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	<title>Through The Night &#8211; Chicken &amp; Egg Pictures</title>
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	<title>Through The Night &#8211; Chicken &amp; Egg Pictures</title>
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	<item>
		<title>We&#8217;re Back to the Cinemas at the 2021 Tribeca Film Festival!</title>
		<link>https://archive.chickeneggpics.org/tribeca-2021/</link>
					<comments>https://archive.chickeneggpics.org/tribeca-2021/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Thu, 03 Jun 2021 16:41:14 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[AlumNest]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[Premieres]]></category>
		<category><![CDATA[Project: Hatched]]></category>
		<category><![CDATA[2018 (egg)celerator lab]]></category>
		<category><![CDATA[2019 (Egg)celerator Lab]]></category>
		<category><![CDATA[2021 Tribeca Film Festival]]></category>
		<category><![CDATA[AlumnNest]]></category>
		<category><![CDATA[Ascenion]]></category>
		<category><![CDATA[Cecilia Aldarondo]]></category>
		<category><![CDATA[Dave Chappelle documentary]]></category>
		<category><![CDATA[Deirdre Fishel]]></category>
		<category><![CDATA[Enemies of the State]]></category>
		<category><![CDATA[Film Festival]]></category>
		<category><![CDATA[Jessica Kingdon]]></category>
		<category><![CDATA[Julia Reichert]]></category>
		<category><![CDATA[Kristine Stolakis]]></category>
		<category><![CDATA[Landfall]]></category>
		<category><![CDATA[Loira Limbal]]></category>
		<category><![CDATA[Megan Mylan]]></category>
		<category><![CDATA[Michele Stephenson]]></category>
		<category><![CDATA[Nest]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Pray Away]]></category>
		<category><![CDATA[Simple As Water]]></category>
		<category><![CDATA[Sonia Kennebeck]]></category>
		<category><![CDATA[Stateless]]></category>
		<category><![CDATA[Steve Bognar]]></category>
		<category><![CDATA[streaming]]></category>
		<category><![CDATA[The Sit-In: Harry Belafonte Hosts The Tonight Show]]></category>
		<category><![CDATA[Through The Night]]></category>
		<category><![CDATA[Tribeca Film Festival]]></category>
		<category><![CDATA[United States]]></category>
		<category><![CDATA[Women in Blue]]></category>
		<category><![CDATA[Yoruba Richen]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=8858</guid>

					<description><![CDATA[Chicken &#038; Egg Pictures-supported projects at Tribeca from June 9 to June 20! ]]></description>
										<content:encoded><![CDATA[
<p>The <a href="https://tribecafilm.com/">Tribeca Film Festival</a> is celebrating its 20th anniversary with a return to the cinemas in 2021. The festival runs from Wednesday, June 9 to Sunday, June 20 with programming that can be accessed in person and virtually.</p>



<p><a href="https://chickeneggpics.org/wp-content/uploads/2021/06/Tribeca-2021-1.jpg" rel="lightbox[8858]"><img fetchpriority="high" decoding="async" class="alignnone wp-image-8892 size-full" src="https://chickeneggpics.org/wp-content/uploads/2021/06/Tribeca-2021-1.jpg" alt="" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2021/06/Tribeca-2021-1.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2021/06/Tribeca-2021-1-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2021/06/Tribeca-2021-1-1024x576.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2021/06/Tribeca-2021-1-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2021/06/Tribeca-2021-1-1536x864.jpg 1536w" sizes="(max-width: 1920px) 100vw, 1920px" /></a></p>



<p>At Chicken &amp; Egg Pictures, we are looking forward to the shared experience of film, as New Yorkers head back to the movies again. Viewers within the US can access Tribeca’s virtual programming through $15 online stream tickets.<strong> </strong></p>



<p>We are also thrilled to let you know that films slated to premiere at the 2020 Tribeca Film Festival, but postponed due to COVID-19, will also screen at this year’s edition. Granted films featured in the festival include four <a href="https://chickeneggpics.org/programs/#eggcelerator-lab">(Egg)celerator Lab</a> grantees from 2018 and 2019, one <a href="https://chickeneggpics.org/programs/#project-hatched">Project: Hatched</a> grantee, one <a href="https://chickeneggpics.org/programs/#chicken-egg-award">Chicken &amp; Egg Award</a> recipient film, three films from the <a href="https://chickeneggpics.org/programs/#alumnest">AlumNest</a>, and one VR project. <strong>Learn more about the films below, and get your tickets <a href="https://tribecafilm.com/festival">here</a>.&nbsp;</strong></p>



<h3 class="wp-block-heading"><em><a href="https://chickeneggpics.org/grantee/ascension/" target="_blank" rel="noreferrer noopener">Ascension</a></em>, dir. Jessica Kingdon</h3>



<hr class="wp-block-separator"/>



<figure class="wp-block-image size-large"><img decoding="async" width="1024" height="540" src="https://chickeneggpics.org/wp-content/uploads/2019/01/EL-2019_Ascension_Jessica-Kingdon_Film-Still_Waterpark-2_colorcor-1024x540.jpg" alt="" class="wp-image-8832" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/01/EL-2019_Ascension_Jessica-Kingdon_Film-Still_Waterpark-2_colorcor-1024x540.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/EL-2019_Ascension_Jessica-Kingdon_Film-Still_Waterpark-2_colorcor-608x321.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/EL-2019_Ascension_Jessica-Kingdon_Film-Still_Waterpark-2_colorcor-768x405.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/EL-2019_Ascension_Jessica-Kingdon_Film-Still_Waterpark-2_colorcor-1536x810.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/EL-2019_Ascension_Jessica-Kingdon_Film-Still_Waterpark-2_colorcor-2048x1080.jpg 2048w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>



<p><em>Ascension</em> examines the contemporary “Chinese Dream” through staggering observations of labor, consumerism and wealth. In cinematically exploring the aspiration that drives today’s People’s Republic of China, the film plunges into universal paradoxes of economic progress.</p>



<p>World Premiere │ Tribeca Documentary Competition │ 2019 (Egg)celerator Lab </p>



<h3 class="wp-block-heading"><em><a href="https://chickeneggpics.org/grantee/enemies-of-the-state/" target="_blank" rel="noreferrer noopener">Enemies of the State</a></em>, dir. Sonia Kennebeck</h3>



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<figure class="wp-block-image size-large"><img decoding="async" width="1024" height="735" src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_EnemiesOfTheState_still-anonymous-1024x735.jpg" alt="Enemies of the State Sonia Kennebeck 2018 Accelerator Lab" class="wp-image-3734" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_EnemiesOfTheState_still-anonymous-1024x735.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_EnemiesOfTheState_still-anonymous-608x437.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_EnemiesOfTheState_still-anonymous-768x552.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_EnemiesOfTheState_still-anonymous.jpg 1937w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>



<p>An American family becomes entangled in a bizarre web of secrets and lies when their hacker son is targeted by the U.S. government, making them all <em>Enemies of the State</em>.</p>



<p>US Premiere │ 2018 (Egg)celerator Lab</p>



<h3 class="wp-block-heading"><em><a href="https://chickeneggpics.org/grantee/pray-away" target="_blank" rel="noreferrer noopener">Pray Away</a></em>, dir. Kristine Stolakis</h3>



<hr class="wp-block-separator"/>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="576" src="https://chickeneggpics.org/wp-content/uploads/2019/01/PRAY-AWAY-Primary-Still-1-1024x576.jpg" alt="" class="wp-image-7521" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/01/PRAY-AWAY-Primary-Still-1-1024x576.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/PRAY-AWAY-Primary-Still-1-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/PRAY-AWAY-Primary-Still-1-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/PRAY-AWAY-Primary-Still-1-1536x864.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/PRAY-AWAY-Primary-Still-1.jpg 1920w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>Former leaders of the “pray away the gay” movement contend with the aftermath unleashed by their actions, while a survivor seeks healing and acceptance from more than a decade of trauma.</p>



<p>World Premiere │ 2019 (Egg)celerator Lab</p>



<h3 class="wp-block-heading"><em><a href="https://chickeneggpics.org/grantee/through-the-night" target="_blank" rel="noreferrer noopener">Through the Night</a></em>, dir. Loira Limbal</h3>



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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="540" src="https://chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-1024x540.jpg" alt="" class="wp-image-8312" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-1024x540.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-608x321.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-768x405.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-1536x810.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-2048x1081.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>To make ends meet, Americans are working longer hours across multiple jobs. This modern reality of nonstop work has resulted in an unexpected phenomenon: the flourishing of 24-hour daycare centers. <em>Through the Night</em> is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.</p>



<p>New York Premiere │ 2018 (Egg)celerator Lab</p>



<h3 class="wp-block-heading"><em><a href="https://chickeneggpics.org/grantee/landfall" target="_blank" rel="noreferrer noopener">Landfall</a></em>, dir. Cecilia Aldarondo</h3>



<hr class="wp-block-separator"/>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="576" src="https://chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-1024x576.jpg" alt="" class="wp-image-7879" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-1024x576.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-1536x864.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2.jpg 1920w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>Through shard-like glimpses of everyday life in post-Hurricane María Puerto Rico,&nbsp;<em>Landfall</em>&nbsp;examines a ruined world at the brink of transformation, spinning a cautionary tale for our times.</p>



<p>Project: Hatched 2020</p>



<h3 class="wp-block-heading"><em>Stateless</em>, dir. Michèle Stephenson</h3>



<hr class="wp-block-separator"/>



<figure class="wp-block-image size-large is-resized"><img loading="lazy" decoding="async" src="https://chickeneggpics.org/wp-content/uploads/2020/07/STATELESS_1-1024x576.jpg" alt="" class="wp-image-7987" width="839" height="471" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2020/07/STATELESS_1-1024x576.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/STATELESS_1-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/STATELESS_1-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/STATELESS_1-1536x864.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/STATELESS_1.jpg 1920w" sizes="auto, (max-width: 839px) 100vw, 839px" /></figure>



