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	<title>ursula liang &#8211; Chicken &amp; Egg Pictures</title>
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	<title>ursula liang &#8211; Chicken &amp; Egg Pictures</title>
	<link>https://archive.chickeneggpics.org</link>
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	<item>
		<title>Announcing Five New Project: Hatched 2021 grantees!</title>
		<link>https://archive.chickeneggpics.org/project-hatched-july-2021/</link>
					<comments>https://archive.chickeneggpics.org/project-hatched-july-2021/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Tue, 29 Jun 2021 15:19:08 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Project: Hatched]]></category>
		<category><![CDATA[Bob Moore]]></category>
		<category><![CDATA[Bonnie Bejamin-Phariss]]></category>
		<category><![CDATA[diversity fellows iniative]]></category>
		<category><![CDATA[Dope Is Death]]></category>
		<category><![CDATA[Down a Dark Stairwell]]></category>
		<category><![CDATA[Emily Cohen Ibañez]]></category>
		<category><![CDATA[Fruits of Labor]]></category>
		<category><![CDATA[Gilda Sheppard]]></category>
		<category><![CDATA[Jume Nho Ivers]]></category>
		<category><![CDATA[Mila Donovan]]></category>
		<category><![CDATA[Morgan Elise Johnson]]></category>
		<category><![CDATA[Naeema Jamilah Torres]]></category>
		<category><![CDATA[Project: Hatched 2021]]></category>
		<category><![CDATA[Rajal Pitroda]]></category>
		<category><![CDATA[Saman Maydani]]></category>
		<category><![CDATA[Since I Been Down]]></category>
		<category><![CDATA[Unapologetic]]></category>
		<category><![CDATA[ursula liang]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=9013</guid>

					<description><![CDATA[Announced via Women &#38; Hollywood today, Chicken &#38; Egg Pictures is proud to support five new grantees of the 2021 Project: Hatched program for feature-length documentary impact. Each film receives a $10,000 grant and tailored mentorship towards their impact campaigns. “Each of these films tells a story about racial, economic, or workers justice in the [&#8230;]]]></description>
										<content:encoded><![CDATA[
<figure class="wp-block-image size-large"><img fetchpriority="high" decoding="async" width="770" height="288" src="https://chickeneggpics.org/wp-content/uploads/2021/06/2021_PH_BANNER_4.jpg" alt="" class="wp-image-9031" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2021/06/2021_PH_BANNER_4.jpg 770w, https://archive.chickeneggpics.org/wp-content/uploads/2021/06/2021_PH_BANNER_4-608x227.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2021/06/2021_PH_BANNER_4-768x287.jpg 768w" sizes="(max-width: 770px) 100vw, 770px" /></figure>



<p>Announced via <a href="https://womenandhollywood.com/exclusive-chicken-egg-pictures-announces-newest-grantees-of-project-hatched-program/">Women &amp; Hollywood</a> today, Chicken &amp; Egg Pictures is proud to support five new grantees of the 2021 <a href="https://chickeneggpics.org/programs/#project-hatched">Project: Hatched</a> program for feature-length documentary impact. Each film receives a $10,000 grant and tailored mentorship towards their impact campaigns. </p>



<p><em>“Each of these films tells a story about racial, economic, or workers justice in the United States and marks a critical moment in our social history,” </em>said Program Director Lucila Moctezuma. “<em>Their directors are uniquely positioned to create change and propel us toward a more equitable future, and Chicken &amp; Egg Pictures is excited to support them with funding and programmatic support to further the impact of these important films.”</em></p>



<hr class="wp-block-separator"/>



<p>Please click the granted film’s titles for more information on each project and give these visionary women directors a warm welcome to the Nest! </p>



<h2 class="wp-block-heading"><em><a href="https://chickeneggpics.org/grantee/dope-is-death/">Dope is Death</a></em></h2>



<p>Director: Mia Donovan<br>Producer: Bob Moore</p>



<p><em>Dope Is Death</em> tells the story of how radical politics and direct community action birthed the first acupuncture drug detoxification program in America.</p>



<h2 class="wp-block-heading"><em><a href="https://chickeneggpics.org/grantee/down-a-dark-stairwell">Down a Dark Stairwell</a></em></h2>



<p>Director: Ursula Liang<br>Producer: Rajal Pitroda&nbsp;</p>



<p>A Chinese-American police officer kills an unarmed Black man in a dark stairwell of a NYC housing project, igniting a complicated fight for accountability and justice.</p>



<h2 class="wp-block-heading"><em><a href="https://chickeneggpics.org/grantee/since-i-been-down">Since I Been Down</a></em></h2>



<p>Director: Gilda Sheppard<br>Producers: Saman Maydani, June Nho Ivers<br>Producer and Lead Impact Strategist: Bonnie Benjamin-Phariss<br>Impact Team: YEA! Impact </p>



<p>In America’s backyard, a community held captive by policies targeting gangs and drugs sacrifices their youth for a false sense of justice and safety. Nearly forty years later, a true path to justice and healing is led from inside their prison walls.</p>



<h2 class="wp-block-heading"><em><a href="https://chickeneggpics.org/grantee/unapologetic/">Unapologetic&nbsp;</a></em></h2>



<p>Director: Ashley O&#8217;Shay&nbsp;<br>Producers: Ashley O’Shay, Morgan Elise Johnson<br>Impact Producer: Naeema Jamilah Torres&nbsp;</p>



<p>Meet Janaé and Bella, two fierce abolitionists whose upbringing and experiences shape their activism and views on Black liberation.</p>



<h2 class="wp-block-heading"><em><a href="https://chickeneggpics.org/grantee/fruits-of-labor">Fruits of Labor</a></em></h2>



<p>Director: Emily Cohen Ibañez<br>Producer: Emily Cohen Ibañez</p>



<p>A teenage farmworker dreams of graduating high school, when ICE raids in her community threaten to separate her family and force her to become her family&#8217;s breadwinner.</p>



<p>*<em>Down a Dark Stairwell</em> was previously supported through out Diversity Fellows Iniative (past program).&nbsp;</p>
]]></content:encoded>
					
