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	<title>VR &#8211; Chicken &amp; Egg Pictures</title>
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	<title>VR &#8211; Chicken &amp; Egg Pictures</title>
	<link>https://archive.chickeneggpics.org</link>
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		<title>Jacqueline Olive: Dozen Days of Filmmakers — Day 12</title>
		<link>https://archive.chickeneggpics.org/jacqueline-olive-dozen-days-of-filmmakers-day-12/</link>
					<comments>https://archive.chickeneggpics.org/jacqueline-olive-dozen-days-of-filmmakers-day-12/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Mon, 24 Dec 2018 23:04:24 +0000</pubDate>
				<category><![CDATA[(Egg)celerator Lab]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[2019 Sundance Film Festival]]></category>
		<category><![CDATA[Always In Season]]></category>
		<category><![CDATA[Black to Our Roots]]></category>
		<category><![CDATA[Dozen Days of Filmmakers]]></category>
		<category><![CDATA[female filmmakers]]></category>
		<category><![CDATA[Independent Lens]]></category>
		<category><![CDATA[Jackie Olive]]></category>
		<category><![CDATA[Jacqueline Olive]]></category>
		<category><![CDATA[North Carolina]]></category>
		<category><![CDATA[PBS World]]></category>
		<category><![CDATA[Racial Justice]]></category>
		<category><![CDATA[Racial Terrorism]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[VR]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=5333</guid>

					<description><![CDATA[&#160; Chicken &#38; Egg Pictures is celebrating the holiday season by featuring a dozen of our supported women nonfiction filmmakers. Jacqueline Olive is an independent filmmaker and immersive media producer with more than a decade of experience in journalism and film. She co-directed and produced the award-winning short documentary, Black To Our Roots, which broadcast on PBS [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p>Chicken &amp; Egg Pictures is celebrating the holiday season by featuring a dozen of our supported women nonfiction filmmakers.</p>
<p><a href="https://chickeneggpics.org/wp-content/uploads/2014/08/Jacqueline-Olive_Director-Always-in-Season_Courtesy-of-Teo-Olive-1-min.jpg" rel="lightbox[5333]"><img decoding="async" class="wp-image-5266 alignleft" src="https://chickeneggpics.org/wp-content/uploads/2014/08/Jacqueline-Olive_Director-Always-in-Season_Courtesy-of-Teo-Olive-1-min-344x344.jpg" alt="Jacqueline Olive Always In Season 2018 Accelerator Lab" width="208" height="208" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Jacqueline-Olive_Director-Always-in-Season_Courtesy-of-Teo-Olive-1-min-344x344.jpg 344w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Jacqueline-Olive_Director-Always-in-Season_Courtesy-of-Teo-Olive-1-min-608x608.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Jacqueline-Olive_Director-Always-in-Season_Courtesy-of-Teo-Olive-1-min-768x768.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/Jacqueline-Olive_Director-Always-in-Season_Courtesy-of-Teo-Olive-1-min-1024x1024.jpg 1024w" sizes="(max-width: 208px) 100vw, 208px" /></a>Jacqueline Olive is an independent filmmaker and immersive media producer with more than a decade of experience in journalism and film. She co-directed and produced the award-winning short documentary, <em>Black To Our Roots</em>, which broadcast on PBS World. Jacqueline has been a Sundance Documentary Edit &amp; Story Lab Fellow, a Sundance Documentary Film Program Fellow, and Sundance Music &amp; Sound Design Lab fellow.</p>
<figure id="attachment_3816" aria-describedby="caption-attachment-3816" style="width: 1728px" class="wp-caption alignnone"><a href="https://chickeneggpics.org/wp-content/uploads/2014/08/2018-AL_AIS_Production_Still_1_Claudia-Lacy2.jpg" rel="lightbox[5333]"><img fetchpriority="high" decoding="async" class="wp-image-3816 size-full" src="https://chickeneggpics.org/wp-content/uploads/2014/08/2018-AL_AIS_Production_Still_1_Claudia-Lacy2.jpg" alt="Always in Season 2018 Accelerator Lab Grantee Jacqueline Olive" width="1728" height="1220" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/08/2018-AL_AIS_Production_Still_1_Claudia-Lacy2.jpg 1728w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/2018-AL_AIS_Production_Still_1_Claudia-Lacy2-608x429.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/2018-AL_AIS_Production_Still_1_Claudia-Lacy2-768x542.jpg 768w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/2018-AL_AIS_Production_Still_1_Claudia-Lacy2-1024x723.jpg 1024w" sizes="(max-width: 1728px) 100vw, 1728px" /></a><figcaption id="caption-attachment-3816" class="wp-caption-text">Always in Season, directed by Jacqueline Olive</figcaption></figure>