<p>Through the grassroots campaign of electoral hopeful Rosa Iris, director Michèle Stephenson’s new documentary reveals the depths of racial hatred and institutionalized oppression that divide Haiti and the Dominican Republic.</p>



<p>2016 Chicken &amp; Egg Award</p>



<h3 class="wp-block-heading"><em><a href="https://chickeneggpics.org/grantee/simple-as-water/" target="_blank" rel="noreferrer noopener">Simple as Water</a></em>, dir. Megan Mylan</h3>



<hr class="wp-block-separator is-style-default"/>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="436" src="https://chickeneggpics.org/wp-content/uploads/2021/06/Syrian-Familes-Film_Mylan_Samra.Still001-1024x436.jpg" alt="" class="wp-image-8871" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2021/06/Syrian-Familes-Film_Mylan_Samra.Still001-1024x436.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2021/06/Syrian-Familes-Film_Mylan_Samra.Still001-608x259.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2021/06/Syrian-Familes-Film_Mylan_Samra.Still001-768x327.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2021/06/Syrian-Familes-Film_Mylan_Samra.Still001-1536x654.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2021/06/Syrian-Familes-Film_Mylan_Samra.Still001-2048x872.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>A look at war and displacement through the lens of parenthood from Megan Mylan, Academy-Award winning director of Lost Boys of Sudan and Smile Pinki. This feature documentary unfolds as a sequence of cinematic short stories revolving around Syrian families living in Turkey, Greece, the US, Germany, and Syria. Each chapter is an intimate portrait of parents—often mothers alone—as they work to rebuild their children’s lost sense of security and possibility. It is a story that is both urgent and timeless.</p>



<p>World Premiere │ 2018 Grant </p>



<hr class="wp-block-separator is-style-default"/>



<h3 class="wp-block-heading"><strong>VR Experience</strong></h3>



<p></p>



<p><strong><a href="https://tribecafilm.com/films/changing-same-episode-1-2021" target="_blank" rel="noreferrer noopener"><em>The Changing Same</em>: Episode 1</a></strong>, dirs. Michèle Stephenson, Joe Brewster &amp; Yasmin Elayat</p>



<hr class="wp-block-separator is-style-default"/>



<h3 class="wp-block-heading"><a href="https://chickeneggpics.org/programs/#alumnest" target="_blank" rel="noreferrer noopener">AlumNest</a> Films</h3>



<p></p>



<p><strong><em><a href="https://www.peacocktv.com/stream-movies/the-sit-in-harry-belafonte">The Sit-In: Harry Belafonte Hosts The Tonight Show</a></em></strong>, dir. Yoruba Richen (<strong>2016 Chicken &amp; Egg Award recipient</strong>)<br>Selected for the 2020 Tribeca Film Festival </p>



<p><strong><em><a href="https://www.pbs.org/independentlens/documentaries/women-in-blue/" target="_blank" rel="noreferrer noopener">Women In Blue</a></em></strong>, dir. Deirdre Fishel (AlumNest for <strong><em>Care</em></strong>) <br>Selected for the 2020 Tribeca Film Festival</p>



<p>Untitled <a href="https://variety.com/2021/film/news/dave-chappelle-documentary-tribeca-film-festival-1234982006/"><strong><em>Dave Chappelle Documentary</em></strong>,</a> dirs. Julia Reichert (<strong>2016 Chicken &amp; Egg Award recipient</strong>) and Steve Bognar<br>Egg-citing news! This world premiere will be Tribeca’s <strong>closing night film</strong>.</p>



<p>See you at the cinema!&nbsp;Post by 2021 Summer Communications Intern Mariana Sanson.&nbsp;</p>




]]></content:encoded>
					
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			</item>
		<item>
		<title>7 Supported Films to Stream at the Cleveland International Film Festival</title>
		<link>https://archive.chickeneggpics.org/cleveland-2021/</link>
					<comments>https://archive.chickeneggpics.org/cleveland-2021/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Wed, 14 Apr 2021 22:05:33 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[2018 (egg)celerator lab]]></category>
		<category><![CDATA[A Cops and Robbers Story]]></category>
		<category><![CDATA[apart]]></category>
		<category><![CDATA[Cecilia Aldarondo]]></category>
		<category><![CDATA[Down a Dark Stairwell]]></category>
		<category><![CDATA[Film Festival]]></category>
		<category><![CDATA[ilinca calgureanu]]></category>
		<category><![CDATA[In The Same Breath]]></category>
		<category><![CDATA[Jennifer Redfearn]]></category>
		<category><![CDATA[Landfall]]></category>
		<category><![CDATA[Loira Limbal]]></category>
		<category><![CDATA[Maria Finitzo]]></category>
		<category><![CDATA[Nanfu Wang]]></category>
		<category><![CDATA[ohio]]></category>
		<category><![CDATA[Rintu Thomas]]></category>
		<category><![CDATA[Sushmit Ghosh]]></category>
		<category><![CDATA[The Dilemma of Desire]]></category>
		<category><![CDATA[Through The Night]]></category>
		<category><![CDATA[United States]]></category>
		<category><![CDATA[ursula liang]]></category>
		<category><![CDATA[Writing With Fire]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=8753</guid>

					<description><![CDATA[Here are your Chicken &#038; Egg Pictures-supported films to stream at Cleveland International Film Festival from April 7 to April 20. ]]></description>
										<content:encoded><![CDATA[
<p>There&#8217;s plenty to stream at the 2021 <strong><a href="https://www.clevelandfilm.org/">Cleveland International Film Festival</a></strong>, which runs virtually from Wednesday,&nbsp;April 7 to Tuesday,&nbsp;April 20 on their website. </p>



<p>Granted films featured in the online festival include <b>four </b><a style="font-weight: bold;" href="https://chickeneggpics.org/programs/#eggcelerator-lab">2018 (Egg)celerator Lab</a><strong> grantees</strong>: <em>A Cops and Robbers Story</em>, <em>Apart</em>, <em>Through the Night</em>, and <em>Writing With Fire</em>, as well as three additional Nest-supported films. The (Egg)celerator Lab supports first- and second-time filmmakers who are working on a feature length documentary, with a special focus on underrepresented voices. Learn more about the films below, and get your tickets <a href="http://Tickets to stream are available here.">here</a>. <strong>Online stream tickets are just $10!  </strong></p>



<h3 class="wp-block-heading"><strong><a href="https://chickeneggpics.org/grantee/apart/"><em>Apart</em></a></strong>, dir. Jennifer Redfearn</h3>



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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="540" src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-1024x540.jpg" alt="" class="wp-image-8745" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-1024x540.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-608x321.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-768x405.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-1536x810.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-2048x1080.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>The number of women in U.S. prisons has grown by 800% over the past 40 years. And the vast majority are mothers. In a Midwestern state caught between the opioid epidemic, drug sentencing, and rising incarceration for women, three unforgettable mothers—Tomika, Lydia, and Amanda— return home from prison and rebuild their lives after being separated from their children for years. </p>



<p><em>Apart </em>participated in the 2018 (Egg)celerator Lab. </p>



<h3 class="wp-block-heading"><strong><a href="https://chickeneggpics.org/grantee/cops-robbers-story/">A Cops and Robbers Story</a>,</strong> dir. Ilinca Calugareanu</h3>



<hr class="wp-block-separator"/>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="825" height="525" src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_CR_Key-Image.jpg" alt="Ilinca Calugareanu A Cops and Robbers Story Accelerator Lab 2018" class="wp-image-3726" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_CR_Key-Image.jpg 825w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_CR_Key-Image-608x387.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_CR_Key-Image-768x489.jpg 768w" sizes="auto, (max-width: 825px) 100vw, 825px" /></figure>



<p>Corey Pegues, one of the highest ranking black executives in the NYPD, reveals a few months after retirement that before joining the NYPD he worked the streets dealing crack cocaine for one of the most notorious drug gangs in the US, the Supreme Team. To many he is either a perp in cop costume or a criminal turned hero. But who is the real Corey Pegues?</p>



<p><em>A Cops and Robbers Story </em>participated in the 2018 (Egg)celerator Lab.</p>



<h3 class="wp-block-heading"><strong><a href="https://chickeneggpics.org/grantee/the-dilemma-of-desire/">The Dilemma of Desire</a></strong>, dir. Maria Finitzo</h3>



<hr class="wp-block-separator"/>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="462" src="https://chickeneggpics.org/wp-content/uploads/2020/07/PH-2020_Dilemma-of-Desire_Maria-Finitzo_04_SophiaSign-e1594216813195-1024x462.png" alt="" class="wp-image-7888" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH-2020_Dilemma-of-Desire_Maria-Finitzo_04_SophiaSign-e1594216813195-1024x462.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH-2020_Dilemma-of-Desire_Maria-Finitzo_04_SophiaSign-e1594216813195-608x274.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH-2020_Dilemma-of-Desire_Maria-Finitzo_04_SophiaSign-e1594216813195-768x346.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH-2020_Dilemma-of-Desire_Maria-Finitzo_04_SophiaSign-e1594216813195-1536x693.png 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH-2020_Dilemma-of-Desire_Maria-Finitzo_04_SophiaSign-e1594216813195.png 1924w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>An exploration of “cliteracy,” and the clash between the gender politics and the imperatives of female sexual desire.</p>