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			</item>
		<item>
		<title>7 Supported Films to Stream at the Cleveland International Film Festival</title>
		<link>https://archive.chickeneggpics.org/cleveland-2021/</link>
					<comments>https://archive.chickeneggpics.org/cleveland-2021/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Wed, 14 Apr 2021 22:05:33 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[2018 (egg)celerator lab]]></category>
		<category><![CDATA[A Cops and Robbers Story]]></category>
		<category><![CDATA[apart]]></category>
		<category><![CDATA[Cecilia Aldarondo]]></category>
		<category><![CDATA[Down a Dark Stairwell]]></category>
		<category><![CDATA[Film Festival]]></category>
		<category><![CDATA[ilinca calgureanu]]></category>
		<category><![CDATA[In The Same Breath]]></category>
		<category><![CDATA[Jennifer Redfearn]]></category>
		<category><![CDATA[Landfall]]></category>
		<category><![CDATA[Loira Limbal]]></category>
		<category><![CDATA[Maria Finitzo]]></category>
		<category><![CDATA[Nanfu Wang]]></category>
		<category><![CDATA[ohio]]></category>
		<category><![CDATA[Rintu Thomas]]></category>
		<category><![CDATA[Sushmit Ghosh]]></category>
		<category><![CDATA[The Dilemma of Desire]]></category>
		<category><![CDATA[Through The Night]]></category>
		<category><![CDATA[United States]]></category>
		<category><![CDATA[ursula liang]]></category>
		<category><![CDATA[Writing With Fire]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=8753</guid>

					<description><![CDATA[Here are your Chicken &#038; Egg Pictures-supported films to stream at Cleveland International Film Festival from April 7 to April 20. ]]></description>
										<content:encoded><![CDATA[
<p>There&#8217;s plenty to stream at the 2021 <strong><a href="https://www.clevelandfilm.org/">Cleveland International Film Festival</a></strong>, which runs virtually from Wednesday,&nbsp;April 7 to Tuesday,&nbsp;April 20 on their website. </p>



<p>Granted films featured in the online festival include <b>four </b><a style="font-weight: bold;" href="https://chickeneggpics.org/programs/#eggcelerator-lab">2018 (Egg)celerator Lab</a><strong> grantees</strong>: <em>A Cops and Robbers Story</em>, <em>Apart</em>, <em>Through the Night</em>, and <em>Writing With Fire</em>, as well as three additional Nest-supported films. The (Egg)celerator Lab supports first- and second-time filmmakers who are working on a feature length documentary, with a special focus on underrepresented voices. Learn more about the films below, and get your tickets <a href="http://Tickets to stream are available here.">here</a>. <strong>Online stream tickets are just $10!  </strong></p>



<h3 class="wp-block-heading"><strong><a href="https://chickeneggpics.org/grantee/apart/"><em>Apart</em></a></strong>, dir. Jennifer Redfearn</h3>



<hr class="wp-block-separator"/>



<figure class="wp-block-image size-large"><img decoding="async" width="1024" height="540" src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-1024x540.jpg" alt="" class="wp-image-8745" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-1024x540.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-608x321.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-768x405.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-1536x810.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Apart_Jennifer-Redfearn_1-2048x1080.jpg 2048w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>



<p>The number of women in U.S. prisons has grown by 800% over the past 40 years. And the vast majority are mothers. In a Midwestern state caught between the opioid epidemic, drug sentencing, and rising incarceration for women, three unforgettable mothers—Tomika, Lydia, and Amanda— return home from prison and rebuild their lives after being separated from their children for years. </p>



<p><em>Apart </em>participated in the 2018 (Egg)celerator Lab. </p>



<h3 class="wp-block-heading"><strong><a href="https://chickeneggpics.org/grantee/cops-robbers-story/">A Cops and Robbers Story</a>,</strong> dir. Ilinca Calugareanu</h3>



<hr class="wp-block-separator"/>



<figure class="wp-block-image size-large"><img decoding="async" width="825" height="525" src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_CR_Key-Image.jpg" alt="Ilinca Calugareanu A Cops and Robbers Story Accelerator Lab 2018" class="wp-image-3726" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_CR_Key-Image.jpg 825w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_CR_Key-Image-608x387.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_CR_Key-Image-768x489.jpg 768w" sizes="(max-width: 825px) 100vw, 825px" /></figure>



<p>Corey Pegues, one of the highest ranking black executives in the NYPD, reveals a few months after retirement that before joining the NYPD he worked the streets dealing crack cocaine for one of the most notorious drug gangs in the US, the Supreme Team. To many he is either a perp in cop costume or a criminal turned hero. But who is the real Corey Pegues?</p>



<p><em>A Cops and Robbers Story </em>participated in the 2018 (Egg)celerator Lab.</p>



<h3 class="wp-block-heading"><strong><a href="https://chickeneggpics.org/grantee/the-dilemma-of-desire/">The Dilemma of Desire</a></strong>, dir. Maria Finitzo</h3>



<hr class="wp-block-separator"/>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="462" src="https://chickeneggpics.org/wp-content/uploads/2020/07/PH-2020_Dilemma-of-Desire_Maria-Finitzo_04_SophiaSign-e1594216813195-1024x462.png" alt="" class="wp-image-7888" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH-2020_Dilemma-of-Desire_Maria-Finitzo_04_SophiaSign-e1594216813195-1024x462.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH-2020_Dilemma-of-Desire_Maria-Finitzo_04_SophiaSign-e1594216813195-608x274.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH-2020_Dilemma-of-Desire_Maria-Finitzo_04_SophiaSign-e1594216813195-768x346.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH-2020_Dilemma-of-Desire_Maria-Finitzo_04_SophiaSign-e1594216813195-1536x693.png 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH-2020_Dilemma-of-Desire_Maria-Finitzo_04_SophiaSign-e1594216813195.png 1924w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>An exploration of “cliteracy,” and the clash between the gender politics and the imperatives of female sexual desire.</p>



<p><em>The Dilemma of Desire </em>participated in Project: Hatched 2020.</p>



<h3 class="wp-block-heading"><strong><a href="https://chickeneggpics.org/grantee/down-a-dark-stairwell/"><em>Down A Dark Stairwell</em></a></strong>, dir. Ursula Liang</h3>



<hr class="wp-block-separator"/>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="614" src="https://chickeneggpics.org/wp-content/uploads/2017/05/DownaDarkStairwell_Pink-Houses-5_creditPLAGDocumentaryLLC-scaled-e1583425015536-1024x614.jpg" alt="" class="wp-image-7348" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2017/05/DownaDarkStairwell_Pink-Houses-5_creditPLAGDocumentaryLLC-scaled-e1583425015536-1024x614.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2017/05/DownaDarkStairwell_Pink-Houses-5_creditPLAGDocumentaryLLC-scaled-e1583425015536-608x365.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2017/05/DownaDarkStairwell_Pink-Houses-5_creditPLAGDocumentaryLLC-scaled-e1583425015536-768x461.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2017/05/DownaDarkStairwell_Pink-Houses-5_creditPLAGDocumentaryLLC-scaled-e1583425015536-1536x922.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2017/05/DownaDarkStairwell_Pink-Houses-5_creditPLAGDocumentaryLLC-scaled-e1583425015536-2048x1229.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>A nuanced look at how two communities of color navigate an uneven criminal justice system, anchored by one polarizing New York City case.</p>



