 11 Apr 2016 22:34:47 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Alma Ha'rel]]></category>
		<category><![CDATA[Beth Murphy]]></category>
		<category><![CDATA[Cameraperson]]></category>
		<category><![CDATA[Christopher LaMarca]]></category>
		<category><![CDATA[Dawn Porter]]></category>
		<category><![CDATA[Deborah S. Esquenazi]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Heidi Brandenburg]]></category>
		<category><![CDATA[Hot Docs]]></category>
		<category><![CDATA[Hot Docs 2016]]></category>
		<category><![CDATA[Jessica Dimmock]]></category>
		<category><![CDATA[Kirsten Johnson]]></category>
		<category><![CDATA[LoveTrue]]></category>
		<category><![CDATA[Mathew Orzel]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[Rokhsareh Ghaemmaghami]]></category>
		<category><![CDATA[social change]]></category>
		<category><![CDATA[Sonita]]></category>
		<category><![CDATA[Southwest of Salem]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[The Apology]]></category>
		<category><![CDATA[The Pearl]]></category>
		<category><![CDATA[Tiffany Hsiung]]></category>
		<category><![CDATA[Trapped]]></category>
		<category><![CDATA[What Tomorrow Brings]]></category>
		<category><![CDATA[When Two Worlds Collide]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">http://chickeneggpics.org/?p=2371</guid>

					<description><![CDATA[A whopping nine Chicken &#38; Egg Pictures-supported films have been selected to screen at the upcoming Hot Docs Film Festival in Toronto, Canada. The festival, which will run April 28-May 8, 2016, is the largest documentary film festival in North America. This year&#8217;s lineup is comprised of over 200 films from around the world. Tickets are [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>A whopping nine Chicken &amp; Egg Pictures-supported films have been selected to screen at the upcoming Hot Docs Film Festival in Toronto, Canada.</p>
<p>The festival, which will run April 28-May 8, 2016, is the largest documentary film festival in North America. This year&#8217;s lineup is comprised of over 200 films from around the world.</p>
<p>Tickets are on sale now; the full lineup can be found <a href="http://boxoffice.hotdocs.ca/websales/pages/list.aspx?epguid=7d40538f-b787-42db-b800-e5d6075294ae&amp;perpage=13&amp;cp268=Highlight&amp;" target="_blank" rel="noopener">here</a>.</p>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50897~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">The Apology</a></em><br />
Directed by Tiffany Hsiung<br />
This is a film about memory, told through the current relationships three women have with the people closest to them and how these relationships indelibly shape the last years of their lives. The three women – Gil Won-Ok in South Korea, Grandma Cao in China, and Lola Adela in the Philippines – are all former “comfort women” who were among the 200,000 girls and young women forced into military sexual slavery by the Japanese Imperial Army during World War II.</p>
<figure id="attachment_903" aria-describedby="caption-attachment-903" style="width: 1920px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy.jpg"  rel="lightbox[2371] attachment wp-att-903"><img loading="lazy" decoding="async" class="size-full wp-image-903" src="http://chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy.jpg" alt="The Apology, directed by Tiffany Hsiung" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/withineverywoman_gil6-copy-1024x576.jpg 1024w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a><figcaption id="caption-attachment-903" class="wp-caption-text">The Apology, directed by Tiffany Hsiung</figcaption></figure>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50846~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">Cameraperson</a></em><br />
Directed by Kirsten Johnson<br />
Drawing on footage she’s shot over the course of 25 years, documentary cinematographer Kirsten Johnson searches to reconcile her part in the thorny questions of permission, power, creative ambition<em>,</em> and human obligation that come with filming the lives of others.</p>
<p><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50889~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener"><em>LoveTrue</em><br />
</a>Directed by Alma Ha’rel<br />
Does our view of love change as we grow older? How do we make decisions about our love lives? Is there such a thing as true love? Are there invisible partners in relationships? Past ghosts of ourselves? The film’s reenactments of significant past experiences and glimpses at possible futures, created with non-actors playing the characters’ older and younger selves, encourage the couples to confront the realities of their hopes and memories, and the effect they have on their love lives.</p>
<figure id="attachment_964" aria-describedby="caption-attachment-964" style="width: 1920px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2014/07/lovetrue_photo-1.jpg"  rel="lightbox[2371] attachment wp-att-964"><img loading="lazy" decoding="async" class="size-full wp-image-964" src="http://chickeneggpics.org/wp-content/uploads/2014/07/lovetrue_photo-1.jpg" alt="LoveTrue, directed by Alma Ha'rel" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/07/lovetrue_photo-1.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/lovetrue_photo-1-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/07/lovetrue_photo-1-1024x576.jpg 1024w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a><figcaption id="caption-attachment-964" class="wp-caption-text">LoveTrue, directed by Alma Ha&#8217;rel</figcaption></figure>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50842~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">The Pearl</a></em><br />