<p><em>The Dilemma of Desire </em>participated in Project: Hatched 2020.</p>



<h3 class="wp-block-heading"><strong><a href="https://chickeneggpics.org/grantee/down-a-dark-stairwell/"><em>Down A Dark Stairwell</em></a></strong>, dir. Ursula Liang</h3>



<hr class="wp-block-separator"/>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="614" src="https://chickeneggpics.org/wp-content/uploads/2017/05/DownaDarkStairwell_Pink-Houses-5_creditPLAGDocumentaryLLC-scaled-e1583425015536-1024x614.jpg" alt="" class="wp-image-7348" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2017/05/DownaDarkStairwell_Pink-Houses-5_creditPLAGDocumentaryLLC-scaled-e1583425015536-1024x614.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2017/05/DownaDarkStairwell_Pink-Houses-5_creditPLAGDocumentaryLLC-scaled-e1583425015536-608x365.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2017/05/DownaDarkStairwell_Pink-Houses-5_creditPLAGDocumentaryLLC-scaled-e1583425015536-768x461.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2017/05/DownaDarkStairwell_Pink-Houses-5_creditPLAGDocumentaryLLC-scaled-e1583425015536-1536x922.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2017/05/DownaDarkStairwell_Pink-Houses-5_creditPLAGDocumentaryLLC-scaled-e1583425015536-2048x1229.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>A nuanced look at how two communities of color navigate an uneven criminal justice system, anchored by one polarizing New York City case.</p>



<h3 class="wp-block-heading"><strong><a href="http://chickeneggpics.org/grantee/landfall">Landfall</a></strong>, dir. Cecilia Aldarondo</h3>



<hr class="wp-block-separator"/>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="576" src="https://chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-1024x576.jpg" alt="" class="wp-image-7879" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-1024x576.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-1536x864.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2.jpg 1920w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>Through shard-like glimpses of everyday life in post-Hurricane María Puerto Rico, <em>Landfall</em> examines a ruined world at the brink of transformation, spinning a cautionary tale for our times.</p>



<p><em>Landfall </em>participated in Project: Hatched 2020.</p>



<h2 class="wp-block-heading"><strong><a href="https://chickeneggpics.org/grantee/through-the-night"><em>Through the&nbsp;Night</em></a>,</strong>&nbsp;dir. Loira Limbal</h2>



<hr class="wp-block-separator"/>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="540" src="https://chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-1024x540.jpg" alt="" class="wp-image-8312" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-1024x540.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-608x321.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-768x405.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-1536x810.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-2048x1081.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>To make ends meet, Americans are working longer hours across multiple jobs. This modern reality of nonstop work has resulted in an unexpected phenomenon: the flourishing of 24-hour daycare centers.&nbsp;<em>Through the Night</em>&nbsp;is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.</p>



<p><em>Through the Night </em>participated in the 2018 (Egg)celerator Lab. Director Loira Limbal is supported through the 2021 Chicken &amp; Egg Award. </p>



<h2 class="wp-block-heading"><strong><em><a href="https://chickeneggpics.org/grantee/writing-with-fire/">Writing with Fire</a></em>,</strong>&nbsp;dirs. Rintu Thomas and Sushmit Ghosh</h2>



<hr class="wp-block-separator"/>



<figure class="wp-block-image size-large is-resized"><img loading="lazy" decoding="async" src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3-1024x576.png" alt="Writing With Fire, directed by Rintu Thomas and Sushmit Ghosh 2018 Accelerator Lab" class="wp-image-3797" width="580" height="326" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3-1024x576.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3-608x342.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3-768x432.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3.png 1920w" sizes="auto, (max-width: 580px) 100vw, 580px" /></figure>



<p>In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions, be it on the frontlines of India’s biggest issues or within the confines of their homes, redefining what it means to be powerful.</p>



<p><em>Writing With Fire </em>participated in the 2018 (Egg)celerator Lab.</p>



<hr class="wp-block-separator"/>



<p><strong><em>In the Same Breath</em></strong>, dir. Nanfu Wang is also screening at the festival. Chicken &amp; Egg Pictures supported Nanfu&#8217;s previous film, as well as supported Nanfu through the 2018 Chicken &amp; Egg Award. </p>


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		<title>Nest-supported Filmmakers Nom&#8217;d for the NAACP Image Awards!</title>
		<link>https://archive.chickeneggpics.org/naacp-image-awards-2020/</link>
					<comments>https://archive.chickeneggpics.org/naacp-image-awards-2020/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Thu, 04 Feb 2021 16:02:31 +0000</pubDate>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Coded Bias]]></category>
		<category><![CDATA[Dawn Porter]]></category>
		<category><![CDATA[Grace Lee]]></category>
		<category><![CDATA[John Lewis: Good Trouble]]></category>
		<category><![CDATA[Loira Limbal]]></category>
		<category><![CDATA[Marjan Safinia]]></category>
		<category><![CDATA[NAACP]]></category>
		<category><![CDATA[NAACP Image Awards]]></category>
		<category><![CDATA[Shalini Kantayya]]></category>
		<category><![CDATA[Through The Night]]></category>
		<category><![CDATA[Yoruba Richen]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=8410</guid>

					<description><![CDATA[We were honored to see five Nest-supported filmmakers on the recently announced nominations list for the 52nd annual NAACP Image Awards, which are known for &#8220;celebrating outstanding achievement in the areas of film, TV, music and literature—from an African American perspective.&#8221;* Coded Bias — Outstanding Documentary (Film) Coded Bias, directed by Shalini Kantayya,&#160;explores the fallout [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p>We were honored to see five Nest-supported filmmakers on the recently announced nominations list for the 52nd annual NAACP Image Awards, which are known for &#8220;celebrating outstanding achievement in the areas of film, TV, music and literature—from an African American perspective.&#8221;*</p>



<hr class="wp-block-separator"/>



<p></p>



<h2 class="wp-block-heading"><em><strong><a href="https://chickeneggpics.org/grantee/coded-bias/">Coded Bias</a></strong></em> — Outstanding Documentary (Film)</h2>



<p></p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="612" src="https://chickeneggpics.org/wp-content/uploads/2020/01/PH20_Shalini-Kantayya_Coded-Bias-1024x612.png" alt="" class="wp-image-7016" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2020/01/PH20_Shalini-Kantayya_Coded-Bias-1024x612.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2020/01/PH20_Shalini-Kantayya_Coded-Bias-608x364.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2020/01/PH20_Shalini-Kantayya_Coded-Bias-768x459.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2020/01/PH20_Shalini-Kantayya_Coded-Bias-1536x918.png 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2020/01/PH20_Shalini-Kantayya_Coded-Bias-2048x1225.png 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption><em>Coded Bias</em>, directed by Shalini Kantayya</figcaption></figure>



<p><em>Coded Bias</em>, directed by Shalini Kantayya,&nbsp;explores the fallout of MIT Media Lab researcher Joy Buolamwini’s startling discovery that facial recognition does not see dark-skinned faces accurately, and her subsequent journey to push for the first-ever US legislation to govern against bias in artificial intelligence. The documentary aims to shine a light on the threat artificial intelligence poses to civil rights and democracy. The film participated in <a href="Project: Hatched&nbsp;2020.">Project: Hatched 2020</a>.</p>



<hr class="wp-block-separator"/>



<p></p>



<h2 class="wp-block-heading"><strong><em><a href="https://chickeneggpics.org/grantee/through-the-night/">Through the Night</a></em></strong> — <strong>Outstanding Breakthrough Creative (Motion Picture)</strong> </h2>



<p></p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="540" src="https://chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-1024x540.jpg" alt="" class="wp-image-8312" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-1024x540.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-608x321.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-768x405.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-1536x810.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-2048x1081.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption><em>Through the Night</em>, directed by Loira Limbal</figcaption></figure>



<p>Loira Limbal and her work on <em>Through the Night&nbsp;</em>are nominated for Outstanding Breakthrough Creative (Motion Picture). <em>Through the Night</em>&nbsp;is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY. The film participated in the&nbsp;<a href="https://chickeneggpics.org/programs/#accelerator-lab">2018 (Egg)celerator Lab</a>.</p>



<hr class="wp-block-separator"/>



<h3 class="wp-block-heading">AlumNest filmmakers nominated include Chicken &amp; Egg Award Recipients <a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient-3/">Yoruba Richen</a>, <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-porter/">Dawn Porter</a>, and <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-lee/">Grace Lee</a>: </h3>



<p></p>



<p><em>The Sit-In: Harry Belafonte Hosts the Tonight Show</em> by Yoruba Richen — <strong>Outstanding Directing in a Documentary (Television or Motion Picture)</strong> and <strong>Outstanding Writing in a Documentary (Television or Motion Picture)</strong></p>



<p></p>



<p><em>And She Could Be Next </em>by Grace Lee and Chicken &amp; Egg Pictures Board Member Marjan Safinia — <strong>Outstanding Documentary (Television)</strong></p>



<p></p>



<p><em>John Lewis: Good Trouble</em>&nbsp;by Dawn Porter — <strong>Outstanding Documentary (Film)</strong></p>



<hr class="wp-block-separator"/>



<p>Congratulations to all the nominees! We will be watching the awards ceremony from our Nest on Saturday, March 27th at 8 pm ET. </p>



