Tiffany Hsiung is an international award-winning filmmaker based in Toronto who creates socially conscious work and dynamic artistry, sparking a unique energy in the stories of marginalized individuals and communities. Hsiung’s approach to storytelling is driven by the relationship that is built with the people she meets both in front and behind the lens. By shooting much of her own work, Hsiung obtains unobtrusive access to the stories she captures.

Her Nest-supported project The Apology is a film about memory, told through the relationships of three women—all former comfort women who were forced into sexual slavery during World War II—as they fight for reconciliation and justice as they struggle to make peace with the past.

The Apology premiered at Hot Docs in 2016, and then aired on POV on PBS in October 2018. Over the course of the last year, it has received awards like the duPont-Columbia Award and Peabody Award, among others.  

Tiffany is a graduate of Ryerson University Film Program and was awarded The Norman Jewison award. Her short film Binding Borders won the Best Toronto Focus Film Award as well as the People’s Choice Award at the 16th annual Cabbage Town Film Festival, and the Grand Jury prize for R.C.I/Canadian Broadcasting Channel, Digital Diversity.

Her work is fundamentally based on cross-cultural and intergenerational themes set to inspire younger generations and viewers to learn about their own cultures – and social responsibility in the global community.

You can keep up with Tiffany’s work on her website here, and follow The Apology on its film blog.

The Apology is about memory, told through the current relationships three women have with the people closest to them and how these relationships indelibly shape the last years of their lives. The three women – Gil Won-Ok in South Korea, Grandma Cao in China, and Lola Adela in the Philippines – are all former “comfort women” who were among the 200,000 girls and young women forced into military sexual slavery by the Japanese Imperial Army during World War II.

We were honored to be support this powerful film and congratulate director Tiffany Hsiung, the entire The Apology team, and their broadcast partners POV for this huge win.

For the third year in a row, Chicken & Egg Pictures was proud to have supported three of the films nominated in the documentary category: The Apology, Whose Streets?, and Survivors.

Survivors, co-directed by Anna Fitch, Banker White, and Arthur Pratt
WeOwnTV, American Documentary | POV, ITVS (PBS)

Through the eyes of Sierra Leonean filmmakers, Survivors presents a portrait of their country during the Ebola outbreak, exposing the complexity of the epidemic and the socio-political turmoil that lies in its wake. The film chronicles the remarkable stories of Sierra Leonean heroes during what is now widely regarded as the most acute public health crisis of the modern era.

Whose Streets?, directed by Sabaah Folayan
Whose Streets? LLC, American Documentary | POV (PBS)

A firsthand look at how the murder of one teenage boy became the last straw for a community under siege, Whose Streets? is a story of love, loss, conflict, and ambition. Set in Ferguson, MO, the film follows the journey of everyday people whose lives are intertwined with a burgeoning national movement for black liberation. Whose Streets? participated in the 2016 (Egg)celerator Lab.

And a special congratulations to The Rape of Recy Taylor, directed by Nest-friend Nancy Buirski, which is also nominated.

After Tiller, co-directed by Martha Shane and Lana Wilson (also a Chicken & Egg Award recipient), paints a complex, compassionate portrait of the four American doctors left who openly provide third-trimester abortions.  Since the assassination of Dr. George Tiller in Kansas in May 2009, these physicians have become the new number-one targets of the anti-abortion movement, yet continue to risk their lives every day to do work that many believe is murder, but which they believe is profoundly important for their patients’ lives.

After Tiller is available on Amazon Prime.

The Apology, directed by Tiffany Hsiung, is a film about memory, told through the current relationships three women have with the people closest to them and how these relationships indelibly shape the last years of their lives. The three women – Gil Won-Ok in South Korea, Grandma Cao in China, and Lola Adela in the Philippines – are all former “comfort women” who were among the 200,000 girls and young women forced into military sexual slavery by the Japanese Imperial Army during World War II.

The Apology is available on Amazon Prime.

Heroin(e), directed by 2016 Chicken & Egg Award recipient Elaine McMillion Sheldon, follows three women—a fire chief, a judge and a missionary—who are battling America’s modern opioid epidemic in Huntington, West Virginia, once a bustling industrial town, now a place with an overdose rate 10 times the national average. This flood of heroin now threatens this Appalachian city with a cycle of generational addiction, lawlessness, and poverty. But within this distressed landscape, Elaine McMillion Sheldon shows a different side of the fight against drugs—one of hope.

Heroin(e) is available on Netflix.

American Revolutionary: The Evolution Of Grace Lee Boggs, directed by Grace Lee (also a Chicken & Egg Award recipient) tells the story of Grace Lee Boggs, a 98-year-old Chinese American woman whose vision of revolution will surprise you. A writer, activist, and philosopher rooted for more than 70 years in the African American movement, she has devoted her life to an evolving revolution that encompasses the contradictions of America’s past and its potentially radical future.

American Revolutionary: The Evolution Of Grace Lee Boggs is available on Netflix.