Directed by Jessica Dimmock &amp; Christopher LaMarca<br />
<i>The Pearl</i> witnesses the loss and extraordinary risk of four middle-aged and senior war vets, steel foremen, and fathers and grandfathers coming out for the first time as transgender women in the hyper-masculine culture of the Pacific Northwest. Each year, their lives intersect at the annual Esprit Conference for T-girls, a weeklong event enlivening a community broken by isolation and loss.</p>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50935~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">Sonita</a></em><br />
Directed by Rokhsareh Ghaem Maghami<br />
18-year-old Sonita is an undocumented Afghan illegal immigrant living in the suburbs of Tehran. She fights to live the way she wants: As a rapper in spite of all her obstacles she confronts in Iran and her conservative family. In harsh contrast to her goal is the plan of her family – strongly advanced by her mother – to make her a bride and sell her to a new family for the price of $9,000.</p>
<p><em> <a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50937~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;">Southwest of Salem: The Story of the San Antonio Four</a></em><br />
Directed by Deborah S. Esquenazi<br />
<i>Southwest of Salem</i> excavates the nightmarish persecution of Elizabeth Ramirez, Cassandra Rivera, Kristie Mayhugh, and Anna Vasquez — four Latina lesbians wrongfully convicted of allegedly gang raping two little girls. This bizarre case is the first to be adjudicated under momentous new legislation: for the first time in U.S. history, wrongfully convicted innocents can challenge convictions based on debunked scientific evidence. The film also unravels the sinister interplay of mythology, homophobia, and prosecutorial fervor which led to this modern day witch hunt.</p>
<figure id="attachment_2333" aria-describedby="caption-attachment-2333" style="width: 6000px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg"  rel="lightbox[2371] attachment wp-att-2333"><img loading="lazy" decoding="async" class="size-full wp-image-2333" src="http://chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg" alt="Southwest of Salem: The Story of the San Antonio Four, directed by Deborah S. Esquenazi." width="6000" height="4000" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg 6000w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-608x405.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-768x512.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-1024x683.jpg 1024w" sizes="auto, (max-width: 6000px) 100vw, 6000px" /></a><figcaption id="caption-attachment-2333" class="wp-caption-text">Southwest of Salem: The Story of the San Antonio Four, directed by Deborah S. Esquenazi.</figcaption></figure>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50942~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">Trapped</a></em><br />
Directed by Dawn Porter<br />
At least half of American women will experience an unintended pregnancy by the age of 45. Four in 10 unwanted pregnancies are terminated by abortion. What would happen if access to care for these cases completely disappeared? Following the progress of two Southern reproductive health clinics, <i>Trapped</i> captures their struggle as they continue to provide care in the face of an increasingly hostile legal and political climate. Winner of the Special Jury Prize for Social Impact Filmmaking at the 2016 Sundance Film Festival.</p>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50946~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">What Tomorrow Brings</a></em><br />
Directed by Beth Murphy<br />
<em>What Tomorrow Brings</em> is a coming-of-age story in which Afghan girls studying at the Zabuli School struggle against tradition and time. They discover that their school is the one place they can turn to understand the differences between the lives they were born into and the lives they dream of leading. At a time when the political and security situation is rapidly changing, the film weaves the interconnected stories of students, teachers, parents, and school founder Razia Jan.</p>
<figure id="attachment_2372" aria-describedby="caption-attachment-2372" style="width: 4288px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2.jpg"  rel="lightbox[2371] attachment wp-att-2372"><img loading="lazy" decoding="async" class="size-full wp-image-2372" src="http://chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2.jpg" alt="What Tomorrow Brings, directed by Beth Murphy." width="4288" height="2848" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2.jpg 4288w, https://archive.chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2-608x404.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2-768x510.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/04/wtb_still2-1024x680.jpg 1024w" sizes="auto, (max-width: 4288px) 100vw, 4288px" /></a><figcaption id="caption-attachment-2372" class="wp-caption-text">What Tomorrow Brings, directed by Beth Murphy.</figcaption></figure>