<p>*Language courtesy of NAACP Image Awards. </p>


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		<title>Nest-supported Films at the 2020 DOC NYC Film Festival</title>
		<link>https://archive.chickeneggpics.org/doc-nyc-2020/</link>
					<comments>https://archive.chickeneggpics.org/doc-nyc-2020/#comments</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Tue, 10 Nov 2020 17:18:54 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[9to5: The Story of a Movement]]></category>
		<category><![CDATA[A Cops and Robbers Story]]></category>
		<category><![CDATA[Anabel Rodríguez]]></category>
		<category><![CDATA[Anabel Rodriguez Rios]]></category>
		<category><![CDATA[Cecilia Aldarondo]]></category>
		<category><![CDATA[Chris King]]></category>
		<category><![CDATA[DOC NYC]]></category>
		<category><![CDATA[DOC NYC Film Festival]]></category>
		<category><![CDATA[Down a Dark Stairwell]]></category>
		<category><![CDATA[Enemies of the State]]></category>
		<category><![CDATA[Ilinca Calugareanu]]></category>
		<category><![CDATA[Judith Helfand]]></category>
		<category><![CDATA[Julia Reichert]]></category>
		<category><![CDATA[Julie Parker Benello]]></category>
		<category><![CDATA[Landfall]]></category>
		<category><![CDATA[Loira Limbal]]></category>
		<category><![CDATA[Love & Stuff]]></category>
		<category><![CDATA[Maia von Lekow]]></category>
		<category><![CDATA[Maria Finitzo]]></category>
		<category><![CDATA[Michele Stephenson]]></category>
		<category><![CDATA[Once Upon a Time in Venezuela]]></category>
		<category><![CDATA[Sonia Kennebeck]]></category>
		<category><![CDATA[Stateless]]></category>
		<category><![CDATA[Stateless (Apatrida)]]></category>
		<category><![CDATA[Steve Bognar]]></category>
		<category><![CDATA[The Dilemma of Desire]]></category>
		<category><![CDATA[the letter]]></category>
		<category><![CDATA[Through The Night]]></category>
		<category><![CDATA[Tiffany Hsiung]]></category>
		<category><![CDATA[ursula liang]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=8105</guid>

					<description><![CDATA[Our Nest-supported filmmaking community is soaring into DOC NYC Film Festival, which runs virtually from Wednesday, November 11 to Thursday, November 19. Ten supported films across many of our core programs— (Egg)celerator Lab films by emerging filmmakers, projects by advanced-career Chicken &#38; Egg Awardees, and films from our inaugural Project: Hatched completion program—are official selections. [&#8230;]]]></description>
										<content:encoded><![CDATA[
<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="309" src="https://chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-1024x309.jpg" alt="" class="wp-image-8112" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-1024x309.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-608x184.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-768x232.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-1536x464.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-2048x618.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>Our Nest-supported filmmaking community is soaring into <strong>DOC NYC Film Festival</strong>, which runs virtually from Wednesday, November 11 to Thursday, November 19. Ten supported films across many of our core programs— (Egg)celerator Lab films by emerging filmmakers, projects by advanced-career Chicken &amp; Egg Awardees, and films from our inaugural Project: Hatched completion program—are official selections. Plus <em><strong>A Cops and Robbers Story</strong></em>, directed by directed by Ilinca Calugareanu, will make its world premiere at the New York festival! Learn more about the ten projects below, and get your tickets for DOC NYC <a href="https://www.docnyc.net/">here</a>.&nbsp;</p>



<hr class="wp-block-separator"/>



<h3 class="wp-block-heading">Nest-supported Films </h3>



<p></p>



<div>
<p><strong><em>9to5: The Story of a Movement</em>, directed by&nbsp;<a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient/">Julia Reichert</a>&nbsp;and Steven Bognar | </strong><span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/9to5-the-story-of-a-movement/">Tickets here</a></span><br><span style="font-size: inherit;">&#8220;In the early 1970s, secretaries and other female office workers were underpaid, undervalued, unable to advance, and often subject to sexual harassment. In the wake of the Women’s Liberation Movement, a group of women in Boston finally had enough, joining together to begin 9to5, a movement that would sweep the nation with irreverent, attention-getting actions to demand meaningful change—and later inspire the eponymous hit film and song.&#8221;*&nbsp;</span></p>
<p><em><strong><a href="https://chickeneggpics.org/grantee/cops-robbers-story/">A Cops</a><a href="https://chickeneggpics.org/grantee/cops-robbers-story/"> and Robbers</a></strong><a href="https://chickeneggpics.org/grantee/cops-robbers-story/"><strong> Story</strong></a></em><strong>, directed by Ilinca Călugăreanu</strong>&nbsp;| <span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/a-cops-and-robbers-story/">Tickets here</a></span> <strong>(World Premiere)&nbsp;<br></strong>In the 1980s, Corey Pegues found himself embroiled in a life of crime as a member of New York’s City’s infamous Supreme Team gang. After an incident forces Pegues away from the streets, he unexpectedly emerges as a rising star in the NYPD, his past unknown to his fellow officers. A decorated 21-year police career is threatened when his political stances and revelations about his former life cause strife within the police community.&nbsp;</p>
<p><strong><em><a href="https://chickeneggpics.org/grantee/the-dilemma-of-desire/">The Dilemma of Desire</a></em>, directed by Maria Finitzo |&nbsp;</strong><span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/the-dilemma-of-desire/">Tickets here</a></span><br>An exploration of “cliteracy,” and the clash between the gender politics and the imperatives of female sexual desire.</p>
<p><em><strong><a href="https://chickeneggpics.org/grantee/down-a-dark-stairwell/">Down a Dark Stairw</a><a href="https://chickeneggpics.org/grantee/down-a-dark-stairwell/">ell</a></strong></em><strong>, directed by Ursula Liang</strong> |&nbsp;<span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/down-a-dark-stairwell/">Tickets here</a></span><em><strong><br></strong></em><span style="font-size: inherit;">In 2014, Peter Liang, a Chinese-American police officer, shot and killed an innocent, unarmed black man named Akai Gurley in the dark stairwell of a Brooklyn housing project. In the midst of high racial tension surrounding police conduct, Liang becomes the first NYPD officer to receive a guilty verdict in such a case in over a decade. The highly publicized incident polarizes New York’s Asian and African American communities’ in this insightful look into the complexities of police reform.</span><em><br></em></p>
<p><strong><em><a href="https://chickeneggpics.org/grantee/enemies-of-the-state/">Enemies of the State</a></em>, directed by Sonia Kennebeck </strong>| <span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/enemies-of-the-state/">Tickets here&nbsp;</a></span><strong><br></strong>An average American family becomes entangled in a bizarre web of espionage and corporate secrets when their hacker son is targeted by the US government.</p>
<p><strong><a href="https://chickeneggpics.org/grantee/landfall/"><em>Landfall</em></a>, directed by Cecilia Aldarondo | </strong><span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/landfall/">Tickets here</a><br></span>Through shard-like glimpses of everyday life in post-Hurricane María Puerto Rico,<em> Landfall</em> examines a ruined world at the brink of transformation, spinning a cautionary tale for our times.</p>
<p><strong><em>Stateless (Apátrida)</em>, directed by&nbsp;<a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient-4/">Michèle Stephenson</a> |</strong> <span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/stateless/">Tickets here</a></span><strong><br></strong>Through the grassroots campaign of electoral hopeful Rosa Iris, director Michèle Stephenson’s new documentary reveals the depths of racial hatred and institutionalized oppression that divide Haiti and the Dominican Republic.</p>
<p><strong><em><a href="https://chickeneggpics.org/grantee/through-the-night/">Through the Night</a></em>, directed by Loira Limbal</strong> |<span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/through-the-night/">Tickets here</a></span><strong><br></strong><em>Through the Night</em>&nbsp;is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.</p>
<p><strong><a href="https://chickeneggpics.org/grantee/the-letter/"><em>The Letter</em></a>, directed by Maia von Lekow and Chris King | </strong><span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/the-letter/">Tickets here</a></span><br><span style="font-size: inherit;">Along the coast of Kenya, a frenzied mix of consumerism and Christianity is turning hundreds of families against their elders, branding them as witches as a means to steal their land. Ninety-two-year-old Margaret Kamango stands accused by her sons, while her strong-willed daughters try to protect her. This dangerous dispute is seen through the eyes of Margaret’s grandson, Karisa, who returns home from the city to investigate and is ultimately forced to choose which side he is on.</span><br><br><a href="https://chickeneggpics.org/grantee/once-upon-a-time-in-venezuela/"><em><strong>Once Upon A Time In Venezuela</strong></em></a><strong>, directed by Anabel Rodríguez Ríos |&nbsp;</strong><span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/once-upon-a-time-in-venezuela/">Tickets here</a></span><br><em>Once Upon A Time In Venezuela </em>follows residents of a small fishing village as they prepare for parliamentary election. Once the village of Congo Mirador was prosperous. Now it is decaying and disintegrating—a prophetic reflection of Venezuela itself.</p>
</div>



<h3 class="wp-block-heading">AlumNest Films </h3>



<hr class="wp-block-separator"/>



<p>AlumNest filmmaker Tiffany Hsiung&#8217;s short film <em><a href="https://www.docnyc.net/film/sing-me-a-lullaby/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.docnyc.net/film/sing-me-a-lullaby/&amp;source=gmail&amp;ust=1605110860569000&amp;usg=AFQjCNER5nMwqaGnQomktR7peT6p3oemDw"><strong>Sing Me A Lullaby</strong></a> </em>will make its US premiere; <a href="https://www.docnyc.net/film/call-center-blues/"><em><strong>Call Center Blues</strong></em></a>, directed by Chicken &amp; Egg Award Recipient <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-gandbhir/">Geeta Gandbhir</a> will screen in the Shorts program; <em><strong>Dick Johnson is Dead</strong></em> (Kirsten Johnson), <em><strong>A Thousand Cuts</strong></em> (Ramona Diaz), and <a href="https://chickeneggpics.org/grantee/the-fight/"><em><strong>The Fight</strong></em></a> (Elyse Steinberg, Eli Despres, Josh Kriegman) are on the DOC NYC Short List for feature films; and our Co-Founder &amp; Senior Creative Consultant Judith Helfand&#8217;s film <a href="https://www.docnyc.net/film/love-stuff/"><strong><em>Love &amp; Stuff</em></strong></a> is an official selection under the Masters program (co-produced with our Co-Founder Julie Parker Benello).</p>
<p>*Language courtesy of DOC NYC. </p>
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		<title>Nest News: July 13–19</title>
		<link>https://archive.chickeneggpics.org/nest-news-july-13-19/</link>
					<comments>https://archive.chickeneggpics.org/nest-news-july-13-19/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Mon, 20 Jul 2020 12:41:32 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Alexandra Codina]]></category>
		<category><![CDATA[Ali Codina]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Firelight Media]]></category>
		<category><![CDATA[Loira Limbal]]></category>
		<category><![CDATA[Paper Children]]></category>
		<category><![CDATA[Ramona Diaz]]></category>
		<category><![CDATA[Through The Night]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=7966</guid>