<h3 class="wp-block-heading"><strong><a href="http://chickeneggpics.org/grantee/landfall">Landfall</a></strong>, dir. Cecilia Aldarondo</h3>



<hr class="wp-block-separator"/>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="576" src="https://chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-1024x576.jpg" alt="" class="wp-image-7879" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-1024x576.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-768x432.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2-1536x864.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2020/07/PH_2020_Landfall_Cecilia-Aldarondo_Landfall_Publicity-Still_2.jpg 1920w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>Through shard-like glimpses of everyday life in post-Hurricane María Puerto Rico, <em>Landfall</em> examines a ruined world at the brink of transformation, spinning a cautionary tale for our times.</p>



<p><em>Landfall </em>participated in Project: Hatched 2020.</p>



<h2 class="wp-block-heading"><strong><a href="https://chickeneggpics.org/grantee/through-the-night"><em>Through the&nbsp;Night</em></a>,</strong>&nbsp;dir. Loira Limbal</h2>



<hr class="wp-block-separator"/>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="540" src="https://chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-1024x540.jpg" alt="" class="wp-image-8312" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-1024x540.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-608x321.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-768x405.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-1536x810.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2021/01/Limbal_Loira_2021_CEA_ThroughtheNight_NunuholdingBoy-2048x1081.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>To make ends meet, Americans are working longer hours across multiple jobs. This modern reality of nonstop work has resulted in an unexpected phenomenon: the flourishing of 24-hour daycare centers.&nbsp;<em>Through the Night</em>&nbsp;is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.</p>



<p><em>Through the Night </em>participated in the 2018 (Egg)celerator Lab. Director Loira Limbal is supported through the 2021 Chicken &amp; Egg Award. </p>



<h2 class="wp-block-heading"><strong><em><a href="https://chickeneggpics.org/grantee/writing-with-fire/">Writing with Fire</a></em>,</strong>&nbsp;dirs. Rintu Thomas and Sushmit Ghosh</h2>



<hr class="wp-block-separator"/>



<figure class="wp-block-image size-large is-resized"><img loading="lazy" decoding="async" src="https://chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3-1024x576.png" alt="Writing With Fire, directed by Rintu Thomas and Sushmit Ghosh 2018 Accelerator Lab" class="wp-image-3797" width="580" height="326" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3-1024x576.png 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3-608x342.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3-768x432.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/02/AL-2018_WRITING-WITH-FIRE3.png 1920w" sizes="auto, (max-width: 580px) 100vw, 580px" /></figure>



<p>In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions, be it on the frontlines of India’s biggest issues or within the confines of their homes, redefining what it means to be powerful.</p>



<p><em>Writing With Fire </em>participated in the 2018 (Egg)celerator Lab.</p>



<hr class="wp-block-separator"/>



<p><strong><em>In the Same Breath</em></strong>, dir. Nanfu Wang is also screening at the festival. Chicken &amp; Egg Pictures supported Nanfu&#8217;s previous film, as well as supported Nanfu through the 2018 Chicken &amp; Egg Award. </p>


]]></content:encoded>
					
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			</item>
		<item>
		<title>Nest-supported Films at the 2020 DOC NYC Film Festival</title>
		<link>https://archive.chickeneggpics.org/doc-nyc-2020/</link>
					<comments>https://archive.chickeneggpics.org/doc-nyc-2020/#comments</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Tue, 10 Nov 2020 17:18:54 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[9to5: The Story of a Movement]]></category>
		<category><![CDATA[A Cops and Robbers Story]]></category>
		<category><![CDATA[Anabel Rodríguez]]></category>
		<category><![CDATA[Anabel Rodriguez Rios]]></category>
		<category><![CDATA[Cecilia Aldarondo]]></category>
		<category><![CDATA[Chris King]]></category>
		<category><![CDATA[DOC NYC]]></category>
		<category><![CDATA[DOC NYC Film Festival]]></category>
		<category><![CDATA[Down a Dark Stairwell]]></category>
		<category><![CDATA[Enemies of the State]]></category>
		<category><![CDATA[Ilinca Calugareanu]]></category>
		<category><![CDATA[Judith Helfand]]></category>
		<category><![CDATA[Julia Reichert]]></category>
		<category><![CDATA[Julie Parker Benello]]></category>
		<category><![CDATA[Landfall]]></category>
		<category><![CDATA[Loira Limbal]]></category>
		<category><![CDATA[Love & Stuff]]></category>
		<category><![CDATA[Maia von Lekow]]></category>
		<category><![CDATA[Maria Finitzo]]></category>
		<category><![CDATA[Michele Stephenson]]></category>
		<category><![CDATA[Once Upon a Time in Venezuela]]></category>
		<category><![CDATA[Sonia Kennebeck]]></category>
		<category><![CDATA[Stateless]]></category>
		<category><![CDATA[Stateless (Apatrida)]]></category>
		<category><![CDATA[Steve Bognar]]></category>
		<category><![CDATA[The Dilemma of Desire]]></category>
		<category><![CDATA[the letter]]></category>
		<category><![CDATA[Through The Night]]></category>
		<category><![CDATA[Tiffany Hsiung]]></category>
		<category><![CDATA[ursula liang]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=8105</guid>

					<description><![CDATA[Our Nest-supported filmmaking community is soaring into DOC NYC Film Festival, which runs virtually from Wednesday, November 11 to Thursday, November 19. Ten supported films across many of our core programs— (Egg)celerator Lab films by emerging filmmakers, projects by advanced-career Chicken &#38; Egg Awardees, and films from our inaugural Project: Hatched completion program—are official selections. [&#8230;]]]></description>
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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="309" src="https://chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-1024x309.jpg" alt="" class="wp-image-8112" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-1024x309.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-608x184.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-768x232.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-1536x464.jpg 1536w, https://archive.chickeneggpics.org/wp-content/uploads/2020/11/DOC-NYC-2020-Graphic-1-2048x618.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>