<p><em><a href="http://boxoffice.hotdocs.ca/WebSales/pages/info.aspx?evtinfo=50828~edeed7b8-5598-4ac6-994a-ca71bc407bc4&amp;epguid=1982376d-17a7-4bb4-9959-f38bb053d10d&amp;" target="_blank" rel="noopener">When Two Worlds Collide</a></em><br />
Directed by Heidi Brandenburg &amp; Mathew Orzel<br />
An indigenous leader forced into exile and facing 20 years in prison for resisting the environmental ruin of Amazonian lands by big business. Refusing to surrender he continues his quest, shedding light on conflicting visions shaping the fate of the Amazon and the climate future of our world.</p>
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		<title>Chicken &#038; Egg Pictures at the 2016 Tribeca Film Festival</title>
		<link>https://archive.chickeneggpics.org/chicken-egg-pictures-at-the-2016-tribeca-film-festival/</link>
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		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Fri, 25 Mar 2016 19:31:45 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[2016 Tribeca Film Festival]]></category>
		<category><![CDATA[6X9: An Immersive Experience of Solitary Confinement]]></category>
		<category><![CDATA[Alma Ha'rel]]></category>
		<category><![CDATA[Criminal Justice]]></category>
		<category><![CDATA[Deborah S. Esquenazi]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Francesca Panetta]]></category>
		<category><![CDATA[Katie Galloway]]></category>
		<category><![CDATA[Kelly Duane de la Vega]]></category>
		<category><![CDATA[Kristi Jacobson]]></category>
		<category><![CDATA[Lindsay Poulton]]></category>
		<category><![CDATA[LoveTrue]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[social change]]></category>
		<category><![CDATA[Southwest of Salem]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[The Return]]></category>
		<category><![CDATA[The San Antonio Four]]></category>
		<category><![CDATA[Tribeca]]></category>
		<category><![CDATA[Tribeca Film Festival]]></category>
		<category><![CDATA[Virtual Reality]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">http://chickeneggpics.org/?p=2332</guid>

					<description><![CDATA[This year&#8217;s Tribeca Film Festival, running from April 13-24, marks the 15th edition of this annual spring event. Chicken &#38; Egg Pictures is proud to have four grantee films screening in this year&#8217;s lineup, along with 6X9: An Immersive Experience of Solitary Confinement, the first virtual reality project we have ever supported. For a full [&#8230;]]]></description>
										<content:encoded><![CDATA[<div>
<p>This year&#8217;s Tribeca Film Festival, running from April 13-24, marks the 15th edition of this annual spring event. Chicken &amp; Egg Pictures is proud to have four grantee films screening in this year&#8217;s lineup, along with <em>6X9: An Immersive Experience of Solitary Confinement</em>, the first virtual reality project we have ever supported.</p>
<p>For a full list of films that will screen at the 2016 Tribeca Film Festival, as well as a complete schedule, visit the Tribeca Film Festival <a href="https://tribecafilm.com/festival" target="_blank" rel="noopener">website</a>.</p>
</div>
<p><strong>World Documentary Competition<br />
</strong><em><a href="http://chickeneggpics.org/film/love-true/" target="_blank" rel="noopener">LoveTrue</a> </em>(Alma Ha&#8217;rel)<strong><br />
</strong>Does our view of love change as we grow older? How do we make decisions about our love lives? Is there such a thing as true love? Are there invisible partners in relationships? Past ghosts of ourselves? The film’s reenactments of significant past experiences and glimpses at possible futures, created with non-actors playing the characters’ older and younger selves, encourage the couples to confront the realities of their hopes and memories, and the effect they have on their love lives.</p>
<div></div>
<div>
<figure id="attachment_2335" aria-describedby="caption-attachment-2335" style="width: 1920px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1.png"  rel="lightbox[2332] attachment wp-att-2335"><img loading="lazy" decoding="async" class="size-full wp-image-2335" src="http://chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1.png" alt="LoveTrue" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1.png 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1-608x342.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1-768x432.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1-1024x576.png 1024w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a><figcaption id="caption-attachment-2335" class="wp-caption-text">LoveTrue</figcaption></figure>
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<p><a href="http://chickeneggpics.org/film/the-return/" target="_blank" rel="noopener"><em>The Return</em> </a>(Katie Galloway &amp; Kelly Duane de la Vega)<strong><br />
</strong>In 2012, California voters passed Proposition 36, which  shortened sentences of the currently incarcerated. Within days, the reintegration of thousands of “lifers”—men &amp; women once expecting to spend their lives in prison—was underway. <em>The Return</em> weaves together multiple narratives of characters on the front lines of this unprecedented shift: prisoners suddenly freed, families turned upside down, attorneys and judges wrestling with an untested law, and reentry providers negotiating unfathomable transitions.</p>