					<description><![CDATA[Nest-supported documentary Paper Children Launches Impact Campaign: “As we face one of the most challenging times in modern history, with much collective grief and loss, we have the opportunity to honor and uphold our strength and legacy as a country of immigrants.” Director Alexandra Codina launched the impact campaign for her Nest-supported film Paper Children [&#8230;]]]></description>
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<h2 class="has-text-align-left wp-block-heading"><strong><span style="color:#e86a7f" class="tadv-color">Nest-supported documentary <em>Paper Children </em>Launches Impact Campaign: </span></strong></h2>



<p></p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="576" src="https://chickeneggpics.org/wp-content/uploads/2017/03/2017_Accelerator_Codina_Unaccompanied-Children_2-1024x576.jpg" alt="Alexandra Codina Unaccompanied Children 2017 Accelerator Lab" class="wp-image-3063" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017_Accelerator_Codina_Unaccompanied-Children_2-1024x576.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017_Accelerator_Codina_Unaccompanied-Children_2-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017_Accelerator_Codina_Unaccompanied-Children_2-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017_Accelerator_Codina_Unaccompanied-Children_2.jpg 1920w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption><em>Paper Children</em>, directed by Alexandra Codina</figcaption></figure>



<p><em>“As we face one of the most challenging times in modern history, with much collective grief and loss, we have the opportunity to honor and uphold our strength and legacy as a country of immigrants.”</em></p>
<p>Director Alexandra Codina launched the impact campaign for her Nest-supported film <a href="https://chickeneggpics.org/grantee/paper-children"><em>Paper Children</em></a> (2017 <a href="https://chickeneggpics.org/programs/#eggcelerator-lab">(Egg)celerator Lab</a>), including an op-ed published in The Miami Herald and a co-authored post with other activists in asylum and immigrant rights on Medium, both are calls to action to help protect asylum seekers and to speak out against proposed asylum regulations in the US. Read more here: <br /><br /><strong>The Miami Herald: <a href="https://www.miamiherald.com/article244230797.html">This is the worst time yet to gut asylum protections for those fleeing persecution</a> — </strong>Alexandra Codina</p>
<p><strong>Medium: <a href="https://medium.com/@CineMia/asylum-is-a-humanitarian-issue-it-is-has-been-corrupted-by-politics-4ce1ab50d811">Asylum is a humanitarian issue. It has been corrupted by politics.</a></strong> — Alexandra Codina, Americans for Immigrant Justice, National Network for Immigrant and Refugee Rights, and others </p>
<p>Paper Children is <a href="https://www.youtube.com/watch?v=jdsPSkFXrD4">available to stream on Youtube</a>. </p>



<hr class="wp-block-separator has-text-color has-background has-cyan-bluish-gray-background-color has-cyan-bluish-gray-color is-style-wide"/>



<h2 class="has-text-color has-text-align-left wp-block-heading" style="color:#e86a7f"><strong>Firelight Media&#8217;s &#8220;Beyond Resilience&#8221; Series Continues This Week </strong></h2>



<p></p>



<p>Loira Limbal, Senior Vice President for Programs at <a href="http://www.firelightmedia.tv/">Firelight Media</a> and 2019 <a href="https://chickeneggpics.org/programs/#eggcelerator-lab">(Egg)celerator Lab</a> grantee for <a href="https://chickeneggpics.org/grantee/through-the-night/"><em>Through the Night</em></a>, will be featured on another Beyond Resilience panel Friday, July 17 at 2 pm ET. </p>
<p><strong>Beyond Resilience: The Black Gaze</strong> — Join Firelight Media for a conversation with Black filmmakers on how they are navigating the ubiquitous images of Black trauma in this moment, documenting Black life, and forging new cinematic languages, practices, and formal approaches.</p>
<p>The Beyond Resilience series is available on <a href="https://www.youtube.com/playlist?list=PLAWqZ7DZJvpTTUQ7nrNpqBVOr3H1iaA-d">Firelight Media&#8217;s Youtube</a> channel if you cannot make the live webinar. </p>



<hr class="wp-block-separator has-text-color has-background has-cyan-bluish-gray-background-color has-cyan-bluish-gray-color is-style-wide"/>



<h2 class="has-text-align-left wp-block-heading"><span style="color:#e86a7f" class="tadv-color"><strong>Ramona Diaz Premieres Trailer for <em>A  Thousand Cuts </em>Announces Theatrical Run:  </strong></span></h2>



<p></p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="576" src="https://chickeneggpics.org/wp-content/uploads/2019/12/Diaz_Production-Still_03-1024x576.jpg" alt="" class="wp-image-6897" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/12/Diaz_Production-Still_03-1024x576.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2019/12/Diaz_Production-Still_03-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/12/Diaz_Production-Still_03-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2019/12/Diaz_Production-Still_03-1536x864.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2019/12/Diaz_Production-Still_03-2048x1152.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption>Production still from <em>A Thousand Cuts</em>, directed by Ramona Diaz </figcaption></figure>



<p>2018 <a href="https://chickeneggpics.org/programs/#chicken-egg-award">Chicken &amp; Egg Award</a> Recipient <a href="https://chickeneggpics.org/grantee/2018-breakthrough-award-recipient-diaz/">Ramona Diaz</a> premiered the trailer for <em>A Thousand Cuts</em> and announced a virtual theatrical run nationwide, via Deadline. </p>



<p>&#8220;<em>As the United States goes through its own journey of civic unrest and social change, the Philippines is going through its own journey that is having a substantial political impact on the Asian archipelago and as seen in Ramona S. Diaz’s Sundance documentary A Thousand Cuts, which is set to open in theaters and in virtual theaters nationwide on August 7, the reverberations may have global consequences.</em>&#8220;</p>



<p><strong>Deadline: <a href="https://deadline.com/video/a-thousand-cuts-trailer-ramona-s-diaz-maria-ressa-press-freedom-duterte-philippines-release-date-frontline/">‘A Thousand Cuts’ Trailer: Ramona S. Diaz’s Docu About Journalist Maria Ressa And Press Freedom In Duterte’s Philippines Sets Theatrical Run</a> — </strong> Dino-Ray Ramos</p>



<p>The trailer for <em>A Thousand Cuts </em>is available to <a href="https://www.youtube.com/watch?v=Gy_gWR0dEpY&amp;feature=youtu.be">watch on Youtube</a>.</p>



<hr class="wp-block-separator has-text-color has-background has-cyan-bluish-gray-background-color has-cyan-bluish-gray-color is-style-wide"/>
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		<title>A Full Nest at Tribeca Film Festival</title>
		<link>https://archive.chickeneggpics.org/a-full-nest-at-tribeca-film-festival/</link>
					<comments>https://archive.chickeneggpics.org/a-full-nest-at-tribeca-film-festival/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Thu, 05 Mar 2020 21:52:12 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Premieres]]></category>
		<category><![CDATA[Dawn Porter]]></category>
		<category><![CDATA[Deirdre Fishel]]></category>
		<category><![CDATA[Enemies of the State]]></category>
		<category><![CDATA[Kristine Stolakis]]></category>
		<category><![CDATA[Loira Limbal]]></category>
		<category><![CDATA[Megan Mylan]]></category>
		<category><![CDATA[Michele Stephenson]]></category>
		<category><![CDATA[Pray Away]]></category>
		<category><![CDATA[Simple As Water]]></category>
		<category><![CDATA[Sonia Kennebeck]]></category>
		<category><![CDATA[Stateless]]></category>
		<category><![CDATA[Through The Night]]></category>
		<category><![CDATA[Woman in Blue]]></category>
		<category><![CDATA[Yoruba Richen]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=7344</guid>

					<description><![CDATA[The 2020 Tribeca line-up for feature films is out! And there&#8217;s plenty to see from the Nest. Making their world premieres at Tribeca Film Festival this year are three films (Enemies of the State, Pray Away, and Through the Night) from our (Egg)celerator Lab program in 2018 and 2019, one film supported through our Chicken [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p>The 2020 <a href="https://www.tribecafilm.com/news/2020-tribeca-film-festival-features">Tribeca line-up for feature films</a> is out! And there&#8217;s plenty to see from the Nest. Making their world premieres at Tribeca Film Festival this year are three films <em>(</em><strong><a href="https://chickeneggpics.org/grantee/enemies-of-the-state/"><em>Enemies of the State</em></a></strong>, <strong><a href="https://chickeneggpics.org/grantee/pray-away/"><em>Pray Away</em></a></strong>,<em> and </em><strong><em><a href="https://chickeneggpics.org/grantee/through-the-night/">Through the Night</a></em></strong>) from our (Egg)celerator Lab program in 2018 and 2019, one film supported through our Chicken &amp; Egg Award (<em><strong>Stateless</strong></em>), and one film supported through a grant in 2018 (<strong><a href="https://chickeneggpics.org/grantee/simple-as-water/"><em>Simple As Water</em></a></strong>).</p>



