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	<title>Virtual Reality &#8211; Chicken &amp; Egg Pictures</title>
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	<title>Virtual Reality &#8211; Chicken &amp; Egg Pictures</title>
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		<title>Chicken &#038; Egg Pictures at the 2016 Tribeca Film Festival</title>
		<link>https://archive.chickeneggpics.org/chicken-egg-pictures-at-the-2016-tribeca-film-festival/</link>
					<comments>https://archive.chickeneggpics.org/chicken-egg-pictures-at-the-2016-tribeca-film-festival/#respond</comments>
		
		<dc:creator><![CDATA[External Relations]]></dc:creator>
		<pubDate>Fri, 25 Mar 2016 19:31:45 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[2016 Tribeca Film Festival]]></category>
		<category><![CDATA[6X9: An Immersive Experience of Solitary Confinement]]></category>
		<category><![CDATA[Alma Ha'rel]]></category>
		<category><![CDATA[Criminal Justice]]></category>
		<category><![CDATA[Deborah S. Esquenazi]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Documentary Film]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Francesca Panetta]]></category>
		<category><![CDATA[Katie Galloway]]></category>
		<category><![CDATA[Kelly Duane de la Vega]]></category>
		<category><![CDATA[Kristi Jacobson]]></category>
		<category><![CDATA[Lindsay Poulton]]></category>
		<category><![CDATA[LoveTrue]]></category>
		<category><![CDATA[non profit]]></category>
		<category><![CDATA[nonfiction film]]></category>
		<category><![CDATA[social change]]></category>
		<category><![CDATA[Southwest of Salem]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[The Return]]></category>
		<category><![CDATA[The San Antonio Four]]></category>
		<category><![CDATA[Tribeca]]></category>
		<category><![CDATA[Tribeca Film Festival]]></category>
		<category><![CDATA[Virtual Reality]]></category>
		<category><![CDATA[Women Directors]]></category>
		<category><![CDATA[women filmmakers]]></category>
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					<description><![CDATA[This year&#8217;s Tribeca Film Festival, running from April 13-24, marks the 15th edition of this annual spring event. Chicken &#38; Egg Pictures is proud to have four grantee films screening in this year&#8217;s lineup, along with 6X9: An Immersive Experience of Solitary Confinement, the first virtual reality project we have ever supported. For a full [&#8230;]]]></description>
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<p>This year&#8217;s Tribeca Film Festival, running from April 13-24, marks the 15th edition of this annual spring event. Chicken &amp; Egg Pictures is proud to have four grantee films screening in this year&#8217;s lineup, along with <em>6X9: An Immersive Experience of Solitary Confinement</em>, the first virtual reality project we have ever supported.</p>
<p>For a full list of films that will screen at the 2016 Tribeca Film Festival, as well as a complete schedule, visit the Tribeca Film Festival <a href="https://tribecafilm.com/festival" target="_blank" rel="noopener">website</a>.</p>
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<p><strong>World Documentary Competition<br />
</strong><em><a href="http://chickeneggpics.org/film/love-true/" target="_blank" rel="noopener">LoveTrue</a> </em>(Alma Ha&#8217;rel)<strong><br />
</strong>Does our view of love change as we grow older? How do we make decisions about our love lives? Is there such a thing as true love? Are there invisible partners in relationships? Past ghosts of ourselves? The film’s reenactments of significant past experiences and glimpses at possible futures, created with non-actors playing the characters’ older and younger selves, encourage the couples to confront the realities of their hopes and memories, and the effect they have on their love lives.</p>
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<figure id="attachment_2335" aria-describedby="caption-attachment-2335" style="width: 1920px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1.png"  rel="lightbox[2332] attachment wp-att-2335"><img fetchpriority="high" decoding="async" class="size-full wp-image-2335" src="http://chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1.png" alt="LoveTrue" width="1920" height="1080" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1.png 1920w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1-608x342.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1-768x432.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/DENALI_1-1024x576.png 1024w" sizes="(max-width: 1920px) 100vw, 1920px" /></a><figcaption id="caption-attachment-2335" class="wp-caption-text">LoveTrue</figcaption></figure>
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<p><a href="http://chickeneggpics.org/film/the-return/" target="_blank" rel="noopener"><em>The Return</em> </a>(Katie Galloway &amp; Kelly Duane de la Vega)<strong><br />
</strong>In 2012, California voters passed Proposition 36, which  shortened sentences of the currently incarcerated. Within days, the reintegration of thousands of “lifers”—men &amp; women once expecting to spend their lives in prison—was underway. <em>The Return</em> weaves together multiple narratives of characters on the front lines of this unprecedented shift: prisoners suddenly freed, families turned upside down, attorneys and judges wrestling with an untested law, and reentry providers negotiating unfathomable transitions.</p>