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<figure id="attachment_2334" aria-describedby="caption-attachment-2334" style="width: 377px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2.jpg"  rel="lightbox[2332] attachment wp-att-2334"><img loading="lazy" decoding="async" class=" wp-image-2334" src="http://chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2.jpg" alt="The Return" width="377" height="462" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2.jpg 783w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2-608x745.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2-768x942.jpg 768w" sizes="auto, (max-width: 377px) 100vw, 377px" /></a><figcaption id="caption-attachment-2334" class="wp-caption-text">The Return</figcaption></figure>
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<p><strong>Viewpoints</strong><br />
<em>Solitary</em> (Kristi Jacobson)<br />
<em>Solitary</em> investigates an invisible part of the American justice system: the use of isolation and segregation in US prisons, commonly known as solitary confinement. With unprecedented access inside a prison tackling the issue head on, the film explores this divisive issue through the experiences of those on both sides of the bars. Directed by Chicken &amp; Egg Pictures <a href="https://chickeneggpics.org/programs/#breakthrough-filmmaker-award">Breakthrough Filmmaker Award</a> recipient Kristi Jacobson.</p>
<figure id="attachment_2336" aria-describedby="caption-attachment-2336" style="width: 1400px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1.jpg"  rel="lightbox[2332] attachment wp-att-2336"><img loading="lazy" decoding="async" class="size-full wp-image-2336" src="http://chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1.jpg" alt="Solitary" width="1400" height="768" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1.jpg 1400w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1-608x334.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1-768x421.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1-1024x562.jpg 1024w" sizes="auto, (max-width: 1400px) 100vw, 1400px" /></a><figcaption id="caption-attachment-2336" class="wp-caption-text">Solitary</figcaption></figure>
<p><em><br />
<a href="http://chickeneggpics.org/film/southwest-of-salem-the-story-of-the-san-antonio-four/" target="_blank" rel="noopener">Southwest of Salem: The Story of the San Antonio Four</a></em> (Deborah S. Esquenazi)<br />
<i>Southwest of Salem</i> excavates the nightmarish persecution of Elizabeth Ramirez, Cassandra Rivera, Kristie Mayhugh, and Anna Vasquez — four Latina lesbians wrongfully convicted of allegedly gang raping two little girls. This bizarre case is the first to be adjudicated under momentous new legislation: for the first time in U.S. history, wrongfully convicted innocents can challenge convictions based on debunked scientific evidence. The film also unravels the sinister interplay of mythology, homophobia, and prosecutorial fervor which led to this modern day witch hunt.</p>
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<figure id="attachment_2333" aria-describedby="caption-attachment-2333" style="width: 6000px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg"  rel="lightbox[2332] attachment wp-att-2333"><img loading="lazy" decoding="async" class="size-full wp-image-2333" src="http://chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg" alt="Southwest of Salem: The Story of the San Antonio Four" width="6000" height="4000" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg 6000w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-608x405.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-768x512.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-1024x683.jpg 1024w" sizes="auto, (max-width: 6000px) 100vw, 6000px" /></a><figcaption id="caption-attachment-2333" class="wp-caption-text">Southwest of Salem: The Story of the San Antonio Four</figcaption></figure>
<p><strong>Storyscapes<br />
</strong><em>6X9: An Immersive Experience of Solitary Confinement</em> (Francesca Panetta &amp; Lindsay Poulton)<br />
Right now, 80,000-100,000 people are in solitary confinement in the US. They spend 22-24 hours a day in their cells, with little to no human contact for days or even decades. The sensory deprivation they endure causes severe psychological damage. These people are invisible to us—and eventually to themselves.</p>
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<figure id="attachment_2337" aria-describedby="caption-attachment-2337" style="width: 3977px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3.jpg"  rel="lightbox[2332] attachment wp-att-2337"><img loading="lazy" decoding="async" class="size-full wp-image-2337" src="http://chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3.jpg" alt="6X9: An Immersive Experience of Solitary Confinement" width="3977" height="2809" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3.jpg 3977w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3-608x429.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3-768x542.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3-1024x723.jpg 1024w" sizes="auto, (max-width: 3977px) 100vw, 3977px" /></a><figcaption id="caption-attachment-2337" class="wp-caption-text">6X9: An Immersive Experience of Solitary Confinement</figcaption></figure>
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