<p>Our Nest-supported filmmaking community is soaring into <strong>DOC NYC Film Festival</strong>, which runs virtually from Wednesday, November 11 to Thursday, November 19. Ten supported films across many of our core programs— (Egg)celerator Lab films by emerging filmmakers, projects by advanced-career Chicken &amp; Egg Awardees, and films from our inaugural Project: Hatched completion program—are official selections. Plus <em><strong>A Cops and Robbers Story</strong></em>, directed by directed by Ilinca Calugareanu, will make its world premiere at the New York festival! Learn more about the ten projects below, and get your tickets for DOC NYC <a href="https://www.docnyc.net/">here</a>.&nbsp;</p>



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<h3 class="wp-block-heading">Nest-supported Films </h3>



<p></p>



<div>
<p><strong><em>9to5: The Story of a Movement</em>, directed by&nbsp;<a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient/">Julia Reichert</a>&nbsp;and Steven Bognar | </strong><span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/9to5-the-story-of-a-movement/">Tickets here</a></span><br><span style="font-size: inherit;">&#8220;In the early 1970s, secretaries and other female office workers were underpaid, undervalued, unable to advance, and often subject to sexual harassment. In the wake of the Women’s Liberation Movement, a group of women in Boston finally had enough, joining together to begin 9to5, a movement that would sweep the nation with irreverent, attention-getting actions to demand meaningful change—and later inspire the eponymous hit film and song.&#8221;*&nbsp;</span></p>
<p><em><strong><a href="https://chickeneggpics.org/grantee/cops-robbers-story/">A Cops</a><a href="https://chickeneggpics.org/grantee/cops-robbers-story/"> and Robbers</a></strong><a href="https://chickeneggpics.org/grantee/cops-robbers-story/"><strong> Story</strong></a></em><strong>, directed by Ilinca Călugăreanu</strong>&nbsp;| <span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/a-cops-and-robbers-story/">Tickets here</a></span> <strong>(World Premiere)&nbsp;<br></strong>In the 1980s, Corey Pegues found himself embroiled in a life of crime as a member of New York’s City’s infamous Supreme Team gang. After an incident forces Pegues away from the streets, he unexpectedly emerges as a rising star in the NYPD, his past unknown to his fellow officers. A decorated 21-year police career is threatened when his political stances and revelations about his former life cause strife within the police community.&nbsp;</p>
<p><strong><em><a href="https://chickeneggpics.org/grantee/the-dilemma-of-desire/">The Dilemma of Desire</a></em>, directed by Maria Finitzo |&nbsp;</strong><span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/the-dilemma-of-desire/">Tickets here</a></span><br>An exploration of “cliteracy,” and the clash between the gender politics and the imperatives of female sexual desire.</p>
<p><em><strong><a href="https://chickeneggpics.org/grantee/down-a-dark-stairwell/">Down a Dark Stairw</a><a href="https://chickeneggpics.org/grantee/down-a-dark-stairwell/">ell</a></strong></em><strong>, directed by Ursula Liang</strong> |&nbsp;<span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/down-a-dark-stairwell/">Tickets here</a></span><em><strong><br></strong></em><span style="font-size: inherit;">In 2014, Peter Liang, a Chinese-American police officer, shot and killed an innocent, unarmed black man named Akai Gurley in the dark stairwell of a Brooklyn housing project. In the midst of high racial tension surrounding police conduct, Liang becomes the first NYPD officer to receive a guilty verdict in such a case in over a decade. The highly publicized incident polarizes New York’s Asian and African American communities’ in this insightful look into the complexities of police reform.</span><em><br></em></p>
<p><strong><em><a href="https://chickeneggpics.org/grantee/enemies-of-the-state/">Enemies of the State</a></em>, directed by Sonia Kennebeck </strong>| <span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/enemies-of-the-state/">Tickets here&nbsp;</a></span><strong><br></strong>An average American family becomes entangled in a bizarre web of espionage and corporate secrets when their hacker son is targeted by the US government.</p>
<p><strong><a href="https://chickeneggpics.org/grantee/landfall/"><em>Landfall</em></a>, directed by Cecilia Aldarondo | </strong><span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/landfall/">Tickets here</a><br></span>Through shard-like glimpses of everyday life in post-Hurricane María Puerto Rico,<em> Landfall</em> examines a ruined world at the brink of transformation, spinning a cautionary tale for our times.</p>
<p><strong><em>Stateless (Apátrida)</em>, directed by&nbsp;<a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient-4/">Michèle Stephenson</a> |</strong> <span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/stateless/">Tickets here</a></span><strong><br></strong>Through the grassroots campaign of electoral hopeful Rosa Iris, director Michèle Stephenson’s new documentary reveals the depths of racial hatred and institutionalized oppression that divide Haiti and the Dominican Republic.</p>
<p><strong><em><a href="https://chickeneggpics.org/grantee/through-the-night/">Through the Night</a></em>, directed by Loira Limbal</strong> |<span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/through-the-night/">Tickets here</a></span><strong><br></strong><em>Through the Night</em>&nbsp;is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.</p>
<p><strong><a href="https://chickeneggpics.org/grantee/the-letter/"><em>The Letter</em></a>, directed by Maia von Lekow and Chris King | </strong><span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/the-letter/">Tickets here</a></span><br><span style="font-size: inherit;">Along the coast of Kenya, a frenzied mix of consumerism and Christianity is turning hundreds of families against their elders, branding them as witches as a means to steal their land. Ninety-two-year-old Margaret Kamango stands accused by her sons, while her strong-willed daughters try to protect her. This dangerous dispute is seen through the eyes of Margaret’s grandson, Karisa, who returns home from the city to investigate and is ultimately forced to choose which side he is on.</span><br><br><a href="https://chickeneggpics.org/grantee/once-upon-a-time-in-venezuela/"><em><strong>Once Upon A Time In Venezuela</strong></em></a><strong>, directed by Anabel Rodríguez Ríos |&nbsp;</strong><span style="text-decoration: underline;"><a href="https://www.docnyc.net/film/once-upon-a-time-in-venezuela/">Tickets here</a></span><br><em>Once Upon A Time In Venezuela </em>follows residents of a small fishing village as they prepare for parliamentary election. Once the village of Congo Mirador was prosperous. Now it is decaying and disintegrating—a prophetic reflection of Venezuela itself.</p>
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<h3 class="wp-block-heading">AlumNest Films </h3>