<p>AlumNest filmmakers screening at Tribeca include directors such as Chicken &amp; Egg Award recipients <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-porter/"><strong>Dawn Porter</strong></a> (premiering <em>John Lewis: Good Trouble</em>) and <a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient-3/"><strong>Yoruba Richen</strong></a> (premiering <em>The Sit-In: Harry Belafonte Hosts The Tonight Show</em>). </p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="383" src="https://chickeneggpics.org/wp-content/uploads/2020/03/2020-Tribeca-Film-Festival-2-1-1024x383.png" alt="" class="wp-image-7523" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2020/03/2020-Tribeca-Film-Festival-2-1-1024x383.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2020/03/2020-Tribeca-Film-Festival-2-1-608x227.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2020/03/2020-Tribeca-Film-Festival-2-1-768x287.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2020/03/2020-Tribeca-Film-Festival-2-1-1536x574.png 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2020/03/2020-Tribeca-Film-Festival-2-1-2048x766.png 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p></p>



<p>Here is your Nest guide to the upcoming Tribeca Film Festival, from Wednesday, April 15 to Sunday, April 26:&nbsp;</p>



<h4 class="has-text-align-center wp-block-heading">Nest-supported films</h4>



<p></p>



<p><strong><a href="https://chickeneggpics.org/grantee/enemies-of-the-state/">Enemies of the State</a>, directed by Sonia Kennebeck <br>2018 (Egg)celerator Lab</strong><br>An average American family becomes entangled in a bizarre web of espionage and corporate secrets when their hacker son is targeted by the US government.</p>



<p><strong><a href="https://chickeneggpics.org/grantee/pray-away/"><em>Pray Away</em></a>, directed by Kristine Stolakis<br>2019 (Egg)celerator Lab</strong><br>Former leaders of the &#8220;pray&nbsp;away&nbsp;the gay&#8221; movement contend with the aftermath unleashed by their actions, while a survivor seeks healing and acceptance&nbsp;from more than a decade of trauma</p>



<p><strong><em><a href="https://chickeneggpics.org/grantee/simple-as-water/">Simple As Water</a></em>, directed by Megan Mylan <br>2018 Grant</strong><br>Megan Mylan’s closely observed fragments of lives cut between Turkey, Greece, Germany, and the US. Each unfolding scene portrays the elemental bonds holding together Syrian families pulled apart by war, searching for a new life.</p>



<p><strong><em>Stateless (Apátrida)</em>, directed by <a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient-4/">Michèle Stephenson</a><br>2016 Chicken &amp; Egg Award</strong><br>Through the grassroots campaign of electoral hopeful Rosa Iris, director Michèle Stephenson’s new documentary reveals the depths of racial hatred and institutionalized oppression that divide Haiti and the Dominican Republic.</p>



<p><strong><em><a href="https://chickeneggpics.org/grantee/through-the-night/">Through the Night</a></em>, directed by Loira Limbal<br>2018 (Egg)celerator Lab</strong><br><em>Through the Night</em>&nbsp;is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.</p>



<h4 class="has-text-align-center wp-block-heading">AlumNest films</h4>



<p></p>



<p><strong><em>John Lewis: Good Trouble</em></strong>, directed by <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-porter/"><strong>Dawn Porter</strong></a> (2017 Chicken &amp; Egg Award recipient)</p>



<p><strong><em>The Sit-In: Harry Belafonte Hosts The Tonight Show</em></strong>, directed by <a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient-3/"><strong>Yoruba Richen</strong></a></p>



<p><strong>Picture a Scientist</strong>, directed by Ian Cheney and <strong>Sharon Shattuck</strong>&nbsp;<em>(<a href="https://chickeneggpics.org/grantee/from-this-day-forward/">From This Day Forward</a></em>)</p>



<p><strong>Women in Blue</strong>, directed by <strong>Deirdre Fishel </strong>(<em><a href="https://chickeneggpics.org/grantee/care/">Care</a></em>) </p>



<p>Also premiering at Tribeca is <em>Athlete A</em>, directed by Bonni Cohen and Jon Shenk, which is produced by our Co-Founder Julie Parker Benello, along with Serin Marshall and Jen Sey. </p>



<p>Congratulations to these filmmakers on their premieres! </p>
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		<title>Three (Egg)celerator Lab Films Land a Spot at the Sundance Institute Creative Producing Labs</title>
		<link>https://archive.chickeneggpics.org/three-eggcelerator-lab-films-land-a-spot-at-the-sundance-institute-creative-producing-labs/</link>
					<comments>https://archive.chickeneggpics.org/three-eggcelerator-lab-films-land-a-spot-at-the-sundance-institute-creative-producing-labs/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Mon, 22 Jul 2019 21:18:25 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[An Act of Worship]]></category>
		<category><![CDATA[Anya Rous]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[Kristine Stolakis]]></category>
		<category><![CDATA[Loira Limbal]]></category>
		<category><![CDATA[Nausheen Dadabhoy]]></category>
		<category><![CDATA[Pray Away]]></category>
		<category><![CDATA[Sundance Institute]]></category>
		<category><![CDATA[Through The Night]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=6563</guid>

					<description><![CDATA[Egg-cellent news from Sundance Institute today, as they announced the Fellows and Advisors for the five-day 2019 Creative Producing Labs, as well as the three-day Creative Producing Summit which immediately follows. We are proud to announce that three out of the five projects participating in the 2019 Sundance Documentary Film Program of the Labs and [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Egg-cellent news from Sundance Institute today, as they<a href="http://www.sundance.org/blogs/news/2019-sundance-creative-producing-lab-summit"> announced the Fellows and Advisors</a> for the five-day 2019 Creative Producing Labs, as well as the three-day Creative Producing Summit which immediately follows.</p>
<p>We are proud to announce that three out of the five projects participating in the 2019 Sundance Documentary Film Program of the Labs and Summit are also participants of the Chicken &amp; Egg Pictures <a href="https://chickeneggpics.org/programs/#accelerator-lab">(Egg)celerator Lab</a>. Thank you, Sundance Institute, for your unwavering recognition of women nonfiction filmmakers.</p>
<p><em>“We recognize the importance of a space for meaningful dialogue and discovery between producers and forward-thinking industry. Creating a sustainable future where independent producers can continue to develop bold storytelling and take risks is a key priority for the Lab and Summit.” — Anne Lai, Director, Creative Producing and Artist Support and Kristin Feeley, Director, Labs &amp; Artist Support, Creative Producing at Sundance Institute </em></p>
<p>Find the rest of the Fellows on the <a href="http://www.sundance.org/blogs/news/2019-sundance-creative-producing-lab-summit">Sundance Institute blog</a>, and read about the Nest-supported projects participating below.</p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2018/07/unnamed-1.jpg" rel="lightbox[6563]"><img loading="lazy" decoding="async" class="alignnone size-full wp-image-4360" src="https://chickeneggpics.org/wp-content/uploads/2018/07/unnamed-1.jpg" alt="An Act of Worship Nausheen Dadabhoy Diversity Fellows Initiative 2018 Accelerator Lab 2019" width="1280" height="720" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/07/unnamed-1.jpg 1280w, https://archive.chickeneggpics.org/wp-content/uploads/2018/07/unnamed-1-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/07/unnamed-1-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/07/unnamed-1-1024x576.jpg 1024w" sizes="auto, (max-width: 1280px) 100vw, 1280px" /></a></p>
<p><a href="https://chickeneggpics.org/grantee/an-act-of-worship/"><em>An Act of Worship</em></a>, directed by Nausheen Dhadabhoy (2019 <a href="https://chickeneggpics.org/programs/#accelerator-lab">(Egg)celerator Lab</a> grantee, 2018 Diversity Fellows Iniative grantee [past program])<br />
Produced by 2019 Creative Producing Summit Fellow Sofian Khan</p>
<p><em>An Act of Worship</em> follows a new generation of young Muslim-American female activists at a time when anti-Muslim sentiments in the United States are sharply on the rise.</p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2019/01/Pray-Away-Primary-Still.jpg" rel="lightbox[6563]"><img loading="lazy" decoding="async" class="alignnone size-full wp-image-5413" src="https://chickeneggpics.org/wp-content/uploads/2019/01/Pray-Away-Primary-Still.jpg" alt="PRAY AWAY Kristine Stolakis" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2019/01/Pray-Away-Primary-Still.jpg 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/Pray-Away-Primary-Still-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/Pray-Away-Primary-Still-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2019/01/Pray-Away-Primary-Still-1024x576.jpg 1024w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></a></p>
<p><a href="https://chickeneggpics.org/grantee/pray-away/"><em>Pray Away</em></a>, directed by Kristine Stolakis (2019<a href="https://chickeneggpics.org/programs/#accelerator-lab"> (Egg)celerator Lab</a> grantee)<br />
Produced by 2019 Creative Producing Summit Fellow Anya Rous</p>
<p>Pray Away tells the story of the history and continuation of the &#8220;pray the gay away&#8221; or ex-gay movement.</p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Through-the-Night_Film-Still.jpg" rel="lightbox[6563]"><img loading="lazy" decoding="async" class="alignnone size-full wp-image-3812" src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Through-the-Night_Film-Still.jpg" alt="Through the Night Loira Limbal 2018 Accelerator Lab" width="3264" height="2448" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Through-the-Night_Film-Still.jpg 3264w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Through-the-Night_Film-Still-608x456.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Through-the-Night_Film-Still-768x576.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Through-the-Night_Film-Still-1024x768.jpg 1024w" sizes="auto, (max-width: 3264px) 100vw, 3264px" /></a></p>
<p><a href="https://chickeneggpics.org/grantee/through-the-night/"><em>Through the Night</em></a>, directed by Loira Limbal (2018 <a href="https://chickeneggpics.org/programs/#accelerator-lab">(Egg)celerator Lab</a> grantee)<br />
Produced by 2019 Creative Producing Summit Fellow Jameka Autry</p>
<p>To make ends meet, Americans are working longer hours across multiple jobs. This modern reality of non-stop work has resulted in an unexpected phenomenon: the flourishing of 24-hour daycare centers. <em>Through the Night</em> is a verité documentary that explores the personal cost of our modern economy through the stories of Marisol Valencia, Shanona Tate and Delores “Nunu” Hogan &#8211; two working mothers and a childcare provider &#8211; whose lives intersect at a 24-hour daycare center in New Rochelle, NY.</p>
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		<title>Loira Limbal: Dozen Days of Filmmakers — Day 8</title>
		<link>https://archive.chickeneggpics.org/loira-limbal-dozen-days-of-filmmakers-day-8/</link>
					<comments>https://archive.chickeneggpics.org/loira-limbal-dozen-days-of-filmmakers-day-8/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Fri, 21 Dec 2018 01:53:43 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[Dozen Days of Filmmakers]]></category>
		<category><![CDATA[Firelight Media]]></category>
		<category><![CDATA[Loira Limbal]]></category>
		<category><![CDATA[Through The Night]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=5320</guid>

