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	<title>The Night Watchman &#8211; Chicken &amp; Egg Pictures</title>
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	<title>The Night Watchman &#8211; Chicken &amp; Egg Pictures</title>
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		<title>Nine Women-directed Films to See at Full Frame Documentary Film Festival</title>
		<link>https://archive.chickeneggpics.org/nine-women-filmmakers-to-see-at-full-frame-documentary-film-festival/</link>
					<comments>https://archive.chickeneggpics.org/nine-women-filmmakers-to-see-at-full-frame-documentary-film-festival/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Thu, 18 Apr 2019 16:12:59 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[a thousand girls like me]]></category>
		<category><![CDATA[Always In Season]]></category>
		<category><![CDATA[Cynthia Wade]]></category>
		<category><![CDATA[Diversity Fellows Initiative]]></category>
		<category><![CDATA[El Velador]]></category>
		<category><![CDATA[Film Festival]]></category>
		<category><![CDATA[Full Frame]]></category>
		<category><![CDATA[Full Frame Documentary Film Festival]]></category>
		<category><![CDATA[Full Frame Film Festival]]></category>
		<category><![CDATA[Grit]]></category>
		<category><![CDATA[Hail Satan]]></category>
		<category><![CDATA[Impact & Innovation Initiative]]></category>
		<category><![CDATA[Jacqueline Olive]]></category>
		<category><![CDATA[Jialing Zhang]]></category>
		<category><![CDATA[Joe Brewster]]></category>
		<category><![CDATA[Julia Reichert]]></category>
		<category><![CDATA[Knock Down the House]]></category>
		<category><![CDATA[Michele Stephenson]]></category>
		<category><![CDATA[Nanfu Wang]]></category>
		<category><![CDATA[Natalia Almada]]></category>
		<category><![CDATA[North Carolina]]></category>
		<category><![CDATA[One Child Nation]]></category>
		<category><![CDATA[Penny Lane]]></category>
		<category><![CDATA[Rachel Lears]]></category>
		<category><![CDATA[Sahra Mani]]></category>
		<category><![CDATA[Sasha Friedlander]]></category>
		<category><![CDATA[Steven Bognar]]></category>
		<category><![CDATA[The Changing Same]]></category>
		<category><![CDATA[The Night Watchman]]></category>
		<category><![CDATA[Women Filmmaker]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=5962</guid>

					<description><![CDATA[The Full Frame Documentary Film Festival kicks off their 22nd annual festival today, which will take place in Durham, North Carolina from Thursday, April 4 to Sunday, April 7. The festival&#8217;s opening night film is American Factory, the Sundance 2019 Directing – US Documentary Competition award winner directed by Julia Reichert (2016 Chicken &#38; Egg Award recipient) and [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>The <a id="auto-tag_full-frame-documentary-film-festival" href="https://www.indiewire.com/t/full-frame-documentary-film-festival/" data-tag="full-frame-documentary-film-festival">Full Frame Documentary Film Festival</a> kicks off their 22nd annual festival today, which will take place in Durham, North Carolina from Thursday, April 4 to Sunday, April 7.</p>
<p>The festival&#8217;s opening night film is <em>American Factory</em>, the Sundance 2019 <a href="https://chickeneggpics.org/2019-sundance-festival-winners/">Directing – US Documentary Competition</a> award winner directed by Julia Reichert (<a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient/">2016 Chicken &amp; Egg Award recipient</a>) and Steven Bognar, screening <a href="https://www.fullframefest.org/film/american-factory/"><span class="datetime" data-date="2019-04-04">Thursday, April 4 — 7:30 pm at Fletcher</span></a>. In addition, we were egg-static to see Julia and her long-time directing partner Steven honored by Full Frame in a  tribute and curated retrospective of their work, which will screen throughout the festival, including <em>Union Maids</em>, directed by Jim Klein, Miles Mogulescu, and Julia Reichert (<span class="datetime" data-date="2019-04-04"><a href="https://store.fullframefest.org/online/seatSelect.asp?createBO::WSmap=1&amp;BOparam::WSmap::loadBestAvailable::performance_ids=7DE990FB-0865-4BA1-A944-894474DA51B1">Thursday, April 4 — 1:30 at Cinema Three</a> and </span><a href="https://store.fullframefest.org/online/seatSelect.asp?createBO::WSmap=1&amp;BOparam::WSmap::loadBestAvailable::performance_ids=654F7C4A-0406-4816-8326-E504EA471970"><span class="datetime" data-date="2019-04-07">Sunday, April 7 — 5:10 pm at Cinema Four</span></a>), as well as eight other films.</p>
<p>Full Frame&#8217;s lineup includes work by a total of nine Nest-supported women filmmakers:</p>
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<div><a href="https://chickeneggpics.org/wp-content/uploads/2015/07/MS-capilla-amarilla.jpg" rel="lightbox[5962]"><img fetchpriority="high" decoding="async" class="alignleft size-medium wp-image-1876" src="https://chickeneggpics.org/wp-content/uploads/2015/07/MS-capilla-amarilla-608x361.jpg" alt="El Velador Natalia Almada" width="608" height="361" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2015/07/MS-capilla-amarilla-608x361.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2015/07/MS-capilla-amarilla-1024x607.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2015/07/MS-capilla-amarilla.jpg 1278w" sizes="(max-width: 608px) 100vw, 608px" /></a></div>