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<p>AlumNest filmmaker Tiffany Hsiung&#8217;s short film <em><a href="https://www.docnyc.net/film/sing-me-a-lullaby/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.docnyc.net/film/sing-me-a-lullaby/&amp;source=gmail&amp;ust=1605110860569000&amp;usg=AFQjCNER5nMwqaGnQomktR7peT6p3oemDw"><strong>Sing Me A Lullaby</strong></a> </em>will make its US premiere; <a href="https://www.docnyc.net/film/call-center-blues/"><em><strong>Call Center Blues</strong></em></a>, directed by Chicken &amp; Egg Award Recipient <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-gandbhir/">Geeta Gandbhir</a> will screen in the Shorts program; <em><strong>Dick Johnson is Dead</strong></em> (Kirsten Johnson), <em><strong>A Thousand Cuts</strong></em> (Ramona Diaz), and <a href="https://chickeneggpics.org/grantee/the-fight/"><em><strong>The Fight</strong></em></a> (Elyse Steinberg, Eli Despres, Josh Kriegman) are on the DOC NYC Short List for feature films; and our Co-Founder &amp; Senior Creative Consultant Judith Helfand&#8217;s film <a href="https://www.docnyc.net/film/love-stuff/"><strong><em>Love &amp; Stuff</em></strong></a> is an official selection under the Masters program (co-produced with our Co-Founder Julie Parker Benello).</p>
<p>*Language courtesy of DOC NYC. </p>
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		<title>Ursula Liang: Dozen Days of Filmmakers — Day 12</title>
		<link>https://archive.chickeneggpics.org/dozen-days-ursula-liang/</link>
					<comments>https://archive.chickeneggpics.org/dozen-days-ursula-liang/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Wed, 01 Jan 2020 03:01:51 +0000</pubDate>
				<category><![CDATA[Diversity Fellows]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[Down a Dark Stairwell]]></category>
		<category><![CDATA[Dozen Days of Filmmakers]]></category>
		<category><![CDATA[ursula liang]]></category>
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					<description><![CDATA[Chicken &#38; Egg Pictures is celebrating the holiday season by featuring a dozen Nest-supported women and gender non-conforming filmmakers. For more Dozen Days of Filmmakers, see&#160;here. Ursula Liang is a print journalist-turned-filmmaker who has worked for The New York Times&#160;Op-Docs, The&#160;New York Times&#160;Style Magazine,&#160;ESPN The Magazine,&#160;Asia Pacific Forum&#160;on WBAI,&#160;StirTV,&#160;The Jax Show,&#160;Hyphen&#160;magazine, the New Yorker Festival [&#8230;]]]></description>
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<p><em>Chicken &amp; Egg Pictures is celebrating the holiday season by featuring a dozen Nest-supported women and gender non-conforming filmmakers. For more Dozen Days of Filmmakers, see&nbsp;<a href="https://chickeneggpics.org/tag/dozen-days-of-filmmakers/">here</a>.</em></p>



<div class="wp-block-image"><figure class="alignleft is-resized"><a href="https://chickeneggpics.org/wp-content/uploads/2017/05/ursulaliangcreditalanjacobsensm-ursula-liang.jpg" rel="lightbox[6996]"><img loading="lazy" decoding="async" src="https://chickeneggpics.org/wp-content/uploads/2017/05/ursulaliangcreditalanjacobsensm-ursula-liang.jpg" alt="" class="wp-image-5883" width="210" height="366"/></a></figure></div>



<p>Ursula Liang is a print journalist-turned-filmmaker who has worked for <em>The New York Times</em>&nbsp;<em>Op-Docs</em>, The&nbsp;<em>New York Times</em>&nbsp;Style Magazine,&nbsp;<em>ESPN The Magazine</em>,&nbsp;<em>Asia Pacific Forum&nbsp;</em>on WBAI,&nbsp;<em>StirTV</em>,&nbsp;<em>The Jax Show</em>,&nbsp;<em>Hyphen&nbsp;</em>magazine, the New Yorker Festival and the 2050 Group publicity, while currently freelancing as a film and television producer and story consultant. She is a founding member of the Filipino American Museum and sits on the advisory board of the Dynasty Project. Liang grew up in Newton, Mass. and lives in the Bronx, New York.&nbsp;</p>



<div class="wp-block-image"><figure class="aligncenter is-resized"><a href="https://chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_temp_Liang_SUBWAY_NYC_ImageByBrianChu-e1541710943750.png" rel="lightbox[6996]"><img decoding="async" src="https://chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_temp_Liang_SUBWAY_NYC_ImageByBrianChu-e1541710943750.png" alt="Ursula Liang 2017 Diversity Fellows Initiative" class="wp-image-3178" width="500"/></a><figcaption><em>Down a Dark Stairwell</em>, directed by Ursula Liang</figcaption></figure></div>