					<description><![CDATA[Chicken &#38; Egg Pictures is celebrating the holiday season by featuring a dozen of our supported women nonfiction filmmakers. Loira Limbal is an Afro-Latina filmmaker, activist, and DJ interested in the creation of art that affirms women of color and builds solidarity across communities. Her first film, Estilo Hip Hop, aired on PBS in 2009. [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><span style="font-weight: 400;">Chicken &amp; Egg Pictures is celebrating the holiday season by featuring a dozen of our supported women nonfiction filmmakers.</span></p>
<p><span style="font-weight: 400;"><a href="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Loira-Limbal_Headshot_BW.jpg" rel="lightbox[5320]"><img loading="lazy" decoding="async" class="alignleft wp-image-3810" src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Loira-Limbal_Headshot_BW-344x344.jpg" alt="Through the Night Loira Limbal 2018 Accelerator Lab" width="208" height="212" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Loira-Limbal_Headshot_BW-608x618.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Loira-Limbal_Headshot_BW-768x781.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Loira-Limbal_Headshot_BW-1007x1024.jpg 1007w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Loira-Limbal_Headshot_BW.jpg 2038w" sizes="auto, (max-width: 208px) 100vw, 208px" /></a>Loira Limbal is an Afro-Latina filmmaker, activist, and DJ interested in the creation of art that affirms women of color and builds solidarity across communities. Her first film, </span><i><span style="font-weight: 400;">Estilo Hip Hop</span></i><span style="font-weight: 400;">, aired on PBS in 2009. </span></p>
<p><span style="font-weight: 400;">Limbal is currently directing </span><i><span style="font-weight: 400;">Through the Nigh</span></i><span style="font-weight: 400;">t, a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.</span></p>
<p><figure id="attachment_3812" aria-describedby="caption-attachment-3812" style="width: 3264px" class="wp-caption aligncenter"><a href="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Through-the-Night_Film-Still.jpg" rel="lightbox[5320]"><img loading="lazy" decoding="async" class="wp-image-3812 size-full" src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Through-the-Night_Film-Still.jpg" alt="Through the Night Loira Limbal 2018 Accelerator Lab" width="3264" height="2448" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Through-the-Night_Film-Still.jpg 3264w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Through-the-Night_Film-Still-608x456.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Through-the-Night_Film-Still-768x576.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Through-the-Night_Film-Still-1024x768.jpg 1024w" sizes="auto, (max-width: 3264px) 100vw, 3264px" /></a><figcaption id="caption-attachment-3812" class="wp-caption-text">Through the Night, directed by Loira Limbal</figcaption></figure></p>
<p><span style="font-weight: 400;">For the past decade, Limbal has dedicated herself to fusing arts and activism. She has worked at various community-based organizations in New York City including The Point Community Development Corporation, The Dominican Women’s Development Center, and Sista II Sista. In 2006, she founded The Reel X Project, a social justice and creative filmmaking space for young women of color in the Southwest Bronx. </span></p>
<p><span style="font-weight: 400;">Limbal received a B.A. in History from Brown University and is a graduate of the Third World Newsreel’s Film and Video Production Training Program. She has received awards from the Bronx Council on the Arts, the Open Society Institute, the Ford Foundation, and the Lisa Sullivan Fund.</span></p>
<p><span style="font-weight: 400;">Limbal is the Vice President and Documentary Lab Director at Firelight Media. She lives in the Bronx with her two children.</span></p>
<p><i><span style="font-weight: 400;">Through the Night </span></i><span style="font-weight: 400;">is a participant of the 2018 Accelerator Lab.</span></p>
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<p>Post by Morgan Lee Hulquist.</p>
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		<title>Announcing our 2018 Accelerator Lab grantees!</title>
		<link>https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/</link>
					<comments>https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/#comments</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Wed, 21 Feb 2018 16:06:31 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[2018 Accelerator Lab]]></category>
		<category><![CDATA[A Cops and Robbers Story]]></category>
		<category><![CDATA[Always In Season]]></category>
		<category><![CDATA[Arthur Nazaryan]]></category>
		<category><![CDATA[Electric Malady]]></category>
		<category><![CDATA[Enemies of the State]]></category>
		<category><![CDATA[Eunice Lau]]></category>
		<category><![CDATA[Ilinca Calugareanu]]></category>
		<category><![CDATA[Jacqueline Olive]]></category>
		<category><![CDATA[Jennifer Redfearn]]></category>
		<category><![CDATA[Loira Limbal]]></category>
		<category><![CDATA[Madeleine Leroyer]]></category>
		<category><![CDATA[Marie Lidén]]></category>
		<category><![CDATA[Number 387]]></category>
		<category><![CDATA[People's Hospital]]></category>
		<category><![CDATA[Reentry]]></category>
		<category><![CDATA[Rintu Thomas]]></category>
		<category><![CDATA[Siyi Chen]]></category>
		<category><![CDATA[Sonia Kennebeck]]></category>
		<category><![CDATA[Sushmit Ghosh]]></category>
		<category><![CDATA[The Youth]]></category>
		<category><![CDATA[Through The Night]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<category><![CDATA[Writing With Fire]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=3737</guid>