<p><a href="https://chickeneggpics.org/grantee/el-velador/"><em>El Velador (The Night Watchman)</em></a>, directed by Natalia Almada (also a 2018 <a href="https://chickeneggpics.org/grantee/2018-breakthrough-award-recipient-almada/">Chicken &amp; Egg Award</a> recipient)</p>
<p>From dusk to dawn, El Velador (The Night Watchman) accompanies Martin, a guard who watches over the extravagant mausoleums of some of Mexico’s most notorious drug lords. In the labyrinth of the cemetery, this film about violence without violence reminds us that, amid the turmoil of a drug war that has claimed more than 50,000 lives, ordinary existence persists in Mexico and quietly defies the dead.<br />
<a href="http://ramefest.org/film/el-velador/">Thursday, April 4 — 4:00 pm at Cinema One </a>(as part of the <em>Some Other Lives of Time</em> program curated by <em>Hale County This Morning, This Evening </em>director Ramell Ross)</p>
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<p><a href="https://chickeneggpics.org/wp-content/uploads/2019/03/hail_satan_-_publicity_-_h_2018.jpg" rel="lightbox[5962]"><img decoding="async" class="alignleft size-medium wp-image-5936" src="https://chickeneggpics.org/wp-content/uploads/2019/03/hail_satan_-_publicity_-_h_2018-608x343.jpg" alt="" width="608" height="343" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/03/hail_satan_-_publicity_-_h_2018-608x343.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/03/hail_satan_-_publicity_-_h_2018-768x433.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2019/03/hail_satan_-_publicity_-_h_2018.jpg 928w" sizes="(max-width: 608px) 100vw, 608px" /></a></p>
<p><em>Hail Satan?</em>, directed by Penny Lane (2017 <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-lane/">Chicken &amp; Egg Award</a> recipient)<br />
With humor and searing insight, director Penny Lane debunks misrepresentations about the Satanic Temple. Drawing on extensive access to the organization’s participants, this unflinching examination reveals the controversial religious movement’s aim to shine a light on the hypocrisy around America’s separation of church and state.*<br />
<a href="https://www.fullframefest.org/film/hail-satan/">Friday, April 5 — 10:00 pm at Fletcher</a></p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2018/01/Changing-Same_Stephenson_Cracker_House-Final-F18.png" rel="lightbox[5962]"><img decoding="async" class="alignleft size-medium wp-image-4098" src="https://chickeneggpics.org/wp-content/uploads/2018/01/Changing-Same_Stephenson_Cracker_House-Final-F18-608x342.png" alt="Changing Same Michèle Stephenson Joe Brewster Impact Innovation Initiative 2018" width="608" height="342" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/01/Changing-Same_Stephenson_Cracker_House-Final-F18-608x342.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/01/Changing-Same_Stephenson_Cracker_House-Final-F18-768x432.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/01/Changing-Same_Stephenson_Cracker_House-Final-F18-1024x576.png 1024w" sizes="(max-width: 608px) 100vw, 608px" /></a></p>
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<p><a href="http://radafilm.com/portfolio/racial-terror/"><em>The Changing Same</em></a>, directed by Impact &amp; Innovation Initiative (past program) grantees <a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient-4/">Michèle Stephenson</a> (also a 2016 <a href="https://chickeneggpics.org/programs/#breakthrough-filmmaker-award">Chicken &amp; Egg Award </a>recipient) and Joe Brewster</p>
<p>Poet Lamar Wilson remembers reading <em>Anatomy of a Lynching</em> as a young man and immediately asking his grandmother if she knew Claude Neal. The book recounts the heinous 1934 murder and mutilation of Neal, a 23-year-old African American, at the hands of a mob of white men.*<br />
<span class="datetime" data-date="2019-04-06"><a href="https://www.fullframefest.org/film/the-changing-same/">Saturday, April 6 at 1:00 pm at Cinema One</a></span></p>
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<div><a href="https://chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images.jpg" rel="lightbox[5962]"><img loading="lazy" decoding="async" class="size-medium wp-image-5356" src="https://chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images-608x406.jpg" alt="Jacqueline Olive Always in Season" width="608" height="406" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images-608x406.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images-768x513.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Claudia-Lacy_Always-in-Season_Courtesy-of-The-Washington-Post_Getty-Images-1024x684.jpg 1024w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a></div>
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<p><em><a href="https://chickeneggpics.org/grantee/always-in-season/">Always in Season </a></em>(2018 (Egg)celerator Lab grantee), directed by Jacqueline Olive<br />
When 17-year-old Lennon Lacy is found hanging from a swing set in rural North Carolina in 2014, his mother’s search for justice and reconciliation begins while the trauma of more than a century of lynching African Americans bleeds into the present.<br />
<a href="https://www.fullframefest.org/film/always-in-season/"><span class="datetime" data-date="2019-04-05">Friday, April 5 — 7:20 pm at Cinema Three</span></a></p>