<p>Her debut feature, <em>9-Man: a Streetball Battle</em>&nbsp;in the Heart of Chinatown, was broadcast on public television and called “an absorbing documentary” by the&nbsp;<em>New York Times</em>. Liang is currently working on<a href="https://chickeneggpics.org/grantee/down-a-dark-stairwell/"> <em>Down a Dark Stairwell</em></a>, a nuanced look at how two communities of color navigate an uneven criminal justice system, anchored by one polarizing New York City case.</p>
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		<title>Nest-supported Projects Receive Sundance Documentary Fund Grants</title>
		<link>https://archive.chickeneggpics.org/nest-supported-projects-receive-sundance-documentary-fund-grants/</link>
					<comments>https://archive.chickeneggpics.org/nest-supported-projects-receive-sundance-documentary-fund-grants/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Wed, 14 Nov 2018 14:50:53 +0000</pubDate>
				<category><![CDATA[Grants]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Amber Fares]]></category>
		<category><![CDATA[American Revolutionary: The Evolution of Grace Lee Boggs]]></category>
		<category><![CDATA[Anayansi Prado]]></category>
		<category><![CDATA[Anna Fitch]]></category>
		<category><![CDATA[Banker White]]></category>
		<category><![CDATA[born in china]]></category>
		<category><![CDATA[Chicken & Egg Award]]></category>
		<category><![CDATA[Chris King]]></category>
		<category><![CDATA[Cocaine Prison]]></category>
		<category><![CDATA[David Osit]]></category>
		<category><![CDATA[Deborah S. Esquenazi]]></category>
		<category><![CDATA[diversity fellows iniative]]></category>
		<category><![CDATA[Games You Can't Win]]></category>
		<category><![CDATA[Geeta Gandbhir]]></category>
		<category><![CDATA[Grace Lee]]></category>
		<category><![CDATA[Heaven Through the Backdoor]]></category>
		<category><![CDATA[inventing tomorrow]]></category>
		<category><![CDATA[Journey of a Thousand Miles: Peacekeepers]]></category>
		<category><![CDATA[Kendeda Fund]]></category>
		<category><![CDATA[Laura Nix]]></category>
		<category><![CDATA[Love the Sinner]]></category>
		<category><![CDATA[Lynn Zhang]]></category>
		<category><![CDATA[Macarthur Foundation]]></category>
		<category><![CDATA[Maia von Lekow]]></category>
		<category><![CDATA[Malika Zouhali-Worrall]]></category>
		<category><![CDATA[Marjan Safinia.]]></category>
		<category><![CDATA[Mayor]]></category>
		<category><![CDATA[Nanfu Wang]]></category>
		<category><![CDATA[Ramona Emerson]]></category>
		<category><![CDATA[Southwest of Salem]]></category>
		<category><![CDATA[Sundance Documentary Fund]]></category>
		<category><![CDATA[Sundance Institute]]></category>
		<category><![CDATA[Survivors]]></category>
		<category><![CDATA[Thank You for Playing]]></category>
		<category><![CDATA[the fight]]></category>
		<category><![CDATA[The Kendeda Fund]]></category>
		<category><![CDATA[the letter]]></category>
		<category><![CDATA[Untitled Dystopia Film]]></category>
		<category><![CDATA[Untitled Race & Criminal Justice Project]]></category>
		<category><![CDATA[ursula liang]]></category>
		<category><![CDATA[Violeta Ayala]]></category>
		<category><![CDATA[Yoruba Richen]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=5158</guid>