					<description><![CDATA[Chicken &#38; Egg Pictures is proud to announce the third cohort of our Accelerator Lab for first- and second-time filmmakers! The Accelerator Lab is focused on identifying and supporting women nonfiction directors working on their first or second feature-length documentary. This program brings together ten projects helmed by first- or second-time directors, with a special [&#8230;]]]></description>
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<p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-3844" src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner.jpg" alt="" width="3975" height="1200" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner.jpg 3975w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner-608x184.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner-768x232.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-Accelerator-Lab-banner-1024x309.jpg 1024w" sizes="auto, (max-width: 3975px) 100vw, 3975px" /></p>
<p>Chicken &amp; Egg Pictures is proud to announce the third cohort of our Accelerator Lab for first- and second-time filmmakers!</p>
<p>The Accelerator Lab is focused on identifying and supporting women nonfiction directors working on their first or second feature-length documentary. This program brings together ten projects helmed by first- or second-time directors, with a special focus on underrepresented voices.</p>
<p><span style="font-weight: 400;">“Community-building is key to this program,” says Chicken &amp; Egg Pictures Program Director Lucila Moctezuma. “While the Accelerator Lab for first- and second-time filmmakers certainly helps women filmmakers to </span><i><span style="font-weight: 400;">enter</span></i><span style="font-weight: 400;"> the industry pipeline, it also provides them with a community of support that helps them to </span><i><span style="font-weight: 400;">stay</span></i><span style="font-weight: 400;"> in the pipeline. The reality of being a film director is that it can often feel daunting and isolating. By explicitly encouraging peer-to-peer mentorship among our cohort, we provide emerging filmmakers with a chance to bond with and learn from one another, to help one another carve a space for themselves in the industry, and to equip them with the strength of a community they can rely on throughout their careers.” </span></p>
<p>Synopses of the 2018 Accelerator Lab grantees&#8217; compelling projects are below, and you can get to know the directors by viewing the linked project pages. Grantees will work on these films during their program year.</p>
<p>Our next open call for the Accelerator Lab will take place in the spring of 2018. For additional information on the program, including application criteria, please visit our <a href="https://chickeneggpics.org/programs/#accelerator-lab">Programs</a> page.</p>
<p>Congratulations to our newest grantees, and wishing you a fantastic year!</p>
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<div class="column">
<p><figure id="attachment_3730" aria-describedby="caption-attachment-3730" style="width: 169px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3730" src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot-608x842.jpg" alt="" width="169" height="234" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot-608x842.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot-768x1063.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot-740x1024.jpg 740w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Ilinca-Calugareanu_Headshot.jpg 780w" sizes="auto, (max-width: 169px) 100vw, 169px" /><figcaption id="caption-attachment-3730" class="wp-caption-text">Ilinca Calugareanu</figcaption></figure></p>
<p><em><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3708&amp;preview=true">A Cops and Robbers Story</a>,</em> directed by Ilinca Calugareanu <span style="font-weight: 400;">(ROMANIA / UK)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">Corey Pegues, one of the highest ranking black executives in the NYPD, reveals a few months after retirement that before joining the NYPD he worked the streets dealing crack cocaine for one of the most notorious drug gangs in the US, the Supreme Team. To many he is either a perp in cop costume or a criminal turned hero. But who is the real Corey Pegues?</span></p>
<p>&nbsp;</p>
<p><figure id="attachment_3739" aria-describedby="caption-attachment-3739" style="width: 188px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3739 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Siyi-Chen_Headshot-e1519228656123-273x344.jpg" alt="" width="188" height="237" /><figcaption id="caption-attachment-3739" class="wp-caption-text">Siyi Chen</figcaption></figure></p>
<p><em><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3694&amp;preview=true">People&#8217;s Hospital</a>,</em> directed by Siyi Chen <span style="font-weight: 400;">(CHINA / US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">As the Chinese society criticizes dysfunctional hospitals, a doctor’s daughter revisits the small-town hospital where she grew up—this time with a camera, in the middle of a chaotic ER.</span></p>
<p>&nbsp;</p>
<p><figure id="attachment_3738" aria-describedby="caption-attachment-3738" style="width: 180px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3738 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Sonia_Kennebeck_Director-and-Producer-e1519228570327-258x344.jpg" alt="" width="180" height="240" /><figcaption id="caption-attachment-3738" class="wp-caption-text">Sonia Kennebeck</figcaption></figure></p>
<p><em><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3709&amp;preview=true">Enemies of the State</a>,</em> directed by Sonia Kennebeck <span style="font-weight: 400;">(MALAYSIA / GERMANY / US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">An average American family becomes entangled in a bizarre web of espionage and corporate secrets when their hacker son is targeted by the U.S. government.</span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>
<a href='https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/2018-al_eunice-lau_headshot/'><img loading="lazy" decoding="async" width="344" height="344" src="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Eunice-Lau_headshot-344x344.jpg" class="attachment-thumbnail size-thumbnail" alt="The Youth Eunice Lau and Arthur Nazaryan 2018 Accelerator Lab" /></a>
</p>
<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3693&amp;preview=true"><em>The Youth</em></a>, directed by Eunice Lau <span style="font-weight: 400;">(SINGAPORE / US) </span>and Arthur Nazaryan <span style="font-weight: 400;">(US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}"><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3693&amp;preview=true"><em>The Youth</em></a> is an unflinching look at the forces that drive one to adopt an extreme ideology. Through the eyes of a father who seeks to understand how his son is radicalized by the propaganda of the Islamic State Army, <a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3693&amp;preview=true"><em>The Youth</em></a> reveals how a Muslim American family is affected by the geopolitics and polemics that fuel the resurgence of reactionary and right-wing political movements. Through this intimate lens on the Somali community in Minnesota, <a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3693&amp;preview=true"><i>The Youth</i></a> explores the racism and prejudices against immigrants, the rise of radical Islam, and what it means to be Muslim in contemporary America.</span></p>
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<p>&nbsp;</p>
<p><figure id="attachment_3781" aria-describedby="caption-attachment-3781" style="width: 196px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3781 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Madeleine-Leroyer_Headshot-e1519228743424-265x344.jpg" alt="" width="196" height="254" /><figcaption id="caption-attachment-3781" class="wp-caption-text">Madeleine Leroyer</figcaption></figure></p>
<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3736&amp;preview=true"><em>Number 387</em></a>, directed by Madeleine Leroyer <span style="font-weight: 400;">(FRANCE)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">This is the story of a Greek physician who collects pendants and bracelets.<br />
This is the story of an Italian woman who has been fighting for 15 years to &#8220;make bodies talk.&#8221;<br />
This is the story of those who watch over the forgotten migrants.<br />
Since the beginning of 2016, 3,649 migrants have died while attempting to reach Europe by sea. 3,649 names, the vast majority of which have been diluted in the deep blue waters of the Mediterranean.<br />
What happens to the dead? Who identifies them?<br />
What do the mothers, the brothers do to try to find their missing loved ones?<br />
For years, medical examiners have been trying to give back a name, dignity, a memory to these forgotten souls.<br />
This film tells their story.</span></p>
<p>&nbsp;</p>
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<p><figure id="attachment_3742" aria-describedby="caption-attachment-3742" style="width: 211px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3742 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Marie-Liden_Headshot-e1519229096993-268x344.jpg" alt="" width="211" height="270" /><figcaption id="caption-attachment-3742" class="wp-caption-text">Marie Lidén</figcaption></figure></p>
<p><em><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3712&amp;preview=true">Electric Malady</a></em>, directed by Marie Lidén <span style="font-weight: 400;">(SWEDEN / UK)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">Director Marie Lidén grew up with a mother who suffered from an illness that the world did not recognize—Electrosensitivity. Years later, in a technologically advanced world, Marie gives a poignant account of the lives of two electrosensitives: William, a 41-year-old Swedish man, and Tyler, a 13-year-old Canadian boy. Using Marie’s own family story as a thread, the film explores William and Tyler’s isolated worlds and their families’ unrelenting commitment to help their children.</span></p>
<p>&nbsp;</p>
<p><figure id="attachment_3824" aria-describedby="caption-attachment-3824" style="width: 192px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3824 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Limbal-Headshot-e1519229027398-274x344.jpg" alt="" width="192" height="241" /><figcaption id="caption-attachment-3824" class="wp-caption-text">Loira Limbal</figcaption></figure></p>
<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3809&amp;preview=true"><em>Through The Night</em></a>, directed by Loira Limbal <span style="font-weight: 400;">(US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">To make ends meet, Americans are working longer hours across multiple jobs. This modern reality of non-stop work has resulted in an unexpected phenomenon: the flourishing of 24-hour daycare centers. <a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3809&amp;preview=true"><em>Through the Night</em></a> is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.</span></p>
<p>&nbsp;</p>
<p><figure id="attachment_3821" aria-describedby="caption-attachment-3821" style="width: 179px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3821 " src="https://chickeneggpics.org/wp-content/uploads/2014/08/2018-AL_Jacqueline_Olive_headshot1-e1519228895877-267x344.jpg" alt="" width="179" height="231" /><figcaption id="caption-attachment-3821" class="wp-caption-text">Jacqueline Olive</figcaption></figure></p>
<p><em><a href="https://chickeneggpics.org/grantee/always-in-season/"> Always in Season</a></em>, directed by Jacqueline Olive <span style="font-weight: 400;">(US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;As the trauma of a century of lynching African Americans bleeds into the present, Always in Season follows relatives of the perpetrators and victims in communities across the country who’re seeking justice and reconciliation in the midst of racial profiling and police shootings. In Bladenboro, NC, the film connects historic racial terrorism to racial violence today with the story of Claudia Lacy who grieves as she fights to get an FBI investigation opened into the death of her seventeen-year-old son, Lennon Lacy, found hanging from a swing set on August 29, 2014. Claudia, like many others, believes Lennon was lynched. &quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:[null,0],&quot;12&quot;:0}">As the trauma of a century of lynching African Americans bleeds into the present, <a href="https://chickeneggpics.org/grantee/always-in-season/"><em>Always in Season</em></a> follows relatives of the perpetrators and victims in communities across the country who’re seeking justice and reconciliation in the midst of racial profiling and police shootings. In Bladenboro, NC, the film connects historic racial terrorism to racial violence today with the story of Claudia Lacy who grieves as she fights to get an FBI investigation opened into the death of her seventeen-year-old son, Lennon Lacy, found hanging from a swing set on August 29, 2014. Claudia, like many others, believes Lennon was lynched.</span></p>
<p>&nbsp;</p>
<p><figure id="attachment_3783" aria-describedby="caption-attachment-3783" style="width: 185px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3783 " src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Jennifer-Redfearn_Headshot-e1519228825399-256x344.jpg" alt="" width="185" height="249" /><figcaption id="caption-attachment-3783" class="wp-caption-text">Jennifer Redfearn</figcaption></figure></p>
<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3706&amp;preview=true"><em>Reentry</em></a> (working title), directed by Jennifer Redfearn <span style="font-weight: 400;">(US)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">Women are now the fastest growing population in the U.S. criminal justice system, increasing at nearly double the rate of men. The majority of women going into prison are serving time for drug related charges. This immersive, character-driven film follows three women—who are part of a new reentry program in Cleveland, Ohio—as they prepare to leave prison, reunite with their children, and find jobs after serving time for drug related charges.</span></p>
<p>&nbsp;</p>
<p>
<a href='https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/al-2018_rintu-thomas-headshot/'><img loading="lazy" decoding="async" width="344" height="344" src="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-344x344.jpg" class="attachment-thumbnail size-thumbnail" alt="" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-608x608.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-768x768.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Rintu-Thomas-Headshot-1024x1024.jpg 1024w" sizes="auto, (max-width: 344px) 100vw, 344px" /></a>
<a href='https://archive.chickeneggpics.org/announcing-2018-accelerator-lab-grantees/al-2018_sushmit-ghosh-headshot/'><img loading="lazy" decoding="async" width="344" height="344" src="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-344x344.jpg" class="attachment-thumbnail size-thumbnail" alt="" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-608x608.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-768x768.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_Sushmit-Ghosh-Headshot-1024x1024.jpg 1024w" sizes="auto, (max-width: 344px) 100vw, 344px" /></a>
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<p><a href="https://chickeneggpics.org/?post_type=grantee&amp;p=3753&amp;preview=true"><em>Writing With Fire</em></a>, directed by Rintu Thomas and Sushmit Ghosh <span style="font-weight: 400;">(INDIA)</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">In a cluttered news landscape dominated by men, emerges India&#8217;s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions, be it on the frontlines of India&#8217;s biggest issues or within the confines of their homes, redefining what it means to be powerful.</span></p>
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