Pashtana’s Lesson, directed by Beth Murphy, follows the story of a young girl living in the rural Afghan village of Deh’Subz, on the outskirts of Kabul Province, as she resists an arranged marriage so that she may attend Zabuli Education Center, the first girls’ school in the area.

In 2016, Pashtana’s Lesson debuted as a New York Times Op-Doc. To watch, visit the New York Times Op-Docs website. What Tomorrow Brings, the feature-length documentary on which Pashtana’s Lesson is based, aired on PBS’s POV series and is available on Amazon Prime.

Moving on to the rest of March, Women’s History Month: In a year when women are mobilizing and running for office in unprecedented numbers, tune into PBS for Women, War, and Peace II, the acclaimed documentary series which presents four women-directed films exploring the pivotal role women are playing in dramatic conflicts and peace settlements across the globe. This season, three out of four films featured are Nest-supported projects. Check your local listings for exact times and dates.

The Trials of Spring, directed by Gini Reticker debuts Monday, March 25. The film follows the journeys of three Egyptian women from the early days of the 2011 Arab Spring until today: Hend, from a rural military family, awaiting a harsh prison sentence for protesting against military rule; Miriam, an activist fighting to end sexual assault; and Mama Khadiga, a formerly veiled widow who became a caretaker of the revolutionaries. Their intersecting stories reveal the vital and underreported role women play in shaping the region’s future.

Naila and the Uprising, directed by Julia Bacha debuts Tuesday, March 26. Weaving together interviews, news footage, and expressive animation, award-winning documentarian Julia Bacha (also a Chicken & Egg Award recipient) inventively chronicles the remarkable journey of Naila Ayesh, who in the late 1980s joined a clandestine movement of Palestinian women who played a pivotal role in the nonviolent uprising known as the First Intifada.

A Journey of a Thousand Miles: Peacekeepers, co-directed by Geeta Gandbhir (also a Chicken & Egg Award recipient), Sharmeen Obaid-Chinoy (also on our Eggsperts advisory board), and Perri Peltz, debuts Tuesday, March 26. The film follows an all-female, Bangladeshi unit of UN peacekeepers as they leave their friends, families and all familiarity for deployment abroad in Haiti. The  film examines how this journey forever alters their lives while illuminating the unique role that women play in restoring peace in the world’s most volatile regions.

Nest-supported films about women and girls to look out for in the future: 

Writing With Fire, directed by Rintu Thomas & Sushmit Ghosh (2018 (Egg)celerator Lab), tells the story India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions, be it on the frontlines of India’s biggest issues or within the confines of their homes, redefining what it means to be powerful.

Writing With Fire is currently in production.

Whose Streets?, directed by Sabaah Folayan, Damon Davis (Accelerator Lab 2016)

A firsthand look at how the murder of one teenage boy became the last straw for a community under siege, Whose Streets? is a story of love, loss, conflict, and ambition. Set in Ferguson, MO, the film follows the journey of everyday people whose lives are intertwined with a burgeoning national movement for black liberation.

PBS premiere date: July 30, 2018.

The Apology, directed by Tiffany Hsiung

This is a film about memory, told through the current relationships three women have with the people closest to them and how these relationships indelibly shape the last years of their lives. The three women – Gil Won-Ok in South Korea, Grandma Cao in China, and Lola Adela in the Philippines – are all former “comfort women” who were among the 200,000 girls and young women forced into military sexual slavery by the Japanese Imperial Army during World War II.

PBS premiere date: Coming soon.

Survivors, directed by Anna Fitch, Banker White and Arthur Pratt

Through the eyes of Sierra Leonean filmmakers, Survivors presents a portrait of their country during the Ebola outbreak, exposing the complexity of the epidemic and the socio-political turmoil that lies in its wake. The film chronicles the remarkable stories of Sierra Leonean heroes during what is now widely regarded as the most acute public health crisis of the modern era.

PBS premiere date: Coming soon.

Dark Money, directed by Kimberly Reed

A century ago, corrupt money swamped Montana’s legislature, but Montanans rose up to prohibit corporate campaign contributions. Today, in the wake of the Supreme Court’s Citizens United decision —which allows unlimited, anonymous money to pour into elections nationwide—Montana is once again fighting to preserve open and honest elections. Following an investigative reporter through a political thriller, Dark Money exposes one of the greatest threats to American democracy.

PBS premiere date: Coming soon.

Be sure to catch the season premiere of POV on Monday, June 18th at 10 pm!

Post by 2018 Spring Programs Intern Dinayuri Rodriguez.

The Human Rights Watch Film Festival is rolling into New York City again this June, and we can’t wait to see our filmmakers in action there! Each screening is followed by a discussion.

Go to the HRW Film Festival website for more information and the full lineup:

MUHI – Generally Temporary
Directed by Rina Castelnuovo-Hollander and Tamir Elterman
For the past seven years, Muhi, a young boy from Gaza, has been trapped in an Israeli hospital. Rushed there in his infancy with a life-threatening immune disorder, he and his doting grandfather, Abu Naim, wound up caught in an immigration limbo that made it impossible for them to leave. With Muhi’s citizenship unclear, and Abu Naim denied a work permit or visa, the pair reside solely within the constraints of the hospital walls. Caught between two states in perpetual war, Muhi is being cared for by the very same people whose government forbids his family to visit, and for him or his grandfather to travel back. Made by two filmmakers from Jerusalem, this documentary lays out the Israeli-Palestinian conflict in human terms, documenting the impact these paradoxical circumstances have on individual lives.