					<description><![CDATA[Wonderful news from Sundance Institute! Thirty-three recipients of the Sundance Institute Documentary Fund Stories of Change Grant were announced recently, and 81% of the supported projects have at least one woman producer or director. Projects are supported through grants in the development, production, post-production and audience engagement stages, and include custom grants from The Kendeda Fund, MacArthur Foundation, [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Wonderful news from Sundance Institute! Thirty-three recipients of the Sundance Institute Documentary Fund Stories of Change Grant were announced recently, and 81% of the supported projects have at least one woman producer or director.</p>
<p>Projects are supported through grants in the development, production, post-production and audience engagement stages, and include custom grants from The Kendeda Fund,<span class="text_exposed_show"> MacArthur Foundation, and The Skoll Foundation. </span></p>
<p>We were egg-static to see the following Nest-supported projects and filmmakers from our <a href="https://chickeneggpics.org/programs/#diversity-fellows-initiative">Diversity Fellows Initiative</a>, <a href="https://chickeneggpics.org/programs/#accelerator-lab">Accelerator Lab</a>, and <a href="https://chickeneggpics.org/programs/#breakthrough-filmmaker-award">Breakthrough Filmmaker Award</a> programs on the list.</p>
<p><figure id="attachment_3812" aria-describedby="caption-attachment-3812" style="width: 250px" class="wp-caption alignleft"><a href="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Through-the-Night_Film-Still.jpg" rel="lightbox[5158]"><img loading="lazy" decoding="async" class="wp-image-3812" src="https://chickeneggpics.org/wp-content/uploads/2018/02/2018-AL_Through-the-Night_Film-Still-e1541708206446-344x344.jpg" alt="Through the Night Loira Limbal 2018 Accelerator Lab" width="250" height="188" /></a><figcaption id="caption-attachment-3812" class="wp-caption-text">Through the Night, directed by Loira Limbal</figcaption></figure></p>
<p><strong><em><a href="https://chickeneggpics.org/grantee/through-the-night/">Through the Night</a></em>, directed by Loira Limbal (2018 Accelerator Lab) </strong></p>
<p>To make ends meet, Americans are working longer hours across multiple jobs. This modern reality of nonstop work has resulted in an unexpected phenomenon: the flourishing of 24-hour daycare centers. <em>Through the Night</em> is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.</p>
<p><em>Through the Night</em> received a production grant from the Sundance Documentary Fund.</p>
<p><figure id="attachment_3106" aria-describedby="caption-attachment-3106" style="width: 250px" class="wp-caption alignleft"><a href="https://chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210.jpg" rel="lightbox[5158]"><img loading="lazy" decoding="async" class="wp-image-3106" src="https://chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-344x344.jpg" alt="Nanfu Wang Lynn Zhang Born In China 2017 Accelerator Lab" width="250" height="250" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-608x608.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-768x768.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2017/03/2017-Accelerator-Lab_Zhang_Wang_Born-In-China_lowres-e1541708401210-1024x1024.jpg 1024w" sizes="auto, (max-width: 250px) 100vw, 250px" /></a><figcaption id="caption-attachment-3106" class="wp-caption-text">Born in China, directed by Nanfu Wang and Lynn Zhang</figcaption></figure></p>
<p><strong><a href="https://chickeneggpics.org/grantee/born-in-china/"><em>Born in China</em></a>, directed by Nanfu Wang and Jialing Zhang (2017 Accelerator Lab)</strong></p>
<p>How much control does a person have over their own life? In China, state control begins before a child is even born.</p>
<p><em>Born in China</em> received a grant for post-production from the Sundance Documentary Fund.</p>
<p><figure id="attachment_3936" aria-describedby="caption-attachment-3936" style="width: 250px" class="wp-caption alignleft"><a href="https://chickeneggpics.org/wp-content/uploads/2018/04/The-Letter_Lekow_Still-photo-The-Letter-1-lo-e1541708623924.jpg" rel="lightbox[5158]"><img loading="lazy" decoding="async" class="wp-image-3936" src="https://chickeneggpics.org/wp-content/uploads/2018/04/The-Letter_Lekow_Still-photo-The-Letter-1-lo-e1541708685643-344x344.jpg" alt="" width="250" height="182" /></a><figcaption id="caption-attachment-3936" class="wp-caption-text">The Letter, directed by Maia von Lekow &amp; Chris King</figcaption></figure></p>
<p><strong><a href="https://chickeneggpics.org/grantee/the-letter/"><em>The Letter</em></a>, directed by Maia von Lekow and Chris King (2018 Diversity Fellows Initiative)</strong></p>
<p>Along the coast of Kenya, a frenzied mix of consumerism and Christianity is turning hundreds of families against their elders, branding them as witches as a means to steal their land. Ninety-two-</p>
<p>year-old Margaret Kamango stands accused by her sons, while her strong-willed daughters try to protect her. This dangerous dispute is seen through the eyes of Margaret’s grandson, Karisa, who returns home from the city to investigate and is ultimately forced to choose which side he is on.</p>
<p><em>The Letter </em>received a grant for post-production from the Sundance Documentary Fund.</p>
<p><figure id="attachment_3178" aria-describedby="caption-attachment-3178" style="width: 250px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-3178" src="https://chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_temp_Liang_SUBWAY_NYC_ImageByBrianChu-344x344.png" alt="Ursula Liang 2017 Diversity Fellows Initiative" width="250" height="156" /><figcaption id="caption-attachment-3178" class="wp-caption-text">Untitled Race &amp; Criminal Justice Project, directed by Ursula Liang</figcaption></figure></p>
<p><em><b><a href="https://chickeneggpics.org/grantee/untitled-race-criminal-justice-project/">Untitled Race &amp; Criminal Justice Project</a></b></em><b>, directed by Ursula Liang (2017 Diversity Fellows Initiative) </b></p>
<p>A nuanced look at how two communities of color navigate an uneven criminal justice system, anchored by one polarizing New York City case.</p>
<p><em>United Race &amp; Criminal Justice Project </em>received support for production from the Macarthur Foundation. This grant provides support for journalistic projects, prioritizing diverse, Native and Indigenous voices.</p>
<p>Chicken &amp; Egg Pictures would also like to congratulate the following filmmakers whose work we have supported in the past or who we have individually support through the Breakthrough Filmmaker Award program—</p>
<p>Malika Zouhali-Worrall (director of Nest-supported projects <i><a href="https://chickeneggpics.org/grantee/thank-you-for-playing/">Thank You For Playing</a>, <a href="https://chickeneggpics.org/grantee/call-me-kuchu-4/">Call Me Kuchu</a>, </i>and <a href="https://chickeneggpics.org/grantee/games-you-cant-win/"><em>Games You Can&#8217;t Win</em></a>) recieved a development grant for her new project <em>Untitled Dystopia Film</em>.</p>
<p>Malika&#8217;s co-director in <a style="font-style: italic;" href="https://chickeneggpics.org/grantee/thank-you-for-playing/">Thank You For Playing</a> and <i><a href="https://chickeneggpics.org/grantee/games-you-cant-win/"><em>Games You Can&#8217;t Win</em></a></i>, David Osit also received a development grant for his  project <em>Mayor</em>. Congratulations Malika and David!</p>
<p><figure id="attachment_3621" aria-describedby="caption-attachment-3621" style="width: 250px" class="wp-caption alignleft"><a href="https://chickeneggpics.org/wp-content/uploads/2018/01/Nix_Inventing-Tomorrow_Film-Still-3.png" rel="lightbox[5158]"><img loading="lazy" decoding="async" class="wp-image-3621 size-full" src="https://chickeneggpics.org/wp-content/uploads/2018/01/Nix_Inventing-Tomorrow_Film-Still-3-e1541713146679.png" alt="Laura Nix Inventing Tomorrow 2018 Breakthrough Filmmaker Award" width="250" height="250" /></a><figcaption id="caption-attachment-3621" class="wp-caption-text">Inventing Tomorrow, directed by Laura Nix</figcaption></figure></p>
<p><a href="https://chickeneggpics.org/grantee/2018-breakthrough-award-recipient-nix/">2016 Breakthrough Filmmaker Recipient</a> Laura Nix received a grant for audience engagement for her film <em>Inventing Tomorrow </em>from The Kendeda Fund.</p>
<p>Meet the passionate teen innovators from around the globe who dedicate their blood, sweat, and Bunsen burners to craft cutting-edge solutions to the world’s environmental threats and present their findings at the world’s largest high school science competition, the Intel International Science and Engineering Fair.</p>
<p>Chicken &amp; Egg Pictures did not directly support <em>Inventing Tomorrow</em>, but supported Laura Nix through our Breakthrough Filmmaker Award program in 2016.</p>
<p><em>And She Could Be Next </em>received a production grant from the Sundance Documentary Fund and is made by a team of women filmmakers of color, including four Nest-supported filmmakers. <em>And She Could Be Next </em>is directed by Grace Lee <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-lee/">(2017 Breakthrough Filmmaker Award recipient</a> and director of <a href="https://chickeneggpics.org/grantee/american-revolutionary-the-evolution-of-grace-lee-boggs/">American Revolutionary: The Evolution of Grace Lee Boggs</a>), Yoruba Richen (<a href="https://chickeneggpics.org/grantee/2016-breakthrough-award-recipient-3/">2016 Breakthrough Filmmaker Award</a> recipient), Deborah S. Esquenazi (<em><a href="https://chickeneggpics.org/grantee/southwest-of-salem-the-story-of-the-san-antonio-four/">Southwest of Salem</a></em>) , and Geeta Gandbhir (director of <em><a href="https://chickeneggpics.org/grantee/peacekeepers/">A Journey of a Thousand Miles: Peacekeepers</a>, </em>producer of <em><a href="https://chickeneggpics.org/grantee/love-the-sinner">Love the Sinner</a></em>,  and <a href="https://chickeneggpics.org/grantee/2017-breakthrough-award-recipient-gandbhir/">2017 Breakthrough Filmmaker Award recipient</a>) as well as Anayansi Prado, Ramona Emerson, Amber Fares, and Marjan Safinia.</p>
<p>Another special congratulations to Anna Fitch for her grant for production on her new project <em>Heaven Through the Backdoor</em>, which she is co-directing with Banker White. Anna Fitch previously received support on her work in <em><a href="https://chickeneggpics.org/grantee/survivors/">Survivors </a></em>from Chicken &amp; Egg Pictures, also co-directed with Banker White.</p>
<p>Congratulations also to Violeta Ayala (director of Nest-supported <em><a href="https://chickeneggpics.org/grantee/cocaine-prison/">Cocaine Prison</a>) </em>on receiving production support for her new feature documentary, <em>The Fight</em>.</p>
<p>What an incredible group of women-directed projects! Congratulations to all.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
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		<title>2017 Diversity Fellows Announced!</title>
		<link>https://archive.chickeneggpics.org/2017-diversity-fellows-announced/</link>
					<comments>https://archive.chickeneggpics.org/2017-diversity-fellows-announced/#respond</comments>
		