<p>She also received the Emerging Filmmakers of Color Award from International Documentary Association and the Jonathan Logan Family Foundation. Jacqueline has been a immersive media fellow with the Bay Area Video Coalition Institute for New Media Technologies and Mediamaker Fellows, the Black Public Media New Media Institute, and most recently, the Open Immersion VR Lab sponsored by the Ford Foundation, National Film Board of Canada, and the Canadian Film Centre. Jacqueline has an MA from the University of Florida Documentary Institute and previously worked on the production team of the Emmy Award-winning PBS documentary series, Independent Lens.</p>
<p><span style="font-weight: 400;">Her debut feature documentary and 2018 Accelerator Lab grantee,  <a href="https://chickeneggpics.org/grantee/always-in-season/"><em>Always In Season</em></a>, will premiere in competition at the 2019 Sundance Film Festival.</span></p>
<figure id="attachment_1556" aria-describedby="caption-attachment-1556" style="width: 4000px" class="wp-caption alignnone"><a href="https://chickeneggpics.org/wp-content/uploads/2014/08/AlwaysInSeason_Alternate1-1-copy.jpg" rel="lightbox[5333]"><img decoding="async" class="wp-image-1556 size-full" src="https://chickeneggpics.org/wp-content/uploads/2014/08/AlwaysInSeason_Alternate1-1-copy.jpg" alt="Always in Season 2018 Accelerator Lab Jacqueline Olive" width="4000" height="2250" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2014/08/AlwaysInSeason_Alternate1-1-copy.jpg 4000w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/AlwaysInSeason_Alternate1-1-copy-608x342.jpg 608w, https://archive.chickeneggpics.org/wp-content/uploads/2014/08/AlwaysInSeason_Alternate1-1-copy-1024x576.jpg 1024w" sizes="(max-width: 4000px) 100vw, 4000px" /></a><figcaption id="caption-attachment-1556" class="wp-caption-text">Always in Season, directed by Jacqueline Olive</figcaption></figure>
<p><span style="font-weight: 400;"><a href="https://chickeneggpics.org/grantee/always-in-season/"><em>Always In Season</em></a> explores the lingering impact of more than a century of lynching African Americans and connects this form of historic racial terrorism to racial violence today. The film centers on the case of Lennon Lacy, an African American teen who was found hanging from a swing set in Bladenboro, North Carolina, on August 29, 2014. Despite inconsistencies in the case, local officials quickly ruled Lennon’s death a suicide, but his mother, Claudia, believes Lennon was lynched. Claudia moves from paralyzing grief to leading the fight for justice for her son. </span></p>
<p>Jacqueline is currently producing a VR companion to <em>Always In Season</em> that uses 360° video and computer-generated imagery (CGI) to explore themes of dehumanization and violence, offering strategies for moving confidently through the racialized public spaces that black women navigate daily.</p>
<p>&nbsp;</p>
<p><em>Post by Morgan Lee Hulquist.</em></p>
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		<title>Impact &#038; Innovation Initiative grantees announced!</title>
		<link>https://archive.chickeneggpics.org/impact-innovation-initiative-grantees-announced/</link>
					<comments>https://archive.chickeneggpics.org/impact-innovation-initiative-grantees-announced/#respond</comments>
		
		<dc:creator><![CDATA[Morgan Hulquist]]></dc:creator>
		<pubDate>Tue, 16 Jan 2018 17:09:03 +0000</pubDate>
				<category><![CDATA[Chicken & Egg Pictures]]></category>
		<category><![CDATA[Grantees]]></category>
		<category><![CDATA[Grants]]></category>
		<category><![CDATA[Impact & Innovation Initiative]]></category>
		<category><![CDATA[Joe Brewster]]></category>
		<category><![CDATA[Michele Stephenson]]></category>
		<category><![CDATA[Milica Zec]]></category>
		<category><![CDATA[Nico Opper]]></category>
		<category><![CDATA[VR]]></category>
		<category><![CDATA[Winslow Porter]]></category>
		<category><![CDATA[women filmmakers]]></category>
		<guid isPermaLink="false">https://chickeneggpics.org/?p=3610</guid>

					<description><![CDATA[Chicken &#38; Egg Pictures is thrilled to provide support this year to three groundbreaking projects through our Impact &#38; Innovation Initiative. The F Word: A Foster to Adopt Story, directed by Nico Opper Season 1 of The F Word revealed the story of one queer couple adopting from foster care in Oakland, CA. Season 2 continues [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Chicken &amp; Egg Pictures is thrilled to provide support this year to three groundbreaking projects through our <a href="https://chickeneggpics.org/programs/#impact-innovation-initiative">Impact &amp; Innovation Initiative</a>.</p>