June 11, 2017, 8:30 PM / Film Society of Lincoln Center’s Walter Reade Theater
Screening followed by discussion with filmmaker Tiffany Hsiung and Sarah Taylor, Advocate, Women’s Rights division, Human Rights Watch

Complicit
Directed by Heather White and Lynn Zhang*
Shot below the radar, Complicit follows the journey of Chinese factory migrant worker-turned-activist Yi Yeting, who takes his fight against the global electronic industry from his hospital bed to the international stage. While battling his own work-induced leukemia, Yi Yeting teaches himself labour law in order to prepare a legal challenge against his former employers. But the struggle to defend the lives of millions of Chinese people from becoming terminally ill due to working conditions necessitates confrontation with some of the world’s largest brands including Apple and Samsung. Unfortunately, neither powerful businesses nor the government are willing to have such scandals exposed.

The festival, which will run April 28-May 8, 2016, is the largest documentary film festival in North America. This year’s lineup is comprised of over 200 films from around the world.

Tickets are on sale now; the full lineup can be found here.

The Apology
Directed by Tiffany Hsiung
This is a film about memory, told through the current relationships three women have with the people closest to them and how these relationships indelibly shape the last years of their lives. The three women – Gil Won-Ok in South Korea, Grandma Cao in China, and Lola Adela in the Philippines – are all former “comfort women” who were among the 200,000 girls and young women forced into military sexual slavery by the Japanese Imperial Army during World War II.

Cameraperson
Directed by Kirsten Johnson
Drawing on footage she’s shot over the course of 25 years, documentary cinematographer Kirsten Johnson searches to reconcile her part in the thorny questions of permission, power, creative ambition, and human obligation that come with filming the lives of others.

LoveTrue
Directed by Alma Ha’rel
Does our view of love change as we grow older? How do we make decisions about our love lives? Is there such a thing as true love? Are there invisible partners in relationships? Past ghosts of ourselves? The film’s reenactments of significant past experiences and glimpses at possible futures, created with non-actors playing the characters’ older and younger selves, encourage the couples to confront the realities of their hopes and memories, and the effect they have on their love lives.

The Pearl
Directed by Jessica Dimmock & Christopher LaMarca
The Pearl witnesses the loss and extraordinary risk of four middle-aged and senior war vets, steel foremen, and fathers and grandfathers coming out for the first time as transgender women in the hyper-masculine culture of the Pacific Northwest. Each year, their lives intersect at the annual Esprit Conference for T-girls, a weeklong event enlivening a community broken by isolation and loss.

Sonita
Directed by Rokhsareh Ghaem Maghami
18-year-old Sonita is an undocumented Afghan illegal immigrant living in the suburbs of Tehran. She fights to live the way she wants: As a rapper in spite of all her obstacles she confronts in Iran and her conservative family. In harsh contrast to her goal is the plan of her family – strongly advanced by her mother – to make her a bride and sell her to a new family for the price of $9,000.

Southwest of Salem: The Story of the San Antonio Four
Directed by Deborah S. Esquenazi
Southwest of Salem excavates the nightmarish persecution of Elizabeth Ramirez, Cassandra Rivera, Kristie Mayhugh, and Anna Vasquez — four Latina lesbians wrongfully convicted of allegedly gang raping two little girls. This bizarre case is the first to be adjudicated under momentous new legislation: for the first time in U.S. history, wrongfully convicted innocents can challenge convictions based on debunked scientific evidence. The film also unravels the sinister interplay of mythology, homophobia, and prosecutorial fervor which led to this modern day witch hunt.

Trapped
Directed by Dawn Porter
At least half of American women will experience an unintended pregnancy by the age of 45. Four in 10 unwanted pregnancies are terminated by abortion. What would happen if access to care for these cases completely disappeared? Following the progress of two Southern reproductive health clinics, Trapped captures their struggle as they continue to provide care in the face of an increasingly hostile legal and political climate. Winner of the Special Jury Prize for Social Impact Filmmaking at the 2016 Sundance Film Festival.

What Tomorrow Brings
Directed by Beth Murphy
What Tomorrow Brings is a coming-of-age story in which Afghan girls studying at the Zabuli School struggle against tradition and time. They discover that their school is the one place they can turn to understand the differences between the lives they were born into and the lives they dream of leading. At a time when the political and security situation is rapidly changing, the film weaves the interconnected stories of students, teachers, parents, and school founder Razia Jan.

When Two Worlds Collide
Directed by Heidi Brandenburg & Mathew Orzel
An indigenous leader forced into exile and facing 20 years in prison for resisting the environmental ruin of Amazonian lands by big business. Refusing to surrender he continues his quest, shedding light on conflicting visions shaping the fate of the Amazon and the climate future of our world.