		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Mon, 08 May 2017 16:45:58 +0000</pubDate>
				<category><![CDATA[Diversity Fellows]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[carolina corral]]></category>
		<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[christina d. king]]></category>
		<category><![CDATA[Diversity Fellows Initiative]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[elizabeth castle]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[How to Have an American Baby]]></category>
		<category><![CDATA[it rains]]></category>
		<category><![CDATA[Leslie Tai]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[social change]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[Tapiwa Chipfupa]]></category>
		<category><![CDATA[the other half of the african sky]]></category>
		<category><![CDATA[untitled race and criminal justice project]]></category>
		<category><![CDATA[ursula liang]]></category>
		<category><![CDATA[warrior women]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">http://chickeneggpics.org/?p=3191</guid>

					<description><![CDATA[Congrats to our newest group of filmmakers coming into the Nest! Warrior Women Co-directed by Christina D. King &#38; Elizabeth Castle (US) The women of the American Indian Movement fight from a vulnerable place only matriarchs can understand—it is a battle for their children and the culture they hope to preserve for them. Warrior Women chronicles the [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><figure id="attachment_3171" aria-describedby="caption-attachment-3171" style="width: 608px" class="wp-caption alignleft"><a href="http://chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_Castle_King_Warrior-Women_promo-image_low-res.jpg" rel="lightbox[3191]"><img loading="lazy" decoding="async" class="wp-image-3171 size-medium" src="http://chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_Castle_King_Warrior-Women_promo-image_low-res-608x406.jpg" alt="" width="608" height="406" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_Castle_King_Warrior-Women_promo-image_low-res-608x406.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_Castle_King_Warrior-Women_promo-image_low-res-768x513.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_Castle_King_Warrior-Women_promo-image_low-res-1024x684.jpg 1024w, https://archive.chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_Castle_King_Warrior-Women_promo-image_low-res.jpg 1366w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a><figcaption id="caption-attachment-3171" class="wp-caption-text">Still from Warrior Women, co-directed by Christina D. King &amp; Elizabeth Castle</figcaption></figure></p>
<p>Congrats to our newest group of filmmakers coming into the Nest!</p>
<p><strong>Warrior Women</strong><br />
Co-directed by Christina D. King &amp; Elizabeth Castle (US)<br />
The women of the American Indian Movement fight from a vulnerable place only matriarchs can understand—it is a battle for their children and the culture they hope to preserve for them. <em>Warrior Women</em> chronicles the struggle of Madonna Thunder Hawk and Marcy Gilbert, a Lakota mother and daughter whose fight for indigenous rights started in the 1970s and continues today at Standing Rock.</p>
<p>Through archival footage, verité, and video art, we experience Thunder Hawk’s dedication to Red Power and come to understand that activism is necessary for the very survival and success of Native culture and values for the next generation.</p>
<p>&nbsp;</p>
<p><a href="http://chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_Tai_How-to-Have-an-American-Baby_film-still_lowres.jpg" rel="lightbox[3191]"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-3181" src="http://chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_Tai_How-to-Have-an-American-Baby_film-still_lowres-608x259.jpg" alt="" width="608" height="259" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_Tai_How-to-Have-an-American-Baby_film-still_lowres-608x259.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_Tai_How-to-Have-an-American-Baby_film-still_lowres-768x327.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_Tai_How-to-Have-an-American-Baby_film-still_lowres-1024x436.jpg 1024w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a></p>
<p><strong>How to Have an American Baby</strong><br />
Directed by Leslie Tai (US)<br />
<em>How to Have an American Baby</em> is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the US on birthing vacations—in order to give birth and obtain US citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges—depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence.</p>
<p><strong> <a href="http://chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_temp_Liang_SUBWAY_NYC_ImageByBrianChu.png" rel="lightbox[3191]"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-3178" src="http://chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_temp_Liang_SUBWAY_NYC_ImageByBrianChu-608x380.png" alt="" width="608" height="380" /></a></strong></p>
<p><strong>Untitled Race &amp; Criminal Justice Project</strong><br />
Directed by Ursula Liang (US)<br />
A nuanced look at how two communities of color navigate an uneven criminal justice system, anchored by one polarizing New York City case.</p>
<p>&nbsp;</p>
<p><a href="http://chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_Corral_It-Rains_film-still-1.jpg" rel="lightbox[3191]"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-3185" src="http://chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_Corral_It-Rains_film-still-1-608x510.jpg" alt="" width="608" height="510" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_Corral_It-Rains_film-still-1-608x510.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_Corral_It-Rains_film-still-1-768x644.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_Corral_It-Rains_film-still-1.jpg 800w" sizes="auto, (max-width: 608px) 100vw, 608px" /></a></p>
<p><strong>It Rains</strong><br />
Directed by Carolina Corral (MEXICO)<br />
Since Oliver was killed, he communicates with his mother María through the rain. He let her know the attorney&#8217;s office buried him, along with 117 other corpses, in a hidden mass grave. This sparks a new life mission for María: to hold the government accountable for exhuming them all and returning the bodies back to the families who have been looking for them for years.</p>
<p>&nbsp;</p>
<p><a href="http://chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_Chipfupa_The-Other-Half-of-the-African-Sky_still.jpg" rel="lightbox[3191]"><img loading="lazy" decoding="async" class="alignleft size-full wp-image-3175" src="http://chickeneggpics.org/wp-content/uploads/2017/05/2017-Diversity_Chipfupa_The-Other-Half-of-the-African-Sky_still.jpg" alt="" width="555" height="313" /></a></p>
<p><strong>The Other Half of the African Sky</strong><br />
Directed by Tapiwa Chipfupa (ZIMBABWE)<br />
<em>The Other Half Of The African Sky</em> follows filmmaker Tapiwa Chipfupa’s attempts to reconcile her estrangement from her family, triggered by a disagreement over her marriage. Through encounters with other women from all walks of life facing their own predicaments, Tapiwa explores how women hold up their half of the sky under a very constrictive and constantly contradictory environment in this very personal, brutally honest, and intriguing document of the disparities and the vast contradictions that women face in contemporary Zimbabwe. The film gives voice to the hopes, fears, and dreams of Zimbabwe&#8217;s women while simultaneously revealing a country in flux.</p>
<p>For more information, visit the Diversity Fellows Initiative <a href="http://chickeneggpics.org/programs/#diversity-fellows-initiative">webpage</a>.</p>
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