<figure id="attachment_3647" aria-describedby="caption-attachment-3647" style="width: 608px" class="wp-caption alignnone"><img loading="lazy" decoding="async" class="size-medium wp-image-3647" src="https://chickeneggpics.org/wp-content/uploads/2018/01/F-Word_Ep1_1-608x342.png" alt="" width="608" height="342" srcset="https://archive.chickeneggpics.org/wp-content/uploads/2018/01/F-Word_Ep1_1-608x342.png 608w, https://archive.chickeneggpics.org/wp-content/uploads/2018/01/F-Word_Ep1_1-768x431.png 768w, https://archive.chickeneggpics.org/wp-content/uploads/2018/01/F-Word_Ep1_1-1024x575.png 1024w" sizes="auto, (max-width: 608px) 100vw, 608px" /><figcaption id="caption-attachment-3647" class="wp-caption-text">Image from The F Word: A Foster to Adopt Story, directed by Nico Opper</figcaption></figure>
<p><em><a href="https://chickeneggpics.org/grantee/f-word-foster-adopt-story/">The F Word: A Foster to Adopt Story</a></em>, directed by Nico Opper</p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">Season 1 of <em>The F Word</em> revealed the story of one queer couple adopting from foster care in Oakland, CA. Season 2 continues their story while amplifying other voices in the foster care world: birth families, foster youth, adoptees, adoptive parents of color, and social entrepreneurs working to repair a broken system.</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}"><em><a href="https://chickeneggpics.org/grantee/breathe/">Breathe</a>,</em> directed by Winslow Porter and Milica Zec*</span></p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;HOW TO HAVE AN AMERICAN BABY is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the U.S. on birthing vacations\u2014in order to give birth and obtain U.S. citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges\u2014depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence. \n&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">A communal experience connecting us through the simple power of existence, <em>Breathe</em> transforms users into Rose, a young girl orphaned after a devastating war. Rose’s life changes drastically after the trauma of living out formative years inside a conflict zone. Through her eyes, viewers live out the greatest joys and most profound struggles from her adolescence to adulthood. Each moment is inextricably shaped by her upbringing—yet she is able to find strength in small interconnected moments with those she loves.<br />
Even as humanity continues to fail and harm each other, <em>Breathe</em> seeks to remind us of the solace we can find in our similarities; we are all human, and we are all connected.</span></p>
<p><em><a href="https://chickeneggpics.org/grantee/racial-terror-project/">The Racial Terror Project</a></em>, by Michèle Stephenson and Joe Brewster</p>
<p><span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;The Racial Terror Project VR is a groundbreaking immersive virtual reality, room-scale installation in which users time travel along the last route of Claude Neal, who was brutally hunted down and lynched by a mob of white men in Florida in 1934, and meet his descendant community today and his ancestors in the era of slavery. The Racial Terror Project tells the story of how our present-day lived experiences of racial violence and discrimination reflect a long, insufficiently-acknowledged history of white racial oppression that dates back to slavery and continues today.&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:[null,0],&quot;12&quot;:0}"><em>The Racial Terror Project</em> is a groundbreaking immersive virtual reality, room-scale installation in which users time travel along the last route of Claude Neal, who was brutally hunted down and lynched by a mob of white men in Florida in 1934, and meet his descendant community today and his ancestors in the era of slavery. <em>The Racial Terror Project</em> tells the story of how our present-day lived experiences of racial violence and discrimination reflect a long, insufficiently-acknowledged history of white racial oppression that dates back to slavery and continues today.</span></p>
<p>We can&#8217;t wait to go along for the journey as these exciting projects push the boundaries of storytelling!</p>
<p>*Chicken &amp; Egg Pictures also supported <em><a href="https://chickeneggpics.org/grantee/tree/">Tree</a>,</em> the first virtual reality experience in the trilogy that <a href="https://chickeneggpics.org/grantee/breathe/"><em>Breathe</em></a> belongs to.</p>
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