<div><a href="https://chickeneggpics.org/wp-content/uploads/2019/02/one-child-nation-nanfu-wang-yuanchen-liu.jpg" rel="lightbox[5962]"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-5868" src="https://chickeneggpics.org/wp-content/uploads/2019/02/one-child-nation-nanfu-wang-yuanchen-liu-608x342.jpg" alt="" width="608" height="342" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/02/one-child-nation-nanfu-wang-yuanchen-liu-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/one-child-nation-nanfu-wang-yuanchen-liu-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/one-child-nation-nanfu-wang-yuanchen-liu-1024x576.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/one-child-nation-nanfu-wang-yuanchen-liu.jpg 1067w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a></div>
<p><em><a href="https://chickeneggpics.org/grantee/one-child-nation/">One Child Nation</a> </em>(2017 (Egg)celerator Lab grantee), directed by Nanfu Wang (also a 2018 Chicken &amp; Egg Award recipient) and Jialing Zhang<br />
How much control does a person have over their own life? In China, state control begins before a child is even born.<br />
<a href="https://www.fullframefest.org/film/one-child-nation/">Friday, April 5 — 7:00 pm at Cinema One</a></p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2014/08/mudflow1.jpg" rel="lightbox[5962]"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-851" src="https://chickeneggpics.org/wp-content/uploads/2014/08/mudflow1-608x405.jpg" alt="Mudflow Cynthia Wade and Sasha Friedlander" width="608" height="405" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/08/mudflow1-608x405.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/mudflow1-1024x682.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/mudflow1.jpg 1080w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a></p>
<p><a href="https://chickeneggpics.org/grantee/grit/"><em>Grit</em></a>, directed by Cynthia Wade and Sasha Friedlander<br />
Grit is the story of a huge, toxic mudflow in Indonesia widely believed to be caused by shoddy drilling practices. The mud volcano has been erupting violently for the past eight years, burying 17 villages and permanently displacing 60,000 people. Grit follows ordinary Indonesians seeking justice for this disaster during a national election where one presidential candidate has promised restitution — and the other has not.<br />
<a href="https://www.fullframefest.org/film/grit/">Thursday, April 4 — 10:00 am at Cinema One</a></p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2018/06/Obstinate.png" rel="lightbox[5962]"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-4181" src="https://chickeneggpics.org/wp-content/uploads/2018/06/Obstinate-608x341.png" alt="A Thousand Girls Like Me 2016 Diversity Fellows Initiative Sahra Mani" width="608" height="341" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/06/Obstinate-608x341.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/06/Obstinate-768x431.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/06/Obstinate-1024x575.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2018/06/Obstinate.png 1910w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a></p>
<p><a href="https://chickeneggpics.org/grantee/a-thousand-girls-like-me/"><em>A Thousand Girls Like Me</em></a>, directed by Sahra Mani (2016 Diversity Fellows Initiative — past program)<br />
In Afghanistan where systematic abuses of girls rarely come to light, and seeking justice can be deadly, one young woman says “Enough.” Khatera was brutally raped by her father since the age of nine and today she raises two precious and precocious children whom he sired. Against her family’s and many Afghanis’ wishes, Khatera forces her father to stand trial. This is her incredible story of love, hope, bravery, forgiveness, and truth.<br />
<a href="https://www.fullframefest.org/film/a-thousand-girls-like-me/">Thursday, April 4 — 4:20 pm at Cinema Four </a></p>
<p><em><a href="https://chickeneggpics.org/wp-content/uploads/2019/02/alex_tornillo_-_rachel_lears.jpg" rel="lightbox[5962]"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-5869" src="https://chickeneggpics.org/wp-content/uploads/2019/02/alex_tornillo_-_rachel_lears-608x321.jpg" alt="" width="608" height="321" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/02/alex_tornillo_-_rachel_lears-608x321.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/alex_tornillo_-_rachel_lears-768x405.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2019/02/alex_tornillo_-_rachel_lears-1024x540.jpg 1024w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a><br />
Knock Down the House</em>, directed by Rachel Lears (former Nest grantee for <em><a href="https://chickeneggpics.org/grantee/the-hand-that-feeds/">The Hand That Feeds</a></em>)<br />
In the run up to the 2018 U.S. midterms, four political newcomers challenge their Democratic incumbents in the primary elections that lead ultimately to a seat in Congress. Fearless and determined, Alexandria Ocasio-Cortez, Paula Jean Swearengin, Cori Bush, and Amy Vilela introduce their grassroots platforms to the communities in which they are deeply ingrained.*<br />
<a href="https://www.fullframefest.org/film/knock-down-the-house/">Friday, April 5 — 7:20 pm at Fletcher</a></p>
<p>*Synopses courtesy of Full Frame.</p>
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