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<figure id="attachment_2334" aria-describedby="caption-attachment-2334" style="width: 377px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2.jpg"  rel="lightbox[2332] attachment wp-att-2334"><img decoding="async" class=" wp-image-2334" src="http://chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2.jpg" alt="The Return" width="377" height="462" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2.jpg 783w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2-608x745.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/the_return_still2-768x942.jpg 768w" sizes="(max-width: 377px) 100vw, 377px" /></a><figcaption id="caption-attachment-2334" class="wp-caption-text">The Return</figcaption></figure>
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<p><strong>Viewpoints</strong><br />
<em>Solitary</em> (Kristi Jacobson)<br />
<em>Solitary</em> investigates an invisible part of the American justice system: the use of isolation and segregation in US prisons, commonly known as solitary confinement. With unprecedented access inside a prison tackling the issue head on, the film explores this divisive issue through the experiences of those on both sides of the bars. Directed by Chicken &amp; Egg Pictures <a href="https://chickeneggpics.org/programs/#breakthrough-filmmaker-award">Breakthrough Filmmaker Award</a> recipient Kristi Jacobson.</p>
<figure id="attachment_2336" aria-describedby="caption-attachment-2336" style="width: 1400px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1.jpg"  rel="lightbox[2332] attachment wp-att-2336"><img decoding="async" class="size-full wp-image-2336" src="http://chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1.jpg" alt="Solitary" width="1400" height="768" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1.jpg 1400w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1-608x334.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1-768x421.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/SOLITARY_web_1-1024x562.jpg 1024w" sizes="(max-width: 1400px) 100vw, 1400px" /></a><figcaption id="caption-attachment-2336" class="wp-caption-text">Solitary</figcaption></figure>
<p><em><br />
<a href="http://chickeneggpics.org/film/southwest-of-salem-the-story-of-the-san-antonio-four/" target="_blank" rel="noopener">Southwest of Salem: The Story of the San Antonio Four</a></em> (Deborah S. Esquenazi)<br />
<i>Southwest of Salem</i> excavates the nightmarish persecution of Elizabeth Ramirez, Cassandra Rivera, Kristie Mayhugh, and Anna Vasquez — four Latina lesbians wrongfully convicted of allegedly gang raping two little girls. This bizarre case is the first to be adjudicated under momentous new legislation: for the first time in U.S. history, wrongfully convicted innocents can challenge convictions based on debunked scientific evidence. The film also unravels the sinister interplay of mythology, homophobia, and prosecutorial fervor which led to this modern day witch hunt.</p>
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<div>
<figure id="attachment_2333" aria-describedby="caption-attachment-2333" style="width: 6000px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg"  rel="lightbox[2332] attachment wp-att-2333"><img loading="lazy" decoding="async" class="size-full wp-image-2333" src="http://chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg" alt="Southwest of Salem: The Story of the San Antonio Four" width="6000" height="4000" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3.jpg 6000w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-608x405.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-768x512.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/After-hearing-3-1024x683.jpg 1024w" sizes="auto, (max-width: 6000px) 100vw, 6000px" /></a><figcaption id="caption-attachment-2333" class="wp-caption-text">Southwest of Salem: The Story of the San Antonio Four</figcaption></figure>
<p><strong>Storyscapes<br />
</strong><em>6X9: An Immersive Experience of Solitary Confinement</em> (Francesca Panetta &amp; Lindsay Poulton)<br />
Right now, 80,000-100,000 people are in solitary confinement in the US. They spend 22-24 hours a day in their cells, with little to no human contact for days or even decades. The sensory deprivation they endure causes severe psychological damage. These people are invisible to us—and eventually to themselves.</p>
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<figure id="attachment_2337" aria-describedby="caption-attachment-2337" style="width: 3977px" class="wp-caption aligncenter"><a href="http://chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3.jpg"  rel="lightbox[2332] attachment wp-att-2337"><img loading="lazy" decoding="async" class="size-full wp-image-2337" src="http://chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3.jpg" alt="6X9: An Immersive Experience of Solitary Confinement" width="3977" height="2809" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3.jpg 3977w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3-608x429.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3-768x542.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2016/03/GuardianPoster6x9_TRI_SUN-1-3-1024x723.jpg 1024w" sizes="auto, (max-width: 3977px) 100vw, 3977px" /></a><figcaption id="caption-attachment-2337" class="wp-caption-text">6X9: An Immersive Experience of Solitary Confinement</figcaption></figure>
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